SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Great Mogul"/1) | (@(roleclean,performerclean) "Great Mogul")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1437 matches on Event Comments, 401 matches on Performance Title, 130 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMiddleton's Great Theatrical Booth. A Concert. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great; Intermixed With A Comic Called A Wife Well Manag'd; Or, A Cure For Cuckoldom

Afterpiece Title: The Adventures of Harlequin in Spain

Event Comment: With proper Decorations. Afterpiece, Containing His Surprizing Victory over Glumdalca, Queen of the Giants; His Magnificent reception in King Arthur's Courtv; His Marriage with the Princess Huncamunca; With the fatal Jealousy of Queen Dollalolla, and many other Historical Passages. [This notice accompanies subsequent announcements of Tom Thumb this season and will not be further recorded.] General Advertiser: Yesterday it was falsely and injuriously inserted in the Daily Papers, that a great quantity of arms was secreted in Lincoln's Inn Fields Theatre, which seem'd calculated only to Prejudice the Proprietor of that House, having no other foundation than his having the said Theatre as a Guard Room for the Service of the Government

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great

Dance: III: Grand Dance-Muilment

Event Comment: HHussey's Great Theatrical Booth in the George Inn Yard. 12 p.m. Prices 2s. 6d., 1s. 6d., 1s., 6d. [Notice repeated 24, 25, 26 Aug.

Performances

Mainpiece Title: Tamerlane The Great; In Which Will Be Interspers'd The Humourous Scenes Of A Wife Well Manag'd

Entertainment: Equilibres on the Slack Rope-Mahomet Acmed Vizaro Mussulmo, just arrived from Constantinople

Song: Batt Platt

Music: Grand Band of Music

Event Comment: At Bridges, Cross, Burton, and Vaughan's Great Theatrical Booth on the Bowling Green, Southwark, (with a company from the theatres) during the short time of the Fair will be presented an Historical Drama (lately acted in Bartholemew Fair with universal applause) the Northern Heroes with the Loves of Count Gillensternia, a Swedish General, and the fair Ellimira a Russian Princess, containing the most remarkable events of that time; and concluding with the memorable battle of Putlowav, and Charles's retreat into the Turkish dominionsv. Interspersed with a comic interlude, The Volunteers. Also the comical humours and amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's widow, the merry pranks of her foolish son Janny, and several other diverting incidents. As the Fair will be of so short continuance, we shall begin very early each day (General Advertiser). [See 24 Aug. 1748, bf]

Performances

Mainpiece Title: He Northern Heroes; Or, The Bloody Contest Between Charles The Twelfth, King Of Sweden, And Peter The Great, Czar Of Muscovy

Afterpiece Title: The Volunteers; or, The Adventures of Roderick Random and His Friend Strap

Dance: Particularly a Hornpipe-

Event Comment: Mainpiece: By Particular Desire. Afterpiece: By Desire. Benefit for Powell. Part of Pit laid into boxes. Send servants by 3 o'clock. House charges #74 10s. [Profit to Powell #207 5s.] Paid Johnston, under prompter #7; Five extra trumpets #1 5s.; 2 Flutes 10s.; Chorus singers #2 5s. 6d. (Treasurer's Book). Receipts: #281 15s. (Treasurer's Book). Half past 4 walked to Drury Lane House. With every great difficulty got into the 2s. Gallery before; saw the Death of Alexander with his Triumphal Entrance into Babylonv and the Dance of the Vintage, for the benefit of Powell who played Alexander. Some reported that Garrick says he makes mistakes in the character exceedingly in the banquet scene, in which no one ever surpassed him. I cannot judge of the truth of this observation (Neville MS Diary)

Performances

Mainpiece Title: The Rival Queens; Or The Death Of Alexander The Great

Afterpiece Title: The Deuce Is in Him

Dance: End: The Vintage, as17661011

Event Comment: The Burletta a New Musical entertainment composed by Hook. Tickets 3s. 6d. [The performance occurs between a concert and fireworks. The whole entitled Mr Hook's Annual Festival. The news commentary in the Public Advertiser notes the performance seems adapted to all Tastes on account of the great Variety it affords, the Ode being rather serious, and the Burletta is wrote on a Subject of Ridicule."

