SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grand Master"/1) | (@(roleclean,performerclean) "Grand Master")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2328 matches on Performance Title, 1576 matches on Performance Comments, 651 matches on Event Comments, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: An Oratorio With Alterations composed by Mr Arnold. A very Pleasing Oratorio, though there is a great sameness in the songs, but the chorusses are masterly and grand. It has undergone some alterations, greatly for the better since it was first brought out. Music by Mr Arnold (Theatrical Review, p. 219).Charges: #35 (Account Book)

Performances

Mainpiece Title: Abimelech

Music: End Part I: Solo on Violincello, as17720311 End II: New Concerto on Violin by Cirri, as17720320(Theatrical Review, p. 219)

Event Comment: Benefit for Wendling. A serenata written by Metastasio, set by Bach, with Grand Chorusses. Pit and Boxes half a Guinea. First Gallery 5s. Second Gallery 3s. To begin at 7:00 p.m

Performances

Mainpiece Title: Endimione

Event Comment: Benefit for Keen, and Wright. By Desire of the Grand Hanoverian Lodge of the Ancient and Noble Order of Bucks. Paid extra Flute and Hautboy 10s. (Treasurer's Book). Receipts: #197 8s. 6d. Charges: #69 5s. Profit to Keen and Wright: #126 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Absent Man

Dance: V: The Drunken Peasant-Philips, the original

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin's Invasion

Performance Comment: Harlequin-Wright; Mercury-Davies; Abram-W. Palmer; Gasconade-Baddeley; Snip-Parsons; Old Woman-Dodd; Corp. Bounce-Bransby; Simon-Moody; Justice-Hartry; Constable-Griffith; Forge-Ackman; Welshman-Waldron; Irishman-Messink; Dolly Snip-Miss Pope; Mrs Snip-Mrs Bradshaw; Sukey Chitterlin-Mrs Davies; To Conclude with a Grand Chorus-Champness, Mrs Wrighten, Bannister, Dibdin, Davies, Kear, Fawcett, Wheeler, Mrs Scott, Mrs Hunt.

Performances

Mainpiece Title: Cymon

Performance Comment: Cymon-Vernon; Merlin-Bannister; Dorus-Parsons; Dorilas-Wheeler; Damon-Fawcett; Demon of Revenge-Champness; Linco-King; Fatima-Mrs Abington; Shepherdesses-Mrs Davies, Miss Ambrose; Urganda-Mrs Scott; Dorcus-Mrs Bradshaw; Sylvia-a Young Gentlewoman; first appearance upon any stage. With a Grand Procession of the different Orders of the Knights of Chivalry-; In Which will be Introduced (for the first time) The Warrior's Dance-; other Dances- proper to the Piece.

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: Cymon

Performance Comment: As17721020, but with fuller statement about the Dances: viz. In the course of the Drama will be introduced the following Dances: A Dance of Cupids, a Dance of Daemons, a Dance of Warriors, Grand Concluding Dance-.

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17721106, but Grand Chorus-Mrs _Wrighten, _Bannister.

Dance: II: Comic Dance, as17720922

Performances

Mainpiece Title: The Golden Pippin

Afterpiece Title: The Commissary

Dance: I: A New Pantomime Dance call'd The Venetian Gardner-Mas. Blurton, Miss Capon. [See17650925]; II: [A New Dance-Aldridge, Miss Capon; End: [A New Grand Ballet, call'd Rural Amusements-Fishar, Sga Manesiere. [See17720424.

Performance Comment: Blurton, Miss Capon. [See17650925]; II: [A New Dance-Aldridge, Miss Capon; End: [A New Grand Ballet, call'd Rural Amusements-Fishar, Sga Manesiere. [See17720424.]See17720424.]

Performances

Mainpiece Title: Albumazar

Afterpiece Title: Harlequin's Invasion

Performance Comment: Harlequin-Wright; Mercury-Davies; Abram-Weston; Snip-Parsons; Old Woman-Dodd; Gasconade-Baddeley; Bounce-Bransby; Simon-Moody; Forge-Ackman; Justice-Waldron; Constable-Griffith; Bogg-Messink; Welchman-Jacobs; Mrs Snip-Mrs Bradshaw; Sukey Chitterlin-Mrs Davies; Dolly Snip-Miss Pope; To Conclude with Grand Chorus-Dibdin, Champnes, Davies, Kear, Fawcett, Wheeler, Mrs Scott, Mrs Hunt.

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Music

Performance Comment: Act I, Overture-; Song-Sga Galli, Schiroli; Concerto Clarinet-Baer, first time in England; Song-Miss Davies; Act II, Song-Fochetti; Song-Schiroli; Concerto German Flute-Tacet; Song-Miss Davies; Concerto Bassoon-Ritter, first time in England; Song-Millico; Act III, Concerto Violin-Cramer; Song-Sga Galli; Concerto Violincello-Cerveto; Song-Millico; Concerto Hautboy-Fischer; Song-Miss Davies; Bach's Grand Overture- for two orchestras.
Event Comment: hg [Garrick gave a grand Entertainment at Hampton Gardens. Illuminated also Shakespeare's Temple with 6,000 lamps and fireworks (Winston MS 10).

Performances

Performances

Mainpiece Title: La Buona Figliuola

Dance: I: Ballet, Chaconne-Mlle Baccelli; II: Silvie-S. Vallouis, Mme Vallouis; End Opera: Grand Heroic Historic Ballet, as17750207; Chaconnes, as17750207

Performance Comment: Vallouis, Mme Vallouis; End Opera: Grand Heroic Historic Ballet, as17750207; Chaconnes, as17750207.

