SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Giffard great Service I have had great Success in all "/1) | (@(roleclean,performerclean) "Giffard great Service I have had great Success in all ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1625 matches on Event Comments, 989 matches on Performance Comments, 338 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Directors of the Oratorios: Linley and Storace. Among the Principal Instrumental Performers are Ashe, W. Parke, Parkinson, Mason, Flack, Ashbridge, &c. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. Books of the performance to be had at the Theatre. [This was the 1st performance held in the new DL theatre]. Under the Management of Mr Kemble. The Box Office, for the present, is in Little Russell-Street, opposite to the Theatre, where Boxes and Places are to be taken of Fosbrook. The Box Doors are in Little Russell Street and Woburn Street. The whole of the Avenues [into the theatre], and the New Street ["which is intended to be called Woburn-street" (Carlton House Magazine, Apr. 1794, p. 136); see next paragraph] not being yet complete, Ladies and Gentlemen are particularly requested to direct their Coachmen to set down in Little Russell Street (where alone the Carriage Box Doors are at present) with the Horses heads toward Covent Garden, which is the only line in which Carriages can be permitted to pass. Carriages wanting to draw up after the performance should be headed to range in Drury Lane, toward Long Acre and Great Queen Street. The Chair Doors and Footway are in the Court in Woburn Street, where for the accomodation of those who may wish to have their Carriages wait out of the Croud, Chairs belonging to the Theatre and under proper regulations will attend. In order to keep the Colonnades quite clear no Servants can be permitted to wait there, but those belonging to the Carriages actually drawn up before the Pillars, and no Servants whatever can be permitted to pass the Doors of the Lower Saloon. Pit Door. The Temporary Pit Passage is in the center of the Theatre, in Bridges Street, which leads to a Spacious Saloon, which will be opened One Hour before the opening of the Pit Doors. All Carriages for the Pit Door are to wait in Catherine Street, or York-Street, to take up with the Horses heads towards Little Russel Street, and to pass through Great Russel-Street. Gallery Doors. The Gallery Doors, for Admittance, are in Little Russell-Street, and Woburn-Street, but, after the commencement of the Performance, the Gallery Doors, for the present can be only in Woburn Street. Every proper precaution is taken to prevent Croud and Inconvenience at the several Passages. The Doors to be opened at 5:15. To begin at 6:30 [same throughout oratorio season]. "The Orchestra represented the inside of a Gothic Cathedral [designed by Capon], and the Chorus Singers paid that attention to their attire that rendered the stage respectable. The house is so constructed that every note was distinctly heard at the remotest part of the theatre . . . The audience are so near the performers that the movement of every muscle is seen; a matter essentially necessary, particularly to the exhibition of an English Drama." [This opinion is greatly at variance with that of other commentators on the construction, the acoustics, &c. of the new theatre.] (European Magazine, Mar. 1794, p. 236). "The stage for the oratorios resembles a Gothic Cathedral, with illuminated stained glass windows, &c. The flies . . . [are] carved like the fretted roof of an antique pile, and the wings to the side scenes are removed for a complete screen, like those in use at the foreign theatres." (Thespian Magazine, Mar. 1794, p. 127). Account-Book, 12 Mar.: Paid Cabanel building Stage, on Acct. #130; Capon, painter, on Acct. #61 12s. Receipts: #358 6s. (281/2; 243 tickets sold by Fosbrook: 72/18; 4/6)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Harrison, Meredith (from Liverpool; 1st appearance in London), Master Welsh, Dignum, Miller, Kelly//Sga Storace, Miss Leak, Mrs Crouch. Leader of the Band-Shaw. PART I. Zadock the Priest (CORONATION ANTHEMS). He layeth the beams. Fall'n is the Foe (JUDAS MACCABAEUS). Let the bright Seraphim (SAMSON). For unto us (THE MESSIAH). O magnify the Lord. Deeper and deeper; Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) . Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) .
Event Comment: By Desire of his Excellency the Turkish Ambassador [see 9 May]. Benefit for Mrs Mountain. 1st piece: In Act II a Grand Procession representing the ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Husband. 2nd piece [1st time; CO 2, by Henry Heartwell]: The Overture and Music composed by Attwood. Monologue: The whole of the apparatus painted and designed by Cresswell. Morning Herald, 8 Oct. 1798: This Day is published Reformed in Time (1s.). Ibid, 16 May: Tickets to be had of Mrs Mountain, No. 28, Maiden-lane, Covent-garden. Receipts: #370 18s. (90.17; 4.3; tickets: 275.18)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Reformed in Time

Afterpiece Title: The Honest Thieves

Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant

Song: In course: Old Towler, Black Ey'd Susan-Incledon

Monologue: Monologue. End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student

Performance Comment: End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student.

