SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Grigsby\'s Shadwell\'s Janeway\'s and Sam\'s Coffee Houses"/1) | (@(roleclean,performerclean) "Grigsby\'s Shadwell\'s Janeway\'s and Sam\'s Coffee Houses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1843 matches on Event Comments, 866 matches on Author, 211 matches on Performance Title, 145 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs West. Tickets to be had of West, at the Ship, near the Seven Houses, Rotherhithe. Mainpiece: In Act II the triumphal entry of Alexander into Babylonv; In Act IV the grand Banquet where Alexander kills his faithful soldier, old Clytus. [The playbill contains a lengthy synopsis of the plot of the mainpiece; it concludes by noting that "the many flowery passages with which this tragedy abounds does honour to the pen of its author, N. Lee, Esqr., and we may justly say with Mr Pope, 'Such plays alone shou'd please a British ear, as Cato's self had not disdain'd to hear.'"]

Performances

Mainpiece Title: Alexander The Great Or The Rival Queens

Performance Comment: Alexander-West; Hephestion-Russell; Lysimachus-Smith; Cassander-Comerford; Polyperchon-Jones; Perdiccas-Johnson; Thessalus-Dancer; Aristander-Thomas; Eumenes-Brown; Clytus-Lewis; Roxana-Mrs Wilks; Sysigambis-Mrs Ross; Parisatis-Miss Taylor; Satira-A Gentlewoman [unidentified].unidentified].
Cast
Role: Alexander Actor: West
Role: Cassander Actor: Comerford
Role: Aristander Actor: Thomas

Afterpiece Title: Marriage a la Mode i

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

Event Comment: Benefit for Mrs Newton, box-keeper. As Newton superintends the whole Performance of the Play, Farce and Interlude, the greatest care will be taken to gratify the taste of a most generous Public. Tickets to be had of Mrs Newton at the Seven Houses

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-A Young Gentleman (Pupil to Newton; 1st appearance on any stage [unidentified]); Gonzalez-Lloyd; Garcia-Garland (of Deptford); Selim-Johnson; Perez-Kenny; Alonzo-Dancer; Heli-Smith; King-Comerford; Zara-A Young Lady [unidentified]; Leonora-Miss C. Newton; Almeria (the Mourning Bride)-Miss Reynolds.
Cast
Role: Garcia Actor: Garland

Afterpiece Title: The Life and Death of Harlequin

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Ware (of Deptford); Young Wilding-Sparks; Old Wilding-Taylor (of Deptford); Dapper-Dancer; Quildrive-Smith; Beaufort-Johnson; Young Philpot-Garland; Maria (with Theatrical Imitations)-Miss Reynolds.
Cast
Role: Young Philpot Actor: Garland

Song: As17760925

Entertainment: Monologue.End 3rd piece: Bucks have at ye all-Master Russell

Event Comment: Benefit for Lewis, Dancer & J. Smith. Tickets to be had of Lewis at the Europa; of Smith at the Ship, Seven Houses

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Life and Death of Tom Thumb the Great

Dance: End: The Wapping Landlady; or, Jack in Distress-; [with a Hornpipe [in character,-a Lady from London [unidentified]

Song: As17760925

Entertainment: Imitations. As17760930 Monologue. Teague's Ramble to London. Captain O'Blunder-Broderick

Event Comment: Epilogue by David Garrick. Second Ballet: with New Scenes [by deLoutherbourg] and Dresses [by Lupini]. Two new Grand Ballets, composed by Gallet, were introduced in this Piece (The Maid of the Oaks) in which Gallet and Mlle Dupre made their first Appearance upon the Eng. Stage--the first Dance, which was to be in the 2nd Act, was obliged to be deferred till the end of the 3rd Act, as Lupini, who made the Dancers Dresses, had not brought them to the House--this put us all into great Confusion, and Dodd made an Apology to the Audience, that an unforseen Accident had prevented the Dance being done in the proper Place. At the beginning of the 3rd Act most of the Dresses were brought, but not all, and some of the Dancers were obliged to put on what Dresses could be got for them--They were all very much confused--the Music also was not perfect. Gallet went on, and spoke in French to the Audience, and told the Band that he wished they had any Heads. In the first Dance Mlle Dupre fell down, and a little after Gallet fell down, but (they) did not hurt themselves, and the Dance went on--and even with all these Disadvantages was much applauded (Hopkins Diary). Receipts: #181 19s. 6d

