SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New York "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New York ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 4658 matches on Event Comments, 3015 matches on Performance Comments, 2961 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: A New Comic Opera (never performed [in London; 1st performed at Vienna, 1786]); the Music by Martini [i.e. Martin y Soler], under the direction of Mazzinghi. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. Those Subscribers of last season who have not yet signified their intention respecting the retaining of their Boxes are respectfully requested to send their names, in writing, to the Treasurer's office in Union-court, Hay-market, on or before Thursday next, the 15th inst., or the Manager will be under the necessity of disposing of the Boxes. Subscriptions are received and Tickets delivered as usual, at Messrs Ransom, Morland and Hammersley, No. 57, Pall-Mall. All persons claiming admission into the Opera House by Silver Tickets or Renters' Shares are requested to send the same to the Treasurer's Office as early as may be, that they may be examined and properly certified, otherwise they cannot be admitted. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]

Performances

Mainpiece Title: La Cosa Rara

Performance Comment: Principal Characters by Borselli, Forlivesi, Fineschi, Delicati, Torregiani, Sga Graziani, Sga Borselli, Sga Delicati. Cast from libretto (C. Etherington, 1789): Lubino-Borselli; Prince of Spain-Giuseppe Forlivesi; Corrado-Fineschi; Lisargo-Delicati; Tita-Paolo Torregiani; Queen of Spain-Sga Clementina Graziani; Ghita-Sga Elisabetta Borselli; Lilla-Sga Margherita Delicati.

Dance: End I: a New Divertissement-Didelot, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Normand; End Opera: L'Embarquement pour Cythere [composed by Didelot]-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

Event Comment: Benefit for Mlle Saulnier. The Gentlemen of the Orchestra are requested to attend at twelve o'clock the Rehearsal of the new Ballet for this Evening. World, 12 May: Tickets to be had of Mlle Saulnier, No. 34, Suffolk-street, Charing-cross

Performances

Mainpiece Title: La Vendemmia

Dance: End I: Admete, as17890402; End Opera: a new Ballet, composed in Paris by Gardel Sen. for Mlle Guimard, Ninette a la Cour , Ninette -Mlle Guimard

Event Comment: Benefit for Wrighten, prompter. 3rd piece [1st time; M I, author unknown. Music selected from Dr Arne. MS: Larpent 833 (which notes, "The words partly new and partly compiled. In Commemoration of the Restoration of His Majesty's Health"); not published]. Public Advertiser, 18 May: Tickets to be had of Wrighten, No. 6, Little Russel Street. Tickets delivered for the 20th will be admitted. Receipts: #278 17s. 6d. (48.2.0; 13.17.0; 0.17.6; tickets: 216.1.0) (charge: #106 13s. 7d.)

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17881020, but Manly-Whitfield; Lady Grace (1st time)-Mrs Farmer; Miss Jenny [without songs] (1st time)-Miss Raymond; Trusty-_; Mrs Motherly-_.
Cast
Role: Mrs Motherly Actor: Mrs Love

Afterpiece Title: The Toy Shop

Performance Comment: As17890511, but Master of the Toy Shop-Palmer; The other Characters-_Chaplin, _Alfred.

Afterpiece Title: Laoeudaimonos or A People Made Happy

Performance Comment: Principal Characters-Kelly, Dignum, Sedgwick, Miss Romanzini, Mrs Edwards, Mrs Crouch. [Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]

Dance: End II: The Russian Minuet-the young D'Egvilles, Miss DeCamp; End: a new dance, The Irish Bird@Catchers-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Event Comment: Benefit for Delpini. 3rd piece: 1st time at that Theatre [1st acted at the Royalty, 13 Aug. 1787]. Delpini's Grand, Tragic, Comic, Pantomimical Entertainment in 2 acts. With new Dresses and Decorations. The Music composed by Gluck, the Airs and Duett by Reeve. Public Advertiser, 9 May: Tickets to be had of Delpini, No. 17, Tavistock-street, Covent-garden. Receipts: #224 11s. (114.2; 7.18; tickets: 102.11)

Performances

Mainpiece Title: The Deserter

Afterpiece Title: Barataria

Performance Comment: As17881120, but Recorder-Wewitzer; Mary the Buxom-Mrs Delpini.
Cast
Role: Mary the Buxom Actor: Mrs Delpini.

