SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation"/1) | (@(roleclean,performerclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1326 matches on Performance Title, 749 matches on Event Comments, 572 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Miss Miller. Mainpiece: Not Acted these 5 years. [See 13 April 1768.] Charges #66 5s. 6d. Profit to Miss Miller #11 9s. 6d., plus #20 4s. from tickets (Box 52; Pit 48). Paid half year's Land Tax for Theatre due Lady Day last #35; ditto for House in Bow Passage #1 5s. 6d.; ditto for Window Lights for theatre #6 10s. 6d., and for House in Bow Passage 15s. (Account Book). Receipts: #78 5s

Performances

Mainpiece Title: All For Love Or The World Well Lost

Performance Comment: Antony-Smith; Ventidius-Clarke, first time; Dolabella-Wroughton; Alexas-Thompson; Serapion-Gardner; Romans-Davis, Bates; Octavia-Miss Miller, first time; Charmion-Miss Pearce; Iras-Mrs Willems; Cleopatra-Mrs Hartley, first time.
Cast
Role: Romans Actor: Davis, Bates

Afterpiece Title: The Padlock

Cast
Role: Leander Actor: DuBellamy.

Ballet: End Play: The Wapping Landlady with Sixfold Hornpipe. As17730424

Cast
Role: Landlady Actor: Banks

Performances

Mainpiece Title: All For Love Or The World Well Lost

Performance Comment: Antony-Smith; Ventidius-Clarke; Dolabella-Wroughton; Alexas-Dyer; Serapion-Gardner; Romans-Davis, Bates; Octavia-Miss Miller; Charmion-Miss Pearce; Iras-Mrs Willems; Cleopatra-Mrs Hartley.
Cast
Role: Romans Actor: Davis, Bates

Afterpiece Title: The Golden Pippin

Dance: End: The Merry Sailors, as17731007

Event Comment: Benefit for Grimaldi, Ballet-Master, and Hurst. Receipts: #241 15s. 6d. Charges #74 14s. Profits to Grimaldi and Hurst: #177 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: All For Love

Performance Comment: Antony-Reddish, first time; Ventidius-Hurst, first time; Dolabela-Palmer; Alexas-J. Bannister; Serapion-Bransby; Mysis-Keen; Romans-Ackman, Wrighten; Charmion-Mrs Johnston; Iras-Miss Platt; Octavia-Mrs Canning, first time; Cleopatra-Miss Younge.
Cast
Role: Romans Actor: Ackman, Wrighten

Afterpiece Title: The Pigmy Revels

Dance: IV: A Pantomime Dance call'd The Taylors-Grimaldi, Atkins, Mrs Sutton; V: A Hornpipe-a Scholar of Grimaldi

Event Comment: Benefit for Waldron and Mrs Greville. Farce (in 2 Acts) Never performed before, and for that night only. This Farce was written by Mr Waldron-Some Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wegg's rent half year to Lady Day last #57; Duke of Bedford ditto #164 2s. 10d.; One yrs Paving, Cleansing & Lighting to ditto #39 7s. 6d.; Mr Moody for Mr Philips #13 13s.; St Martin's Charity School, 1 year, 1774 #2 2s. (Treasurer's Book). [The Westminster Magazine for May gives the following cast for the farce: Reuben-$Waldron; Blunt-$Moody; Sharp-$Dodd; Flimsy-$LeMash; Joseph-$Burton; Mrs Reuben-$Mrs Davies; Betty-$Miss Platt. It then bluntly tells the plot and concludes: "The whole is beneath criticism."

Performances

Mainpiece Title: All For Love

Performance Comment: Antony-Smith, first time; Ventidius-Palmer, first time; Dolabella-Brereton, first time; Alexas-Wheeler; Mysis-Keen; Serapion-Bransby; Romans-Griffiths, Norris; Cleopatra-Miss Younge; Octavia-Mrs Greville, first time; Charmion-Mrs Johnston; Iris-Miss Platt.
Cast
Role: Romans Actor: Griffiths, Norris

Afterpiece Title: The Contrast or The Jew and Married Courtezan

Event Comment: Benefit for Young and Sga Vidini

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The What DYe Call It

Dance: I: The Country Macaroni Assembly, as17750512; With Minuet, as17750512; End Opera: The British Bacchanalian, as17750512; with Wooden Shoe Dance, as17750512

Ballet: II: Boadicea Queen of Britain. As17750512, but in addition are Twenty@three Combatants-, dressed after the manner of the ancient Britons and Romans

Performance Comment: As17750512, but in addition are Twenty@three Combatants-, dressed after the manner of the ancient Britons and Romans.

