SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "George Powell"/1) | (@(roleclean,performerclean) "George Powell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5293 matches on Author, 1563 matches on Performance Comments, 898 matches on Event Comments, 185 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: George Barnwell

Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Norwood Gypsies

Dance: As17771229

Song: As17771226

Performances

Mainpiece Title: George Barnwell

Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Touchstone or Harlequin Traveller

Dance: In afterpiece: Dagueville, Miss Valois. [The dancing, as here assigned, was included in all subsequent performances, except on 4 Feb., 7 Apr., 10 May.

Song: In I: song-Leoni

Performances

Mainpiece Title: George Barnwell Or The London Merchant

Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Mock Doctor or Dumb Lady Cured

Afterpiece Title: Lincos Travels

Entertainment: Monologue.End: Comic Paraphrase on Shakespear's Seven Ages of Man-Farrel

Performances

Mainpiece Title: George Barnwell

Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Touchstone

Song: In Act I of mainpiece song by Leoni

Performances

Mainpiece Title: George Barnwell

Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Choice of Harlequin or The Indian Chief

Song: As17811109

Performances

Mainpiece Title: George Barnwell

Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: Friar Bacon

Song: In Act I of mainpiece song by Brett

Performances

Mainpiece Title: George Barnwell

Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Magic Cavern or Virtues Triumph

Song: In Act I of mainpiece song by Brett

Performances

Mainpiece Title: George Barnwell

Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: Omai and see17851220

Event Comment: Tickets to be had and Places [for the boxes] to be taken of Fosbrook, at the Stage Door of the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance to be had at the Theatre. New Lady's Magazine, Mar 1786, p. 110: performance under the direction of Dr Arnold, who conducted from the organ. I know that my redeemer liveth sung by Miss George; He was despised and rejected by Master Pring; How beautiful are the feet by Mrs Forster

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Parts by Bellamy, Arrowsmith, Carter, Master Pring; Mrs Forster, Miss George .

Performances

Mainpiece Title: George Barnwell

Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Island of St

Event Comment: Benefit for Wild, prompter. 1st piece: Not acted these 20 years; altered from Dryden (by Joseph George Holman (Not. Dram.)]. 2nd piece [Ist time; M.INT 1, probably by John Cartwright Cross. MS: Larpent 1028; not published]. 3rd piece: In which an Engagement between an English and a French Man of War, a Shipwreck, and a Grand Military Procession as it pass'd, when the French Colours taken by the British Army were conveyed from St. James's to St. Paul's Cathedral [on 17 May 1794]. The above Procession is represented by Moving Figures, in which the Horse and Foot Guards, the Band of Music, the French Colours, &c. are seen to pass in the exact order they appeared on that memorable occasion. Morning Herald, 17 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #293 2s. 6d. (112/17/6; 14/2/0; tickets: 166/3/0)

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Performance Comment: Cast not listed. [Larpent MS lists the parts: Palate, Fieldtree, Ensign Hardy//Patty, Jenny.] Written to introduce the following favorite Songs: Mary's Dream, The moon had climbed the highest hill (composed by Ralph [recte Relfe]), by Miss Poole; The Vestry Dinner, Churchwarden I have been (written by Cross, composed by Reeve), by Rees; The High Mettled Racer, See the course throng'd with gazers (composed by Dibdin), by Incledon (1st time); The Gipsey Ballad, A wand'ring Gipsey, Sir, am I (words and melody by Peter Pindar, Esq. [pseud. for John Wolcot], accompaniments by Shield), by Mrs Clendining; Kitty Grogan, Tho' I'm no Dancing Master (written by Collins, composed by Reeve), by Johnstone; The Storm, Cease, rude Boreas (written by George Alexander Stevens), by Incledon; [Auld] Robin Gray, Young Jamie lov'd me well, by Mrs Clendining; From morn till night I take my glass, by Incledon and Johnstone; Vo sol cando (composed by Vinci), by Miss Poole; The Triumph of Wine, What tho' from Venus Cupid sprung (composed by Dibdin), by Johnstone; Father, Mother and Suke (composed by Dibdin), by Fawcett. To conclude with the following Selection of Catches and Glees from Harrison and Knyvett's Vocal Concert: as17940523, but God preserve his Majesty in place of Water parted from the sea .

