SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Germain Francois Poulain de Saint Foix"/1) | (@(roleclean,performerclean) "Germain Francois Poulain de Saint Foix")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1004 matches on Performance Title, 444 matches on Performance Comments, 232 matches on Author, 178 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Le Marchand de Smyrne, as17981226; End Opera: Le Deserteur-[Louisa-$Mme Laborie (Morning Chronicle, 13 Feb.)]

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: A Divertisement

Dance: Afterpiece: Minuet de la Cour and Gavot-Klanert, Mrs Watts

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: End: A New Divertissement, as17990326End 2nd piece: Tarare- [see17990502]

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Dramatist

Afterpiece Title: The Mouth of the Nile

Dance: In 1st piece: Hornpipe-Cuerton; End 2nd piece: The Minuet de la Cour, a Favorite Scotch Pas Deux-Klanert, Mrs Watts

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: Il Capriccio Drammatico

Dance: End: Laura et Lenza, as18000513; Minuet de la Cour-Mons and Mme Didelot; End 2nd piece: Telemaque-Mme Rose Didelot will take original part

Performances

Mainpiece Title: The Carmelite

Performance Comment: Principal Characters by Smith, Kemble, Aickin, Packer, Fawcctt, Phillimore, Palmer; Mrs Siddons. [Cast from text (C. Dilly and G. Nicol, 1784): Saint Valori-Smith; Montgomeri-Kemble; Lord De Courci-Aickin; Gyfford-Packer; Raymond-Fawcett; Fitz-Allan-Phillimore; Lord Hildebrand-Palmer; Matilda-Mrs Siddons.] Prologue spoken by Palmer. Epilogue spoken by Mrs Siddons. [These were spoken, as here assigned, at the 1st 11 performances only (see17840301785).] hathi. Prologue spoken by Palmer. Epilogue spoken by Mrs Siddons. [These were spoken, as here assigned, at the 1st 11 performances only (see17840301785).] hathi.
Cast
Role: : Saint Valori Actor: Smith

Afterpiece Title: The Spanish Rivals

Performances

Mainpiece Title: Pompey The Great

Performance Comment: Edition of 1664: wo actors' names. Prologue At the House-; Epilogue at the House-; Epilogue to the King at Saint James's-; Epilogue To the Dutchess at Saint James's-; [One Epilogue was written by Sir Edward Deering.] [At the end: After which a grand Masque [is Danc'd before Caesar and Cleopatra[, made (as well as the other Dances and the Tunes to them) by Mr John Ogilby-.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The School Boy

Dance: Richmond Maggot by Le Sac and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, De la Garde, Mrs De L'Orme, La Coquette Francois by Lally, S. Lally, Mlle Salle

Performance Comment: Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, De la Garde, Mrs De L'Orme, La Coquette Francois by Lally, S. Lally, Mlle Salle .

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: Ways and Means

Afterpiece Title: The Castle of Sorrento

Performance Comment: Characters by Fawcett, Johnstone, Suett, Davies, Linton, Abbot, Chippendale, Miss Griffiths, Miss DeCamp. [Cast from text (Cadell and Davies, 1799): Blinval-Fawcett; Governor of Sorrento-Johnstone; Germain-Suett; Count Murville-Davies; Centinel-Linton [unassigned in text; see18000614]; Footman-Abbot; Corporal-Chippendale; Rosina-Miss Griffiths; Widow Belmont-Miss DeCamp; Chorus-Lyons, Kenrick, Little, Willoughby, Dibble, Aylmer, Brown, Caulfield Jun.
Cast
Role: Germain Actor: Suett

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Social Songsters

Afterpiece Title: The Castle of Sorrento

Performance Comment: Blinval-Fawcett; Governor O'Rourke O'Donnel-Johnstone; Count Murville-Hill; Germain-Emery; Corporal-Lee; Sentinel-Linton; Widow Belmont-Mrs Chapman; Rosina-Mrs Atkins.
Cast
Role: Germain Actor: Emery

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Jew

Afterpiece Title: The Castle of Sorrento

Performance Comment: Blinval-Fawcett; Governor-Johnstone; Germain-Emery; Count Murville-Hill; Centinel-Linton; Footman-Abbot; Corporal-Chippendale; Rosina (for that night)-Mrs Atkins; Mrs Belmont-Miss DeCamp.
Cast
Role: Germain Actor: Emery

Song: 3rd piece: Chorus-Kenrick, Little, Willoughby, Dibble, Aylmer

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Castle of Sorrento

Performance Comment: As18000725 but Germain-Suett.
Cast
Role: Germain Actor: Suett.