Performances

Mainpiece Title: A Grand Selection 0 Of Music From The Works Of handel

Performance Comment: As17990313but Principal Vocal Performers-Master Elliot, Sga +Galli.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March (Scipio)-; Come ever smiling liberty-Miss Capper (Judas Maccabaeus); Lord of eternity-Chorus; Behold the nations-Sale; O Baal-Chorus (Deborah); Mirth admit me-Bartleman; Haste thee nymph-Incledon, Chorus (L'Allegro); My faith and truth-Miss Poole, Master Elliot (Samson); Lord, remember David-Mme Mara (Sosarme); For unto us a child is born-Chorus (The Messiah).

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Fifth Concerto (Martini)-; In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); Softly sweet-Master Elliot; accompanied on the violoncello-C. Ashley (Alexander's Feast); He was despised-Sga Galli, who is in her 77th year and in the greatest distress, and most humbly hopes for the protection of the Public on the occasion (The Messiah); Disdainful of danger-Incledon, Page, Bartleman (Judas Maccabaeus); Oft on a plat-Incledon; Let me wander-Mme Mara; Or let the merry bells-Chorus (L'Allegro).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Ariadne)-; The prince unable-Miss Poole (Alexander's Feast); Return O God-Miss Waters; Justly these evils, Why does the God of Israel-Incledon (Samson); Dulce Domum-Mme Mara, Chorus (Reading); The soldier tired-Mme Mara (Arne's Artaxerxes); How willing-Bartleman (Samson); Hallelujah-Chorus (The Messiah).
Cast
Role: Hallelujah Actor: Chorus

Music: As17990215

Event Comment: Benefit for the Widow and Four Children of the late Mr Follett. [John Follett had died in Jan. 1799. Address by John Cartwright Cross (Monthly Mirror, June 1799, p. 367).] Receipts: #416 7s. 9d. (120.4.3; 4.1.0; tickets: 292.2.6)

Performances

Mainpiece Title: The Way To Get Married

Cast
Role: Toby Allspice Actor: Emery
Role: Dick Dashall Actor: Fawcett
Role: Clementina Allspice Actor: Mrs Mattocks

Afterpiece Title: The Vanguard

Afterpiece Title: The Virgin Unmaskd

Performance Comment: Blister-Emery; Coupee-Betterton; Quaver-Clarke; Goodwill-Thompson; Thomas-Claremont; Lucy-Mrs Jordan (from the Theatre Royal, Drury-Lane, who has with the greatest kindness consented to perform).

Song: End II: The Storm-Incledon (written by G. A. Stevens); Black Ey'd Susan-Incledon; Sally in our Alley-Incledon

Performance Comment: A. Stevens=); Black Ey'd Susan-Incledon; Sally in our Alley-Incledon.
Cast
Role: Sally in our Alley Actor: Incledon.

Entertainment: Monologue End: An Occasional Address-H. Johnston; Imitations-Rees

Event Comment: [The new piano appears to be the Instrument patented in 1799 by Joseph Smith; it contained "the first real use of metal longitudinal bracing, [which] was to be under the sound-board and to replace the wooden braces, and thus provide space for the introduction of a mechanically-played tambourine" (Grove, under Pianoforte).

Performances

Mainpiece Title: Acis And Galatea 0 Grand Selection 0

Afterpiece Title: Acis and Galatea 3

Performance Comment: Part III A Grand Miscellaneous Act-; Overture and Dead March- (Saul); My faith and truth-Miss Tennant, Master Elliot (Samson); Behold the Nations-Sale; O Baal-Chorus (Deborah); What tho' I trace-Mrs Dussek (Solomon); Come if you dare-Incledon, Chorus (Purcell); The Soldier tir'd-Mrs Second (Dr Arne); Rule Britannia (Purcell) and God save Great George our King-Chorus.

