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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell"/1) | (@(roleclean,performerclean) "George C D Odell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7013 results for: Keyword - George C. D. Odell</i><span class=
We found 4212 matches on Author, 1873 matches on Event Comments, 1418 matches on Performance Comments, 284 matches on Performance Title, and 0 matches on Roles/Actors.

4701
14 March 1794 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture. 'Twas at the royal. Happy pair. Timotheus plac'd. The song began. The list'ning croud. With ravish'd ears. The praise of Bacchus. Bacchus ever fair. Bacchus' blessings. Sooth'd with the sound. He chose a mournful. He sung Darius. With downcast looks. Behold Darius. The mighty master. Softly sweet, accompanied on the violoncello by C. Ashley. War, be sung. The many rend. The prince unable. PART II. Now strikes the golden. Break his bands. Hark, hark! Revenge, revenge. Behold a ghastly band. Give the vengeance. Thais led the way. The Princes applaud. Thus long ago. At last divine Cecilia. Your voices tune. Let's imitate her notes. Let old Timotheus. PART III. A GRAND MISCELLANEOUS ACT. Overture and March (SCIPIO). He measureth the waters and He layeth the beams by Bartleman (REDEMPTION). O let eternal Honors and From mighty Kings by Miss Parke (JUDAS MACCABAEUS). Softly rise O southern breeze by Incledon; Ye Southern breezes by Chorus (SOLOMON, by Boyce). Bravura Song by Mme Mara. The Lord shall reign by Chorus; And Miriam and Sing ye to the Lord by Mme Mara; The horse and his Rider by Double Chorus (ISRAEL IN EGYPT). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

4702
21 March 1794 @ Covent Garden

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Fifth Grand Concerto. Hence! loathed. Hence! vain deluding. Come, thou goddess. Come rather, goddess. Haste thee nymph. Come, and trip it. Come, pensive man. Come, but keep. Join with thee. Hence! loathed. And if I give thee honor. Mirth admit me. First and chief. Sweet bird, accompanied on the violin by G. Ashley. If I give thee honor. Mirth admit me, corno obligato by Shutze. Oft on a plat. If I give thee honor. Let me wander. Or let the merry bells. And young and old. PART II. Hence, vain deluding. But O, sad virgin, accompanied on the violoncello by C. Ashley. Thus night, oft see me. Populous cities please. There let Hymen. Me when the sun. Hide me from day's. As steals the morn. These delights if thou canst give. PART III. A GRAND MISCELLANEOUS ACT. Fourth Oboe Concerto. The Lord worketh wonders by Bartleman (JUDAS MACCABAEUS). In sweetest harmony by Mme Mara; O fatal day by Chorus (SAUL). Disdainful of danger by Incledon, Hill, Linton (JUDAS MACCABAEUS). When the sun by Florio (ISRAEL IN EGYPT). May no rash intruder by Chorus (SOLOMON). The soldier tired [from ARTAXERXES, by Dr Arne] by Mme Mara. Kings shall be thy nursing fathers by Grand Chorus ([CORONATION] ANTHEMS). To conclude with God save Great George our King and Rule Britannia .

Music: As17940319athi

4703
31 October 1799 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor; Epilogue by George Colman, ynger (see text)]: With new Scenes and Dresses. Morning Chronicle, 7 Dec. 1799: This day is published Management (2s.). Afterpiece: In 3 acts. Receipts: #259 18s. (254.3.6; 5.14.6)

Performances

Mainpiece Title: Management

Afterpiece Title: The Miser

4704
11 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: Taste

4705
16 May 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Pirates

Afterpiece Title: THE ENGLISHMAN IN PARIS

Dance: In mainpiece Dances (composed by D'Egville) by Hamoir, G. D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles, &c.; In Act II of afterpiece a Minuet by Hamoir and Miss De Camp

4706
02 June 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Dance: II: A Dance, as17730506

4707
10 December 1748 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

4708
23 November 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: My Grandmother

Song: In II: Alexander's Triumphal Entry into Babylon-; The Grand Chorus of Priests Youths Virgins-Bannister, Sedgwick, Dignum, Wathen, Welsh, Wentworth, Trueman, Cooke, Danby, Evans, Fisher, Master Welsh, Master DeCamp, Master Gregson, Mrs Bland, Miss Leak, Miss DeCamp, Miss Arne, Miss Mellon, Mrs Bramwell, Mrs Boimaison, Mrs Maddocks, Miss Menage, Miss Jackson, Miss Granger, Miss Chatterley, Miss Wentworth, Mrs Butler

4709
15 November 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conspiracy

Afterpiece Title: Harlequin Captive

4710
24 November 1797 @ Covent Garden

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Round Tower; or, The Chieftains of Ireland

4711
23 June 1798 @ Haymarket Theatre

Performances

Mainpiece Title: The Inquisitor

Afterpiece Title: The Flitch of Bacon

4712
07 December 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The East Indian

Afterpiece Title: The Prize

4713
25 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: Adelaide

Afterpiece Title: The First Floor

4714
13 January 1669 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: Catiline

4715
September 1675 @ Dorset Garden Theatre

Performances

Mainpiece Title: Alcibiades

4716
15 November 1681 @ Whitehall or St. James's

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

4717
04 November 1690 @ Whitehall or St. James's

Performances

Mainpiece Title: The Rover

4718
22 April 1699 @ Drury Lane Theatre and Lincoln's Inn Fields

Performances

4719
23 March 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Lottery

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Drunken Peasant by Le Brun. III: Le Ballet d'Amour by Denoyer, Mlle Anne Roland, &c. IV: Rover by Essex, Mrs Walter, Miss Mann, &c. V: French Peasants by Poitier, Mlle Roland, &c

4720
14 May 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Colombine Courtezan

Dance: I: Minuet in Modern Habits by Rector and Mrs Anderson. II: Tambourine by Mlle Roland. III: Grand Ballet by Essex, Mrs Walter, &c. IV: The Amorous Clowns; or, The Courtezan: Clowns-Pelling, Davenport; Wives-Miss Mann, Miss Brett; Courtezan-Mrs Pelling. V: Rover by Essex, Mrs Walter, Mrs Pelling, Miss Mann, &c

4721
15 February 1745 @ Covent Garden

Performances

Mainpiece Title: Papal Tyranny In The Reign Of King John

4722
19 March 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

4723
01 October 1750 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

4724
18 November 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab

4725
24 March 1753 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Englishman in Paris