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1762 results for: Keyword - Graces and Gayety of the French
We found 776 matches on Performance Comments, 583 matches on Performance Title, 495 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1051
17 December 1793 @ Covent Garden

Event Comment: Mainpiece: Not acted these 4 years [acted 11 Jan. 1788]. Afterpiece: By Desire of the Cherokee Chiefs [see 12 Nov.]. Receipts: #187 10s. 6d. (181.15.0; 5.15.6)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Holman (1st appearance in that character); Manly-Farren; Sir Francis Wronghead-Wilson; Squire Richard (1st time)-Blanchard; John Moody (1st time)-Quick; Count Basset-Bernard; Lady Grace-Mrs Mattocks; Lady Wronghead-Mrs Webb; Miss Jenny (1st time)-Mrs Harlowe; Myrtilla-Mrs Lewis; Mrs Motherly-Mrs Powell; Trusty-Miss Stuart; Lady Townly-Mrs Esten (1st appearance in that character).
Cast
Role: Mrs Motherly Actor: Mrs Powell

Afterpiece Title: The Poor Soldier

Cast
Role: Tom Thumb Actor: Miss Standen

1052
27 September 1794 @ Drury Lane Theatre

Event Comment: [Mrs Gibbs was from the hay.] Afterpiece: 21st time [i.e. in continuation of the reckoning for the previous season]. The Music composed, and selected from Cherubini, Kreutzer and Andreozzi, by Storace. An Accurate Edition of Lodoiska to be had at the Theatre. Powell, 26 Sept.: Provoked Husband rehearsed at 10; Lodoiska at 12 (for Palmer); 27 Sept.: Lodoiska rehearsed at 10 (for Bannister). Receipts: #433 19s. 6d. (296.14.0; 134.13.0; 2.12.6)

Performances

Mainpiece Title: The Provok'd Husband; Or, The Journey To London

Performance Comment: Lord Townly-Kemble; Mr Manly-Bensley; Sir F. Wrongheard-Hollingsworth; Squire Richard-Suett; John Moody-Moody; Count Basset-Dodd; James-Evans; Poundage-Waldron; Constable-Maddocks; Lady Townly-Mrs Goodall; Lady Grace-Miss Collins; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Gibbs (1st appearance on this stage); Mrs Motherly-Mrs Booth; Myrtilla-Miss Heard.
Cast
Role: Mrs Motherly Actor: Mrs Booth

Afterpiece Title: Lodoiska

Performance Comment: Polanders Prince Lupauski-Aickin; Count Floreski-Kelly; Baron Lovinski-Palmer; Varbel-Suett; Adolphus-Caulfield; Gustavus-Trueman; Sebastian-Fairbrother; Michael-Bland; Casimir-Benson; Stanislaus-Webb; Pages-Master Welsh, Master Gregson; Princess Lodoiska-Mrs Crouch; Captives-Miss DeCamp, Miss Leak, Miss Redhead, Mrs Bramwell, Miss Granger, Miss Menage, Miss Stageldoir, Miss Chatterley, Miss Gawdry, Mrs Butler, Mrs Boimaison, Miss Davies; Tartars; Kera Khan-Barrymore; Ithorak-Dignum; Khor-Sedgwick; Japhis-Bannister; Kajah-C. Kemble; Tamuri-Banks; Camazin-Boimaison; The Horde-Cooke, Danby, Lyons, Maddocks, Phillimore, Welsh, Dorion, Dorion Jun., Evans, Bourk, G. D'Egville, Butler, Whitmell, Nicolini, Keys.
Cast
Role: Polanders Prince Lupauski Actor: Aickin
Role: Sebastian Actor: Fairbrother
Role: Michael Actor: Bland
Role: The Horde Actor: Cooke, Danby, Lyons, Maddocks, Phillimore, Welsh, Dorion, Dorion Jun., Evans, Bourk, G. D'Egville, Butler, Whitmell, Nicolini, Keys.

