Event Comment: Benefit Master and Miss Norsa. 6:30 P.M. Boxes 3s. Pit 2s

Event Comment: Benefit Master Arne. To begin at 6:30 p.m. Pit and Boxes will be laid together at Half a Guinea. Gallery 5s

Event Comment: Mainpiece: Not acted here these 6 years. Afterpiece: Taken from [the same, by Henry? Fielding, and prepared for the stage by the Author of Midas, &c. [Kane O'Hara; 1st time; BURL 2. Text 1st published by J. Barker [1805]]. With a new Overture, Dresses, and Decorations. The Overture, Songs, Duets and Chorusses composed and compiled by J. Markordt. Books of the Burletta to be had at the Theatre (on playbill of 10 Nov.). Account-Book, 1 Feb. 1781: Paid Mackordt [sic] for music of Tom Thumb #20. [Mrs Inchbald was from the York theatre. Master Edwin had spoken a Prologue at cg on 22 Apr. 1780.] Receipts: #152 1s. 6d. (149.2.0; 2.19.6)

Event Comment: Afterpiece: The Musick composed by Storace. Powell: Englishman in Paris rehearsed at 10; Children in the Wood at 11 (Master Welsh absent; rehearsal dismissed); Love a-la-Mode at 12 (Suett and Miss Heard, one scene). Receipts: #416 3s. (343/7/6; 61/19/0; 10/7/6; tickets not come in: 0/9/0)

Event Comment: 3rd piece [1st time; P 2, by John Fawcett. Text 1st published by Duncombe and Moon, c. 1825]: With entire new Scenes, Dresses, and Decorations. The Overture and most of the Musick composed by Dr Arnold. The Selections from eminent Masters, and the whole adapted by him to the Action of the Drama. The Scenery, comprehending a display of Views in the Island of Jamaicav, designed and painted [on playbill of 1 July: from Views taken on the Spot, and documents of undoubted authority] by S. Whitmore. The Machinery by Ronaldson, Sylvester, &c. The Dresses [on playbill of 1 July: made for the purpose by Persons acquainted with the spot where the Scene of Action lyes] by Gay, Mrs Egan, &c. A Prospectus of the Action with the Songs annexed, Price Six-pence, to be had at the Theatre [and reprinted in Dramatic Censor, III, 21-29]

Event Comment: Benefit Havard and Boucher, Prompter. Daily Advertiser, 2 June: We hear Mr Odel, Master.., Goodman's-Fields, intends to decline to concern himself any longer with the Management of that Theatre

Event Comment: Benefit Master A. Ryan and Pether. Mainpiece: Written by Beaumont and Fletcher. Receipts: money #28 5s. 6d.; tickets #80 10s

Event Comment: Benefit Winstone and Miss Cole. Mainpiece: Written by Shakespear. [Tickets for Mrs Anderson, Villeneuve, Rainton, and Master Green taken.]

Event Comment: Benefit for Liviez, the Ballet Master (Cross). Full Prices. Part of Pit laid into Boxes. Tickets at last house on right hand in Beaufort Buildings, Strand; and at The Stage Door. Receipts: #220 (Cross)

Event Comment: Benefit for Simson Mrs Simson and Master Simson. Afterpiece: Acted there but once. Tickets to be had of Simson, in Wild-Passage, Wild St., near Lincoln's Inn Fields; Grigsby's Coffee House, behind the Exchange; and at the Stage Door. Receipts: #170 (Cross)

Event Comment: Benefit for Master Lioni and Lipmann. Tickets deliver'd by Miss Berkley will be taken