Performances

Mainpiece Title: All For Love

Performance Comment: Anthony-Smith; Dolabella-Brereton; Ventidius-Palmer; Alexas-Whitfield; Serapion-Bransby; Myris-Wrighten; Romans-Griffith, Norris; Cleopatra-Miss Younge; Octavia-Mrs Yates, first time; Iras-Miss Platt; Charmion-Mrs Johnston.
Cast
Role: Romans Actor: Griffith, Norris

Afterpiece Title: High Life below Stairs

Dance: End: The Grand Garland Dance, as17760311

Performances

Mainpiece Title: All For Love Or The World Well Lost

Performance Comment: Marc Antony-Lacy (1st appearance in that character); Dollabella-Brereton; Alexis-Farren; Serapion-Chambers; Romans-Chaplin, Norris; Ventidius-Palmer; Octavia-Mrs Robinson (1st appearance in that character); Charmion-Mrs Johnston; Iras-Mrs Colles; Cleopatra-Miss Younge.
Cast
Role: Romans Actor: Chaplin, Norris

Afterpiece Title: A ChristmasTale

Cast
Role: Nigromant Actor: Legg

Dance: As17780422

Performances

Mainpiece Title: All For Love Or The World Well Lost

Performance Comment: Marc Antony-Smith; Dollabella-Brereton; Alexas-Farren; Serapion-Wrighten; Myris-Chaplin; Romans-Phillimore, Norris; Ventidius-Palmer; Octavia-Mrs Ward; Charmion-Miss Kirby; Iras-Miss Simson; Cleopatra-Mrs Crawford.
Cast
Role: Romans Actor: Phillimore, Norris

Afterpiece Title: The Camp

Performances

Mainpiece Title: All For Love Or The World Well Lost

Performance Comment: Marc Antony-Kemble; Dollabella-Barrymore; Alexas-Whitfield; Serapion-Packer; Myris-Chaplin; Romans-Wilson, Benson; Ventidius-Palmer; Octavia-Mrs Ward; Charmion-Miss Tidswell; Iras-Miss Palmer; Cleopatra-Mrs Siddons.
Cast
Role: Romans Actor: Wilson, Benson

Afterpiece Title: Catherine and Petruchio

Dance: As17880313

Performances

Mainpiece Title: All For Love Or The World Well Lost

Performance Comment: Marc Antony-Holman; Dollabella-Farren; Alexas-Davies; Serapion-Hull; Myris-Thompson; Ventidius-Harley; Cleopatra-Miss Brunton; Charmion-Mrs Rock; Iras-Miss Francis; Octavia-Mrs Pope; Edition of 1792 (John Bell) adds: Romans-Evatt, Ledger.
Cast
Role: Romans Actor: Evatt, Ledger.

Afterpiece Title: The Provocation

Performances

Mainpiece Title: All For Love Or The World Well Lost

Performance Comment: Marc Antony-Holman; Dollabella-Farren; Alexas-Davies; Serapion-Hull; Myris-Thompson; Ventidius-Harley; Cleopatra-Miss Brunton; Charmion-Mrs Rock; Iras-Miss Francis; Octavia-Mrs Pope; Edition of 1792 (John Bell) adds: Romans-Evatt, Ledger.
Cast
Role: Romans Actor: Evatt, Ledger.