Afterpiece Title: THE SHIPWRECK or French Ingratitude

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle

Afterpiece Title: Windsor Castle

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Event Comment: Powell: Jack of Newbury (music) rehearsed at 10; Welch Heiress read at 12. [With this entry Powell's notes come to an end.] Receipts: #413 10s. (353.0.6; 56.8.0; 4.1.6)

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Song: Mainpiece: Vocal Parts-Johnstone, Duffey, Cubitt, Darley, Rock, Blurton, Letteney, Lee, C. Powell, Mrs Mountain, Miss Stuart, Mrs Watts, Mrs Byrne, Mrs Davenett, Miss M'George, Mrs Powell, Miss Rowson, Miss Francis, Mrs Lefevre, Mrs Gray, Mrs Masters, Mrs Martyr

Performance Comment: Powell, Mrs Mountain, Miss Stuart, Mrs Watts, Mrs Byrne, Mrs Davenett, Miss M'George, Mrs Powell, Miss Rowson, Miss Francis, Mrs Lefevre, Mrs Gray, Mrs Masters, Mrs Martyr.
Event Comment: Powell: Whitfield absent 1st Act of Macbeth (leave from the Manager), Barrymore spoke the Part. The Quaker rehearsed at 10 (for Dignum); The Jew at 11 (for Miss Farren); Lodoiska read at 1. Receipts: #569 2s. (491/6/0; 72/9/6; 3/19/6; tickets not come in: 1/7/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE CHILDREN IN THE WOOD

Song: As17940428

Event Comment: Powell: All the World's a Stage rehearsed at 11. Receipts: #218 6s. 6d. (162/19/0; 52/3/6; 3/4/0)

Performances

Mainpiece Title: Lodoiska

Cast
Role: If Fanny Actor: Mrs Powell

Afterpiece Title: THE IRISH WIDOW

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Event Comment: Powell: In Consequence of Palmer not coming in time to the Theatre, the Audience were kept in waiting and the Play, which was ordered by Mr Sheridan to begin 5 minutes before the usual time [6:30], could not be begun till within Ten minutes of Seven o'Clock. Benson being lame Fisher went on as Casimir and Caulfield doubled the Part with his own. Roman Actor read at 10 [this Play not acted this season; see Powell, 18 Oct.]; Douglas rehearsed at 12 (for Mrs Siddons and Palmer). Receipts: #412 16s. (325.17.6; 80.18.6; 6.0.0)

Performances

Mainpiece Title: The Jew

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: Lodoiska

Event Comment: Powell: Macbeth rehearsed at 10 (for Kelly and Mrs Crouch); at 12 (for the Soldiers). Receipts: #235 0s. 6d. (161.0.0; 72.2.0; 1.18.6)

Performances

Mainpiece Title: King Henry The Fifth

Cast
Role: Queen Isabel Actor: Mrs Powell

Afterpiece Title: Lodoiska

Event Comment: Powell: Rivals rehearsed at 10; All's Well at 12. Receipts: #182 19s. (138.19.6; 37.10.6; 6.9.0)

Performances

Mainpiece Title: Emilia Galotti

Cast
Role: Claudia Galotti Actor: Mrs Powell

Afterpiece Title: The Wedding Day

Event Comment: Powell: New Ballet rehearsed at 10; Cherokee at 12. Receipts: #193 17s. (144.10.0; 44.19.6; 4.7.6)

Performances

Mainpiece Title: The Roman Father

Cast
Role: Valeria Actor: Mrs Powell

Afterpiece Title: The Wedding Day

Song: As17941115

Event Comment: Powell, 15 Feb.: Alexander the Great rehearsed at 11; 2nd Scene of D & Procession at 6; 16 Feb.: New Comedy rehearsed at 11. Receipts: #407 5s. (308.0.0; 94.3.6; 5.1.6)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Twin-Rivals Author(s): George Farquhar

Afterpiece Title: Alexander the Great

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel
Event Comment: Powell: New Comedy rehearsed at 11. Receipts: #390 19s. 6d. (316.2.0; 67.11.0; 7.6.6)

Performances

Mainpiece Title: The Cherokee

Afterpiece Title: Alexander the Great

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel
Event Comment: Powell: New Comedy rehearsed at 11. Receipts: #290 18s. (197.8.0; 87.10.6; 5.19.6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Alexander the Great

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel
Event Comment: Powell: Miss Davies, Mrs Bramwell, G. D'Egville, Caulfield absent [from afterpiece], all Ill [their substitutes are not listed]; Miss Leak, Messrs Annereau, Bardoleau, Dorion Sen., Horsfall absent from the chorus. Receipts: #254 17s. (177.10; 73.7; 4.0)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Alexander the Great

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel
Event Comment: Powell, 6 Mar.: Edwy and Elgiva rehearsed at 11. Receipts: #348 14s. 6d. (277.6.0; 70.9.6; 0.19.0)

Performances

Mainpiece Title: Measure For Measure

Cast
Role: Mariana Actor: Mrs Powell

Afterpiece Title: Alexander the Great

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel