SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4519 matches on Event Comments, 4212 matches on Author, 2942 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; c 3, altered from the same, probably by the author, Richard Bentley]: Written in the manner of the Italian Comedy. With new Scenes and Dresses. [Author of Prologue unknown.] "It was originally produced at Drury Lane in the summer of 1761 [27 July] . . . and has now been new dished up, and seasoned to the day" (European Magazine, ibid). J. P. Collier states that "it is not a revival of the former piece" (MacMillan, Larpent Catalogue, p. 98). It was not, strictly speaking, a "revival", but, rather, a revision, as a collation of Larpent MS 586 (the present version, which is unpublished) with MS 199 (Bentley's 1761 version) makes clear. In 1761 Bentley introduced "the speaking Harlequin after the manner of the Italians . . . Mr Harris some years after gave it a second chance on the stage" (Cumberland, Memoirs, I, 212-14). Receipts: #215 19s. (213/5/6; 2/13/6)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Henderson; Theodore-Levis; Fabian-Thompson; Officers-Fearon, J. Wilson; Raymond-Wroughton; Adelaide-Miss Satchell; Jaqueline-Miss Platt; Countess-Miss Younge .
Cast
Role: Theodore Actor: Levis

Afterpiece Title: The Wishes

Performance Comment: Characters by Lee Lewes, Edwin, Booth, Whitfield, Wewitzer, Fearon, Mahon, Stevens, Thompson, Bates; Mrs Wilson, Mrs Webb, Miss Morris, Mrs Whitfield, Miss Platt, Mrs Poussin, Miss Stuart, Mrs Davenett, Mrs Mattocks. [Cast from London Chronicle, 4 Oct., and European Magazine, Oct. 1782, p. 308: Harlequin-Lee Lewes; Pierrot-Edwin; Pantaloon-Booth; Mezzetin-Whitfield; Distress-Wewitzer; Members of the Conversazione-Fearon, Mahon; Taylor-Stevens; Invoice-Thompson; Gardener-Bates; Lord Furious-W. Bates; Mr Wrath-L'Estrange; Martinette-Mrs Wilson; Virtue-Mrs Webb; Manto-Miss Morris; Pleasure-Mrs Whitfield; Lady Pindar-Miss Piatt; Lady Avontree-Mrs Poussin; Miss Yewtree-Mrs Davenett; Colombine-Mrs Mattocks. Miss Stuart is unassigned. Larpent MS 586 has unassigned parts as above, and adds: Parte-per-pale, Portico, Four Somebodies, Chorus, Servants; Jenny, Maid.] New Prologue [spoken by Lee Lewes (European Magazine, Oct. 1782, p. 308)] . Jenny, Maid.] New Prologue [spoken by Lee Lewes (European Magazine, Oct. 1782, p. 308)] .
Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue by the Hon. Francis North. Epilogue by George Colman, the younger (see text)]. Morning Chronicle, 20 Mar. 1794: This Day is published THE BOX-LOBBY CHALLENGE (1s. 6d.)

Performances

Mainpiece Title: The Box-lobby Challenge

Performance Comment: Characters by Bannister Jun., Aickin, Suett, Baddeley, Benson, Bland, Caulfield, Waldron Jun., Maddocks, Cooke, Lyons, Comerford, Barrymore//Mrs Harlowe, Mrs Goodall, Mrs Hopkins, Miss De Camp, Mrs Gibbs. [Cast from text Q. Debrett [1794]): Jack Crotchet-Bannister Jun.; Sir Toby Grampus-Aickin; Squire Robert-Suett; Old Crotchet-Baddeley; Joe-Benson; Fulsome-Bland; George Waterland-Caulfield; Hair-dresser-Waldron Jun.; Jones-Maddocks; Waiter-Cooke; Captain Waterland-Barrymore//Diana Grampus-Mrs Harlowe; Laetitia Rayner-Mrs Goodall; Theodosia-Mrs Hopkins; Lindamira-Miss De Camp; Lady Jane Danvers-Mrs Gibbs. Lyons, Comerford are unassigned.] Prologue spoken by Barrymore. Epilogue spoken by Mrs Goodall. [These were spoken, as here assigned, at the 1st 9 performances only (see17940315]. Prologue spoken by Barrymore. Epilogue spoken by Mrs Goodall. [These were spoken, as here assigned, at the 1st 9 performances only (see17940315].
Cast
Role: George Waterland Actor: Caulfield
Role: Theodosia Actor: Mrs Hopkins

