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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Frederick Handel"/1) | (@(roleclean,performerclean) "George Frederick Handel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6839 results for: Keyword - George Frederick Handel
We found 4736 matches on Author, 1368 matches on Performance Comments, 947 matches on Event Comments, 374 matches on Performance Title, and 0 matches on Roles/Actors.

6826
06 October 1797 @ Covent Garden

Event Comment: [This was Mrs Abington's 1st appearance on the stage since 12 Feb. 1790, except for 14 June 1797, when she spoke an epilogue at a charity benefit.] "Her former Beatrice was a chaste, animated, unaffected and captivating performance; but her Beatrice of this night was, for the greater part, languid and unattractive. Her deportment, however, is easy and graceful; but her person is too big and heavy to give any effect to the more gay and sprightly scenes. We conceive it to be the height of folly and imprudence in her to come forward in the present advanced period of her existence; and that too, with a person so ill calculated for the department, and attempt characters which demand all the vigour and activity of youth" (Monthly Visitor, Oct. 1797, p. 352). [Address by George Colman, ynger (London Chronicle, 7 Oct.).] Receipts: #348 2s. (336.18; 11.14)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Diamond Cut Diamond

Dance: II: Masquerade Dance- incident to the Play

Entertainment: Monologue.Preceding: a new Occasional Address-Murray

6827
20 November 1797 @ Drury Lane Theatre

Event Comment: [2nd piece: Prologue by George Colman, elder.] Receipts: #190 19s. (138.13.6; 49.16.6; 2.9.0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: Bon Ton

Afterpiece Title: A Trip to the Nore

6828
06 June 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Ugly Club

Performance Comment: Characters by Palmer, Russell, Holland, Wewitzer, Wathen, Dignum, Hollingsworth, Dowton, R. Palmer, Maddocks, Mrs Walcot, Miss Tidswell, Mrs Bland.Cast from text (George Cawthorn, 1798): Tonnage-Palmer; Diaphanous-Russell; Spondee-Holland; Hugh Goblin-Wewitzer; Crank-Wathen; Limp-Dignum; Crasis-Hollingsworth; Shin-Dowton; Gibbous-R. Palmer; Landlork-Maddocks; Nell Trot-Mrs Walcot; Luce-Miss Tidswell; Miss Mary-Mrs Bland.

Afterpiece Title: The Castle-Spectre

Afterpiece Title: A Nosegay of Weeds; or, Old Servants in New Places

6829
15 June 1798 @ Drury Lane Theatre

Event Comment: Benefit for Portal, Stevenson, Percey. George, Bowley, Woollams, Massingham, J. Edwards, Chumbley [box-keepers]. Receipts: #41 10s. 6d. (21.3.6; 20.7.0; 0.0.0; tickets: none listed) (charge: #201 8s. 8d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Devil to Pay

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

6830
25 September 1798 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. [Afterpiece: Prologue by George Colman elder.] Receipts: #327 8s. (244.10.6; 81.2.0; 1.15.6)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Bon Ton

6831
24 October 1798 @ Covent Garden

Event Comment: By Command of Their Majesties. "George? Dance, @R. A., was at Covent Garden on Wednesday evening when his musical Composition of One and All [for a band] was performed before his Majesty, with much applause" (Joseph Farington,@Diary [26 Cct.], 1922, I, 243). Receipts: #628 8s. 6d. (620.17.6; 7.11.0)

Performances

Mainpiece Title: Lover's Vows

Cast
Role: Frederick Actor: Pope

Afterpiece Title: The Spoil'd Child

6832
09 November 1798 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of George Barnwell, advertised on playbill of 8 Nov.] Receipts: #250 7s. (165.7; 81.10; 3.10)

Performances

Mainpiece Title: The Jew

Cast
Role: Frederick Bertram Actor: C. Kemble
Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: Blue-Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

6833
02 March 1799 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Edward Morris. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses and Decorations. Morning Chronicle, 14 Mar. 1799: This Day is published The Secret (2s.). Receipts: #371 18s. 6d. (319.17.0; 49.14.6; 2.7.0)

Performances

Mainpiece Title: The Secret

Afterpiece Title: Feudal Times

Related Works
Related Work: Feudal Times; or, The Banquet Gallery Author(s): George Colman, the younger

6834
06 April 1799 @ King's Theatre

Event Comment: Mme Allegranti continuing so seriously indisposed, as in opinion of Sir George Baker, to render her immediate appearance [in Il Matrimonio Segreto, advertised in Morning Chronicle, 5 Apr.] extremely dangerous [see 9 Apr.]

Performances

Mainpiece Title: La Frascatana

Dance: As17990330

6835
09 April 1799 @ Covent Garden

Event Comment: Benefit for Holman. Mainpiece: Acted but once [28 Mar. 1795] these 5 years. In IV a Grand Banquet. Morning Chronicle, 1 Apr.: Tickets to he had of Holman, No. 73, New-street, Hanover-square. Account-Book: Paid George? Papendick for [unspecified] Manuscript Plays of Kotzebue #200. Receipts: #350 2s. (257.6; 6.1; tickets: 86.15)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Lock and Key

Song: II: the Grand Truimphal Entry of Alexander into Babylon. Vocal Parts-Johnstone, Incledon, Townsend, Hill, Linton, Street, Lee, Little, Sawyer, Tett, Miss Waters, Mrs Atkins, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follet, Miss Leserve, Mrs Castelle, Mrs Martyr; End: Black Ey'd Susan-Incledon; End I afterpiece: The Death of Admiral Benbow-Incledon

6836
15 May 1799 @ Covent Garden

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

6837
12 June 1799 @ Covent Garden

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Jew and the Doctor

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Performance Comment: James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells).
Cast
Role: the birthday of George III] Actor: Master Parker

6838
07 October 1799 @ Drury Lane Theatre

Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Embarkation

6839
17 June 1800 @ Drury Lane Theatre

Event Comment: The last time of the Company's performing this Season. Benefit for Portal, Stevenson, Percey, George, Bowley, Woollams, Massingham, J. Edwards, Chumbley [box-keepers]. Receipts: #54 3s. (32.2; 22.1; 0.0; tickets: none listed) (charge: none listed)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Follies of a Day

Song: In course evening: The Soldier tir'd of War's alarms-Miss Stephens; End I afterpiece: Crazy Jane-Mrs Bland