SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Giffard great Service I have had great Success in all "/1) | (@(roleclean,performerclean) "Giffard great Service I have had great Success in all ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1625 matches on Event Comments, 989 matches on Performance Comments, 338 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Bannister. Public Advertiser, 13 Apr.: Tickets to be had of Bannister, No. 7, Great Suffolk-street, Haymarket. Afterpiece [1st time; CO 2, by ---- Cranke. MS not in Larpent; not published]. Receipts: #276 5s. 6d. (101/18/0; 15/2/0; 1/2/6; tickets: 158/3/0) (charge: #67 13s. 5d.)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The True Briton

Dance: In Act III of mainpiece a Hornpipe, as17820314mitations. End of mainpiece, by Bannister Jun

Event Comment: Benefit for Trew. Morning Herald, 20 Apr.: Tickets to be had of Trew, No. 9, Great Square, Gray's Inn. Receipts: #220 13s. (100/7; tickets: 120/6) (charge: #105)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17820121, but Dumont [here called Shore]-Trew (1st appearance in that character); Mrs Barnes's name listed in playbill; omitted: Derby . Mrs Barnes's name listed in playbill; omitted: Derby .
Cast
Role: ]here called Shore] Actor: Trew

Afterpiece Title: Comus

Song: End of Act IV of mainpiece the song of Arionelli from The Son-in-Law, as17820419; In afterpiece The Huntsman's sweet Halloo, as17820226

Event Comment: Benefit for Mrs Wilson. Morning Herald, 25 Apr.: Tickets to be had of Mrs Wilson at Dent's, Great Russel-street, Bloomsbury. Receipts: #234 17s. (197/16; tickets: 37/1) (charge: #105)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Barnaby Brittle

Song: As17820423

Event Comment: Benefit for Nivelon. Tickets to be had of Nivelon, No. 7, Great Marlborough-street

Performances

Mainpiece Title: I Viaggiatori Felici

Cast
Role: Bettina Actor: Sga Allegranti.

Dance: End of Act I Mirsa, as17820509, but omitted: Minuet and Gavot; End of Opera Medea and Jason, as17820411, but Mlle Simonet in place of Mme Simonet; omitted: Mlle Theodore

Event Comment: Afterpiece: Written by the Author of The Son-in-Law [John O'Keeffe]. The Overture and New Musick composed by Dr Arnold. "The same person who, in the play, performed the school-fellow of the Nabob with a great deal of nature, and original humour, here acted the part of the school-master; his name is Edwin, and he is, without doubt, one of the best actors of all that I have seen ... [He], in all his comic characters, still preserves something so inexpressibly good tempered in his countenance, that notwithstanding all his burlesques, and even grotesque buffoonery, you cannot but be pleased with him . . . Nothing could equal the tone and countenance of self-satisfaction, with which he answered one who asked him whether he was a scholar? 'Why, I was a master of scholars.' A Mrs Webb represented a cheesmonger, and played the part of a woman of the lower class, so naturally, as I have no where else ever seen equalled. Her huge, fat, and lusty carcase, and the whole of her external appearance seemed quite to be cut out for it" (Carl Philipp Moritz, Travels in England in 1782, London, 1924, pp. 73-74)

Performances

Mainpiece Title: The Nabob

Afterpiece Title: The Agreeable Surprise

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe, altered from his The Banditti (see 28 Nov. 1781). Text in his Dramatic Works, Vol. 1 (T. Woodfall, 1798)]: With new Scenes [by Carver (O'Keeffe, u, 38)], Dresses, and a new Overture. The Selected Airs by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, and Carolan, the Irish Bard. The Overture and New Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre. [This was Sga Sestini's 1st appearance on the English-speaking stage. For several preceding seasons she had been a member of the Italian opera company performing at the King's.] "Sestini . . . was handsome, sprightly, and a good actress, if great exuberance of gesticulation, activity of motion, and affected Italian smorfie could make her one; but her voice was gritty and sharp (something like singing through a comb), and she was nothing of a singer, except for lively comic airs. Yet she was . . . long a favourite with the mass of the public, though not with the connoisseurs" (Mount-Edgcumbe, p. 33). Account-Book, 30 June 1783: Paid O'Keeffe in full for The Castle of Andalusia #368 18s. 6d. Receipts: #166 2s. 6d. (165/9/0; 0/13/6)

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: Principal Characters by Mattocks, Reinhold, Quick, Edwin, Wilson, Brett, Fearon, Stevens, Davies, Thompson, Mahon; Miss Harper, Mrs Kennedy, Mrs Wilson, Miss Platt, Sga Sestini (1st appearance on the English stage). [Cast from Songs (T. Cadell, 1782): Don Fernando [in later seasons, usually Ferdinand]-Mattocks; Ramirez [beginning with season of 1787-88 called Don Caesar]-Reinhold; Spado-Quick; Pedrillo-Edwin; Don Scipio-Wilson; Philippo-Brett; Don Juan-Fearon; Vasquez-Stevens; Rapino-Davies; Calvette-Thompson; Sanguino-Mahon; Lopez-Ledger; Don Alphonso-Mrs Kennedy; Victoria-Miss Harper; Catalina-Mrs Wilson; Dame Isabel-Miss Platt; Lorenza-Sga Sestini.] hathi. hathi.