Afterpiece Title: THE QUAKER

Cast
Role: The Baron Actor: Aickin
Role: Theodore Actor: Barrymore
Event Comment: Benefit for the Colleges of Philadelphia and New York. Mainpiece a Sacred Ode written by Dr Brown set to select Airs, Duets and Choruses from Mr Handel, and other Eminent Composers, with the addition of several new songs. Pit and Boxes to be put together. No Persons to be admitted without tickets, which will be deliver'd at the Office of the theatre at 1!2 a Guinea each; and also at the following Coffee House, viz: the Smyrna, Pall Mall; the Mount, Grosvenor St; George's, Temple Bar; the Rainbow, Cornhill, the New York, Sweetings's Alley; and the Pennsylvania, Birchin Lane. First Gallery 5s. Second Gallerp 3s. 6d. Galleries to be opened at half past Four, Pit and Boxes at Five. To begin at 1!2 after Six (playbill). This philanthropic enterprise, of which the theatrical benefit was but a part, seems not to have born much fruit for the respective Colleges. See Letter to the Governors of the Colleges of New York, respecting the Collection that was made in the Kingdom in 1762 and 1763, for the Colleges of Philadelphia and New York, to which are added Explanatory notes and appendix. By Sir James Jay, M. D. (London, 1771). The funds collected seem largely to have been used up in a law suit. The Governor of the College of New York, Rev. Dr Johnson, asked Jay to collect funds, which he did. Alderman Trecothick wrote Dr Johnson that the funds were not safe in Jay's hands. The Governors insulted Jay, and when they found they were wrong refused to apologize. They entered a bill against him in Chancery to gain the funds. It dragged out for four years. When the power of Attorney had been given to Trecothick, he claimed that a sum of #1437 15s. 6d. was unaccounted for by Jay, and was supposed to be in Jay's hands. Jay explained the Governors had not reckoned on reimbursement for his time and expenses for two years.

Performances

Mainpiece Title: The Cure Of Saul

Music: The Orchestra to be led by-Sg Giardini; Between acts: a Concerto on the Violin, Concerto on the violincello by Cervetto-Sg Giardini

Event Comment: Mainpiece: Never acted here. [Mrs Armstead is identified in Morning Chronicle, 16 May. Prologue by George Colman elder (Collection...of English Prologues and Epilogues, II, 207).] Afterpiece: Not acted these 20 years. With a new Overture, the Original Prologue [by David Garrick], and a New Scene, in which will be introduced an air. With a Grand Jubilee-Pageant, in Honour of Gulliver. The Music, Dresses, Scenes, Trophies and Decorations entirely new. The Music composed by Dr Arnold. ["Lilliput was altered by Garrick (its author), and a procession of cards introduced in it, Gulliver walking as the Knave of Clubs" (Gilliland, I, 121-22). London Chronicle, 16 May, gives a synopsis of this pageant.] The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken at the Theatre. After this Evening the Entertainments of this Theatre will be discontinued till further Notice, on account of the Performers employed at Drury Lane Theatre [see 28 May]

Performances

Mainpiece Title: The English Merchant

Performance Comment: Principal Parts-Aickin, Palmer, Jackson, Fearon, Massey, Egan, Davies, Mrs Hunter, Mrs Davies, Mrs Poussin, A Gentlewoman [Mrs Armstead]; Partial cast from Morning Chronicle, 16 May, and playbill of 16 July 1779: Freeport-Aickin; +Spatter-Palmer; +Lord Falbridge-Davies; +Lady Alton-Mrs Hunter; +Molly-Mrs Davies; +Mrs Goodman-Mrs Poussin; +Amelia-Mrs Armstead. Edition of 1767 lists the other parts: +Sir William Douglas, Owen, La France, Officer, Servants.] [A New Occasional Prologue-Palmer.
Cast
Role: Amelia Actor: Mrs Armstead. Edition of 1767 lists the other parts: +Sir William Douglas, Owen, La France, Officer, Servants.
Role: A New Occasional Prologue Actor: Palmer.

Afterpiece Title: Lilliput

Performance Comment: The Lilliputians-Master Edwin, Master Harrison, Miss Morris, Miss P. Farren (see17770718, also Master Hitchcock, Master Pulley, Miss Besford, Miss Francis, Miss Hitchcock (Peake, II, 2).
Event Comment: The Afterpiece a New Pantomime with New Music, Habits, Scenes, Machines and Decorations. Full Prices. [This note continued on all subsequent bills for Elopement this season. It will not be further mentioned here.

Performances

Mainpiece Title: The London Merchant

Performance Comment: As17671023, but George Barnwell-Cautherly.
Cast
Role: George Barnwell Actor: Cautherly.
Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Elopement

Event Comment: A new short Introductory Piece before a play [The Meeting of the Company]. This new Prelude call'd The Meeting of the Company or Bayes' Art of Acting by D. G. Esq--it is full of fine Satyr & an Excellent Lesson to all performers, it was receiv'd with very great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in the wording. The salaries this season were #94 7s. 8d. per day; #566 6s. per week. Kemble's note as to total receipts is short by 8 pence.] Prices: Box 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [Unfavorable review of Meeting of the Company in The Westminster Magazine (Sept., p. 472). The actor Aickin referred to this season is J. Aickin. Francis Aickin left dl before the beginning of this season. He was dismissed by Garrick in May. See Booden, Private Correspondence of David Garrick, I, 651-55.] Paid Renters #8; Advanced Mr Watson (box office keeper) #10; Ditto to Mr Mortimer (box office keeper) #15 (Treasurer's Book). [The funds to the box office keepers was operating cash which was returned 29 May 1775. Payment to Renters was same for each acting night until the eighty-eighth night (9 Jan. 1775) when it dropped to #4 nightly, since half of the stock holders (the Old Renters) were paid up by that time. The remaining 100 nights of the season plus 11 Oratorio nights yielded #448 to the Renters. No further mention of this item of expense will be made this season.] Total to Renters #1,152. Receipts: #212 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Drummer

