SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Giffard great Service I have had great Success in all "/1) | (@(roleclean,performerclean) "Giffard great Service I have had great Success in all ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1625 matches on Event Comments, 989 matches on Performance Comments, 338 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Event Comment: London Gazette, No 2697, 14-17 Sept. 1691: The Great Room next Bedford-Gate in Charles-street, Covent-Garden being now enlarging to a far greater Dimension for the Convenience of Mr Frank's and Mr King's Musick

Performances

Event Comment: Post Boy, 12-15 June 1697: Great Preparations are making for a new Opera [The World in the Moon] in the Play-house in Dorset-Garden, of which there is great Expectation, the Scenes being several new Sets and of a moddel different from all that have been used in any Theatre whatever, being twice as high as any of their former Scenes. And the whole Decoration of the Stage not only infinitely beyond all the Opera's ever yet performed in England, but also by the acknowledgment of several Gentlemen that have travell'd abroad, much exceeding all that has been seen on any of the Foreign Stages

Performances

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the Songs were advertised in the Post Boy, 29-31 March 1698, and performance probably occurred in early March. One song, All things seem deaf to my complaints, set by John Eccles and sung by Mrs Bowman, was published in The A'lamode Musician, 1698. According to the Post Boy, 17-19 March 1697@8, another song, Fair Amoret is gone Astray, had its words written by Congreve, and, according to the Post Boy, 29-31 March 1698, the music set by John Eccles. A Comparison Between the Two Stages (1702), p. 20: Damn'd. Gildon, English Dramatick Poets, p. 173: I have little to say to this Play, for 'tis not fair to attack a Man that's down, tho' I do not think (considering what Plays have pleas'd) that this ought to have met with so severe a Fate

Performances

Mainpiece Title: The Pretenders Or The Town Unmaskd

Performance Comment: Edition of 1698: Lord Courtipell-Thurmond; Sir Wealthy Plainder-Underhill; Sir Bellamour Blunt-Kynaston; Vainthroat-Bowman; Breakage-Trefuse; Captain Bownceby-Bright; Nickycrack-Bowen; Prim-Baily; Widow Thoroshift-Mrs More; Minx-Mrs Peryng; Ophelia-Mrs Bowman; Sweetny-Mrs Lee; Nibs-Mrs Lawson; Doll-Mrs Willis; Prologue-Mrs Bowen coming upon the Stage in a great huff, follow'd by a Prompter, with a Paper in his hand, and a Boy with a Bottle and Glass; Epilogue-Mrs Moor.
Event Comment: Thomas Brown to George Moult, 12 Sept. 1699: But tho' Bartholomew-Fair is dead and buried for a twelvemonth, yet it is some consolation to us, that it revives in both the play-houses. Poetry is so little regarded there, and the audience is so taken up with show and sight, that an author will not much trouble himself about his thoughts and language, so he is but in fee with the dancing-masters, and has a few luscious songs to lard his dry composition. One would almost swear, that Smithfield had removed into Drury-lane and Lincolns-Inn-Fields, since they set so small a value on good sense, and so great a one on trifles that have no relation to the play. By the by, I am to tell you, that some of their late bills are so very monstrous, that neither we, nor our forefathers, ever knew anything like them: They are as long as the title-pages to some of Mr Prynn's works; nay, you may much sooner dispatch the Gazette, even when it is most crowded with advertisements. And as their bills are so prodigious, so are the entertainments they present us with: For, not to mention the Bohemian women, that first taught us how to dance and swim together; not the famous Mr Clinch of Barnet, with his kit and organ; nor the worthy gentlemen that condescended to dance a Cheshirerounds, at the instance of several persons of quality; nor t'other gentleman that sung like a turky-cock; nor, lastly, that prodigy of a man that mimick'd the harmony of the Essex lions; not to mention these and a hundred other notable curiosities, we have been so unmercifully over-run with an inundation of Monsieurs from Paris, that one would be almost tempted to wish that the war had still continued, if it were for no other reason but because it would have prevented the coming over of these light-heel'd gentlemen, who have been a greater plague to our theatres, than their privateers were to our merchantmen. Shortly, I suppose, we shall be entertain'd here with all sorts of sights and shows, as, jumping thro' a hoop; (for why should not that be as proper as Mr Sympson's vaulting upon the wooden-horses?) dancing upon the high ropes, leaping over eight men's heads, wrestling, boxing, cudgelling, fighting at back-sword, quarter-staff, bear-baiting, and all the other noble exercises that divert the good folk at Hockley; for when once such an infection as this has gain'd ground upon us, who can tell where it will stop? What a wretched pass is this wicked age come to, when Ben. Johnson and Shakespear won't relish without these bagatelles to recommend them, and nothing but farce and grimace will go down? For my part, I wonder they have not incorporated parson Burgess into their society; for after the auditors are stupify'd with a dull scene or so, he would make a shift to relieve them. In short, Mr Collier may save himself the trouble of writing against the theatre; for, if these lewd practices are not laid aside, and sense and wit don't come into play again, a man may easily foretell, without pretending to the gift of prophecy, that the stage will be shortliv'd, and the strong Kentish man will take possession of the two play-houses, as he has already done of that in Dorset-Garden (The Works of Thomas Brown, 4th ed. [London, 1715], I, 216-18)

