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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Grand Opera in Paris"/1) | (@(roleclean,performerclean) "Grand Opera in Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5662 results for: Keyword - Grand Opera in Paris
We found 4042 matches on Performance Title, 1784 matches on Event Comments, 767 matches on Performance Comments, 2 matches on Author, and 0 matches on Roles/Actors.

5101
25 April 1737 @ King's Theatre

Event Comment: DDaily Advertiser, 26 April: Signior Rolli's new Opera Call'd Sabrina, was rehears'd Yesterday Morning in Mr Heidegger's Apartments, to a numerous and very splendid Audience of Ladies and Gentlemen. The Signora Antonia Maria Marchesini, lately arriv'd from Italy, perform'd in it with universal Approbation

Performances

Mainpiece Title: Sabrina

5102
26 April 1737 @ King's Theatre

Event Comment: A new Opera. [Text by Paul Rolli.] Daily Advertiser, 26 April: The Signora Marchesini's Songs are distributed after such a judicious Manner by the ingenious Author, so as to rise gradually upon the Audience in each Act

Performances

Mainpiece Title: Sabrina

5103
18 May 1737 @ Covent Garden

Event Comment: A new Opera. [Text by A. Salvi. Music by Handel.] By His Majesty's Command, [Their Majesties expect to attend.

Performances

Mainpiece Title: Berenice

5104
24 May 1737 @ King's Theatre

Event Comment: A new Opera. [Composed by Egidio Duni Nepolitano.] 7 p.m

Performances

Mainpiece Title: Demofoonte

5105
25 May 1737 @ Haymarket Theatre

Event Comment: The hay advertised for 30 May and later two plays which never got staged: Macheath turn'd Pyrate; or, Polly in India. An Opera. Very much taken, if not improv'd from the famous Sequel of the late celebrated Mr Gay. With a New Prologue, proper to the Occasion. And after the Run of that, the Town will be entertain'd with a new Farce of two Acts, call'd The King and Titi; or, The Medlars. Taken from the History of Prince Titi, Originally written in French, and lately translated into English

Performances

5106
07 September 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Othello Moor Of Venice

Song: Singing in Italian and English-Mrs Nicholas(late Miss Warren) being the first time of her appearance on the stage since her performing...Polly in the Beggar's Opera eight years ago

Performance Comment: ..Polly in the Beggar's Opera eight years ago.

5107
29 October 1737 @ King's Theatre

Event Comment: A New Opera. [Text by Salvi. Altered by Rolli.] Pit and Boxes together at half a guinea each. Gallery 5s. 6 p.m. [Their Majesties present.

Performances

Mainpiece Title: Arsaces

5108
28 January 1738 @ King's Theatre

Event Comment: A New Opera. [Music by Giovanni Battist Pescetti.

Performances

Mainpiece Title: La Conquista Del Vello Doro

5109
25 February 1738 @ King's Theatre

Event Comment: A new Opera. [Text possibly by Zeno. Music, a Handel pasticcio.

Performances

Mainpiece Title: Alessandro Severo

5110
14 March 1738 @ King's Theatre

Event Comment: A New Opera. [Music by Francis Veracini.

Performances

Mainpiece Title: Partenio

5111
14 April 1738 @ Drury Lane Theatre

Event Comment: Benefit Harper. Mainpiece: Written by Dryden. Afterpiece: Written by Mr Gay, Author of the Beggar's Opera

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The What Dye Call It

Dance: I: Tambourine-Master Ferg, Miss Wright; III: French Peasants-Master Ferg, Miss Wright; V: Drunken Peasant-Philips

5112
15 April 1738 @ King's Theatre

Event Comment: A New Opera. [Music by Handel.