Performances

Mainpiece Title: Motezuma

Cast
Role: Ballet Master Actor: Lany

Dance: End I: La Fete de Flora-; with Chaconne-Mlle Baccelli; End II: Silvie-S. Vallouis, Mme Vallouis; End III: Grand Heroic Historical Ballet-Lany, M and Mme Vallouis, Mlle Baccelli; with Chaconnes-Vallouis, Mlle Baccelli

Performance Comment: Vallouis, Mme Vallouis; End III: Grand Heroic Historical Ballet-Lany, M and Mme Vallouis, Mlle Baccelli; with Chaconnes-Vallouis, Mlle Baccelli.

Performances

Mainpiece Title: The Distress'd Mother

Performance Comment: As17750116, but without the Grand Provencalle Dance.

Afterpiece Title: A Peep behind the Curtain

Dance: End: The Irish Fair, as17740917

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day; or, The Little Gipsy

Event Comment: Mainpiece: By Particular Desire. The Comedy of Old City Manners oblig'd to be deferr'd. On 31 Dec. (Sunday) died Th. Weston of Drury Lane Theatre (Winston MS 11). [See Memoirs of Thomas Weston that Celebrated Comedian (London, 1776, 59 pp). This year appeared A Serious Disuasion from Frequenting the Playhouse, by Jacob Orton (22 pp. pub. in Shrewsbury). His text is taken from Bulstrode's charge to the Grand Jury of Middlesex, 21 April 1718. "One Playhouse ruin'd more souls than fifty churches are able to save."] Paid Mr Grist on acct per Mr D. G. #20; Three extra trumpets 6 nights #6 15s. Supernumeraries for the Jubilee continued to cost 14s. 10d. during its run. Receipts: #219 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Waterman

Performance Comment: Parts by Bannister, Davies, Parsons, Mrs Wrighten, and Mrs Jewell. Tom Tug-Bannister; Bundle-Davies; Robin-Parsons; Mrs Bundle-Mrs Wrighten; Miss Wilelmina-Mrs Jewell (MacMillan) to conclude with the grand scene of the Regatta.

Dance: I: The Sailors Revels, as17751220

Entertainment: A Variety of New Imitations, vocal and rhetorical-Bannister

Performances

Mainpiece Title: Whittington's Feast

Performance Comment: The Ode of Odes new written by a College Wag. The Music interpersed with Grand Chorusses new composed by the Doctor...who humbly hopes the Literati will not be offended by this harmless banter, as nothing can lessen the supreme merit of Dryden's Great Original.

Song: Catches and Glees-; after Part I: New Italian Song-Mrs Barthelemon

Music: After the Parody: Concerto on Violin-Barthelemon

Event Comment: Afterpiece: To conclude with a Grand Representation of a Regattav. [This was included in all subsequent performances.] Paid Supernumeraries #5 13s. 6d.; Billstickers #2 14s.; Music 1st week #25 7s. 6d.; Miss Younge's Cloathes #5. King being hoarse the Prelude [see 21 Sept.] was omitted--Miss Pope made her first Appearance these 2 years upon this stage in Miss Sterling--but coolly received (+Hopkins Diary). Receipts: #213 8s. 6d

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Waterman

Event Comment: Mainpiece: Not acted these 10 years [not acted since 20 Apr. 1765]; in [it] will be introduced a Grand Triumphal Entry of Publiusv, with the original Music composed by Boyce. [This was included in all subsequent performances.] This is the first Time that Mrs Yates played since the Paper Quarrel between the Managers and her. Before the Play began Mrs Yates went on, and made the following apology, "Ladies and Gentlemen, I hope what has been already published has been sufficient to satisfy the Publick that I did not intend to affront or insult them. I have only to add, that it ever has (been) and ever shall be my Study and Endeavour to please that Publick from (whom) I have received so many Favours." The Audience applauded, and the Play went on--Mrs Yates played finely and had great applause (Hopkins Diary). Receipts: #145 2s. 6d

Performances

Mainpiece Title: The Roman Father

Event Comment: Mainpiece: With the Grand Triumphal Entry. Receipts: #180 5s. (163.14.0; 15.16.6; 0.14.6)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Selima and Azor

Event Comment: Benefit for Rauzzini. Opera: With Alterations, New Songs, and grand Chorusses. The Music by Rauzzini. Public Advertiser, 15 Feb.: Tickets to be had of Rauzzini, No. 5, Great Suffolk-street

Performances

Mainpiece Title: L'ali D'amore

Dance: End I: La Force de l'Amour, as17761214; End II: Comic Ballet, as17770204; End Opera: Serious Ballet, as17770225

Event Comment: A new Serious Opera [1st time; SER 3]: With Grand Chorusses. The Poetry by the Abate Conte Zaccaria de Seriman. The Music entirely new by Tragetta [recte Traetta]

Performances

Mainpiece Title: Telemaco

Dance: End I: Serious Ballet, as17770225; End Act II: Les Chasseurs, as17771112, but Mme _Vallouy, Mme Simonet; End Opera: a new Ballet Demi-caractere, +La Clochette-Simonet, Mlle Baccelli, Vallouy, Mme Simonet, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

Event Comment: A new Serious Opera, with Grand Chorusses; the Music by Johann Christian? Bach

Performances

Mainpiece Title: Orione

Dance: End I: New Serious Ballet, as17770412; End II: La Paysane Distraite, as17770520, but Mme _Simonet; End Opera: Serious Ballet-Mons and Mme Simonet, Sg and Sga Zuchelli, Vallouy@le@cadet, Mlle DeCamp, Mlle Baccelli

Event Comment: Afterpiece: To conclude with a Grand Representation of a Regattav. [This was included in all subsequent performances.] Receipts: #269 7s. 6d. (259.1.0; 9.11.0; 0.15.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Waterman