SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grand Master"/1) | (@(roleclean,performerclean) "Grand Master")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2328 matches on Performance Title, 1576 matches on Performance Comments, 651 matches on Event Comments, 1 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Camilla

Afterpiece Title: The Metamorphoses of Cartouche

Performance Comment: Pantalon, the Doctor, Brighella , being the first Time of their Appearing on that Stage, wherein Brighella transforms himself into the following Shapes, viz. 1st, An Idiot; 2d, A Swiss Musick-Master (with the Stuttering Song); 3d, A Venetian Gondolier, with the Song in Imitation of Les Tambour; 4th, An Armenian Teyman; 5th, A Florentine Cook; 6th, A Scaramouch; 7th, A French Dwarf Lady. 3d, A Venetian Gondolier, with the Song in Imitation of Les Tambour; 4th, An Armenian Teyman; 5th, A Florentine Cook; 6th, A Scaramouch; 7th, A French Dwarf Lady.
Cast
Role: A Swiss Musick Actor: Master

Dance: TTwo Pierrots-Nivelon, Poitier

Song: Two Songs in Italian by the Author-Rochetti

Event Comment: Receipts: #140 13s. Probable attendance: boxes and pit, 308 paid and 73 orders; stage, 1 paid; slips, 27 paid and 7 orders; first gallery, 304 paid and 1 orders; second gallery, 172 paid. Daily Journal, 25 May: We hear that this Evening the famous Captain Lemuel Gulliver is to be at...Lincoln's Inn Fields, very handsomely attended and dress'd in a rich Habit, the like of which was never seen in England before. The two Stage Boxes are kept for him and his Company....The Master of the House has promised the Captain that neither during the Play or Entertainment, any Person shall be admitted behind the Scenes, that the Captain may bot be too much press'd with the Crowd

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Rape of Proserpine

Event Comment: UUniversal Spectator, 11 Jan.: Last Sunday Night [5 Jan.] Mrs Baker, the Actress of Drury-Lane Theatre, was buried in a very handsome Manner at St. Clement's Danes, the Master of the House and most of the Actors attending the same

Performances

Mainpiece Title: The Tempest

Event Comment: DDaily Journal, 3 Nov.: On Saturday last The Recruiting Officer was acted a second Time,...and notwithstanding it had not (thro' Mistake) been advertised in the Papers, yet there was a good House....There are Constables attending Nightly, at the Master's Expence, to prevent Disorders

Performances

Mainpiece Title: The Recruiting Officer

Event Comment: DDaily Journal, 31 Dec.: Whereas a Cracker was thrown with an evil Intention into the New Theatre in Goodman's-Fields on Tuesday last...This is to certify, that Peace Officers are constantly attending to prevent all kinds of Disorders, and that whoever shall discover the Offender or Offenders above-mentioned, shall receive five Guineas reward from me the Master of the said House. December 31, 1729. Thomas Odell

Performances

Mainpiece Title: The Constant Couple

Dance: As17291220

Song: Mrs Mountfort, Miss Thornowets

Event Comment: UUniversal Spectator, 27 June: Thomas Odell, Esq. Master of the New Theatre in Goodman's Fields, hath been at Windsor to obtain Leave to bring his Company of Comedians down thither to perform Plays during the Court's Stay at Windsor; and we hear that he hath succeeded therein

Performances

Performances

Mainpiece Title: Concert

Music: When the fine Overture compos'd by the late ingenious Mr William Babell, for St. Cecilia's Day, will be perform'd with Trumpets, Hautboys, Violins, and Bassoons, with several other Pieces of Mr Handel's Composition, for Trumpets, French Horns by the best Masters. I: Mr Wm. Babell's Overture-; Overture Ptolomy-; Concerto Violin-; Hautboys Solo-; Concerto French Horns-; II: Overture Siroe-; Solo Flute-; Concerto Hautbois-; Seventh Concerto Corelli-; Concerto French Horns-; Several flute Pieces-Mr John Baston

Performance Comment: Cecilia's Day, will be perform'd with Trumpets, Hautboys, Violins, and Bassoons, with several other Pieces of Mr Handel's Composition, for Trumpets, French Horns by the best Masters. I: Mr Wm. Babell's Overture-; Overture Ptolomy-; Concerto Violin-; Hautboys Solo-; Concerto French Horns-; II: Overture Siroe-; Solo Flute-; Concerto Hautbois-; Seventh Concerto Corelli-; Concerto French Horns-; Several flute Pieces-Mr John Baston.
Event Comment: Benefit Burney, Dancing-Master. At the Desire of several Ladies

Performances

Mainpiece Title: The Committee

Afterpiece Title: Harlequin's Contrivance; or, The Jealous Yeoman Defeated

Dance: II: Two Pierrots-John Wade, the only Time of his appearing on this Stage, Burney; III: Sailor's Dance-a Gentleman belonging to the Sea; IV: A new Pastoral Dance-Burney, Miss Wherrit

Song: I: Bacchanalian Song-Excell

Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato

Event Comment: SSt. James's Evening Post, 2 June, quoted in Grub St. Journal, 7 June: Sir, As Mr Cibber has had various ill-natured reflections cast upon him, for selling his share of the patent for Drury-Lane house, and for not making it over to his son; it will be a piece of justice to inform the publick, that the reason which he gave for such a conduct was, that he chose to convert it into ready money, that he might make a proportionable division of what fortune he may happen to have among all his children. Craftsman, 2 June: We have likewise received undoubted Intelligence from [dl], that a considerable Body of malcontent Players, under the Command of that puissant Captain, Mr The@@lus C@@r, have lately enter'd into a mutinous Association against their Masters, the Patentees, and still continue in a State of Hostility; which hath prevented any Plays being acted there this Week