Performances

Performances

Mainpiece Title: Concert

Music: Mr Abell; having had the Honour lately, to Sing to the Nobility and Gentry of Richmond and the Neighbouring Towns, thinks himself bound in Gratitude...to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe

Performance Comment: ..to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe.

Performances

Mainpiece Title: Concert

Music: The Queen's Coronation Song: Composed and-Mr Abell; ....With other Songs in several Languages-; Accompanied-the Greatest Masters of Instrumental Musick

Performance Comment: ...With other Songs in several Languages-; Accompanied-the Greatest Masters of Instrumental Musick.
Event Comment: Being the last Time of Acting till after May Fair. To begin at Five so that all may be done by Nine

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The Comical Rivals or The School Boy

Music: As17030423

Dance: The Devonshire Girl, being now upon her Return to the City of Exeter, will perform three several Dances, particularly her last New Entry in Imitation of Mademoiselle Subligni, Whip of Dunboyn by Mr Claxton, her Master-The Devonshire Girl; ...And at the desire of several Persons of Quality (hearing that Mr Pinkeman hath hired the two famous French Girls lately arriv'd from the Emperor's Court), They will perform several Dances on the Rope upon the Stage, being improv'd to that Degree, far exceeding all others in that Art.-two famous French Girls; Newest Humours of Harlequin , as perform'd by him before the Grand Signior at Constantinople-father of two famous French Girls; Also the Famous Mr Evans, lately arriv'd from Vienna, will shew you Wonders of another kind, Vaulting on the Manag'd Horse, being the greatest Master of that kind in the World-Mr Evans

Performance Comment: ..And at the desire of several Persons of Quality (hearing that Mr Pinkeman hath hired the two famous French Girls lately arriv'd from the Emperor's Court), They will perform several Dances on the Rope upon the Stage, being improv'd to that Degree, far exceeding all others in that Art.-two famous French Girls; Newest Humours of Harlequin , as perform'd by him before the Grand Signior at Constantinople-father of two famous French Girls; Also the Famous Mr Evans, lately arriv'd from Vienna, will shew you Wonders of another kind, Vaulting on the Manag'd Horse, being the greatest Master of that kind in the World-Mr Evans.