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

Event Comment: Benefit for Trueman. [In mainpiece the playbill retains Mrs Walcot as Mrs Heidelberg, but "An apology was made on behalf of Mrs Walcot, in whose stead the papt of Mrs Heidelberg was ably sustained by Mrs Sparks" (Dramatic Censor, II, 243. As afterpiece the playbill announces Three Weeks after Marriage, but "Mrs Jordan happening, like other great performers, to be taken ill (it is wonderful how much great actors and actresses are subject to sudden indisposition!) Trueman was under the necessity of subsituting The Prize for the afterpiece" (ibid, p. 244).] Morning Chronicle, 30 May: Tickets to be had of Trueman, No. 38, Norfolk-street, Strand. Receipts: #127 8s. (70.6; 55.6; 1.6; tickets: none listed) (charge: #201 2s. 2d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Prize

Song: End: Strike the Harp-Master Suett, Master Heather, Danby; with an accompaniment of Piano Forte-; [a New Loyal Song Secure within her sea@girt Reign [(Dramatic Censor, II, 243)] (written by Dutton and composed by Moorehead,)-Trueman; End IV: Crazy Jane-Mrs Bland

Event Comment: Benefit Schoolding, Scott, Giffard, Newhouse, Mrs Elizabeth Bewley. Receipts: money #9 10s. 6d.; tickets #126 10s

Performances

Mainpiece Title: The Twin Rivals

Dance: Moreau, Shaw, Thurmond Jr, Mrs Cross, Mrs Smith, Miss Schoolding; particularly a dance-Moreau, Miss Schoolding; A new Scotch Dance, French Peasant both by Newhouse-Newhouse, Mrs Cross; A New Dance-a Gentleman who never appeared on the English Stage before

Performances

Mainpiece Title: The Comical History Of Don Quixote Part Ii

Performance Comment: Marcella-Mrs Thurmond, with the song of I Burn, I Burn; Mary the Buxom-a Gentlewoman [who never appear'd upon the Stage before [possibly Mrs Giffard].who never appear'd upon the Stage before [possibly Mrs Giffard].

Afterpiece Title: The Jealous Doctor

Event Comment: Benefit Egleton, Boheme, and Mrs Giffard

Performances

Mainpiece Title: Love For Love

Song: As17181103

Dance: Moreau, delaGarde's Two Sons, Sandham, Pelling, Newhouse, Cook, Miss Schoolding; Four Scaramouches-

Event Comment: Benefit W. Giffard. At the particular Deaire of several Persons of Quality

Performances

Mainpiece Title: The Beggars Opera

Event Comment: At Penkethman-W. Giffard Booth. Written by the late facetious Mr Doggett. [Advertised also on 25, 26, 27, 28, 29 Aug.

Performances

Mainpiece Title: The Mad Tom Of Bedlam

Dance: MMad Dance-; Dutch Skipper-Sandham upon his Toes; Drunken Man-Wilcox

Event Comment: See Daily Advertiser, 22 June, for a poem: To Mr Giffard, Master of the New Theatre in Goodman's-Fields, on closing the Season

Performances

Event Comment: Universal Spectator, 22 Sept.: We hear Mrs Booth . . . resolves to leave the Stage, having sold her Share in the Patent to Mr Giffard, the Master of [GF]

Performances

Mainpiece Title:

Event Comment: Benefit Mrs Giffard. At the particular Desire of several Persons of Quality and Distinction

Performances

Mainpiece Title: The Distrest Wife

Dance: Pigmalion. As17340114

Event Comment: Daily Advertiser, 18 March: Amongst the many Rejoicings made on Account of the Royal Nuptials ... on Thursday Night Mr Giffard order'd 12 triomphal Arches to be erected before the House, which were finely illuminated, a large Bonfire to be made, Fireworks to be play'd off, and plenty of Drink given to the Populace

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Britannia

Related Works
Related Work: Britannia Author(s): David Mallet
Event Comment: With new Scenes, Machines, and other Decorations. Boxes and Balconies on the Stage 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: The Distrest Mother

Performance Comment: Cast not listed. With the Original Epilogue (By Desire), spoken by Mrs Giffard .

Afterpiece Title: Harlequin Shipwreckd With the Loves of Paris and Oenone

Performance Comment: Paris-Kelly; Oenone-Mrs Chambers; Shepherds-Knellar, Nichols, Touchbury; Shepherdesses-Miss Jones, Miss Wilson, Miss Thornowets; Damon-Haughton; Swains-Le Sac, Topham, Vallois, Delagarde; Nymphs-Mrs Bullock, Mrs Woodward, Mrs Vallois, Miss Gerrard; Proteus-Touchbury; Tritons-Topham, Le Sac, Vallois, Delagarde; Harlequin-Lun Jr; Colombine-Mrs Dove; Country Lads-Norris, Topham, Delagarde; Country Lasses-Mrs Vallois, Miss Gerrard, Miss Hughes; Pantaloon-Dove; Clown-Penkethman .
Event Comment: Afterpiece: With New Habits, Scenes, Machines, and other Decorations. 5s., 3s., 2s., 1s. After Money will be taken. [See Daily Journal, 31 Dec., for a Letter from Henry Giffard, discussing his relations with dl and the disturbance at lif on 28 Oct.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Beggars Pantomime With New Scenes and several Alterations and Additions particularly a Sequel to the Contention calld Pistol in Mourning