Afterpiece Title: Don Juan or The Libertine Destroyed

Dance: End 1st piece: New Dance by Byrne-; In 3rd piece: Dancing-Byrne, Mrs Ratchford, Mrs Goodwin

Event Comment: Benefit for Sga Storace. A new Comic Opera, as originally performed at the Courts of Petersburgh and Vienna; the Music by Paisiello. Tickets to be had of Sga Storace, No. 23, Howland-street, Rathbone-place

Performances

Mainpiece Title: Il Barbiere Di Siviglia Or The Spanish Barber

Performance Comment: Almaviva-Kelly (of dl); Figaro-Borselli; Don Basilio-Torregiani; Don Bartolo-Benucci; Rosina-Sga Storace; The other Characters-Sga Delicati, Sga Giani; Libretto (L. Wayland, 1789) adds: Il Giovinetto-Delicati; Notaro-D@@; Alcade-Cardinale.
Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Dance: End II: New Divertissement-[See17890110]; End Opera: La Nymphe et le Chasseur, as17890606

Music: End I: a Trio for Piano Forte Violin and Violoncello-Clementi, Cramer, Cervetto

Event Comment: Benefit for Baddeley. 2nd piece [1st time; INT 1, probably by Robert Baddeley. Larpent MS 865; not published]. Public Advertiser, 20 Apr.: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford Square. Receipts: #320 9s. 6d. (94.18.0; 16.5.0; 0.12.6; tickets: 208.14.0) (charge: #117 10s. 6d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Mordecais Beard

Performance Comment: Mordecai (with a song in character, written by Collins, Author of The Brush)-Baddeley; O'Strap-Moody; Justice-Packer; Mittimus-Maddocks.

Afterpiece Title: The Romp

Dance: End I: As17900323

Song: End II: a new Masonic Song-Dignum

Entertainment: Monologue. End: The Picture of a Play@House; or, Bucks have at ye all-Bannister Jun

Performance Comment: End: The Picture of a Play@House; or, Bucks have at ye all-Bannister Jun.
Event Comment: Benefit for Labourie. Smith, 15: The Favourite Opera Dances for the year 1790...selected by F. Chabran contains selections from the previously mentioned ballets and Lauretta. This last title does not appear in newspaper records, but it was doubtless the "new ballet" announced for 22 April and subsequently

Performances

Mainpiece Title: Lusurpator Innocente

Dance: End I: La Jalousie sans Raison, as17900415; End Opera: an entire New Ballet- [See17900504]; [in which the Pas Russe-Labourie, Mlle Hilligsberg

Event Comment: Benefit for Blake. Tickets to be had of Blake, No. 60, Haymarket. 2nd ballet: With entire new scenery painted by Gaetano Marinari

Performances

Mainpiece Title: La Generosita Dalessandro

Related Works
Related Work: Porus, King of India Author(s): George Frideric Handel

Dance: End I: Divertisement-Labourie, Mlle Hilligsberg; in which Pas Russe, as17900422; End Opera: [an entire new Pantomimical Dance, The Generous Slave[ Slave (for that night only)-Blake [and see17900527]

Event Comment: [2nd ballet: 1st produced by D'Auberval at Bordeaux in 1786. This appears to be a new version.

Performances

Mainpiece Title: Idalide

Dance: End I: Amphion et Thalie, as17910409; End Opera: an entire new Ballet in 2 acts (composed by D'Auberval), La Fille Mal Gardee-See17910610

Event Comment: A new Comic Opera; composed by Paisiello, under the direction of Mazzinghi. [The full name of this opera is L'Amore Contrastato; ossia, La Molinarella (see king's, 6 Dec. 1794).

Performances

Mainpiece Title: La Molinarella

Dance: End I: the new Divertissement-[i.e. Le Triomphe de la Folie, as17910503]; End Opera: La Fille Mal Gardee, as17910430

Event Comment: A New Comic Opera; compsoed by Pietro Guglielmi; under the direction of Mazzinghi. Pit Half a Guinea. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 precisely [see 14 Feb. 1792]. The Nobility and Gentry are intreated to give particular Orders to their Coachmen to set down and take up with their Horses' Heads towards Hyde Park. The Door in Blenheim Mews will be shut during the Performance and opened only for the Company to go in Chairs. Subscriptions are received at Messrs Ransom, Morland and Hammersly's, No. 57, Pall-mall. And the Nobility and Gentry are earnestly requested to send a complete List of the Subscribers to their respective Boxes as soon as possible, since (by express Orders) no Person, on any account, can be admitted without producing a proper Ticket

Performances

Mainpiece Title: La Pastorella Nobile

Performance Comment: Principal Parts by Lazzarini, Cipriani, the Messrs Lipparini, Sga Casentini, Sga Calvesi. Cast from libretto (H. Reynell, 1791): Il Marchese-Lazzarini; Don Calloandro-Cipriani; Don Polibio-Lipparini Sen.; Don Astianatte-Lipparini Jun.; Eurilla-Sga Casentini; Donna Florida-Sga Calvesi.