Performances

Mainpiece Title: Xerxes

5113
26 July 1738 @ King's Theatre

Event Comment: LLondon Daily Post and General Advertiser, 26 July: Hay-Market, July 25, 1738. Wheras the Operas for the ensuing Season at the King's-Theatre...cannot be carried on as was intended, by Reason of the Subscription not being full, and that I could not agree with the Singers, tho' I offer'd One Thousand Guineas to One of them, I therefore think myself oblig'd to declard, that I give up this Undertaking for next Year....J. J. Heidegger

Performances

5114
12 October 1738 @ Haymarket Theatre

Event Comment: See Daily Post, 12 Oct., for an attack on the French comedians as well as one on the luxury of opera

Performances

5115
29 December 1738 @ King's Theatre

Event Comment: DDaily Advertiser, 29 Dec.: Mr Handel has hir'd the Opera-House in the Hay-Market for the Season, and intends to entertain the Town twice every Week with Oratorios

Performances

5116
19 January 1739 @ Covent Garden

Event Comment: Benefit the Author of The Parracide. Afterpiece: Written by Mr Gay, Author of the Beggar's Opera. [A letter to the Daily Post, 19 Jan., by the author of The Parracide states that after his play was damned on 17 Jan. he was offered a benefit; at first he chose his own play, then decided to offer The Way of the World.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The What Dye Call It

Song: Roberts

Dance: As17390115

5117
10 March 1739 @ Covent Garden

Event Comment: A Pastoral Opera. [Composed by John Baptist Pescetti.] Pit and Boxes at half a guinea. First Gallery 5s. Upper Gallery 2s. 6d. 7 p.m

Performances

Mainpiece Title: Angelica And Medoro

5118
26 December 1739 @ Drury Lane Theatre

Event Comment: Mainpiece: With Songs, Dances, Scenes, Machines, and other Decorations proper to the Opera

Performances

Mainpiece Title: The Tempest Or The Inchanted Island

Afterpiece Title: The Harlots Progress

Song: The Vocal Parts-Reinhold, Rainton, Mrs Clive, Miss Jones, Miss Karver, Miss Thynne

Dance: In II: Comic Dance of Winds-; In III: Comic Dance of Fantastical Spirits in Grotesque Characters-; In IV: Dance of Devils-; In V: Dance of Watermen-

5119
26 December 1739 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 26 Dec.: The New Theatre in the Hay-Market is enlarging, in order to perform Italian Opera there

Performances

5120
10 May 1740 @ Haymarket Theatre

Event Comment: A new Opera. Edition of 1740 Composed by Signor Pescetti. A new Scene by M delaCour. By His Majesty's Command

Performances

Mainpiece Title: Busiri Overo Il Trionfo Damore

Dance: As17400408

5121
10 January 1741 @ Lincoln's Inn Fields

Event Comment: A New Opera, [Text by Rolli. Music by Handel.] Boxes a half guinea. Pit 5s. First Gallery 3s. Second Gallery 2s. 6:30 P.M

Performances

Mainpiece Title: Deidamia

5122
07 February 1741 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Lallegro Il Penseroso Ed Il Moderato

Performance Comment: Music, As17410131 [For a letter concerning Handel's operas, see Deutsch, Handel, p. 511.]

5123
19 February 1741 @ Goodman's Fields

Event Comment: With all the Scenes, Machines, and other Decorations proper to the Opera, particularly, An exact Representation of Merlin's Cavev, as in the Royal Gardens at Richmond

Performances

Mainpiece Title: King Arthur Or Merlin The British Enchanter

5124
25 February 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: Rosamond

Performance Comment: End Act I will be introduced (by way of Interlude) the Solemn Invocation Scene in Oedipus-; with the Choruses-; After the Opera, the Songs and Choruses in As You Like It written by Shakespear, and by Mr Arne as intended originally to be performed-.

5125
16 April 1741 @ Haymarket Theatre

Event Comment: A New English Opera. [By Lewis Theobald.] Set to Musick by Mr Galliard. Boxes 8s. Pit 5s. Gallery 3s. We are oblig'd to being exactly at Six, some of the Performers being afterwards wanted at the other Theatres

Performances

Mainpiece Title: The Happy Captive With An Interlude In Two Comic Scenes Between signor Capoccio A Director From The canary Islands And signora Dorinna A Virtuosa