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Polly Honeycomb

Dance: In II: [but postponed until end of Act III (see following note)]a new grand Ballet, Demie Caractere, composed by Gallet, The Double Festival-Gallet, Mlle Dupre (their 1st appearance upon the English stage), Helme, Slingsby, Sga Vidini, Sga Crespi, Sga Ricci; In V: [a new grand serious Ballet, composed by Gallet, The Triumph of Love-Gallet, Helme, Sga Crespi, Miss Armstrong, Mlle Dupre

Song: In: a Fete Champetre[. The vocal parts-Vernon, Davies, Miss Abrams, Mrs Scott, Mrs Wrighten. [This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: High Life below Stairs

Dance: As17761015

Event Comment: Benefit for Smith. Public Advertiser, 18 Feb.; Tickets to be had of Smith at his House in Beaufort Buildings, Strand. Receipts: #260 4s. (144.4; 13.8; 0.19; tickets: 101.13) (charge: #74 14s.)

Performances

Mainpiece Title: The Rivals

Cast
Role: Faulkland Actor: Reddish

Afterpiece Title: Harlequins Invasion

Dance: End III: The Irish Fair, as17761031

Performances

Mainpiece Title: Lali Damore

Song: In III: 'Sventurata in van mi lagno-Sga Davies; with the flute accompaniment-, from Antigono

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Bon Ton

Cast
Role: Orlando Actor: Reddish

Dance: End II: a Grand New Ballet (composed by Ricci), The Chaconne-Ricci (1st appearance on the English stage), Sga Crespi, Sga Ricci; End V: The Savage Hunters, as17761024

Performances

Mainpiece Title: Othello

Afterpiece Title: The Experiment

Dance: End: Hunting Dance, as17770218; End I afterpiece: The Villagers, as17770122

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Deserter

Dance: Grand Naval Review, As17761109; End I afterpiece: a Hornpipe-Walker

Song: As17761109

Entertainment: Monologue. End: Bucks have at ye All-R. Palmer

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Clock Case or Female Curiosity

Afterpiece Title: Midas

Dance: End 2nd piece: The Humours of Leixlip, as17770425

Event Comment: Benefit for Mons and Mme Vallouy. Public Advertiser, 3 May: Tickets to be had of Vallouy at his house, No. 2, Berkley-square

Performances

Mainpiece Title: Il Geloso In Cimento

Dance: End I: new Comic Dance, Le Culte d'Amour(composed by Vallouy)-Vallouy, Mlle DeCamp, Vallouy@le@cadet; End II: Serious Ballet-Simonet, Mlle Baccelli; , in which the Minuet de la Cour-Mons and Mme Vallouy; End Opera: Les Amans Heureux, as17770104

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Harlequins Frolicks

Dance: As17770121

Event Comment: [The play was not allowed to conclude, nor was the afterpiece, All the World's a Stage, performed. "Yesterday evening, during the representation of...A Bold Stroke for a Wife, at China Hall, Rotherhithe, a party of the inhabitants, who had laid an information against the performers, rushed into the theatre, behind the scenes, and seized Mr Russell (who played the character of Colonel Feignwell), and carried him, in his stage dress, before Justice Smith, at the Rotation-Office, St Bennet's-hill, who committed him to the House of Correction, for further examination this morning" (Morning Chronicle, 24 July). What happened to Russell is not known, but because of this occurrence the theatre did not re-open until the following season, on 25 May 1778. See my article on the history of this unlucky playhouse, Theatre Notebook, VIII, 76-80.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Henderson (1st appearance in that character [in London]); Petruchio-Aickin; Duke-Fearon; Peter-Blissett; Anthony-Massey; Francisco-Jackson; Surgeon-Griffiths; Antonio-Parsons; Don Frederick-Davies; 1st Constantia-Mrs Hunter; Landlady-Mrs Love; Nurse-Mrs W. Palmer; Kinswoman-Miss Hale; Mother-Miss Platt; 2nd Constantia-Miss Barsanti.
Cast
Role: Landlady Actor: Mrs Love

