SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses"/1) | (@(roleclean,performerclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1843 matches on Event Comments, 833 matches on Author, 211 matches on Performance Title, 141 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: The Lord Mayor's show. Evelyn, Diary: Was my L. Majors shew with a number of sumptuous pageantry, speeches & Verses: I was standing in an house in Cheape side, against the place prepared for their Majesties. The Prince & heire of Denmark was there, but not our King

Performances

Mainpiece Title: London's Triumph: Presented In Severall Delightfull Scaenes

Performance Comment: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson. The edition of 1662 has no actors' names, no prologue, no epilogue.
Event Comment: The King's Company. Pepys, Diary: Creed and I to my wife again, and...to the Cockpitt, where we saw Claracilla, a poor play, done by the King's house (but neither the King nor Queen were there, but only the Duke and Duchess, who did show some impertinent and, methought, unnaturall dalliances there, before the whole world, such as kissing, and leaning upon one another); but to my very little content, they not acting in any degree like the Duke's people

Performances

Mainpiece Title: Claracilla

Event Comment: The Duke's Company. Pepys, Diary: To the Duke's house, and there saw Twelfth Night acted well, though it be but a silly play, and not related at all to the name or day. Downes, p. 23: Twelfth Night, Or what you will; Wrote by Mr Shakespear, had mighty Success by its well Performance:...All the Parts being justly Acted Crown'd the Play. Note, It aas got up on purpose to be Acted on Twelfth Night

Performances

Mainpiece Title: Twelfth Night; Or, What You Will

Performance Comment: Downes (Roscius Anglicanus, p. 23): Sir Toby Belch-Betterton; Sir Andrew Ague@Cheek-Harris; Fool-Underhill; Malvolio-Lovel; Olivia-Mrs Ann Gibbs. See also 11 Sept. 1661.
Cast
Role: Sir Andrew Ague@Cheek Actor: Harris
Event Comment: The King's Company. See 5 Feb. Pepys, Diary: [The Slighted Maid] being done, we took coach and to court, and there got good places, and saw The Wilde Gallant, performed by the King's house, but it was ill acted, and the play so poor a thing as I never saw in my life almost, and so little answering the name, that from beginning to end, I could not, nor can at this time, tell certainly which was the Wild Gallant. The King did not seem pleased at all, all the whole play, nor any body else, though Mr Clerke whome we met here did commend it to us....Now as my mind was but very ill satisfied with these two plays themselves, so was I in the midst of them sad to think of the spending so much money and venturing upon the breach of my vow, which I found myself sorry for, I bless God, though my nature would well be contented to follow the pleasure still. But I did make payment of my forfeiture presently, though I hope to save it back again by forbearing two plays at court for this one at the Theatre, or else to forbear that to the Theatre which I am to have at Easter. But it being my birthday and my day of liberty regained to me, and lastly, the last play that is likely to be acted at Court before Easter, because of the Lent coming in, I was the easier content to fling away so much money

Performances

Mainpiece Title: The Wild Gallant

Event Comment: The King's Company. This marks the opening of the new Theatre Royal in Bridges Street, Drury Lane, to which Killigrew moved his company from Vere Street. Downes erroneously gives the opening date as 8 April, a fact which led to the creation of the famous spurious playbill for Bridges Street, Thursday, 8 April 1663. See Montague Summers, The Restoration Theater (London, 1934), p. 15. Pepys, Diary: This day the new Theatre Royal begins to act with scenes the Humorous Lieutenant, but I have not time to see it, nor could stay to see my Lady Jemimah lately come to town, and who was here in the house. Downes (p. 3): Note, this Comedy was Acted Twelve Days Successively

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: Pepys, Diary: And there took up my wife and Ashwell to the Theatre Royall, being the second day of its being opened. The house is made with extraordinary good contrivance, and yet hath some faults, as the narrowness of the passages in and out of the pitt, and the distance from the stage to the boxes, which I am confident cannot hear; but for all other things it is well, only, above all, the musique being below, and most of it sounding under the very stage, there is no hearing of the bases at all, nor very well of the trebles, which sure must be mended. The play was The Humerous Lieutenant, a play that hath little good in it, nor much in the very part which, by the King's command, Lacy now acts instead of Clun. In the dance, the tall devil's actions was very pretty....I am resolved to deny myself the liberty of two plays at court, which are in arreare to me for the months of March and April, which will more than countervail this excess, so that this month of May is the first that I must claim a liberty of going to a Court play according to my oath