Performances

Mainpiece Title: Griselda

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Event Comment: DDaily Advertiser, 22 June: On Monday last died Mr William Bullock, one of the Comedians of Goodman's-Fields, and Master of a Coffeehouse in that Neighborhood

Performances

Event Comment: See Daily Advertiser, 22 June, for a poem: To Mr Giffard, Master of the New Theatre in Goodman's-Fields, on closing the Season

Performances

Event Comment: Universal Spectator, 22 Sept.: We hear Mrs Booth . . . resolves to leave the Stage, having sold her Share in the Patent to Mr Giffard, the Master of [GF]

Performances

Mainpiece Title:

Performances

Mainpiece Title: The Careless Husband

Music: Second Musick: First Concerto of the 1st Opera of Geminiani. Third Music: Overture compos'd by Handel for Alexander. I: A Concerto call'd The Cuckoo composed by Vivaldi. III: Duo for Two French Horns by Charle and Giay

Dance: V: La Follette s'cest ravizee by Nivelon and Miss Mann

Song: II: Quanto Dolce by Miss Arne. IV: Per le forte del tormento by Miss Arne and Young Master Arne

Performance Comment: IV: Per le forte del tormento by Miss Arne and Young Master Arne .
Event Comment: At the particular Desire of several eminent Merchants and Persons of Distinction. Afterpiece: a new Pastoral Epithalamium. [Edition of 1733 lists no cast, states that it was written by a Gentleman, and prints the Prologue, which was written by Havard. A song, The Wedding Day, written by Henry Carcy, was sung in it by Master Osborne.]

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Happy Nuptials: With The Amorous Sportsman

Performances

Mainpiece Title: The Provok'd Husband

Music: Second Musick: 1st Concerto of Corelli. Third Musick: Overture compos'd by Handel for the Opera of Alexander. I: A Concerto call'd The Cuckoo by Vivaldi

Dance: II: La Basetelle by Essex, and Miss La Tour. In V: Les Amants Constants by Essex, Houghton, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Limpio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Per le Porte del Tormento by Miss Arne and Master Arne

Performance Comment: IV: Per le Porte del Tormento by Miss Arne and Master Arne .

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Mock Doctor

Music: Select Pieces between the Acts

Dance: By Nivelon, Miss Mann, Essex, Miss Robinson

Song: Hush, Hush, ye little Warbling Choir by Miss Arne. Per le Porte del Tormento by Miss Arne and Master Arne

Performance Comment: Per le Porte del Tormento by Miss Arne and Master Arne .

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Don Quixote in England

Dance: I: Prince of Wales's Saraband and Minuet by Davenport and Miss Brett. III: Les Bergers Heureux by Davenport and Miss Brett. V: The Black Joke by Davenport and Miss Brett

Song: In II: Lempio Rigor del Fato by Miss Jones. IV: Was ever Nymph like Rosamond by Miss Jones. End Afterpiece: A Dialogue by Master Arne and Miss Jones

Performance Comment: IV: Was ever Nymph like Rosamond by Miss Jones. End Afterpiece: A Dialogue by Master Arne and Miss Jones .

Performances

Mainpiece Title: Concert

Performance Comment: music . The Vocal Parts by Gentlemen, particularly a new Hampstead Song, compos'd by Mr Seedo, for two French Horns, Violins, Hautboys, &c. The Instrumental by the best Hands. The Violin Concertino by Capt Dupar, Scholar to the late celebrated Signor Corelli, and late Musick Master to his present Highness the Prince of Orange. With several Pieces of his own composing, for the Violin and Harpsichord. The Concert will consist of three Acts .

Performances

Mainpiece Title: Arlequin Astrologue, Ramoneur, Statue

Dance: The Double Face by Mlle Chateauneuf. Wooden Shoe Dance by Master Francis Cochoy

Performance Comment: Wooden Shoe Dance by Master Francis Cochoy .

Performances

Mainpiece Title: Concert

Music: Vocal by Waltz. Instrumental by Opera Masters, especially Flute by Hagan, French Horn by Antony Uhl and Cook

Performance Comment: Instrumental by Opera Masters, especially Flute by Hagan, French Horn by Antony Uhl and Cook .
Event Comment: Benefit Denoyer. By Command of His Royal Highness. Mainpiece: Taken from Moliere. London Daily Post and General Advertiser, 17 March: The celebrated Monsieur Denoyer and Mademoiselle Salle, by Permission of the Masters of the two Theatres Royal, have agreed to dance together at each other's Benefit

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: The Lottery

Dance: I: Russian Sailor by Denoyer, &c. II: By Denoyer's Apprentice. III: Shepherd's Mount by Denoyer, Mlle Salle, &c, with a new Scene, and New Habits. V: Minuet (in modern Habits) by Denoyer and Mlle Salle

Event Comment: Grub St. Journal, 26 Feb. 1736: The second night (so well was this Comedy receiv'd by the Town) the audience of about 5l. was dismiss'd. Daily Journal, 29 April: We hear . . . The Double Deceit . . . was not acted last Night, on Account of a Letter sent by Mr Walker, who had a principal Part in it, acquainting Mr Rich, that he had study'd his Part, but could not make himself Master of it, and therefore desired he wou'd provide some body else to do it. N.B. The Part is about Eight Lengths, and was above eight Weeks in Mr Walker's Hands

Performances

Mainpiece Title: The Double Deceit

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Toy Shop

Dance: I: Scotch Dance by Mrs Bullock. V: La Follette c'est Ravizee by Tench and Mrs Woodward

Song: III: A Song by Mrs Chambers. IV: Waterman's Song (in Britannia) by the Two Masters Hamilton

Performance Comment: IV: Waterman's Song (in Britannia) by the Two Masters Hamilton .