Afterpiece Title: The Lyar

Dance: End Monologue: a Dance-

Entertainment: MonologueEnd: The Picture of a Playhouse or Bucks have at Ye All-Palmer

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mr and Mrs Massey. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Massey, No. 17, Portugal-street, Lincoln's inn fields. Care has been taken to have the House well aired

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Song: Entertainments of singing-Mrs Mapples;, particularly the favourite song of The Soldier tir'd of war's alarms-Mrs Mapples

Event Comment: Benefit for Smith. Morning Chronicle, 24 Mar.: Tickets to be had of Smith at his house, Beaufort-buildings, Strand. Part of the Pit will be laid into the Boxes. Ladies and Gentlemen are desired to send servants before Five o'Clock, to keep their Places; and those who have Places in the Pit are requested to come early, to prevent Confusion and Inconvenience to themselves. Receipts: #284 6s. (145.4: 10.15; 1.6; tickets: 127.1) (charge: #62 2s.)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Mrs Candour Actor: Miss Pope

Afterpiece Title: Selima and Azor

Cast
Role: Scander Actor: Bannister
Event Comment: Benefit for Mrs Mattocks. [As afterpiece Genest, VI, 25, lists The Romp, "1st time," with partial cast. In an advance notice of Mrs Mattocks' benefit in Public Advertiser, 20 Mar., the farce advertised for 28 Mar. is The Romp, "1st time," with full cast; this appears to have been Genest's source. But in the same newspaper for 25, 26, 27 Mar. the farce advertised is Three Weeks after Marriage. The Romp was 1st acted at the Capel Street Theatre, Dublin, 23 Jan. 1771, and in London at the hay, 12 Nov. 1781. See also dl, 21 Nov. 1785.] Public Advertiser, 17 Mar.: Tickets to be had of Mrs Mattocks at her house in Covent Garden. Receipts: #160 9s. (101.19; tickets: 58.10) (charge: #64 10s.)

Performances

Mainpiece Title: Percy

Afterpiece Title: Three Weeks after Marriage

Dance: After Epilogue: All in the Downs; or, Farewell to Deal, as17780309but _Besford, Mrs White

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: True Blue

Afterpiece Title: The Apprentice

Dance: 2nd piece: Aldridge. [This was danced, as here assigned, in all subsequent performances.

Song: III: Epithalamium-; the vocal parts-Robson, Miss Dayes

Performances

Mainpiece Title: Love For Love

Cast
Role: Scandal Actor: Bensley
Role: Trapland Actor: Waldron

Afterpiece Title: Selima and Azor

Cast
Role: Scander Actor: Bannister

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Poor Vulcan

Dance: As17780121

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: True Blue

Afterpiece Title: Poor Vulcan

Performances

Mainpiece Title: All For Love Or The World Well Lost

Afterpiece Title: A ChristmasTale

Dance: As17780422

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: End III: The Irish Lilt-Aldridge, Miss Valois; End IV: as17780421

Event Comment: Benefit for Hurst and Burton. Afterpiece: Not acted these 2 years. Public Advertiser, 25 Apr.: Tickets to be had of Hurst at his house, No. 374, Strand; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #209 15s. (42.11.0: 11.16.6; 0.2.6; tickets: 155.5.0) (charge: #65 3s.)

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The Lyar

Dance: As17780504