Afterpiece Title: Cross Purposes

Event Comment: [In the 1st ballet the playbill lists Mme Rossi, but she did not dance. As the 2nd ballet the playbill announces Il Ratto delle Sabine, but Mme Rossi was ill, which "rendered a verbal apology unavoidable. 'Mme Rossi was in hopes that her wish to court your favour would enable her to overcome her illness, but it has been as sudden as it is now alarming. She has just been let blood. The manager therefore intreats your indulgence, and that you will accept of Apelles and Campaspe instead of the Grand Ballet, which cannot possibly be performed.' . . . Henry performed the part of Alexander with the greatest propriety" (Public Advertiser, 19 Dec.).]

Performances

Mainpiece Title: Il Convito

Cast
Role: Alfonsina Actor: Sga Allegranti.

Dance: End of Act I New Divertisement, probably as17821119; End of Open Apelles and Campaspe, probably as17821102, but added: Henry

Event Comment: Benefit for Pacchierotti. Opera: Not acted these 3 years. Tickets, half a guinea each, to be had of Pacchierotti, No. 8, Great Marybone-street

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act II New Divertistment, as17821130, but added: Mme Simonet; End of Act III Le Tuteur Trompe, as17830128

Song: Opera: With a new set of Airs, and an additional Scene, with a song from the celebrated Sarti, by Pacchierotti

Monologue: 1783 03 06 End of Opera an Address in English to the Audience, with a song from Handel, by Pacchierotti

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 29 Mar.: Tickets to be had of Miss Pope at her house in Great Queen-street. Receipts: #278 3s. (86/14; 21/9; 0/10; tickets: 169/10) (charge: #106 5s. 10d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Bon Ton

Dance: As17830329athi

Event Comment: Benefit for Mrs Bannister. Mainpiece: Not acted these 4 years. The Music composed by Dr Arne. Public Advertiser, 22 Mar.: Tickets to be had of Mrs Bannister, No. 6, Great Russel-street, Covent Garden. Receipts: #233 11s. (123/6; tickets: 110/5) (charge: #105)

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Quaker

Related Works
Related Work: The Fair Quaker; or, The Humours of the Navy Author(s): Charles Shadwell
Related Work: The Fair Quaker of Deal, or, The Humours of the Navy Author(s): Charles Shadwell

Song: In mainpiece Vocal Parts by Mrs Bannister, Mrs Martyr, Mrs Morton, Miss Morris, Mrs Kennedy, &c

Event Comment: [Mainpiece in place of Alexander the Great, announced on playbill of 12 Apr.] Receipts: #142 18s. (127/0/0; 12/7/0; 2/3/6; tickets not come in: 1/7/6)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Robinson Crusoe

Dance: As17820921

Song: In Act I of mainpiece song by Williames

Event Comment: Benefit for Farren. Public Advertiser, 19 Apr.: Tickets to be had of Farren, No. 35, Great Queen-street, Lincoln's Inn Fields. Mainpiece: Not acted these 15 years [acted 24 Apr. 1777]. Receipts: #258 6s. (56/16/0; 14/12/6; 0/0/6; tickets: 186/17/0) (charge: #65 3s.)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Bon Ton

Event Comment: Benefit for Bannister Jun. Public Advertiser, 23 Apr.: Tickets to be had of Bannister Jun., No. 6, Great Russel-street, Covent Garden. [Afterpiece in place of The Apprentice, announced on playbill of 24 Apr.] Receipts: #184 1s. (99/19/0; 35/14/6; 0/1/6; tickets: 48/6/0) (charge: #106 10s. 6d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Citizen

Related Works
Related Work: Retaliation Author(s): Leonard Macnally

Dance: As17821122. imitations. After the dance, (for that night only) various Imitations, Vocal and Rhetorical, by Bannister Jun