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: The Duke's Company. Pepys, Diary: After dinner by water to the Royall Theatre [Bridges St]; but that was so full they told us we could have no room. And so to the Duke's House; and there saw Hamlett done, giving us fresh reason never to think enough of Betterton. Who should come upon the stage but Gosnell, my wife's maid? but neither spoke, danced, nor sung; which I was sorry for. But she becomes the stage very well

Performances

Mainpiece Title: Hamlet

Event Comment: The King's Company. Pepys, Diary: With my wife by water to the Royall Theatre; and there saw The Committee, a merry but indifferent play, only Lacey's part, an Irish footman, is beyond imagination. Here I saw my Lord Falconbridge, and his Lady, my Lady Mary Cromwell, who looks as well as I have known her and as well clad; but when the House began to fill she put on her vizard, and so kept it on all the play; which of late is become a great fashion among the ladies, which hides their whole face

Performances

Mainpiece Title: The Committee

Event Comment: Nethercot (Davenant,pp. 337-78) believes that this play was brought out in the late summer of 1663. The Epilogue refers to the Long Vacation, presumably the summer of 1663, as the play is referred to in Stapylton's The Stepmother, which was licensed 26 Dec. 1663. In Act V is a farce relating to Pompey; as Langbaine (English Dramatick Poets, p. 405) states: Pompey, a Tragedy, which I have seen acted with great Applause, at the Duke's Theatre, and at the End was acted that Farce printed in the fifth Act of The Play-house to be Let. [See also June 1663.

Performances

Mainpiece Title: The Playhouse To Be Let

Event Comment: Pepys, Diary: Calling at Wotton's...he tells me...that Harris is come to the Duke's house again; and of a rare play to be acted this week of Sir William Davenant's; the story of Henry the Eighth with all his wives

Performances

Event Comment: Pepys, Diary: But my wife and I rose from table, pretending business, and went to the Duke's house, the first play I have been at these six months, according to my last vowe, and here saw the so much cried-up play of "Henry the Eighth"; which, though I went with resolution to like it, is so simple a thing made up of a great many patches, that, besides the shows and processions in it, there is nothing in the world good or well done

Performances

Mainpiece Title: Henry Viii

Event Comment: The King's Company. There is no indication as to whether this is the first performance of the play. Pepys, Diary: I took my wife out, for I do find that I am not able to conquer myself as to going to plays till I come to some new vowe concerning it, and that I am now come, that is to say, that I will not see above one in a month at any of the publique theatres till the sum of 50s. be spent, and then none before New Year's day next, unless that I do become worth #1,000 sooner than then, and then am free fo come to some other terms.... to the King's house, and there met Mr Nicholson, my old colleague, and saw The Usurper, which is no good play, though better than what I saw yesterday. However, we rose unsatisfied

Performances

Mainpiece Title: The Usurper

Performance Comment: Edition of 1668 has Prologue and Epilogue but no actors' names.
Event Comment: The Duke's Company. This play apparently was not printed. Pepys, Diary: and then with my wife by coach to the Duke's house, and there saw The German Princess acted, by the woman herself; but never was any thing so well done in earnest, worse performed in jest upon the stage; and indeed the whole play, abating the drollery of him that acts her husband, is very simple, unless here and there a witty sprinkle or two

Performances

Mainpiece Title: The German Princess

Event Comment: The Duke's Company. The play apparently was never printed. Downes, Roscius Anglicanus, p. 26: Made out of Spanish, by the Earl of Bristol. Pepys, Diary: Went to a play, only a piece of it, which was at the Duke's house, Worse and Worse; just the same manner of play, and writ, I believe, by the same man as The Adventures of Five Hours; very pleasant it was, and I begin to admire Harris more than ever

Performances

Mainpiece Title: Worse And Worse

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen...did carry me to a play and pay for me at the King's house, which is The Rivall Ladys, a very innocent and most pretty witty play. I was much pleased with it, and it being given me, I look upon it as no breach to my oathe