Performances

Mainpiece Title: Il Dilettante

Music: Between the Acts: Concerto on Piano Forte-Hook (by Particular Desire); The Ode-Hook for the opening of the New Exhibition Room of the Royal Incorporated Artists of Great Britain. Chorusses will be supported by a number of Capital singers and young gentlemen of St Paul's Choir; The principal vocal parts-Reinhold, Bannister, Mrs Cartwright, Mrs Thompson

Event Comment: Henry II oblig'd to be deferr'd on account of Clarke's Illness. [Bensley took his part in Alexander the Great.

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Sylphs

Event Comment: Benefit for Clinch. Doors opened at half past 5. Play to begin at Half an Hour after 6. [Afterpiece written by Sheridan for Clinch, traditionally in gratitude for his saving The Rivals from damnation. (See Thomas Moore's Life of Sheridan [London, 1825], I, 148). The Westminster Magazine for May adds to cast: Irish Corporal-Fox; Soldiers-$Davies, $Wewitzer, Chaplin, and reviews the piece briefly: St Patrick's day is replete with broad humor, homely jests, and extravagant caricature. The language in general shewed the author a man of honour and observation; the situations were whimsical and produced that mirth which the audience in the Prologue were invited to partake of....The jests were occasionally too low and vulgar, and his scene too extravagantly absurd. The main drift of the Prologue was to tell the Audience that a fine Spring impeded the theatrical harvest; and that at this season the benefits of Nature were the greatest enemies to the Performer's Benefits."

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: St Patrick's Day; or, The Scheming Lieutenant

Dance: End: The Vintage Festival, as17741007

Event Comment: Benefit for Le Picq. [Opera in place of La Contadina in Corte, announced in Morning Herald, 4 June.] Tickets to be had of Le Picq, No. 40, Great Marlborough-street

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I New Dance, as17820603 but added: a Minuet by Le Picq and Mme Simonet; End of Act II an entirely new heroic Ballet, composed by Noverre, Apelles and Campaspe; or, The Generosity of Alexander the Great, by Le Picq, Mme Simonet, Gardel, Simonet, Sga Crespi, Mlle Theodore. [Partial cast from Morning Herald, 6 June (which also has a synopsis of the action): Apelles-Le Picq; Alexander-Gardel; Campaspe-Mme Simonet.]

Event Comment: Benefit for Farren. Gazetteer, 6 Apr.: Tickets to be had of Farren, No. 35, Great Queen-street, Lincoln's-inn-fields. Mainpiece: With the Grand Triumphal Entry of Alexander into Babylon. Receipts: #308 17s. (85/16/0; 18/8/6; 0/5/6; tickets: 204/7/0) (charge: #81 18s.)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: A Pasticcio

Afterpiece Title: The Double Disguise

Event Comment: Afterpiece [1st time; P 3 (except for 1st two performances, which were 2), by James Harvey D'Egville. Synopsis of action (C. Lowndes [1795])]: A Representation calculated to shew the extent and powers of the New Stage, and which has been in preparation during the whole of the Season (notice on playbill of 10 Feb.). The Musick composed by Krazinsky Miller. The Scenes, Machinery, Dresses and Decorations are entirely new. The Scenery designed and executed by Marinari, and his Assistants. The Machinery designed by Cabanel, and executed by him and Jacobs. The Dresses and Decorations by Johnston and Miss Rein. Powell: [The pantomime] was astonishingly well received, except the chorus of 'Happy Pair' at the end, which was so shamefully managed that the performers met with, what they much deserved, great disapprobation. The acting of the piece was in general well conducted, but the Processionv [The Piece will conclude with the Entry of Alexander into Babylonv, and his Marriage with Statirav (playbill)], for want of room to arrange behind, was unavoidably sent on in a very confused manner...Alexander's car could not be sent on this evening, not being yet complete. [These difficulties are somewhat surprising, in view of the fact that the pantomime had had 54 rehearsals. And see 13 Feb.] 11 Feb.: Chorusses to New Ballet rehearsed at 10; Natural Son at 11; New Ballet at 11; New Ballet (full rehearsal) at 6; 12 Feb.: New Ballet rehearsed at 12. Receipts: #504 3s. 6d. (417.2.0; 83.16.6; 3.5.0)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: Alexander the Great; or, The Conquest of Persia