Performances

Mainpiece Title: Italian Interludes

Dance: Some mimical Entertainments a Famous-Scaramouch, Harlequin , who lately perform'd before the Court of Hanover and their Prussian Majesties, now arriv'd in England

Entertainment: Vaulting. An extraordinary Performance on the Manag'd Horse-the greatest Master of the Age , exceeding whatever has been done by any other, especially his resting on one hand with his whole Body extended while he drinks several Glasses of Wine, and then throwing himself a Somerset over the Horse's head; Rope/dancing With and without a Pole,-the two famous French Maids so much admir'd, for surpassing all others in their Art, that they have been presented with Medals at most of the Courts in Europe

Performance Comment: An extraordinary Performance on the Manag'd Horse-the greatest Master of the Age , exceeding whatever has been done by any other, especially his resting on one hand with his whole Body extended while he drinks several Glasses of Wine, and then throwing himself a Somerset over the Horse's head; Rope/dancing With and without a Pole,-the two famous French Maids so much admir'd, for surpassing all others in their Art, that they have been presented with Medals at most of the Courts in Europe.

Performances

Mainpiece Title: De Le Colle Des Femmes

Performance Comment: The two greatest Parts-Clauigney, Clauigney's Wife.
Cast
Role: The two greatest Parts Actor: Clauigney, Clauigney's Wife.

Afterpiece Title: Arlequin Protee

Event Comment: London Journal, 12 May: Was acted at Mr Newcomb's School, formerly Mr Morland's School, at Clapton, near Hackney, the late Mr Hugh's Play...with great Applause, they having the proper Habits and Decorations. Tis said, the Lad that acted the Lady was adorned with Jewels to the Value of Six Thousand Pounds; there was a great Number of Gentry to see the Performance

Performances

Mainpiece Title: The Siege Of Damascus

Event Comment: [Text by Rolli. Music by Handel.] At 7 p.m. Daily Journal, 7 May: On Thursday Night, Signiora Faustina, the famous Roman Songstress, performed his Majesty, their Royal Highnesses, and great Numbers of the Nobility and Quality, in...Alexander...with great Applause

Performances

Mainpiece Title: Alexander

Performance Comment: edition of 1726 lists: Allessandro-Senesino; Tassile-Baldi; Clito-Boschi; Cleone-Signora Dotti; Leonato-Antinori; Rossane-Signora Faustina Bordoni; Lisaura-Signora Francesco Cuzzoni.
Cast
Role: Allessandro Actor: Senesino
Event Comment: FFlying Post, 1 March: On Thursday Night last, the Village Opera was play'd the Fifth Time, but met with a most unaccountable Reception; however, tis presumed not from any Pique against the Author, but the Resentment of the town upon some later Proceedings. No sooner did poor Colin appear upon the Stage, but his Arrival was usher'd in with a Serenade of Cat Calls, Penny-Trumpets, Clubs, Canes, Hoarse Voices, whistling in Keys, Hells, Fists; and Vollies of whole Oranges; however, the Players went on with uncommon intrepidity, and like the truly great Men, seem'd greater by opposition. The Audience call'd out for any other Play, Farce or Entertainment, but the Peasants seem'd too intent upon what they were about, to give Ear to them. This so exasperated the Spectators, that they mustered up all the Artillery they could possibly lay hold and made such an Uproar, during the whole intended Entertainment, that it was scarce possible to hear a word the Actors said. As every Player came upon the Stage, they call'd upon him by his real, not fictitious Name, and Swore not a Man of them would come to his Benefit. When Mrs T@@@ appeared, they call'd out for a Quartern of Gin, to chear up her Spirits. The Word Constable being first mentioned in the Gallery, it ran round the House like Wild-fire; and immediately the general Cry was, No Constable, no Constable. At the Conclusion of the Play, a Fellow came upon the Stage, to put out the Lights with his long Pole, but a Gentleman broke it in two, and another taking a Candle from one of the Sockets of the Sconces, his Example was immediately followed by several others, who soon clear'd them of their Lights; when a new kind of Shower compos'd of Candles fell think as Hail on the Stage

