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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Frederick Handel Esq"/1) | (@(roleclean,performerclean) "George Frederick Handel Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8193 results for: Keyword - George Frederick Handel, Esq
We found 5876 matches on Author, 1398 matches on Performance Comments, 1216 matches on Event Comments, 378 matches on Performance Title, and 0 matches on Roles/Actors.

376
07 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Incledon, Florio, Linton, Hill (from Winchester), Bardeman//Mme Mara, Mrs Stuart, Master Hummell, Miss Bruman, Miss Parke. Leader of the Band-G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest [by Chorus] (CORONATION ANTHEMS). Overture (ARIADNE). THE DETTINGEN TE DEUM, in which Holy, Holy Lord by Mme Mara. PART II. Overture and Dead March (SAUL). Funeral Anthem. Tune your harps (ESTHER). Gentle airs [by Incledon], accompanied on the violoncello by C. Ashley (ATHALIA). Fall'n is the foe by Chorus {JUDAS MACCABAEUS). What tho' I trace [by Miss Parke] (SOLOMON). Lord of Eternity by Chorus; Behold the Nations; O Baal (DEBORAH). With thee the unsheltered (SOLOMON). He smote all the first-born by Chorus (ISRAEL IN EGYPT). Pious Orgies [by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .

377
11 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Music That Was Selected For The Commemoration Of Handel, In Westminster Abbey And The Pantheon, The 26th And 27th Of May, 1784

Performance Comment: [In subsequent seasons this was performed under the title of Redemption]. Principal Vocal Parts by Norris, Reinhold; Miss George, Miss Phillips. 1st Violin-Richards .

378
12 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (OCCASIONAL ORATORIO). Shall I in Mamre's fertile; For all these mercies (JOSHUA). Ye Men of Gaza (SAMSON). O filial Piety; No, cruel Father (SAUL). When his loud voice (JEPHTHA). Lord, what is man (SEMELE). Total Eclipse; O first created beam (SAMSON). O worse than death; Angels ever bright (THEODORA). Fixed in his Everlasting seat (SAMSON). PART II. Eleventh Grand Concerto. As when the Dove (ACIS AND GALATEA). Tyrants would (ATHALIA). O sleep (SEMELE). O had I Jubal's lyre (JOSHUA). It must be so; Pour forth no more; No more to Ammon's (JEPHTHA). Lord remember David (SOSARME). O God who in thy Heeav'nly band (JOSEPH). PART III. Ye sons of Israel (JOSHUA). Honor and Arms (SAMSON). See the conq'ring Hero comes (JUDAS MACCABAEUS). Why does the God of Israel sleep (SAMSON). What passion, accompanied on the violoncello by C. Ashley (DRYDEN'S ODE). Then round about the starry throne (SAMSON). Mad Bess by Mme Mara (Purcell). Gird on thy sword (SAUL). To conclude with God save Great George our King and Rule Britannia .

379
26 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (BERENICE). Come ever smiling (JUDAS MACCABAEUS). Tears such as tender (DEBORAH). For unto us a child (THE MESSIAH). Grateful hearts (NABAL). Sweep the strings; Music spread thy Voice (SOLOMON). Every day will I ([CHANDOS] ANTHEMS). For joys so vast; Happy they (JEPHTHA). From the censer (SOLOMO). PART II. Fourth Organ Concerto. Together let us range ([SOLOMON] by Boyce). The trumpet's loud; The double beat (DRYDEN'S ODE). He was eyes [SIROE]. He led tbrm thro' (ISRAEL IN EGYPT). Ye sons of Israel [JOSHUA]. Weep, Israel, weep; Go, baffled coward (SAMSON). For the Lord (THE MESSIAH). PART III. Fifth Grand Concerto. O liberty (JUDAS MACCABAEUS). Let the bright; Awake the trumpets (SAMSON). O beauteous Queen (ESTHER). Mad Bess by Mme Mara (Purcell). How willing (SAMSON). But bright Cecilia; As from; The dead shall live (DRYDEN'S ODE). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part II concerto on the organ by J. Ashley

380
16 April 1729 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: I: Overture of Ptolomy by Mr Handel-; Songs. No oh Dio-Signora Cuzzoni in Calphurnia; Lusinghe piu Care-Signora Faustina in Alexander; Eighth Concerto of Corelli-Castrucci, others; French Horn Song in Griselda-; II: Concerto Grosso by Pepusch-; with solo parts for the Harpsicord-Mr Bach; Songs: Fonti Amiche-Signora Cuzzoni in Ptolomy; accompanied by Flutes-; Chio mai vi polla-Signora Faustina in Siroe; Solo for Hautboy-Kytch; Concerto for French Horns by Nicholini-; III: Concerto for Hautboy by Alberti-; Songs: Ombra cara-Senesino in Radamistus; L'Empiorigor-Signora Cuzzoni in Rodelinda; Concerto for Little Flute by Babel-; First Part of Water Musick with French Horns by Handel-; All Vocal Parts-; Hautboy-Kytch; Little Flute, Bassoon-

