SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Great Mogul"/1) | (@(roleclean,performerclean) "Great Mogul")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1437 matches on Event Comments, 401 matches on Performance Title, 130 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At the Great Piazza Coffee Room, late Macklin's in Covent Garden. At the particular Desire of several Ladies and Gentlemen

Performances

Mainpiece Title: Lecture

Event Comment: At the Great Piazza Coffee Room, Covent Garden

Performances

Mainpiece Title: Lecture

Event Comment: At the Great Piazza Coffee Room, Covent Garden

Performances

Mainpiece Title: Lecture

Event Comment: A new Tragedy by ye Author of Barbarossa (Dr Brown) Great Applause (Cross). [Larpent MS 124 suggests Dunelm had been intended for Walker to act.] Receipts: #190 (Cross)

Performances

Mainpiece Title: Athelstan A New Tragedy

Event Comment: At the Great Piazza Coffee Room, Covent Garden. By Desire

Performances

Mainpiece Title: Lecture

Event Comment: At the Great Piazza Coffee Room, Covent Garden. By Particular Desire

Performances

Mainpiece Title: Lecture

Event Comment: By Desire and Consent of Frederic Handel, Esq. Afterpiece: Musick composed by his Majesty the King of Prussia. Pit half a Guinea. Gallery 5s. 6 p.m. At the Great Room, Dean St., Soho

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Charlottenburg Festegiante

Event Comment: At the Great Piazza Coffee Room, Covent Garden

Performances

Mainpiece Title: Lecture

Event Comment: At the Great Piazza Coffee Room, Covent Garden. To begin at 7 p.m

Performances

Mainpiece Title: Lecture

Event Comment: MMr Barbaut's Second Subscription Oratorio, taken from the First Book of Milton's Paradise Regained and set to music by Mr Charles Barbant in two parts with a solo upon the Violin by Signor Marella; a solo upon the German Flute by Mr Tacet; a Concerto on the Lute by Mr Servi?; a Hautboy concert by Mr Barbant; and an organ concerto ditto; and a Great Concerto with Clarinets, French Horns and Kettle-Drums, composed by Mr Barbant. Boxes and Pit put together at Half a Guinea each, Gallery 3s. Tickets to be had at Mr Barbant's, at Mr White's in Marshall St., Carnaby-Market; and at Mr Browne's Stationer [sic], facing the Opera House, Haymarket. To begin at half an Hour after six. N.B. the Books of the Oratorios stitched in Blue Paper at 1s. each are sold at Mrs Browne's [sic] in the Haymarket, and at the House on the night of the performance

Performances

Mainpiece Title: Oratorio From First Book Of Paradise Regained

Event Comment: At the Great Piazza Coffee Room, Covent Garden

Performances

Mainpiece Title: Lecture

Event Comment: Mainpiece: By Particular Desire. Tickets for Merope will be taken. Benefit for Mr Holland. Tickets at Holland's lodgings, a Peruke-Maker's, opposite Cecil St., Strand. While he was speaking his first Speech to the Ghost, an Ignorant man took up his hat & clapt it upon his head, Holland unconcern'd play'd with it so, & went off wth it, (great Prudence) (Cross). Receipts: #270 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Devil to Pay

Dance: NNew Sailor's Dance, as17560217

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Press Gang; or, The Parting Lovers

Performance Comment: Commodore-Lowe (in which will be introduced Rule Britannia); True Blue-Baker; Careful-Howard; Dreadnought-Bencraft; Boatswain-Dunstall; Nancy-Mrs Lampe; To conclude with the Song and Chorus of God Save Great George our King-.

Dance: LLes Paisans Gallants, as17551203

Song: TTo Arms to Arms, Britons Strike Home-Lowe, Howard

Event Comment: At the Great Room, George Inn Yard. Mrs Charke and King's Company of Comedians. A new Droll. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. 12 noon to ten p.m. during the time of the Fair

Performances

Mainpiece Title: Ngland Triumphant; Or, The British General

Afterpiece Title: The Merry Beggars; with the Comical Humours of his Royal Consort Queen Tatter

Entertainment: Variety of Singing, Dancing, Rope Dancing, Tumbling-eminent performers lately arrived from Italy

Event Comment: From 12 noon to 10 p.m. At Warner's Great Tiled Booth, Bowling Green

Performances

Mainpiece Title: The Lover's Metamorphosis; Or, More Ways Than One To Win Her

Afterpiece Title: The Stratagems of Harlequin

Dance: [Unspecified.]

Event Comment: At Bence's Great Theatrical Booth, upper end of Bowling Green

Performances

Mainpiece Title: He Intriguing Captains; Or, The Lover's Contrivances

Event Comment: At Warner's Great Tiled Booth, Bowling Green

Performances

Mainpiece Title: The Lover's Metamorphosis

Afterpiece Title: The Stratagems of Harlequin

Event Comment: At Warner's Great Tiled Booth, Bowling Green

Performances

Mainpiece Title: The Lover's Metamorphosis

Afterpiece Title: The Stratagems of Harlequin

Event Comment: Mainpiece: Written by Shakespear. Miss Pritchard did Juliet for the First time of her Acting & Met with uncommon Applause, tho' so frightened the first Act, we Scarce cou'd hear her (Cross). Miss Pritchard's was a most remarkable first appearance--the Particularity of the public for her mother--Garrick's patronage and tuition, her own beautiful face, which was fascinating to a degree, had all great attraction. Mrs Pritchard, as Lady Capulet, leading in her daughter as Juliet, the distress of the young lady, the good wishes and tenderness of the town, all combined made an affecting scene--but that partiality dwindled away in the early part of the season (Genest, IV, 474, from Tate Wilkinson). Receipts: #226 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

Event Comment: MMiss Pritchard did Lady Betty, & had great applause (Cross). Receipts: #190 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Mock Doctor

Event Comment: The ballance Weight of the Candles of the Branches fell from ye top of the house upon ye Stage, & broke a great piece in the Stage, the Weight was 200 lb. Mr Woodward had just mov'd from the Spot where it fell (Cross). Receipts: #210 (Cross)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lottery

Event Comment: Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day, at the said Office at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Person will be admitted behind the Scenes. To begin at 6:30 p.m. Great care is taken to keep the House warm. [Repeated in the subesquent bills. Signora Mingotti appears to be the promoter this year.

Performances

Mainpiece Title: Alessandro Nell Indie

Dance: With Dances

Event Comment: [Music] compos'd by Mr Arne went of with Great Applause (Cross). With Proper Dances and Decorations. Books of the Opera will be sold at the Theatre price 1s. [The cast is first listed 17 Jan. 1757.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Eliza An English Opera

Event Comment: [Pantomime new by Woodward] Went off with great Applause. ye Cyclops Dance encored (Cross). New Habits, Scenes, and Decorations. Full Prices. As the performance greatly depends upon the Music and Machinery, no gentleman can possibly be admitted into the Orchestra or behind the Scenes. [This prohibition repeated in all subsequent performances, will not be further noted here.] N.B. The Play of the Revenge oblig'd to be deferred on account of Mossop's indisposition. Receipts: #210 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Mercury Harlequin

Event Comment: None admitted behind the Scenes. No after money returned after the Curtain is drawn up. [Repeated during the run of this piece.] A new Farce of 2 acts wrote by Dr Smolet-went off wth Great App: (Cross). [See Theatrical Review for the Year 1757 and the beginning of 1758, for contemporary comment.] Receipts: #200 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Reprisal; or, The Tars of Old England