Dance: End I: a new Ballet Demi-Caractere, composed by D'Auberval, La Fontaine d'Amour-

Ballet: End II: a new Pantomimic, Anacreontic Ballet, composed by D'Auberval, L'Amant Deguise. Alcindor-Laborie; Ciane-Mlle Hilligsberg; Euphrosine-Mme Theodore D'Auberval; Satyre-D'Egville; Nymphs-Mlles Simonet; Cupidon-Mlle Menage

Performance Comment: Alcindor-Laborie; Ciane-Mlle Hilligsberg; Euphrosine-Mme Theodore D'Auberval; Satyre-D'Egville; Nymphs-Mlles Simonet; Cupidon-Mlle Menage.
Event Comment: 2nd ballet: With new Dresses, Scenes and Decorations. "The Simonets were very unexpectedly introduced as vocal performers; they sung a duet in the Seraglio Scene, accompanied on the harp by young Meyer, which was very pleasing" (Morning Herald, 16 Apr.)

Performances

Mainpiece Title: La Discordia Conjugale

Dance: End I: Divertisement, as17920214

Ballet: End Opera: [an entire new Grand Pantomimic Ballet (1st time; composed by D'Auberval music by Mazzinghi]), La Foire de Smirne; ou, Les Amans Reunis. Pacha-D'Egville; Laboriski-Laborie; Almozadin-DeLaChapelle; Marchand d'Esclaves, Zerbero-Fialon; Hilligska-Mlle Hilligsberg; Theodora-Mme D'Auberval; Fatime-Mlle Rosine Simonet; Zelie-Mlle Leonore Simonet; Zorzi-Mlle Menage

Performance Comment: Pacha-D'Egville; Laboriski-Laborie; Almozadin-DeLaChapelle; Marchand d'Esclaves, Zerbero-Fialon; Hilligska-Mlle Hilligsberg; Theodora-Mme D'Auberval; Fatime-Mlle Rosine Simonet; Zelie-Mlle Leonore Simonet; Zorzi-Mlle Menage.
Cast
Role: Theodora Actor: Mme D'Auberval
Event Comment: Benefit for Mrs Wells. [New Address by Edward Topham (European Magazine, May 1792, p. 389, which also identifies the speaker).] Receipts: #202 19s. (137.12.6; 6.3.0; tickets: 59.4.0) (charge: #105)

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Robin Hood

Entertainment: Monologues Preceding: [a New Address, She Couldn't Help It-[by Harley]; End: Collins's Ode on the Passions-Mrs Esten; [Imitations End II: Dramatic Imitations [Comic, Vocal and Tragic,-Mrs Wells

Event Comment: It having appeared to be the Sense of a considerable Part of the Audience on Monday Night that the One Shilling Gallery should be restored, the Proprietor has already given Directions that their Wishes may be obeyed with all possible Expedition. With respect to the other Point, upon which some difference of Opinion still continued throughout the Performance, it is necessary to declare, that without absolute Ruin to the Property, this Theatre cannot be opened at lower Prices of Admission. The Proprietor therefore relies with Confidence on the Justice and Protection of the Public should any Attempt be made again to interrupt the Performance upon this Ground. [The new Upper, or One-Shilling, Gallery was constructed within two weeks, and opened on 1 Oct. The audience accepted The argument for the necessity of raising the prices of admission, which, as they now stood, remained in effect for the remainder of the century. 2nd piece in place of The Suspicious Husband, advertised on playbill of 17 Sept.] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Duenna

Performance Comment: Ferdinand-Johnstone; Isaac-Quick; Don Jerome-Wilson; Anthonio-Marshall; Father Paul-Darley; Lopez-Farley; Carlos-Incledon; The Duenna-Mrs Webb; Louisa (1st Time)-Mrs Blanchard; Clara (1st time)-Miss Broadhurst.
Cast
Role: Father Paul Actor: Darley
Role: The Duenna Actor: Mrs Webb

Afterpiece Title: Modern Antiques or The Merry Mourners

Event Comment: Diary, 3 June: synopsis of action of new ballet

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: Les Epoux du Tempe, as17930205; End Opera: a new Pastoral Ballet (1st time; composed by D'Egville) Le Jaloux Puni-Mlle Millerd, D'Egville, Favre Gardel, Mlle Hilligsberg, Mlle Menage, Mlle Gardel, Mlle Hilligsberg Jun [1st appearance]