Performance Comment: No oh Dio-Signora Cuzzoni in Calphurnia; Lusinghe piu Care-Signora Faustina in Alexander; Eighth Concerto of Corelli-Castrucci, others; French Horn Song in Griselda-; II: Concerto Grosso by Pepusch-; with solo parts for the Harpsicord-Mr Bach; Songs: Fonti Amiche-Signora Cuzzoni in Ptolomy; accompanied by Flutes-; Chio mai vi polla-Signora Faustina in Siroe; Solo for Hautboy-Kytch; Concerto for French Horns by Nicholini-; III: Concerto for Hautboy by Alberti-; Songs: Ombra cara-Senesino in Radamistus; L'Empiorigor-Signora Cuzzoni in Rodelinda; Concerto for Little Flute by Babel-; First Part of Water Musick with French Horns by Handel-; All Vocal Parts-; Hautboy-Kytch; Little Flute, Bassoon-.

381
03 June 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: The Relapse

Afterpiece Title: An Old Man Taught Wisdom

Music: Select Pieces between the Acts composed by Handel, Geminiani, and others. First Musick: A Concerto for two Hautboys composed by Dr Pepusch. Second Musick: The third Concerto of the first Opera of Geminiani. Third Musick: Handel's Overture composed for the Opera of Ariadne

Performance Comment: First Musick: A Concerto for two Hautboys composed by Dr Pepusch. Second Musick: The third Concerto of the first Opera of Geminiani. Third Musick: Handel's Overture composed for the Opera of Ariadne .

Dance: I: Drunken Peasant by Le Brun. II: English Maggot by Villeneuve and Mrs Walter. III: Black Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Song: rv: Mock Italian-English Ballad by Roberts

382
11 March 1772 @ Drury Lane Theatre

Event Comment: By Command of their Majesties. Theatrical Review, 11 March: Written by the celebrated Milton when he was very young...it would have been sufficient had he never produced anthing more considerable, to have transmitted his fame to the latest posterity. It is inimitable set to music by Mr Handel...not strictly an Oratorio, tho' perform'd as such, the subject not being taken from Holy Writ. To which was added the celebrated Te Deum, composed by Mr Handel for the peace of Utrecht...a very grand masterly piece. End of Act I, a Concerto on the French Horn by Mr Ponta, musician to his Serene Highness, the Elector of Mentz, lately arrived in England. What this gentleman executes with the horn is very surprising, but, not being suited to the genius of the instrument, it is not productive of any good effect, when considered musically; as a matter of novelty it may surprise and please, on which account it is worthy the notice of the curious

Performances

Mainpiece Title: L'allegro Ed Il Penseroso, With Handel's te Deum

Music: Concerto on French Horn-Ponta (Musician to his Serene Highness the Elector of Mentz); Solo on Violincello-Janson, his 2nd performance in England

383
27 April 1784 @ Covent Garden

Event Comment: Benefit for Mrs Kennedy. Public Advertiser, 26 Apr.: Tickets to be had of Mrs Kennedy at her house in Great Queen-street. [The Jubilee anticipated the official Handel Commemoration held at Westminster Abbey on 26 May.] Receipts: #320 9s. 6d. (213/4/6; tickets: 107/5/0) (charge: #105)

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Afterpiece Title: The Duenna

Afterpiece Title: Rose and Colin

Dance: 1st piece to conclude with a Grand Ballet by Harris, Byrn, Miss Besford, Mrs Goodwin, &c

384
28 February 1792 @ Covent Garden

Event Comment: Benefit for Mrs Billington. Mainpiece: 1st time at this Theatre [1st performed at Smock Alley Theatre, Dublin, 3 Jan. 1784]. The Music by Gluck [whose opera this actually was, with additions by] Handel, Bach, Sacchini, Reeve, and Mazzinghi. With an entire new Overture composed by Gyrowetz. In II Weichsel will accompany an obligato song on the violin. Dances by Byrne and Mlle St.Amand. With new Scenery, Dresses, and Decorations. Afterpiece: Not acted these 2 years [acted 27 May 1791]. Morning Herald, 9 Feb.: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #371 15s. (257.18.6; 8.15.6; tickets: 105.1.0) (charge: #105)

