SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Nicoll"/1) | (@(roleclean,performerclean) "George Nicoll")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4195 matches on Author, 972 matches on Event Comments, 655 matches on Performance Comments, 174 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: For the King's intention of securing Italian comedians to perform at Windsor, see mid-April 1683, and Nicoll, Restoration Drama, p. 239

Performances

Event Comment: The United Company. An order, 9 Feb. 1683@4, in L. C. 5@145, p. 14 (Nicoll, Restoration Drama, p. 356), and another, L. C. I, specify requirements for a play to be acted at Whitehall on 11 Feb. 1683@4, and name Valentinian as the drama. The first Prologue and the Epilogue Written by a Person of Quality were printed separately; Luttrell's copy (Bindley Collection, William Andrews Clark@Jr@Library) is dated 20 Feb. 1683@4. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 249-51. It is not certain on what date the first performance occurred, for premieres at court are quite rare in the Restoration period. In Nahum Tate's Poems by Several Hands (1685): Sir Francis Fane: A Masque Made at the Request of the Earl of Rochester, for the Tragedy of Vadentinian. Downes (p. 40): The well performance, and the vast Interest the Author made in Town, Crown'd the Play, with great Gain of Reputation; and Profit to the Actors. For an intended cast of Rochester's alteration of the play by John Fletcher, see the introductory note to the season of 1675-76. In A Pastoral in French by Lewis Grabu (published in 1684; advertised in the London Gazette, No. 1947, 17 July 1684) are two songs for this play for which Grabu apparently composed the music: Injurious charmer of my vanquished heart and Kindness hath resistless charms. In Choice Ayres and Songs, The Fourth Book, 1684, is: A new Song in the late reviv'd Play, call'd Valentinian: Where would coy Aminta run [the composer of the music not being indicated]

Performances

Mainpiece Title: Valentinian

Event Comment: The United Company. This performance is on the L. C. list, 5@145, p. 120. See also Nicoll, Restoration Drama, p. 349

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The Prince of Orange's company of foreign comedians was apparently expected in England on this evening (HMC, 5th Report, Part I, 1876, p. 186). They were under the management of Francis Duperier and apparently remained in England for some four months. See Lawrence, Early French Players in England, p. 150. See also an order, L. C. 5@145, p. 90 (Nicoll, Restoration Drama, p. 253n), to prepare the Cockpit for the Prince of Orange's players

Performances

Event Comment: The United Company. This performance is on the L. C. list, 5@145, p. 120. with ye Queene & a box for the Maydes of honor. See also Nicoll, Restoration Drama, p. 349

Performances

Mainpiece Title: A Duke And No Duke

Event Comment: The United Company. This performance is on the L. C. list, 5@145, p. 120. See also Nicoll, Restoration Drama, p. 349

Performances

Mainpiece Title: The Spanish Fryar

Event Comment: The United Company. This performance is on the L. C. list,"5@145, p. 120. See also Nicoll, Restoration Drama, p. 349

Performances

Mainpiece Title: A Duke And No Duke

Event Comment: The United Company. This performance is on the L. C. list, 5@145, p. 120: At ye Leiutenant. See also Nicoll, Restoration Drama, p. 349

Performances

Mainpiece Title: The [humorous] Lieutenant

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The Queene at Jerusalem ye secd part. See also Nicoll, Restoration Drama, p. 350

Performances

Mainpiece Title: The Destruction Of Jerusalem, Part Ii

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King & Queene at the Silent Woman. See also Nicoll, Restoration Drama, p. 350. Matthew Prior, Satire Upon the Poets: @Mountfort how fit for Politicks and Law@That play'd so well Sir Courtly and Jack Daw.