Song: As18000725

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto Or The Chaste Nimph

Afterpiece Title: Calistos Additional performers

Event Comment: At Cleopatra's Cataract between the several acts of her concert, will be pour'd upon the Town a cataract of Originals and Amazing Geniusses, brought by that antient Soverign from Anamamboo, Upper Egypt, and the renown'd Kingdom of Abyssinia. These being an entire new set of performers will exhibit that evening in a new manner sever strange and surprising Feats of an Egyptian Broomstick, the Ghosts, Witches, Imps, modern Saints, Ballad Singer, Conjuror, and Elizabeth Canning. Boxes 5s. Pit 3s. Gallery 2s. To begin at 6 p.m. [A cryptic "puff" in the Daily Advertiser suggests that Mrs Midnight has abdicated in favour of Cleopatra, who will now take over the Haymarket.

Performances

Mainpiece Title: Aethiopian Concert

Event Comment: Paid Kingswood for feathers as per bill #48 8s.; Paid Stedman & Bewley (linnen drapers) #38 3s.; Paid Nicholls for 26 Georges, #7 16s. (Account Book). [The last item was for stage property insignia equipment for the Institution of the Garter, as St George was the Patron Saint of the order.] Receipts: #163 8s. (Account Book)

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Performances

Mainpiece Title: King Henry Iv Part I

Performance Comment: Hotspur-Quin, who never appear'd on this Stage before; King-Keene; Prince of Wales-J. Leigh; Northumberland-Schoolding; Westmoreland-Ogden; Worcester-Corey; Mortimer-Williams; Glendower-Husband; Douglas-Smith; Falstaff-Bullock Sr; Francois-Spiller.
Cast
Role: Francois Actor: Spiller.

Dance: As17171022; A new Serious Dance-Moreau, Mrs Bullock

Event Comment: [Bingham is identified by MS annotation on Kemble playbill.] Afterpiece [1st time; CO 2, by Miles Peter Andrews, based on Le Bucheron; ou, Les Trois Souhaits, by Jean Francois Guichard. Music by Francois Hippolyte Barthelemon]: With New Scenes, Dresses and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 17 Mar, 1778: This Day is published the Songs in Belphegor (6d.). [Text 1st published in Dublin: For the Booksellers, 1788.] Receipts: #196 0s. 6d. (156.5.0; 38.13.6; 1.2.0)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Belphegor or The Wishes

Event Comment: A new Pastoral Opera. [Really a pasticcio. Text-Vanneschi; some music by St. Germain (Burney).] Pit and boxes half a guinea. Gallery 5s. 6:30 p.m

Performances

Mainpiece Title: Lincostanza Deluza

Event Comment: Benefit for Mrs Cibber. No part of the Pit will be rail'd into the Boxes; but for the better accommodation of the Ladies, the Stage will be enclos'd in form of an Amphitheatre, where servants will be allowed to keep places. Ladies desired to send servants by 3 o'clock. Afterpiece: By Particular Desire. A letter from Paris informs us of a very singular entertainment exhibited at the Fair of St Germains, consisting of a Concert of Music executed by a band of Animal musicians. A number of Cats, clothed uniformly, were placed on stools, with music books before them, and a Monkey in the middle who beat time. On a signal given by the Monkey, the cast set up a mewing, and were accompanied by some violins; which form'd a very diverting dissonance. The whole Fair flock'd to it; and some of the gravest people of Paris could not forbear laughing heartily

Performances

Mainpiece Title: All For Love Or The World Well Lost

Afterpiece Title: The Oracle

Dance: IIl Pastore, as17521219; Les Charboniers, as17521028

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: A Trip to Scotland

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

Performances

Mainpiece Title: The Intrigues At Versailles Or A Jilt In All Humours

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris Taken in the Year 1790