Performances

Mainpiece Title: Orpheus And Eurydice

Afterpiece Title: Rosina

Song: Sweet Bird(by Handel)-Mrs Billington; accompanied on the violin-Weichsel

385
12 February 1796 @ Covent Garden

Event Comment: Ode: Written in Honour of St. Cecilia, by Dryden, and set to Music by Handel. Among the Instrumental Performers are G. Ashley, leader of the band, Mara, Sarjant, C. Ashley, Boyce, Bridgetower, Harvey, Parkinson, Taylor, Nix, two Flacks, Dresler, Gwilliam, Shutze, Price, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, two Munros, Wood, Cornish, Purney, Leffler, Woodham, Cantelo, Skillern, Franki, Simpson, Jenkinson, &c. Organ-J. Ashley. Double Drums (used at Westminster Abbey)-R. Ashley. The Chorusses will be numerous and complete. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the Imprimatur of H. Macleish) to be had at the Theatre

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel

Afterpiece Title: Alexander's Feast 3

Performance Comment: [i.e. the ode being in 2 parts.] The Music- [by Handel--that was performed by Command of his Majesty, at St. James's on the late Marriage of their Royal Highnesses the Prince and Princess of Wales (on 8 Apr. 1795); composed by Handel, to celebrate the Nuptials (in Apr. 1736) of his late Royal Highness Frederick, Prince of Wales, with the Princess of Saxe-Gotha; [To conclude with the Coronation Anthem, Zadock the Priest-.

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

386
09 March 1798 @ Covent Garden

Event Comment: In compliance with the request of several Ladies and Gentlemen, lovers of Handel's music, who find it inconvenient to attend at the beginning of the evening, Mr Ashley informs them that Half Price will be taken at the end of the Second Part

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

Related Works
Related Work: All's Well that Ends Well Author(s): Frederick Pilon

387
08 February 1799 @ Covent Garden

Event Comment: Among the principal instrumental performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, R. Ashley, Parkinson, Woodham, Jenkinson, Bridgtower, the Munros, Purney, the Cantelos, Taylor, Lavenu, M'Intosh, Gwilliam, Nix, Cobham, Leffler, Betts, Piele, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Ware, Wood, G. Jones, Moorehead, Slezak, Francis, Jackson, Beale, Skillern, Abbot, &c. Organ-J. Ashley. The Band and Chorusses will be numerous and complete; and assisted by the trombones and double drums used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley, Sen. Places for the Boxes to be had of Brandon at the Stage Door. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Half Price will be taken at the end of the second part. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance (with the imprimatur of E. Macleish) to be had at the theatre, price 6d

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

388
28 February 1800 @ Covent Garden

Event Comment: Principal Instrumental Performers are G. Ashley, leader of the band; C. Ashley, W. Parke, Boyce, Barret, R. Ashley, Parkinson, Woodham, Jenkinson, M'Arthur, the Munros, Purney, Cantelo, Taylor, M'Intosh, Gwilliam, Nicks, Cobham, Leffler, Betts, Flack, Dressler, Cornish, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Ware, J. Ware, Wood, G. Jones, Moorehead, Slezack, Francis, Jackson, Vial, White, &c. Organ by J. Ashley. The Band and Chorusses will be numerous and complete, and assisted by the Trombones and Double Drums, used at Handel's Commemoration at Westminster Abbey [in 1784]. The whole under the direction of Ashley Sen. Places for the Boxes to be had of Brandon at the stage door. The Doors to be opened at 6:00, and the Performance to begin at 7:00 precisely [same throughout oratorio season]. Half Price will be taken at 9:00. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Books of the Performance to be had at the Theatre (6d.)

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the grand piano@forte-Master Neate

389
23 September 1789 @ Covent Garden

Event Comment: Mainpiece: The Overture, Airs, &c. by Dr Arnold. The selected, by Handel, Vento, Giordani, Bertoni, Dr Arne, and Carolan. [Afterpiece in place of Animal Magnetism, advertised on playbill of 21 Sept.] Receipts: #199 6s. 6d. (197.5.6; 2.1.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

390
24 November 1789 @ Covent Garden

Event Comment: 1st piece: The Music partly selected from Handel, Purcell, Pleyel, Anfossi, Cimarosa, Gretry, Giordani and Sacchini; and partly composed by Shield. With an Overture by Salieri. [3rd piece in place of Thomas and Sally, advertised on playbill of 23 Nov.] Receipts: #195 11s. 6d. (189.14.0; 5.17.6):