1053
14 October 1794 @ Covent Garden

Event Comment: Afterpiece: Taken from Ossian. Ballet composed by Byrn. The Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. Receipts: #267 3s. (259.17; 7.6)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Farren; Sir Francis Wronghead-Munden; Count Basset-Bernard; Squire Richard-Burton; John Moody-Quick; Lady Grace-Miss Hopkins; Lady Wronghead-Mrs Davenport; Miss Jenny-Miss Cornelys; Myrtilla-Miss Stuart; Mrs Motherly-Mrs Platt; Trusty-Mrs Fawcett; Lady Townly-Miss Wallis.
Cast
Role: Mrs Motherly Actor: Mrs Platt

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Performance Comment: Principal Characters in Ballet-Holland, Follett, Farley, Cranfield, Blurton, Mme Rossi; Musical Characters-Munden, Townsend, Linton, Mrs Mountain, Mrs Martyr. [Cast adjusted from playbill of 20 Oct. 1791: Oscar-Holland; Carrol-Follett; Morven-Farley; Draco-Cranfield; Fingal-Blurton; Malvina-Mme Rossi; Pedlar-Munden; Bards, Peasantry-Townsend, Linton, Mrs Mountain, Mrs Martyr.]
Cast
Role: Principal Characters in Ballet Actor: Holland, Follett, Farley, Cranfield, Blurton, Mme Rossi
Role: Oscar Actor: Holland

1054
17 November 1794 @ Covent Garden

Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: notes that the Principal parts Actor: Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

1055
06 April 1795 @ Covent Garden

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.
Cast
Role: representing the Marriage of Peleus and Thetis Actor:
Role: Proteus Actor: Holland
Role: Thetis Actor: Mme Prevost
Role: Terpsichore Actor: Mlle St.Amand
Role: The Masque commences with the View of A Grove Actor:
Role: the Genii of the Morn Actor:
Role: the Graces Actor:
Role: he is her intended Husband Actor: Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: which she respectfully accepts Actor: the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: the Temple of Jupiter Actor:
Role: the Destinies Actor:
Role: and Amphitrite Actor:
Role: arise from the Sea in their Watry Car Pluto Actor:
Role: and Proserpine Actor:
Role: together with Rhadamanthus Actor:
Role: and Eacus Actor:
Role: Nymphs and Swains Actor:
Role: enraged at not being invited to the sacred Festiva Actor: She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: For the Fairest" Actor: Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: who adjudge it to Thetis Actor: Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: Festoons of Flowers descend Actor: Cupids ascend supporting a Medallion and the Letters G. C.
Role: ] Actor: the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a
Role: Grand Chorus Actor:
Role: accompanied on the Harp Actor: Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

1056
15 October 1795 @ Covent Garden

Event Comment: Afterpiece: Not acted these 2 years. Receipts: #110 2s. (107.14; 2.8)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manly-Macready; Sir Francis Wronghead-Munden; Count Basset-Bernard; Squire Richard-Knight; John Moody-Quick; Constable-Thompson; Lord Townly's Servant-Abbot; Manly's Servant-Simmons; Poundage-Rees; Lady Grace-Mrs Townsend; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Knight; Myrtilla-Miss Logan; Mrs Motherly-Mrs Platt; Trusty-Miss Stuart; Lady Townly-Miss Wallis.
Cast
Role: Mrs Motherly Actor: Mrs Platt

Afterpiece Title: The Midnight Wanderers

1057
02 December 1795 @ Drury Lane Theatre

Event Comment: Afterpiece: By Permission of the Proprietor of the Theatre Royal, Hay Market. Receipts: #191 5s. (113.4.6; 74.1.6; 3.19.0)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Kemble; Mr Manly-Bensley; Sir Francis Wronghead-Hollingsworth; Squire Richard-Suett; John Moody-Moody; Count Basset-Dodd; James-Evans; Poundage-Burton; Constable-Maddocks; Servant-Trueman; Lady Townly-Miss Farren; Lady Grace-Mrs Goodall; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Gibbs; Mrs Motherly-Mrs Booth; Myrtilla-Miss Tidswell; Mrs Trusty-Mrs Heard.
Cast
Role: Mrs Motherly Actor: Mrs Booth