Performances

Mainpiece Title: The Rival Ladies

Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Event Comment: The King's company. On 31 Aug. or 1 Sept. 1664 Orrery wrote to Sir Henry Bennett: Ther was noe Play of myne Acted, they are now but Studyinge it; I hope within less then a Fortnight twill be on ye Theater And if you are not surfetted, with what of mine you have already seene [Henry V], I will beg ye honour to wait on you when tis Acted (see The Dramatic Works of Roger Boyle, ed. W. S. Clark@II [Cambridge, Mass., 1937], 1, 102). The play is also on the list of Herbert, Dramatic Records, p. 138. Boswell, Restoration Court Stage, p. 281, lists it among the plays given at court, but Sir Heneage Finch's note (see below) seems to indicate an afternoon performance. Sir Heneage Finch to Sir Edward Dering, 15 Sept. 1664: Yesterday was acted, in the Greatest and noblest presence wch ye Court can make, before ye fullest Theatre, & with the highest applause imaginable, my Lo Orerys new play calld ye Generall formerly acted in Ireland by the name of Altamira, but much altered & improved. From thence the whole Court went to Wallingford house, where the Earl of Arran and the Lady Mary Stuart were that night before Supper marryd in the Gallery (Dramatic Works of Roger Boyle, I, 103, from Stowe MS 744 f. 81)

Performances

Mainpiece Title: The Generall

Event Comment: Pepys, Diary: Luellin...tells me what a bawdy loose play this Parson's Wedding is, that is acted by nothing but women at the King's house, and I am glad of it

Performances

Mainpiece Title: The Parson's Wedding

Performances

Mainpiece Title: Macbeth

Performance Comment: [Probably adapted by Sir William Davenant.] among those named in the quarto of 1673 these may have played at this time: Macbeth-Betterton?; Macduff-Harris?; Banquo-Smith?; Malcolm-Norris?; Lennox-Medbourne?; Donalbain-Cademan?; Lady Macbeth-Mrs Betterton?; Heccat-Sandford?.
Cast
Role: Heccat Actor: Sandford?.
Event Comment: The Duke's Company. Pepys, Diary: With my wife and Mercer to the Duke's house, and there saw The Rivalls, which I had seen before; but the play not good, nor anything but the good acting of Betterton and his wife and Harris

Performances

Mainpiece Title: The Rivals

Performance Comment: See16640910, but Philander?-Betterton; Theocles?-Harris; Heraclia?-Mrs Betterton.
Cast
Role: Philander? Actor: Betterton
Event Comment: The Duke's Company. Pepys, Diary: Mr Moore and I to Love in a Tubb, which is very merry, but only so by gesture, not wit, at all, which methinks is beneath the House

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Event Comment: The King's Company. Pepys, Diary: With my wife to the King's house, there to see Vulpone, a most excellent play; the best I think I ever saw, and well acted

Performances

Mainpiece Title: Volpone

Event Comment: The Duke's Company. Pepys, Diary: With Creed, my wife, and Mercer to a play at the Duke's, of my Lord Orrery's, called Mustapha, which being not good, made Betterton's part and Ianthe's but ordinary too, so that we were not contented with it at all...All the pleasure of the play was, the King and my Lady Castlemayne wer there; and pretty witty Nell Gwin?, at the King's house, and the younger Rebecca? Marshall sat next us; which pleased me mightily. Downes (p. 26): All the Parts being new Cloath's with new Scenes, Sir William's great Care of having it perfect and exactly perform'd, it produc'd to himself and Company vast Profit

Performances

Mainpiece Title: Mustapha, The Son Of Solyman The Magnificent

Performance Comment: Downes (Roscius Anglicanus, pp. 25-26): Solyman-Betterton; Mustapha-Harris; Zanger-Smith; Rustan-Sandford; Pyrrhus-Richards; Cardinal of Veradium?-Young; Haly-Cademan; Roxolana-Mrs Davenport [presumably an error for Mrs Betterton, who is named for this role in the edition of 1668 and who is referred to (Ianthe) by Pepys on this day]; Queen of Hungaria-Mrs Davies. [Edition of 1668 adds: Achmat-$James Noke; Thuricus-$Medborn; Viche-$Aingel; Zarma-$Mrs Long; Mitza-$Mrs Norris; Cleora-$Mrs Shadwel.
Cast
Role: Rustan Actor: Sandford

Performances

Mainpiece Title: The Ghosts