Event Comment: This piece was greatly Cut & Alter'd. the 5th Act Entirely left out & many Airs interspers'd all through; got up with a vast deal of trouble to everbody concern'd in it but particularly to Mr Coleman, who attended every Rehearsal & had alterations innumberable to make. Upon the Whole, never was anything so murder'd in the Speaking. Mr W. Palmer & Mrs Vincent were beyond Description bad; & had it not been for the Children's Excellent performance, (& particularly Miss Wright who Sung delightfully) the Audience would not have Suffer'd'em to have gone half thro' it. The Sleeping Scene particularly displeas'd. Next day it was reported, The Performers first Sung the Audience to S leep, & then went to Sleep themselves (Hopkins). Fairies pleas'd--Serious parts displeas'd--Comic between both (Cross Diary). This piece of Shakespear's was greatly cut and altered,--the fifth act entirely left out,--and many airs introduced--got up with a vast deal of trouble to all concerned, but particularly to Mr Colman, who attended every rehearsal, and had alterations innumerable to make. Upon the whole, I believe, never was piece so murdered as this was by the singing speakers, in which Mrs Vincent and Mr W. Palmer were beyond description bad; and had it not been for the children's excellent performance (particularly Miss Wright, who ran away with all the applause and very deservedly) the audience would not have suffered them to have gone half thro' it.--The sleeping particularly displeased. The next day it was reported, the performers sung the audience to sleep, and then went to sleep themselves (Hopkins Diary-MacMillan). Overture and airs composed by the most eminent English masters. Book of the play sold at the theatre, 1s. [See "A Midsummer Night's Dream in the Hands of Garrick and Colman," PMLA, June 1939.] Receipts: #98 7s. (MacMillan)

Event Comment: Benefit for Mr and Master Burton. Tickets deliver'd by W. Yates and Miss Berkley will be taken. Afterpiece: Not acted these two years. [See 9 May 1764.

Event Comment: Afterpiece: A New Musical Entertainment in 2 Acts [by Theodosius Forrest] never pebformed. With a New Overture by Dr Arnold. The Airs chiefly selected from the most eminent masters. [Larpent MS 392 confirms the character names and adds a Country Lad and a Country Lass. The Westminster Magazine for Oct. condemned the Weathercock: "To speak of this piece as a literary compostiion, it was throughout a dull, uninteresting narrative, told in duller numbers. Considered in a dramatic light, it was still less defensible....The overture by Dr Arnold was trite, except the last movement, which had great merit, and was universally admired....We expected in spite of the numerous Orders sent in by the Author and Managers, that it would have met with its deserved fate on the first representation, it was, however, somehow carried through that and a second night's hearing-on the third evening, however, it received a formal damnation."

Event Comment: Benefit for Holcroft, Miss Field & Miss Simson. The Rival Candidates [announced on playbill of 18 May] is obliged to be deferred on account of Vernon's illness. Tickets delivered for Oroonoko by Philimore, Nash, Hulet, Master Pulley and Dale will be taken. Receipts: #211 11s. 6d. (28.1.0; 10.3.0; 0.12.6; tickets: 172.15.0) [charge: #105)

Event Comment: Benefit for Edwin. 1st piece: Never performed there. [Master Edwin was from the Hay.] Public Advertiser, 18 Apr.: Tickets to be had of Edwin, No. 76, the corner of Long Acre, Drury-lane. Receipts: #107 10s. 6d. (89.0.6; tickets: 18.10.0) (charge: #105)

Event Comment: Benefit for Watson, Carleton Jun., Wilson & Hicks. Tickets delivered by Master Benson, Barrett, McDonald and Boroughs will be taken. Receipts: #256 14s. (18.1; 10.17; 0.13; tickets: 227.3) (charge: #105)

Event Comment: Benefit for Booth. Mr Booth respectfully hopes his close Attention to the several Departments he occupies in the Theatre will be a sufficient Excuse for his not personally waiting on his Friends. [Public Advertiser, 22 Mar., notes that since Wild's accident [see 11 May] Booth had been acting as prompter.] Public Advertiser, 14 Apr.: Tickets to be had of Booth at his house in Great Queen-street, Lincoln's-inn-fields. 2nd piece [1st time; M. INT I, compiler unknown]: The Music compiled from the most eminent Masters

Event Comment: Benefit for Leoni. [Master Braham's 1st appearance was at this theatre on 21 Apr. 1787 (also on the night of Leoni's benefit), when he sang two songs.] Public Advertiser, 17 May: Tickets to be had of Leoni, No. 1, Well Close-square. Receipts: #123 17s. 6d. (89.14.6; 3.13.0; tickets: 30.10.0)

Event Comment: Afterpiece [1st time; P 2(?), by John O'Keeffe. Synopsis of action in Public Advertiser, 27 Dec.]: With new Music, Scenery, Machinery, and Decorations. The Scenes designed and executed by Richards, Carver, Hodgins, Pugh, &c. The Music selected from the Works of the most eminent Masters, by A. Shaw. The new Airs composed by Shield, and the Overture by Richardson. Books of the Songs, Recitative, &c. to be had at the Theatre. Nothing under Full Price will be taken. Receipts: #315 16s. (301.6; 14.10)