Afterpiece Title: The Son-in-Law

Performance Comment: Cranky-Suett; Vinegar-Aickin; Bouquet-Dignum; Bowkit-Bannister Jun.; Man of the House-Maddocks; Signor Arionelli (1st time)-Miss DeCamp; Idle-R. Palmer; Mum-Wewitzer; John-Trueman; Lilly-Master Gregson; Cecilia-Miss Leak; Dolce-Mrs Jones.
Cast
Role: Man of the House Actor: Maddocks

1058
22 November 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Kemble; Mr Manly-Whitfield; Sir Francis Wronghead-Dowton (1st appearance in that character); Squire Richard-Suett; John Moody-Hollingsworth; Count Basset-R. Palmer; James-Evans; Poundage-Maddocks; Constable-Phillimore; Servant-Webb; Lady Townly-Miss Farren; Lady Grace-Mrs Goodall; Lady Wronghead-Miss Tidswell; Miss Jenny-Mrs Gibbs; Mrs Motherly-Mrs Booth; Myrtilla-Miss Heard; Mrs Trusty-Mrs Heard.
Cast
Role: Mrs Motherly Actor: Mrs Booth

Afterpiece Title: Richard Coeur de Lion

Cast
Role: The Seneschal Actor: Phillimore
Role: Antonio Actor: Mrs Bland
Role: Guillot Actor: Wathen
Role: Matthew Actor: Maddocks

Dance: As17961019

1059
20 February 1797 @ Covent Garden

Event Comment: By Command of Their Majesties. [1st piece in place of A Cure for the Heart Ache, advertised on playbill of 18 Feb.] Receipts: #484 19s. (478.13; 6.6)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Murray; Sir Francis Wronghead-Munden; Count Basset-Macready; Squire Richard-Knight; John Moody-Quick; Lady Grace-Miss Mansel; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Knight; Myrtilla-Miss Logan; Mrs Motherly-Mrs Platt; Trusty-Mrs Fawcett; Lady Townly-Miss Wallis.
Cast
Role: Mrs Motherly Actor: Mrs Platt

Afterpiece Title: Bantry Bay

Cast
Role: The text adds Shaneen O'Shee Actor: Waddy

Afterpiece Title: The Irish Mimick

1060
06 May 1797 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. 1st piece: In 3 Acts. [In 1st piece the playbill assigns Welford to Holman, and in 3rd piece Don Carlos to the same. But "An uncle of Holman expired suddenly on Saturday morning. An apology was made for Holman in the evening, and Macready took the Parts he was to have performed in the Play and Farce" (True Briton, 8 May). In 1st piece Cheaterly is assigned to Macready; who took his place is not stated.] True Briton, 22 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-Garden. Receipts: #223 12s. 6d. (118.10.0; 4.2.0; tickets: 101.0.6)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: Lock and Key

Performance Comment: As17960916, but Servants and Sailors-_.
Cast
Role: Servants and Sailors Actor: Gray, Lee, Street

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Bantry Bay

Cast
Role: The text adds Shaneen O'Shee Actor: Waddy

1061
19 May 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor; Epilogue by Matthew Gregory Lewis (London Chronicle, 21 May). Larpent MS 1212 (which lists the following unassigned parts: Old Man, Clerk, Countryman, Boy, Postilion, Waiter, Man); not published]. Receipts: #197 13s. (140.18; 55.11; 1.4)

Performances

Mainpiece Title: She's Eloped

Afterpiece Title: The Virgin Unmask'd

Cast
Role: Mary Actor: Mrs Bland
Role: Miss Lucy Actor: Mrs Bland.