Afterpiece Title: The Provocation

Event Comment: The King's Company. This performance (entitled The French Opera) is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The edition of 1674 (appearing in both an English and a French version) states: An Opera, or, a Vocal Representation. First Compos'd by Monsieur P. P. Now put into Musick by Monsieur Grabut, Master of His Majesties Musick. And Acted by the Royall Academy of Musick, At the Theatre-Royal in Covent-Garden. The names of the singers for this production are not known, but it is possible that some of the French singers who appeared in Calisto in the following season, 1674-75, were in London for this production. See Boswell, Restoration Court Stage, pp. 201, 222, and W. J. Lawrence, Early French Players in England, The Elizabethan Playhouse and Other Studies, p. 145. French dancers in the opera were Pecurr [Preux], LeTemps, Shenan, D'muraile. See L. C. 5@140, p. 472, in Nicoll, Restoration Drama, p. 355

Performances

Mainpiece Title: Ariadne Or The Marriage Of Bacchus

Event Comment: The King's Company. Pepys, Diary: All alone to the King's playhouse, and there did happen to sit just before Mrs Pierce, Mrs Knepp, who pulled me by the hair; and so I addressed myself to them, and talked to them all the intervals of the play, and did give them fruit. The play is Brenoralt, which I do find but little in, for my part. Here was many fine ladies--among others, the German Baron, with his lady, who is envoye from the Emperour, and their fine daughter, which hath travelled all Europe over with them, it seems; and is accordingly accomplished, and indeed, is a wonderful pretty woman. Here Sir Philip Frowde, who sat next to me, did tell me how Sir H. Belasses is dead, and that the quarrel between him and Tom Porter, who is fled, did arise in the ridiculous fashion that I was first told it, which is a strange thing between two so good friends. The play being done, I took the women, and Mrs Corbett, who was with them, by coach, it raining, to Mrs Manuel's, the Jew's wife, formerly a player, who we heard sing with one of the Italians that was there; and, indeed, she sings mightily well, and just after the Italian manner, but yet do not please me like one of Mrs Knepp's songs, to a good English tune, the manner their ayre not pleasing me so well as the fashion of our own, nor so natural

Performances

Mainpiece Title: Brenoralt Or The Discontented Colonel

Event Comment: For performances in Sept. 1667 preceding this date, see the season of Pepys, Diary: I fell in talk with Tom Killigrew about musick, and he tells me that he will bring me to the best musick in England (of which, indeed, he is master), and that is two Italians and Mrs Yates, who, he says, is come to sing the Italian manner as well as ever as he heard any: says that Knepp won't take pains enough, but that she understands her part so well upon the stage, that no man or woman in the House do the like!

Performances

Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Performance Comment: Edition of 1699: Prologue-; Rinaldo-Betterton; Ubaldo-Thurman; Carlo-Scudamore; Armida-Mrs Barry; Urania-Mrs Boman; Phenissa-Mrs Lee; Epilogue-; The Musical Entertainment ...All Compos'd by Mr John Eccles, and Writ by Mr Dennis-.
Event Comment: Flying Post, 21-23 Feb. 1699: The famous Italian, Seignor Fideli, is to Sing next Tuesday at the Theatre Royal in Drury-Lane; both in Italian and English; which he never yet performed

Performances

Mainpiece Title: Play Not Known

Performances

Mainpiece Title: The Consultation

Afterpiece Title: The Loves of Ergasto

Performance Comment: Licoris-the new Italian Boy.
Cast
Role: Licoris Actor: the new Italian Boy.
Event Comment: By the Company of Italian Comedians, just arriv'd. Mainpiece: an Italian Comedy. Afterpiece: Opera Comique. At 6 p.m. Boxes by printed tickets only at 5s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: Les Metamorphoses Darlequin

Afterpiece Title: LIsle des Amazones

Event Comment: Afterpiece: [By Lewis Theobald.] The Cloaths, Scenes, Machines, Flyings, and otehr Decorations, Being entirely new. N.B. Tis desir'd that no Persons will take it ill, that they are refus'd Admittance behind the Scenes, it being impossible to perform the necessary Decorations, unless the Passages are kept entirely clear. Receipts: #174 8s. Weekly Journal or Saturday's Post, 23 Jan.: In which was shewn the boldest Piece of Machinery that ever yet was seen upon the Stage

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin a Sorcerer With The Loves of Pluto and Proserpine