Performance Comment: Polly-Mrs Roberts; Pretender to Polly-Mrs Hamilton; Ghost of Gay-Lyon; Squire-Yates; Constable-Dove; Ben-Richardson; Beggar-Hewitt; Molly-Mrs Haughton; Sukey-Miss Tollett; Jenny-Mrs Dove; Mrs Slammekin-Miss Thornowets; Harlequin-Lun Jr; Clown-Penkethman; Attendants on Polly-Kelly, Corfe, Richardson, Stitchbury, Mrs Marshall, Miss Tollet, Miss Wilson, Miss Thornowets; Manager-Cox; Pistol-Mrs Charke; Ballad Singers-Two Masters Hamilton; With a New Ballad Prologue to the Pantomime,-Mrs Roberts; To which (by Desire) will be prefix'd, The Landing of Prince Germanicus-, and his Reception.
Event Comment: LLondon Daily Post and General Advertiser, 17 March: This is to inform the Publick, that the new Tragi-Comedy, intitled The Free-Thinker; or, The Fox uncas'd, which was last Summer rehearsed and was to have been play'd at [lif], but by Mr Rich's letting that House to Mr Giffard, for that Season, was prevented, will be acted on the 14th of April next [at yb], by Mr Hallam's Company of Comedians. The Play is writ much in the same Stile and Manner of George Barnwell....The Author hopes that the Generous and Judicious will encourage the Performance, tho' the Company of Players are not dropt down from the Clouds, nor does the Play libel the Government. [No further announcement of the performance has been noted before 28 April.

Performances

Event Comment: LLondon Daily Post and General Advertiser, 11 July: Speedily will be sold by Auction, a Large Quantity of Theatrical Goods, viz. Cloaths, Scenes. (Late the Property of Mr Henry Giffard.

Performances

Event Comment: Benefit Laguerre, Prisoner in the King's Bench. [Tickets of Laguerre at John's Coffee-House, next door the King's-Bench, Southwark. In the London Daily Post and General Advertiser, 22 April, Laguerre expressed his thanks to Giffard for giving him this benefit and added that, it being term-time, he had "by the common Licence of a Day Rule," liberty to act on 23 April.

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Flora

Event Comment: A notice had appeared announcing for this date a performance of Love Makes a Man, with Clodio-$Peterson, Cholerick-$Paget, and the rest of the parts by members of Giffard's Goodman's Fields Company (now of course at Lincoln's Inn Fields) and the Lying Valet, for the benefit of Paget, who states, in the notice, that he is out of work. The performance was not given, but see 25 Nov., by which date Paget was resting in Fleet prison

Performances

Mainpiece Title: None

Event Comment: We are inform'd that Mr Giffard, as an Expedient to recover, in some Degree, the Loss he has sustained by his late Undertaking in [lif] has apply'd to the late Patentee of the Theatre@Royal in Drury@Lane, for the favour of his Appearance in the Character of Lothario (in which it is observable, he amus'd himself some years since to very numerous and polite Audiences) with which Request the said Gentleman has very generously complied

Performances

Event Comment: Benefit E. Giffard

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Lying Valet

Event Comment: Places for Boxes to be taken at the stage door of the theatre. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin exactly at 6 o'clock. [Customary notices repeated throughout the season.] Mr W. Giffard and Mrs Bland from the Theatre in Dublin, are arrived in London, and will shortly make their appearance at Covent Garden (General Advertiser 14 Sept.)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Lowe; Peachum-Macklin; Lockit-Dunstall; Mrs Peachum-Mrs Dunstall; Lucy-Miss Young; Polly-Mrs Chambers; To conclude with a Country Dance-the characters of the Opera.
Cast
Role: Lockit Actor: Dunstall
Role: Mrs Peachum Actor: Mrs Dunstall

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-Dunstall; Dorcas-Mrs Vincent.
Cast
Role: Mock Doctor Actor: Dunstall
Event Comment: On Tuesday last died at Ealing in Middlesex at a very advanced age and much regretted by all who had the Pleasure of his Acquaintance, Henry Giffard, the Celebrated Manager of Goodman's Fields Theatre. This Gentleman was of a Genteel Family in the West of England (Public Advertiser). [Though him Garrick had come to the stage.

Performances

Mainpiece Title: None