1062
28 September 1798 @ Covent Garden

Event Comment: [Mrs Johnson was from the Park Theatre NewYork.] Afterpiece: Compressed into Two Acts. "Munden's Sir Francis Wronghead was a very pleasing display of comicality; but he should have contented himself with what was set down by the author, without introducing his own common place allusions to the fashions of the present day" (Morning Herald, 29 Sept.). Receipts: #200 17s. 6d. (195.19.6; 4.18.0)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manley-Murray; Sir Francis Wronghead-Munden; Count Basset-Clarke; Squire Richard-Knight; John Moody-Thompson; James-Abbot; Constable-Whitmore; Poundage-Rees; Lady Grace-Miss Chapman; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Gibbs; Mytrilla-Mrs Watts; Mrs Motherly-Mrs Platt; Trusty-Mrs Litchfield; Lady Townly-Mrs Johnson (from the Theatre in America; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Mrs Motherly Actor: Mrs Platt

Afterpiece Title: The Maid of the Mill

Performance Comment: Sir Harry Sycamore-Munden; Lord Aimworth-Clarke; Ralph-Knight; Farmer Giles-Townsend; Fairfield-Davenport; Mervin-Claremont; Fanny-Miss Sims; Lady Sycamore-Mrs Davenport; Theodosia-Mrs Follett; Patty-Miss Mitchell.
Cast
Role: Theodosia Actor: Mrs Follett

1063
28 January 1799 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for the large Infant Orphan Family of a Man of Fashion [Sir Richard Perrott]. The mother of these helpless, unprotected infants, in contemplating the benevolence of a humane Public, throws herself with implicit confidence on the commiserating patronage of those who are ever ready to afford it for the relief of suffering innocence. Tickets to be had of Lady Perrott, No. 28, Spring-street, Portman-square [and see 18 Sept. 1797]

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lady Townly-Lady Perrott; Lady Grace-A Young Lady (1st appearance on the stage [unidentified]). The rest of the principal characters by persons of respectable situations in life who have undertaken their several parts from motives of humanity. [No afterpiece] .unidentified]). The rest of the principal characters by persons of respectable situations in life who have undertaken their several parts from motives of humanity. [No afterpiece] .

1064
07 May 1799 @ Covent Garden

Event Comment: Benefit for Knight. 2nd piece [1st time; F 1, by Thomas John Dibdin. Larpent MS 1252; not published]. 3rd piec : Not acted these 9 years. [Miss A. DeCamp had appeared as a dancer with the dl Company at king's in the season of 1792-93.] Morning Chronicle, 22 Apr.: Tickets to be had of Knight, No. 38, King-street, Covent Garden. Receipts: #392 3s. (185.12.6; 3.18.0; tickets: 202.12.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Tagg in Tribulation

Performance Comment: Tagg (with The Little Farthing Rushlight)-Knight; Touch (the Bailiff)-Simmons; Tak'em-Abbot; Truncheon-Wilde; Whistle-Rees; Justice-Thompson; Mrs Muggins-Mrs Gilbert; Little Pickle (with a new song)-Mrs Mills.

Afterpiece Title: Poor Vulcan

Song: End II: song-Incledon; End: Old Towler-Incledon; The Beggar's Song-Townsend

Entertainment: A Variety of Imitations-Rees

1065
02 June 1800 @ Covent Garden

Event Comment: Benefit for Wild, prompter. 1st piece: In 3 Acts; Not acted these 7 years [acted 6 May 1797]. 2nd piece [1st time; M. INT 1]. 4th piece: To conclude with a View of the Infernal Regionsv, and a Shower of Firev. Revived under the Direction of Delpini. The Songs, Duets & Chorusses by Reeve. The rest of the Music composed by Gluck. Receipts: #287 (149.4.6; 2.0.0; tickets: 135.15.6)

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: Welford-Holman; Sir Buzzard Savage-Munden; Captain Douglas-H. Johnston; Cheaterly-Claremont; Colonel Staff-Thompson; Nicholas-Fawcett; Ordeal-Murray; Clara-Miss Murray; Grace-Mrs Mills; Widow Volatile-Mrs Dibdin; Constance-Miss Mills; Lady Flippant Savage-Mrs Glover (Their 1st appearance in those characters).

Afterpiece Title: A Whitsun Festival

Performance Comment: The Chapter of Fashions-Munden; The Red Cross Knight-Incledon, Linton; The Beggar's Song-Townsend; The Soldier tir'd of War's alarms-Mrs Atkins; The Mid Watch (composed by Linley)-Incledon; God preserve His Majesty for Ever and Ever-.
Cast
Role: The Chapter of Fashions Actor: Munden
Role: The Red Cross Knight Actor: Incledon, Linton
Role: The Beggar's Song Actor: Townsend
Role: The Soldier tir'd of War's alarms Actor: Mrs Atkins
Role: The Mid Watch Actor: Incledon
Role: God preserve His Majesty for Ever and Ever Actor: .