Performance Comment: Harlequin-Lun; Witches-Leveridge, Salway, Harrison, Mrs Chambers; First Bird Catcher-Nivelon; 2d-Spiller; Petit Maitre-Legar; Italian-Rochetti; Pluto-Leveridge; Proserpine-Mrs Barbier; Cerberus-Nivelon; Susiphus-Glover; Prometheus-Newhouse; Ixion-Lanyon; Clotho-Mrs Ogden; Lachesis-Mrs Wall; Atropos-Mrs Legar; Furies-DuPre, Lalley, Pelling.
Cast
Role: Italian Actor: Rochetti

Performances

Mainpiece Title: Aesop

Afterpiece Title: Harlequin a Sorcerer

Performance Comment: Harlequin-Lun; Witches-Leveridge, Salway, Harrison, Mrs Chambers; 1st Bird@Catcher-Nivelon; 2d Bird@Catcher-Spiller; Petit Maitre-Legar; Italian-Rochetti; Pluto-Leveridge; Proserpine-Mrs Barbier; Sysiphus-DuPre Jr; Prometheus-Newhouse; Ixion-Lanyon; Clotho-Mrs Bullock; Lachesis-Mrs Wall; Atropos-Mrs Anderson; Furies-DuPre, Lally, Pelling.
Cast
Role: Italian Actor: Rochetti
Role: Atropos Actor: Mrs Anderson

Performances

Mainpiece Title: The Committee

Afterpiece Title: Harlequin a Sorcerer

Performance Comment: As17251113, but Italian-Salway.
Cast
Role: Italian Actor: Salway.
Role: Atropos Actor: Mrs Anderson

Performances

Mainpiece Title: The True And Ancient History Of King Lear

Afterpiece Title: Harlequin a Sorcerer With The Loves of Pluto and Proserpine

Performance Comment: Harlequin-Lun; Witches-Leveridge, Salway, Harrison, Mrs Chambers; 1st Bird@Catcher-Nivelon; 2d Bird@Catcher-Spiller; Petit Maitre-Legar; Italian-Rochetti; Pluto-Leveridge; Proserpine-Mrs Barbier; Sysiphus-DuPre Jr; Prometheus-Newhouse; Ixion-Lanyon; Clotho-Mrs Bullock; Lachesis-Mrs Pelling; Atropos-Mrs Anderson; Furies-DuPre, Lally, Pelling.
Cast
Role: Italian Actor: Rochetti
Role: Atropos Actor: Mrs Anderson

Performances

Mainpiece Title: Aesop

Afterpiece Title: Harlequin a Sorcerer

Performance Comment: As17260923, but Italian-Salway; Clotho-Mrs Legar [Daily Journal, or Mrs Ogden: Daily Post]; Atropos-Mrs Ogden [Daily Journal, or Mrs Legar: Daily Post].Daily Journal, or Mrs Legar: Daily Post].
Cast
Role: Italian Actor: Salway
Event Comment: Receipts: #38 16s. Probable attendance: boxes, 32 paid and 14 orders; pit, 100 paid and 50 orders; slips, 12 orders; first gallery, 105 paid and 55 orders; second gallery, 50 paid and 11 orders

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Harlequin a Sorcerer

Performance Comment: As17261007, but Italian-Rochetti; Clotho-Mrs Legar; Atropos-Mrs Ogden.
Cast
Role: Italian Actor: Rochetti
Event Comment: Receipts: #112 1s. 6d. Probable attendance: boxes, 124 paid and 22 orders; pit, 264 paid and 3 orders; slips, 30 paid and 1 order; first gallery, 271 paid and 15 orders; second gallery, 128 paid

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin a Sorcerer With The Loves of Pluto and Proserpine

Performance Comment: Harlequin-Lun; Witches-Leveridge, Salway, Harrison; Mrs Chambers; 1st Birdcatcher-Nivelon; 2d Birdcatcher-Spiller; Petit Maitre-Legar; Italian-Rochetti; Pluto-Leveridge; Proserpine-Mrs Seedo (late Mrs Fletcher); Sysiphus-Dupre Jr; Prometheus-Newhouse; Ixion-Lanyon; Clotho-Mrs Laguerre; Lachesis-Miss Bullock; Atropos-Mrs Pelling; Furies-Dupre, Poitier, Pelling.
Cast
Role: Italian Actor: Rochetti