Performances

Mainpiece Title: The Prophet

Afterpiece Title: The Follies of a Day

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

391
March 1664 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performance Comment: Edition of 1664: The Prologue-; The Epilogue-the Widow, Wheadle; No actors' names. Downes (Roscius Anglicanus, pp. 24-25): Lord Beauford-Betterton; Colonel Bruce-Smith; Lovis-Norris; Sir NicholasCully-Nokes; Palmer-Underhill; Wheadle-Saunford; Graciana-Mrs Betterton; Aurelia-Mrs Davies; Widow-Mrs Long; Sir Frederick Frollick-Harris; Dufoy-Price.
Cast
Role: Sir Frederick Frollick Actor: Harris
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

392
27 April 1664 @ no theater listed

Performances

Mainpiece Title: Love In A Tub

Performance Comment: [See16640300 The Prologue-; The Epilogue-the Widow?, Wheadle?; Lord Beanford-Betterton?; Colonel Bruce-Smith?; Lovis-Morris?; Sir NicholasCully-Nokes?; Palmer-Underhill?; Wheadle-Saunford?; Graciana-Mrs Betterton?; Aurelia-Mrs Davies?; Widow-Mrs Long?; Sir Frederick Frolick-Harris?; Dufoy-Price?.
Cast
Role: Sir Frederick Frolick Actor: Harris?
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

393
29 April 1668 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performance Comment: Sir Frederick?-Harris. See also March 1663@4.
Cast
Role: Sir Frederick? Actor: Harris. See also March 1663@4.
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

394
07 January 1708 @ Drury Lane Theatre

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performance Comment: Sir Frederick-Powell; Palmer-Estcourt; du Foy-a Person that never appear'd on the Stage before.
Cast
Role: Sir Frederick Actor: Powell
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Song: the best Performers

Dance: the best Performers

395
12 June 1712 @ Drury Lane Theatre

Performances

Mainpiece Title: The Comical Revenge

Performance Comment: Sir Frederick-Wilks; Sir Nicholas-Dogget; Palmer-Estcourt.
Cast
Role: Sir Frederick Actor: Wilks
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Dance: Blooza Bella-Prince, Mrs Bicknell; Dutch Skipper-Thurmond, Mrs Bicknell; Miller's Dance-Prince, Leigh; Original Dance by Eight Linkmen-

396
10 January 1713 @ Drury Lane Theatre

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performance Comment: Sir Frederick-Wilks; Sir Nicholas-Dogget; Palmer-Bullock; Wheedle-Keene; Bruce-Booth; Dufoy-Bowen; Widow-Mrs Knight; Graciana-Mrs Bradshaw; Aurelia-Mrs Porter.
Cast
Role: Sir Frederick Actor: Wilks
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

397
02 December 1714 @ Drury Lane Theatre

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performance Comment: Sir Frederick-Wilks; Widow Rich-Mrs Oldfield.
Cast
Role: Sir Frederick Actor: Wilks
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

398
06 June 1795 @ Covent Garden

Event Comment: Benefit for Mrs Clendining. 2nd piece: Not acted these 10 years [acted 25 Apr. 1788]. 3rd piece [1st time; M 1, altered by John Gretton from his Ode performed at the Pantheon, 4 May. Larpent MS 1087; text printed in Morning Chronicle, 2 May 1795, with parts as above]: The Words by John Gretton, Esq. The Music by Spofforth; the Dances by Byrn. Books containing the Words of the Masque will be delivered gratis at the different Doors. Morning Herald, 5 June: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent Garden. Receipts: #204 5s. (72.17; 7.15; tickets: 123.13)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Irish Widow

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

399
04 June 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Performance Comment: Thorogood-Berry; Uncle-Winstone; George Barnwell-Cross; Trueman-Mills; Blunt-Turbutt; Millwood-Mrs Butler; Maria-Mrs Mills; Lucy-Mrs Chetwood.
Cast
Role: George Barnwell Actor: Cross
Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Virgin Unmask'd

Song: I: If Love be a Fault-Lowe; IV: Blow Blow thou Winter Wind-Lowe

400
28 May 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Performance Comment: Blunt-Burton; Maria-Miss Hopkins, first time; Lucy-Mrs Johnston; George-Cautherly; Thorowgood-Hurst; Trueman-Brereton; Uncle-Wright; Milwood-Mrs Hopkins; In Act I, a Song-Mrs Scott.
Cast
Role: George Actor: Cautherly
Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Wedding Ring

Dance: V: The Sailors Revels, as17730928