Afterpiece Title: Five Thousand a Year

Performance Comment: George Fervid-Lewis; Frederick Fervid-Pope; Sir Mathew Maxim-Munden; Henry Hastings-H. Johnston; Mr Goulding-Murray; Paragraph-Farley; Truepenny-Waddy; Dick-Simmons; Officer-Wilde; Maria-Mrs Glover; Lady Julia-Mrs Pope; Aurelia-Mrs H. Johnston; Lady Maxim-Mrs Mattocks.
Cast
Role: Sir Mathew Maxim Actor: Munden

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Performance Comment: Don Juan (1st and only time)-H. Johnston; Governor-Bologna Sen.; Don Fernando-King; Fisherman-Hawtin; Spanish Gents.-Lee, Curties, Atkins; Alguazile-Thompson; Waiters-Abbot, Wilkins; Musicians, Sailors-Wilde, Blurton, Platt, Lewiss, L. Bologna, Klanert; Scaramouch-Delpini; Donna Anna (1st time)-Miss Mills; Fishermen's Wives-Mrs Atkins, Miss Wheatley; (with the duet, Thus for Man the Woman fair)-Mrs Atkins, Miss Wheatley; Dancers-Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Lloyd; Ladies-Ms Leserve, Ms Gilbert, Ms Burnett, Ms Iliff, Ms Norton, Ms Whitmore, Ms Blurton.
Cast
Role: Don Fernando Actor: King

Song: End I: the Battle Song-Incledon as18000522

1066
01 September 1800 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; MF 2, by the younger George Colman]: To conclude with a View of the Camp near Windsorv. A Military Overture, and the New Musick composed by Dr Arnold. The Scenery painted by S. Whitmore. Books of the Songs to be had at the Theatre. [For Colman's borrowing of the character of Caleb Quotem, see 6 July 1798.

Performances

Mainpiece Title: The Point Of Honour

Cast
Role: James Actor: Wathen

Afterpiece Title: The Review; or, The Wags of Windsor

Related Works
Related Work: The Review; or, The Wags of Windsor Author(s): George Colman, the younger

1067
January 1672 @ Whitehall or St. James's

Event Comment: Early in 1672 a group of French players may have acted in London, but the evidence is not precise or detailed. See W. J. Lawrence, Early French Players in England, p. 142

Performances

1068
29 May 1677 @ Whitehall or St. James's

Event Comment: See 22 May 1677. John Verney to Edmund Verney, 31 May 1677: On Wednesday his Majesty's birth night was some gallantry at Whitehall, where was acted a French opera, but most pitifully done, so ill that the King was aweary on't, and some say it was not well contrived to entertain the English gentry, who came that night in honour to their King, with a lamentable ill-acted French play, when our English actors so much surpass; however, the dances and voices were pretty well performed (HMC, 7th Report, Appendix, Part I, 1879, p. 468)

Performances

Mainpiece Title: Rare En Tout

1069
04 December 1677 @ Whitehall or St. James's

Event Comment: See L. C. 5@142, p. 160 (in Nicoll, Restoration Drama, p. 380) for an order for altering the stage for the French comedians. Boswell (Restoration Court Stage, p. 160) believes that the first performance by the French troupe occurred on 5 Dec. 1677

Performances

1070
18 January 1678 @ Whitehall or St. James's

Event Comment: The Earl of Arran to the Duchess of Ormond, 19 Jan. 1677@8: I met her Lord [Lord Cavendish] last night at the French play (HMC, Ormonde MSS., New Series, 1906, IV, 90). Henri Forneron, Louise de Keroualle, Duchess of Portsmouth (London, 1887): [The Duchess of Portsmouth] was at the last extremity when a slight change for the better took place, and she got up, had herself dressed, and dragged herself to her Sedan chair, to be carried to the French play, where she heard the king was to be with Madame Mazarin. The players had come to London for a short time, and Charles attended all their representations (pp. 197-98). Forneron apparently drew this information from a letter dated 20 Jan. 1677@8