Event Comment: Benefit for Bannister. The great Overflow from Covent-Garden Theatre, on Tuesday last, has induced many of Mr Bannister's Friends to desire he would again perform the Part of Polly. In Compliance with the Wish of those to whom he is under so many Obligations, he will, this Evening, make his Appearance in that Character, for the last Time of his appearing in Petticoats [but see 3, 13 May]. Tickets delivered for Alexander and Acis and Galatea will be admitted. Receipts: #276 10s. 6d. (167/11/6; tickets: 108/19/0) (charge: #105)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Flitch of Bacon

Dance: End of Act II of mainpiece The Poney Races by Harris, Miss Matthews, and others; In Act III, as17830422

Event Comment: RosiNA [announced on playbill of 2 Oct.] is obliged to be deferred on account of Mrs Martyr's Indisposition. "There are many of Mr Garrick's most favourite characters which [Henderson] appears in with great credit to himself, and applause from the audience; that in which he has been thought to approach the nearest to his predecessor is Hamlet; and, if we oppose the declamatory skill of Henderson-a quality indispensably necessary to the performance of this most difficult character-to the pathos and phrenzy (whether it be assumed or real madness in Hamlet is not here the question) of Garrick; I think it must be allowed that however short of him he may fall in some particulars, in the one I have mentioned, at least, he exceeds him" Qonson, The sad shepherd, ed. Waldron, p. 174). Receipts: #199 4s. 6d. (197/19/0; 1/5/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Padlock

Event Comment: "With respect to Mrs Siddons, in [Act v of Douglas], there was no question about her superiority [to Mrs Crawford]; and her passions were displayed in the tones of harmony; her great rival seemed to me the first of a school, in latter periods much admired, which deemed discordance the natural ally of anguish, and tortured the ear to overpower the heart" (Boaden, Siddons, 11,76). Receipts: #289 9s. (284/0/6; 5/8/6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Poor Soldier

Event Comment: By Permission of the Lord Chamberlain. By Desire of the Ancient and Honourable Fraternity of Free and Accepted Masons, who on this occasion will attend in proper cloathing, and the different Regalias of their Order. Afterpiece [1st time; F 2, author unknown. MS: Larpent 685; not published. Author of Prologue unknown]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had at the Globe in Pall-mall; the Black Horse, Coventry-street; the Castle, in Castle-Court, Cornhill; the Rose Coffee-house in the Old Bailey; the Half Moon Tavern, Cheapside; and at the Theatre, where places for the boxes may be taken. Great care will be taken to have the House well aired

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Talisman

Song: End of mainpiece a song by Brett

Monologue: 1784 01 21 End of Act III of mainpiece a Masonic Address by a Brother [unidentified]

Event Comment: Benefit for Vestris [Jun.]. Tickets, half a guinea each, to be had of Vestris, No. 37, Great Pulteney-street, Golden-square

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

Event Comment: Benefit for Pacchierotti. Opera: A Serious Opera; the Music by several eminent Masters. Pit tickets will admit two persons to the 1st, and three to the 2nd Gallery; but no money to be returned. Tickets to be had of Pacchierotti, No. 7, Great Marylebone-street, near Cavendish-square

Performances

Mainpiece Title: Demofoonte

Music: Between the 1st and 2nd Acts a sonata on the harpsichord by Clementi

Dance: End of Act II Friendship leads to Love, as17831206, but omitted: Lepicq; End of Opera he Reveil du Bonheur, as17840203

Song: Pacchierotti will conclude the 1st Act with an entire new scene by Sarti; In Act III a song, composed by Handel, by Pacchierotti

Event Comment: Benefit for D'Auberval, ballet-master. Opera: An entirely new Species of Entertainment, after the French style [1st time; ser 3, by Antonio Andrei]. The Music entirely new, composed by Rauzzini. [Libretto (H. Reynell, 1784) is entitled Alina; o sia, La Regina di Golconda.] The Scenery and Decorations devised and painted by Novosielski. The Dresses in character, and entirely new by Lupino. Tickets, half a guinea each, to be had of D'Auberval, No. 5, Great Pultney-street, Golden-square. To prevent all manner of confusion, the Subscribers are most respectfully entreated to give early notice, addressed as above, of their intention concerning their Boxes

Performances

Mainpiece Title: La Regina Di Golconda

Dance: Three new ballets composed by D'Aubcrval. End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages

Performance Comment: End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages .
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Cuyler. [Kean is identified on HAY playbill of 26 Aug. 1784.] 1st and 2nd pieces: Both written by George Colman, Esq. 3rd piece: Written by the late David Garrick. Not acted these 12 years. Tickets to be had of Mrs Cuyler, No. 7, St. Alban's-street; at the bar of George's Coffee-house; and of Rice, at the Theatre, where places for the boxes may be taken. Tickets delivered for the 15th will be admitted

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Gentleman in Balcony (for that night only; in the course of which a much greater Variety of Imitations than has ever yet been offered)-A Young Gentleman (1st appearance in publick [Kean]); Irishman in the Pit-Marriot; Lady in Balcony-Mrs Lefevre .