Event Comment: [Mrs Pollock's 1st two appearances were on 24 Nov. 1792 and 14 Jan. 1793.] Afterpiece: Not acted these 3 years. Being a Collection of Favorite Scenes from the following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, Harlequin Rambler. [Synopsis of Entertainment in Public Advertiser, 3 Oct.] Receipts: #261 11s. (245.5; 16.6)

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Harlequins Chaplet

Performance Comment: Principal Pantomimic Characters-Simpson, Follett, Farley, Rock, Evatt, Rees, Thompson, Claremont, Hawtin, Mrs Watts, Mrs Follett, Miss Smith, Mrs Ratchford, Mrs Blurton, Miss Paye; Vocal Characters-Linton, Gray, Davies, Street, Little, Sawyer, Kendrick, Spofforth, Tett, Mrs Martyr, Mrs Mountain, Miss Barnett, Miss Leserve, Mrs Masters, Mrs Lloyd. [Partial cast adjusted from playbill of 15 Nov. 1790: Harlequin-Simpson; Clown-Follett; Lover-Farley; Woodcutter-Rock; Bricklayers-Evatt, Thompson; Lover's Servant-Rees; Pantaloon-Claremont; Gardener-Hawtin; Colombine-Mrs Watts; Shepherd, Shepherdess-Mrs Martyr, Mrs Mountain; Same playbill lists the other character: Farmer, Serjeant, Recruits, Carpenter, Sportsmen, Monkey, Peacock, Witches.] Same playbill lists the other character: Farmer, Serjeant, Recruits, Carpenter, Sportsmen, Monkey, Peacock, Witches.]

Entertainment: Afterpiece: [To conclude with Three Entire New Scenes, representing the Town and Harbour of Toulon; with a View of the Manoeuvring of the British, Spanish, and French Fleets, after the Surrender of the Town and Fortifications to the English] on the Twenty-ninth of August [1793]. In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips

Performance Comment: In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips.
Cast
Role: When in War on the Ocean Actor: Davies
Role: The Music Actor:
Role: The Dances Actor: Byrn, Holland
Role: The Scenery Actor: Hodgins, Walmsley, Phillips.
Event Comment: First Night of the 2nd Subscription. Ballet: With entire new Scenes, Dresses and Decorations [see 20 June]

Performances

Mainpiece Title: Alceste

Dance: End Opera: a new Heroic Pantomime Ballet, composed by Onorati, L'Odio vinto dall' Eroismo- see17950620

Event Comment: A Serious Opera (1st time at this Theatre [1st performed at Venice, 1783]); the Music by Bianchi. "The splendour of the Opera this year in point of crowd and fashion surpasses every thing within our memory. It used to be only full on the Saturday evening...Mlle Parisot, a new dancer from Paris, is a most beautiful figure, about 18 years of age...Her balance is postively magical, for her person was almost horizontal while turning as on a pivot on her toe" (Morning Chronicle, 10 Feb.). "[Mlle Parisot's] acting proves what art may effect by beautiful simplicity. She never makes use of those tours de force with which the best female dancers at Paris still endeavour to shine. Every step of Mlle Parisot is marked by the greatest truth and dignity of nature. Every one of her movements is expressive, spirited and harmonious" (Goede, pp. 264-65)

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: A New Divertissementin which-Mlle Parisot will dance, for the first time in this Country; End Opera: Paul et Virginie, as17960116

Event Comment: A new Comic Opera [1st performed at Naples, 1793]; the music by Cimarosa

Performances

Mainpiece Title: I Traci Amanti

Dance: End I: A New Divertissement, as17960209, but Mlle Barre (1st appearance); End Opera: +Paul et Virginie, as17960116

Event Comment: Benefit for the Voluntary Contributions for the Defense of the Country. 1st piece: An entire new Comic Opera [1st performed at Venice, 1791]. 1st ballet: Compressed into a first Dance

Performances

Mainpiece Title: An Act Of La Sposa In Equivoco

Afterpiece Title: Act II of Semiramide

Dance: End: Le Triomphe de Themis, as17971226; End 2nd piece: an entire new Anacreontic Ballet, composed by Gallet, La Vengeance de l'Amour-; Pas de Quatre of Panurge-Didelot, Laborie, Mme Hilligsberg, Mme Rose