Event Comment: [Mainpiece in place of The Foundling, advertised on playbill of 12 Feb.] Powell: Alexander 's car was completed, and drawn by two elephants, and accompanied by Darius ' car, drawn by three white horses, and another car laden with trophies, drawn by soldiers all of which [were] totally covered with burnished gold and silver...The Procession was still but indifferently conducted. New Ballet rehearsed at 12. Morning Chronicle, 18 Oct. 1794: Two hundred soldiers are to be employed in the spectacle; each of their dresses is estimated at #5. Account-Book: Paid Miller in full for music in Alexander the Great #30. Receipts: #263 11s. (173.16.6; 86.13.0; 3.1.6)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Alexander the Great

Event Comment: Powell, 15 Feb.: Alexander the Great rehearsed at 11; 2nd Scene of D & Procession at 6; 16 Feb.: New Comedy rehearsed at 11. Receipts: #407 5s. (308.0.0; 94.3.6; 5.1.6)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Alexander the Great

Event Comment: [Mainpiece in place of The Cherokee, advertised on playbill of 24 Feb. In it the playbill retains Mrs Booth as Mrs Over-done, but "Mrs Over-done Mrs Maddocks, Mrs Booth ill" (Powell).] Powell, 25 Feb.: New Comedy, viz. The Wheel of Fortune, rehearsed at 11; Alexander the Great (by order of Mr Sheridan) at 1; 26 Feb.: Wheel of Fortune rehearsed at 12. Receipts: #406 19s. (337.10.6; 63.18.0; 5.10.6)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Alexander the Great

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue and Epilogue by the author (Pocket Magazine, Mar. 1795, pp. 190, 191)]: With new Scenes, &c. Powell, 27 Feb.: Wheel of Fortune rehearsed at 11; 28 Feb.: Wheel of Fortune rehearsed at 10. "The character of Penruddock is [Kemble's] greatest performance, and I believe it to be a perfect one. It is admirable...because the very defect which hurts his general style of acting, that studious and important preciseness, which is affectation in all his other characters, contributes to the strength, to the nature of Penruddock" (Leigh Hunt, Critical Essays on the Performers of the London Theatres, 1807, p. 8). Receipts: #255 19s. (195.10; 57.15; 2.14)

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Event Comment: An Accurate Edition of Alexander the Great to be had in the Theatre. Receipts: #246 14s. (189.1; 54.11; 3.2)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Peeping Tom

Song: As17951123

Event Comment: By the Great Mogul's Company of English Comedians, Newly Imported. [By Henry Fielding.] N.B. Mr Pasquin intending to lay about him with great Impartiality, hopes the Town will all attend, and very civilly give their Neighbours what they find belong to 'em. N.B. The Cloaths are old, but the Jokes intirely new. N.B. All Ladies that intend to be present during the first Run, cannot take Places too early. To prevent any Interruption in the Movement of the Persons in the Drama (some of whom are Machines) no Person whatever can possibly be admitted behind the Scenes. Boxes 4s. Pit 2s. 6d. Gallery 1s

Performances

Mainpiece Title: Pasquin: A Satire On The Times

Event Comment: DDaily Advertiser, 8 March: We hear that the Great Mogul has acceeded to the Treaty of the Hay-Market, which causes various Speculations. Our best Advices assure us, that the Town will be entertain'd there Tomorrow, by a Gentleman who never wrote for the Stage, with a new Performance call'd a Rehearsal of Kings: which will be immediately succeeded by a Dramatick Piece call'd The Historical Register, for the Year 1736, written by the Author of Pasquin. We hear this has given great Alarm to all the Pantomimical Houses in London, Southwark, Rag Fair, &c

Performances

Event Comment: At Fawkes and Pinchbeck's Great Theatrical Booth on the Bowling Green, with the Large Blue Flag on the Top. By the Great Mogul's Company of Comedians from hay, gratis. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. 10 a.m. Afterpiece: Pinchbeck's curious Machinev. [Advertised also 8, 9, 8, 9, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21 Sept.