Afterpiece Title: The English Merchant

Performance Comment: Spatter-Williamson; Sir William Douglas-Gardner; La France-Gaudry (all of the Theatre Royal, Hay-market); Lord Falbridge-Smith; Owen-Hunter; Frecport-Calvert (from the Theatre-Royal [Smock Alley], Dublin; 1st appearance in London); Amelia-Mrs Cuyler; Molly-Mrs Lefevre; Lady Alton-Mrs Lloyd (all of the Theatre Royal, Hay-market); Mrs Goodman-Mrs Bolton .

Afterpiece Title: The Lying Valet

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

Event Comment: Benefit for Mrs Bannister. Mainpiece: Never acted here. The Music by Dr Arne. With a Grand Procession of the different Orders of the Knights of Chivalry. Public Advertiser, 6 Mar.: Tickets to be had of Mrs Bannister, No. 6, Great Russel-street, Covent Garden. Receipts: #252 8s. 6d. (177/14/6; tickets: 74/14/0) (charge: #105)

Performances

Mainpiece Title: Cymon

Afterpiece Title: Rosina

Dance: In Act I of mainpiece a Dance of Cupids; In Act IV a Dance of Daemons; In Act V a Grand Ballet (performers not listed)

Event Comment: Benefit for Miss Pope. Public Advertiser, 24 Mar.: Tickets to be had of Miss Pope, Great Queen-street, Lincoln's-inn-fields. Receipts: #268 19s. 6d. (94/9/0; 28/3/0; 0/14/6; tickets: 145/13/0) (charge: #107 1s. 6d.)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: A Fete

Performance Comment: Scene l. A Church-yard by Moonlight. Poor ThomasDay by Barrymore, Chapman, Suett. Scene II. A Masquerade Scene. Song by Miss George, and a Scotch Reel, as17830920. Scene III. Time has not thinn'd my flowing Hair by Williames and Miss Phillips, scene the last. A Rural Prospect. Tally-ho! by Mrs Wrighten, and The Sportsmen's Return, as17840311athi .

Afterpiece Title: High Life below Stairs

Event Comment: Benefit for Mrs Kennedy. Public Advertiser, 26 Apr.: Tickets to be had of Mrs Kennedy at her house in Great Queen-street. [The Jubilee anticipated the official Handel Commemoration held at Westminster Abbey on 26 May.] Receipts: #320 9s. 6d. (213/4/6; tickets: 107/5/0) (charge: #105)

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Performance Comment: Overture from Samson. Scene I. Collins's Ode on the Passions read by Whitfield. In which will be introduced: From the dread scene (from Judas Maccabaeus) by Mrs Kennedy and Mrs Bannister; The smiling dawn (from Jephtha) by Johnstone; Revenge! Timotheus (from Alexander's Feast) by Reinhold; Mirth, admit me of thy crew (from L'Allegro il Penseroso) by Mrs Kennedy; As when the Dove (from Acis and Galatea) by Mrs Bannister. To conclude with the Chorus From Harmony (from Dryden's Ode). Scene II. The Pantheon. To Song and Dance (from Samson) by Chorus; Let's imitate her Notes above (from Alexander's Feast) by Mrs Martyr and Mrs Kennedy. The Muse Euterpe-Mrs Bates .

Afterpiece Title: The Duenna

Afterpiece Title: Rose and Colin

Dance: 1st piece to conclude with a Grand Ballet by Harris, Byrn, Miss Besford, Mrs Goodwin, &c

Event Comment: Benefit for Bannister Jun. Public Advertiser, 17 Apr.: Tickets to be had of Bannister Jun., No. 6, Great Russel Street, Covent Garden. Mainpiece: Not acted these 20 years [not acted since 21 Oct. 1760]. Afterpiece: For that night only; never acted here. [Miss Bannister's 1st appearance on the stage was at HAY, 27 Aug. 1783.] Receipts: #206 19s. 6d. (114/1/0; 23/7/6; 1/5/0; tickets: 68/6/0) (charge: #108 14s. 3d.)

Performances

Mainpiece Title: Cato

Afterpiece Title: Tom Thumb

Dance: As17840311athi

Song: End of Act II of mainpicce Auld Robin Grey, as17840426 imitations. After the Dancing, various Imitations, Vocal and Rhetorical by Bannister Jun