Performances

Mainpiece Title: The Silent Woman

Related Works
Related Work: Epicœne; or, The Silent Woman Author(s): George Colman, the elder
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The Queene at Rolo. See also Nicoll, Restoration Drama, p. 350. Although it is certain that the cast in this edition is that for this performance, there are no actors' names on the list which can not pertain to this time

Performances

Mainpiece Title: Rollo

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King & Queene. See also Nicoll, Restoration Drama, p. 350

Performances

Mainpiece Title: The Rover

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King & Queene. See also Nicoll, Restoration Drama, p. 350. See also Evelyn's Diary for some private concerts at this time

Performances

Mainpiece Title: The Disappointment

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King & Queene & a Box for ye Maydes of Honor. See also Nicoll, Restoration Drama, p. 350

Performances

Mainpiece Title: Rollo

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King & Queene & a Box for ye Maydes of Honor. See also Nicoll, Restoration Drama, p. 350

Performances

Mainpiece Title: Sir Courtly Nice

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The Queene at Othelo. See also Nicoll, Restoration Drama, p. 350

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King and Queene & a Box for ye Maydes of Honor at the Opera. See also Nicoll, Restoration Drama, p. 350, and 1 Jan. 1684@5. The opera was certainly given on 3 June, probably on 10 June, and probably on 13 June, the day that the news of the Duke of Monmouth's landing reached London; as Downes states that it was acted six times, there were three additional performances between 3 and 13 June 1685. Downes (Roscius Anglicanus, p. 40): In Anno 1685. The Opera of Albion and Albanius was perform'd; wrote by Mr Dryden, and Compos'd by Monsieur Grabue: This being perform'd on a very Unlucky Day, being the Day the Duke of Monmouth, Landed in the West: The Nation being in a great Consternation, it was perform'd but Six times, which not Answering half the Charge they were at, Involv'd the Company very much in Debt. Roger North: The first full opera that was made and prepared for the stage, was the Albanio of Mr Grabue, in English, but of a French genius. It is printed in full score, but proved the ruin of the poor man, for the King's death supplanted all his hopes, and so it dyed (Roger North on Music, ed. John Wilson [London, 1959], p. 311). The Prologue and Epilogue, published separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 244-46. The score and the libretto were published in 1687 (licensing date of 15 March 1686@7): Albion and Albanius; An Opera; Or, Representation in Musick. Set by Lewis Grabu, Esq; Master of His late Majesty's Musick

Performances

Mainpiece Title: Albion And Albanius

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The Queene & a Box for ye Maydes of Honor. See also Nicoll, Restoration Drama, p. 350

Performances

Mainpiece Title: King And No King

Event Comment: The United Company. This performance, which is out of the chronological order, is on L. C. list, 5@147, p. 68; the list does not indicate which Part of this play was given. See also Nicoll, Restoration Drama, p. 350, and page 380, for an order (L. C. 5@147, p. 1) for rehabilitation of the seats in the theatre

Performances

Mainpiece Title: The Rover

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68. See also Nicoll, Restoration Drama, p. 350

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68. See also Nicoll, Restoration Drama, p. 350

Performances

Mainpiece Title: Sir Courtly Nice

Event Comment: The United Company. This Performance is on the L. C. list, 5@147, p. 68. See also Nicoll, Restoration Drama, p. 350. When this play was revived at Lincoln's Inn Fields on 14 Aug. 1705, the bill bore the heading: Not Acted these Twenty Years

Performances

Mainpiece Title: The City Politiques

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 69: ye Moore of Venice at Whitehall. See also Nicoll, Restoration Drama, p. 350. See also an L. C. notice, 5@147, p. 24 (in Boswell, Restoration Court Stage, p. 85) concerning Preparations for plays to be acted at court every week

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: The United Company. An order (L. C. 5@147, p. 52, in Nicoll, Restoration Drama, p. 356), dated 19 Dec. 1685, calls for a payment of #20 for the King and Queen at Alexander, but the order does not indicate whether the performance occurred on this date

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 31 Dec. 1685: Yesterday was acted The Committee. The King and Queen were there and all the whole Court went to see it, but coming a little after it was begun [I] could not get any roome (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 100). Bridget Noel to the Countess of Rutland, ca. 6 Jan. 1685@6: [Last Wednesday] my Lady Exeter engaged us to goe to a play with her...which was a Commity. The King and Queen was at it, and the house as full as ever I saw it (ibid.)

Performances

Mainpiece Title: The Committee