Performances

Mainpiece Title: The Village Opera

Event Comment: Benefit Carey. With some Additional Songs proper to the Characters, which will be printed, and given Gratis to all Persons at their Entrance. [A Tragedy of half an act entitled Did You Ever See The Like? was advertised as an afterpiece for this day 1n Fog's, 28 Nov.] Daily Post, 3 Dec.: Our Friend Harry Carey having this Night a Benefit...the Powers of Music, Painting, and Poetry, assemble in his Behalf, he being an Admirer of the three Sister Arts: The Body of Musicians meet in the Hay-market, from whence they march in great Order, preceded by a magnificent moving Organ, in Form of a Pageant, accompany'd by all Kinds of Musical Instruments ever in Use, from Tubal Cain to this Day: A great Multitude of Booksellers, Authors and Printers, form themselves into a Body at Temple-Bar, from whence of Printers Devils, with their proper Implements: Here the two Bodies of Music and Poetry are joined by the Brothers of the Pencil, where taking a Glass of Refreshment at the Bedford-Arms, they make a solemn Procession to the Theatre, amidst an innumerable Croud of Spectators

Performances

Mainpiece Title: Greenwich Park

Song: A Dialogue of Mr Henry Purcell-Mrs Carey, Miss Raftor; A Cantata of Mr Carey's-Miss Raftor

Dance: Essex, Lally, Rainton, Mrs Walter, Miss Robinson, Miss Brett

Event Comment: Benefit Charke and Mrs Charke. For the Entertainment of Adomo, Oronoco Tomo Caboshirre of the Great Country of Dawhomay, under the Mighty Trudo Audato Povesaw Danjer Enjow Suveveto, Emperor of Pawpaw in Africa, who lately conquer'd the great Kingdoms of Ardah and Whidah

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Cephalus and Procris

Performance Comment: As17310215, but Cephalus-Cibber Jr; Noble Venetian-A. Hallam.

Music: V: Concerto on the Violin-Charke

Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Performances

Mainpiece Title: Artaxerxes

Event Comment: The Tragedy of Zara, Made English [by Aaron Hill]. Applauded Thirty-Six Nights running at Paris. The Characters, by a Sett of Gentlemen and Gentlewomen, who never acted before. None will be admitted but by Tickets into the Room that Night, which (by Reason of the Smallness of the Place) will be all commodiously made into Boxes, for the easy Reception of those many Great Personages, who have read and perus'd this Play with Approbation, and desir'd a long Time to see it acted; and charitably agreed to favour and encourage this Design, for the Benefit of [Mr William Bond, the Proprietor], who brings it on at a great Expence (tho' all that act in it, are so good to appear Gratis for him) who has lain ill of the Gout, and Rheumatism, upwards of Four Years. [This bill, in the London Daily Post and General Advertiser, differs considerably in phraseology, though not in basic fact, from that in the Daily Advertiser.]

Performances

Mainpiece Title: Zara

Event Comment: Benefit Bond. At the Desire of several Persons of Quality who have universally applauded the same. N.B. Many of the greatest Persons being engaged at the Opera last Saturday desir'd therefore this Delay, in order to crown this Gentleman's Benefit, with their Presence, that after so great an Expence, Reward may not be wanting to the Merit of the Piece

Performances

Mainpiece Title: Zara

Event Comment: By the Great Mogul's Company of English Comedians, Newly Imported. [By Henry Fielding.] N.B. Mr Pasquin intending to lay about him with great Impartiality, hopes the Town will all attend, and very civilly give their Neighbours what they find belong to 'em. N.B. The Cloaths are old, but the Jokes intirely new. N.B. All Ladies that intend to be present during the first Run, cannot take Places too early. To prevent any Interruption in the Movement of the Persons in the Drama (some of whom are Machines) no Person whatever can possibly be admitted behind the Scenes. Boxes 4s. Pit 2s. 6d. Gallery 1s

Performances

Mainpiece Title: Pasquin A Satire On The Times

Performance Comment: Cast not listed, but edition of 1736 lists: Trapwit-Roberts; Fustian-Lacy; Sneerwell-Machen; Lord Place-Mrs Charke; Colonel Promise-Freeman; Sir Henry Fox Chase-Topham; Squire Tankard-Smith; Mayor-Jones; Mrs Mayoress-Mrs Egerton; Miss Mayoress-Miss J. Jones; Miss Stitch-Miss Burgess; Queen Common Sense-Mrs Egerton; Queen Ignorance-Strensham; Firebrand-Roberts; Law-Yates; Physic-Jones; Ghost of Tragedy-Pullen; Ghost of Comedy-Jones; Third Ghost-Wallis; Harlequin-Pullen; Officer-Pullen; Messenger-Wallis; Drummer-Lowder. Epilogue .
Cast
Role: Third Ghost Actor: Wallis
Role: Messenger Actor: Wallis
Event Comment: Benefit Arne, Composer to DL. At the Desire of several Persons of Quality. The Choruses will be perform'd by a great Number of Voices, the Stage illuminated, and the performers rang'd in a particular Manner. N.B. Tho' this Entertainment is perform'd at an extraordinary Expence, no more will be demanded than the common Price of a Benefit Play: Boxes 5s. Pit 3s. Galleries 2s. and 1s. 6:30 P.M. [Tickets at Arne's House in Great Queen Street.]

Performances

Mainpiece Title: A Grand Epithalamium

Music: An extraordinary Band of Musick is provided. An Organ will be erected on which Mr Roseingrave will accompany the Songs and Choruses

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Pit and Boxes put together. London Daily Post and General Advertiser, 6 May: There was an exceeding great Audience, and great Numbers of Quality both in the Boxes and Pit. Their Highnesses' Box was handsomely ornamented with white Damask, adorn'd with Silver Laces and Fringes; over the Canopy was the Figure of Hymen, with a Label on which was this Motto: Concordia Cordium. Daily Journal, 6 May: The House was so full about Five o'Clock, that several Gentlemen and Ladies, unable to go to their Seats, was obliged to depart

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Fall of Phaeton

Dance: I: Tambourine by Mlle Roland. II: Russian Sailor by Denoyer, &c. IV: French Peasants by Poitier, Mlle Roland, &c

Event Comment: DDaily Advertiser, 8 March: We hear that the Great Mogul has acceeded to the Treaty of the Hay-Market, which causes various Speculations. Our best Advices assure us, that the Town will be entertain'd there Tomorrow, by a Gentleman who never wrote for the Stage, with a new Performance call'd a Rehearsal of Kings: which will be immediately succeeded by a Dramatick Piece call'd The Historical Register, for the Year 1736, written by the Author of Pasquin. We hear this has given great Alarm to all the Pantomimical Houses in London, Southwark, Rag Fair, &c

Performances

Event Comment: Towards the Raising a Fund for the Erecting a Monument to the Memory of Shakespear. Written by Shakespear. London Daily Post and General Advertiser, 11 April: On which Occasion 'twas expected there would have been a greater Audience than there appear'd to be. But the Lord Burlington was pleased, out of his Regard to the Memory of so great a Man, to give Ten Guineas for himself. [The Prologue, written by Theobald and spoken by Ryan, is in London Daily Post and General Advertiser, 12 April.

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Cast
Role: Laertes Actor: Hallam
Role: Queen Actor: Mrs Hallam
Event Comment: At Fawkes and Pinchbeck's Great Theatrical Booth on the Bowling Green, with the Large Blue Flag on the Top. By the Great Mogul's Company of Comedians from hay, gratis. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. 10 a.m. Afterpiece: Pinchbeck's curious Machinev. [Advertised also 8, 9, 8, 9, 10, 11, 12, 14, 15, 16, 17, 18, 19, 21 Sept.

Performances

Mainpiece Title: The Baronet Bit Or The Noble Englishman Rewarded With The Comical Humours Of Sir Mannerly Shallow And His Man Booby

Afterpiece Title: The Siege of Cartagena