Performances

1071
July 1688 @ Whitehall or St. James's

Event Comment: A troupe of French Comedians played at theatre in Windsor Castle. On 25 July 1688 a warrant (L. C. 5@17, pp. 60, 65, in Boswell, Restoration Court Stage, pp. 61, 127) ordered the playhouse there to be made ready for the foreign company. According to L. C. 5@17, in Nicoll, Restoration Drama, p. 65, the French players arrived on 11 Aug. and remained at Windsor until 22 Sept

Performances

1072
29 September 1688 @ Whitehall or St. James's

Event Comment: The warrant for the export of the goods of the French comedians who acted in the late summer is dated this day. See Calendar of Treasury Books, 1685-1689, p. 2082, and Boswell, Restoration Court Stage, p. 128. During October #200 was paid to John deSureis for himself and eleven companions, the French comedians who had been at Windsor (Boswell, Restoration Court Stage, p. 128)

Performances

1073
08 September 1701 @ Richmond Wells

Event Comment: At the most Excellent Musick-Room of Richmond Wells. At 3 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Mr Abell; having had the Honour lately, to Sing to the Nobility and Gentry of Richmond and the Neighbouring Towns, thinks himself bound in Gratitude...to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe

Performance Comment: ..to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe.
Cast
Role: French Actor: Mr Abell
Role: being Honour'd and Accompany'd Actor: the Greatest Masters of Europe.

1074
27 July 1703 @ York Buildings

Event Comment: Tickets are given out...by Mr Pinkeman, who has taken care to provide Places for Persons of Quality at Five Shillings each, and the lower at half a Crown. And a Stage built for the Performers. At 6 p.m

Performances

Mainpiece Title: Italian Interludes

Dance: Some mimical Entertainments a Famous-Scaramouch, Harlequin , who lately perform'd before the Court of Hanover and their Prussian Majesties, now arriv'd in England

Related Works
Related Work: Harlequin a Sorcerer: With the Loves of Pluto and Proserpine Author(s): Lewis Theobald
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald

Entertainment: Vaulting. An extraordinary Performance on the Manag'd Horse-the greatest Master of the Age , exceeding whatever has been done by any other, especially his resting on one hand with his whole Body extended while he drinks several Glasses of Wine, and then throwing himself a Somerset over the Horse's head; Rope/dancing With and without a Pole,-the two famous French Maids so much admir'd, for surpassing all others in their Art, that they have been presented with Medals at most of the Courts in Europe

Performance Comment: An extraordinary Performance on the Manag'd Horse-the greatest Master of the Age , exceeding whatever has been done by any other, especially his resting on one hand with his whole Body extended while he drinks several Glasses of Wine, and then throwing himself a Somerset over the Horse's head; Rope/dancing With and without a Pole,-the two famous French Maids so much admir'd, for surpassing all others in their Art, that they have been presented with Medals at most of the Courts in Europe.
Cast
Role: n extraordinary Performance on the Manag'd Horse Actor: the greatest Master of the Age , exceeding whatever has been done by any other, especially his resting on one hand with his whole Body extended while he drinks several Glasses of Wine, and then throwing himself a Somerset over the Horse's head
Role: Ropedancing With and without a Pole, Actor: the two famous French Maids so much admir'd, for surpassing all others in their Art, that they have been presented with Medals at most of the Courts in Europe.

1075
26 December 1707 @ Queen's Theatre

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: As17071025, but Nottingham-Mrs Oldfield; With the last new Vocal Epilogue , Compos'd and Perform'd by the famous-Signior Cibberini , after the newest English, French, Dutch, and Italian Manner.
Cast
Role: Compos'd and Perform'd by the famous Actor: Signior Cibberini , after the newest English, French, Dutch, and Italian Manner.
Role: Sir Walter Actor: Husband
Role: Rutland Actor: Mrs Rogers