Event Comment: By Desire of his Excellency the Turkish Ambassador [Ismail Ferrouh Effendi]. Benefit for Mrs Martyr. [In 1st piece the playbill retains Fawcett as Trudge, but "Munden, in the absence of Fawcett, sustained the part of Trudge in a manner that gave the audience no cause to regret the change" (Morning Herald, 10 May).] Times, 25 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street. Receipts: #425 4s. (211.6.6; 14.10.0; tickets: 199.7.6)

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: Forecastle Fun

Afterpiece Title: The Honest Thieves

Cast
Role: The Argument Actor: .
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant

Song: In I 1st piece: Duet, as17980418; In course Evening: Black Ey'd Susan, Admiral Benbow, Old Towler-Incledon; Four and Twenty Fidlers-Munden; a new Song, Yard Arm & Yard Arm (Being a description of the memorable Engagement between the French Ship L'Hercule and the British Ship the Mars [off the Bec du Raz, 21 Apr. 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus

Performance Comment: 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus.
Event Comment: By Command of Their Majesties. [In Percy A. Scholes, The Great Dr. Burney, 1958, II, 351, the title of the new song (misdated 1799) is given as Song on the Naval Victories.] Receipts: #439 (433.17.6; 5.2.6)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Three Weeks after Marriage

Cast
Role: George Bevil Actor: Clarke

Afterpiece Title: The Mouth of the Nile

Cast
Role: George Bevil Actor: Clarke

Song: [not listed on playbill] End: A new Loyal Song and Chorus- which recounts all the recent victories fo our Naval Heroes"Incledon, Johnstone, Townsend, Hill [, the music by Dr Burney (Morning Herald, 8 Nov.)

Event Comment: 2nd ballet: With entire new Scenes, Dresses and Decorations, the Scenes designed by Marinari, and executed by himself and others under his direction; the Dresses by Sestini; the Stage Decorations by Johnston of the Theatre-Royal, Drury-lane. "Telemaque is the same as that produced by Dauberval at Bordeaux, as to the management of the story the story on the stage; but the Dances are the composition of Degville. The music is [compiled by D'Egville and Bossi] from Haydn, Pleyel, Sacchini, Gluck, Schulz, Moreau" (Morning Chronicle, 27 Mar.). [Synopsis of action in London Chronicle, 27 Mar.

Performances

Mainpiece Title: La Frascatana

Performance Comment: Principal Parts-Morelli, Viganoni, Mrs Bland. [Libretto (C. Clarke [1794] lists the parts: Don Fabrizio, Nardone, Il Cavaliere Giocondo, Pagnotta, Violante, Donna Stella, Lisetta.]Libretto (C. Clarke [1794] lists the parts: Don Fabrizio, Nardone, Il Cavaliere Giocondo, Pagnotta, Violante, Donna Stella, Lisetta.]

Dance: End I: A New Divertissement-

Ballet: End Opera: Telemaque (As composed by D'Auberval; under the direction of J. D'Egville; 1st time in London). Telemaque-Didelot; Mentor-D'Egville; Cupid-Master Menage; Calypso-Mme Rose Didelot; Eucharis-Mme Hilligsberg; Venus-Mme Laborie; Elise-Mlle J. Hilligsberg; Zelie-Mme D'Egville

Event Comment: On account of the length of the new Ballet the Opera will begin at seven o'clock precisely [see 2 Apr.], and the Company are most earnestly entreated not to remain upon the Stage during the representation of the Ballet, on account of the dangers attending the changes in the Machinery and Scenery

Performances

Mainpiece Title: La Frascatana

Dance: End I: A New Divertissement, as17990326End Opera: Telemaque- see17990326

Event Comment: Benefit for Kelly. Opera: Not acted these 2 years [acted 9 June 1798]. 2nd ballet: Under the darections of J. D'Egville. With appropriate Scenery, Machinery, Dresses and Decorations. Morning Chronicle, 4 May: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-square. Receipts: #697 4s. 6d (347.5.0; 48.11.6; 0.19.0; odd money: 5.0.6; tickets: 295.8.6) (charge: #213 4s. 9d.)

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: The Seraskier-Kelly; Cohenberg-Barrymore; Ismael-Caulfield; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Sedgwick; Michael-Hollingsworth; Soldier-Trueman; Katharine-Mrs Crouch; Fatima-Miss Heard; Lilla-Miss DeCamp; Ghita-Miss Jackson. [No afterpiece performed this night.]No afterpiece performed this night.]
Cast
Role: The Seraskier Actor: Kelly

Dance: End I: an entire New Ballet (composed by J. D'Egville), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-

Performance Comment: D'Egville=), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-.

Ballet: End Opera: Telemaque. Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House

Performance Comment: Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House.