Performances

Mainpiece Title: The Baronet Bit; Or, The Noble Englishman Rewarded: With The Comical Humours Of Sir Mannerly Shallow And His Man Booby

Afterpiece Title: The Siege of Cartagena

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Mogul Tale

Cast
Role: The Mogul Actor: Williamson

Dance: End of Act I of afterpiece, as17850601

Event Comment: Benefit Betterton. At the Desire of several Persons of Quality. The Boxes to be open'd to the Pit, and No Person to be admitted but by printed Tickets at half a Guinea each. Note, That the Tickets deliver'd out for the Moor of Venice, and Great Mogul, will be taken at this Play. [Receipts: possibly #154 6s. 7 1!2d., according to Baggs.] For a comment on this occasion, see Tatler, 12 April. Whincop (pp. 175-76) states: But Mr Betterton being new past Seventy Years of Age, and lame with the Gout, seemed but to burlesque the Part of youthful Valentine

Performances

Mainpiece Title: Love For Love

Event Comment: By the Great Mogul's Company of Comedians. At Common Prices

Performances

Mainpiece Title: Pasquin

Event Comment: A Concert, etc. At the Great Room, Castle Tavern. [See Comment, 5 May 1752.] To be conducted by Mrs Mary Midnight, author of the Midwife, and his Family. No admittance without Tickets, which are to be had at the Bedford Coffee House, Covent Garden. The Room will be lighted by Wax Candles. To begin at 7 p.m. Price 2s. 6d. [Time and price repeated thus for subsequent performances at the Castle Tavern.

Performances

Mainpiece Title: The Old Woman's Oratory; Or, Henley In Petticoats

Performance Comment: Concerto on the Cermona Staccato , vulgarly call'd the Salt-Box-Antonio Ambrosiano; a Great Creature on a very uncommon Instrument-; a solo on the Viol d'Amore-; Candles snuffed to soft Musick-Claudio Molipitano; Oration in Favour of Matrimony-; solo on Violincello-; Song- to tune of The Roast Beef of Old England to which all the good Company are desir'd to join in chorus.
Event Comment: To begin each Day (for the short time of the Fair) at One o'clock, and end at Eleven. At Yates's Great Theatrical Concert Hall, in the Greyhound Inn, West Smithfield. Performed by a company of Comedians from both Theatres. Prices for this droll: Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. There is a commodious way to the Boxes and Pit at the upper end of Cow Lane (Public Advertiser). [This may be an advance notice. It appears again on Th., F., S., and Mon. (Sept. 3, 4, 5, 7).

Performances

Mainpiece Title: The Fair Bride; Or, The Unexpected Event

Afterpiece Title: The British Tar's Triumph over M Soup-Maigre

Performance Comment: Cast:The performance will be highly enlivened with several entertaining Scenes between England, France, Ireland, and Scotland, in the diverting personges of Ben Bowling, an Dnglish Sailor; M Soup-Maigre, a French Captain; O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets. O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets.

Entertainment: of singing and dancing.of singing and dancing

Event Comment: At the Great Booth by the Hospital Gate

Performances

Mainpiece Title: Entertainments

Dance: Dancing on the Ropes , after the French and Italian Fashion-a Company of the finest Performers that ever yet have been seen in the whole World; For in the same Booth will be seen the two Famous French Maidens , so much admir'd in all Places and Countries where ever they come, (especially in May-Fair last) where they gain'd the highest Applause from all the Nobility and Gentry, for their wonderful Performance on the Rope, both with and without a Pole....To which is added; Vaulting on the High/Rope-; Tumbling on the Stage-; As also Vaulting on two Horses, on the great Stage, at once-

Performance Comment: ...To which is added; Vaulting on the High/Rope-; Tumbling on the Stage-; As also Vaulting on two Horses, on the great Stage, at once-.