Performance Comment: Tinsel-Dodd; Sir George-J. Aickin; Vellum-Parsons; Fantom-Packer; Butler-Baddeley; Gardener-Weston; Coachman-Moody; Lady Trueman-Mrs Hopkins; Abingail-Miss Pope.
Cast
Role: Sir George Actor: J. Aickin

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Parsons; Kecksey-Dodd; Sir Patrick-Moody; Bates-Baddeley; Newphew-Cautherly; Thomas-Weston; Widow (With an Epilogue Song)-Mrs Greville.
Cast
Role: Newphew Actor: Cautherly

Dance: I: The Irish Fair-Atkins, Mrs Sutton

Event Comment: Afterpiece [1st time; P 2, by Charles Dibdin. After being altered and enlarged this was billed as Harlequin Every-where (see 27 Dec.)]: With entire new Music; new Scenes, Dresses and Decorations. The Music composed by Dibdin; the Scenes designed and executed by Richards, Carver, Hodgins, Cipriani. Nothing under Full Price will be taken. The Orphan [announced on playbill of 29 Nov.] is deferred on account of Mrs Hartley's Indisposition. Account-Book, 13 Nov.: Paid Hodgins, painter, 14 weeks salary #36 15s. Public Advertiser, 1 Dec. 1779: This Afternoon is bublishpublished The Mirror (1s.). Receipts: #180 18s. (168.1; 12.17)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lewis; Sir George Airy-Wroughton; Charles-Whitfield; Sir Jealous Traffic-Thompson; Sir Francis Gripe-Quick; Whisper-Cushing; Scentwell-Mrs Poussin; Isabinda-Mrs Lessingham; Patch-Mrs Pitt; Miranda-Mrs Bulkley.
Cast
Role: Sir George Airy Actor: Wroughton

Afterpiece Title: The Mirror; or, Harlequin Every-where

Event Comment: The Duke's Company. There is no indication as to whether this is the premiere. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19. Downes (Roscius Anglicanus, p. 32): The third new Play Acted there [dg] was the Gentleman Dancing-Master, Wrote by Mr Witcherly, it lasted but 6 Days, being like't but indifferently, it was laid by to make Room for other new ones. A song, with music by John Bannister, for this play is in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Gentleman Dancing Master

Performance Comment: Edition of 1672: Prologue to the City-; Newly after the Removal of the Duke's Company from Lincoln Inn Fields to their new Theatre, near Salisbury-Court. Epilogue-Flirt; allusions in the play imply: Don Diego-Angel?; Monsieur de Paris-James Nokes?.
Cast
Role: Prologue to the City Actor:
Event Comment: Afterpiece: [By John Vanbrugh.] Never Acted before. Mainpiece: With all the Original Scenes, Machines, and Decorations. To which will be added several new ones, particularly the intire front prospect of Blenheim Castlev. And another Piece alluding to the late glorious Successes of her Majesty's Arms, &c

Performances

Mainpiece Title: The British Enchanters

Afterpiece Title: The Cuckold in Conceit

Performance Comment: A new Prologue-; Epilogue-.
Cast
Role: A new Prologue Actor:
Event Comment: Some Hissing, tho' play'd Well-Garrick Kiteley &c. (Cross). Mainpiece: Written by Ben Johnson, never acted there. Characters Dress'd in the Old English@Manner. Receipts: #200 (Cross). We hear that His Majesty intended to go to the theatre Royal in Drury Lane this evening, to see the Comedy of Every Man in his Humour, wrote by Ben Johnson in 1598, acted the same year by the Lord Chamberlain's Servants, and dedicated to the great Mr Camden; and was reviv'd since the Revolution with Great Applause, having a new Epilogue spoken by Ben Johnson's Ghost , written by the late Earl of Dorset (Daily Advertiser)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: Kitely-Garrick; Bobadill-Woodward; Brainworm-Yates; Master Stephen-Shuter; Justice Clement-Taswell; Old Knowell-Berry; Young Knowell-Ross; Wellbred-Palmer; Cob-Mozeen; Master Matthew-Vaughan; Downright-Winstone; Cash-Blakes; Formal-Costollo; Dame Kiteley-Mrs Ward; Bridget-Miss Minors; Tib-Mrs Cross; with a new Occasional Prologue-Garrick.

Dance: LL'Entree de Flore, as17511015; Peasant Dance, as17511015

Event Comment: For Mainpiece New Scenes, Dresses, Music, Machinery, and Decorations (playbill). This piece was written by Mr G. which he wrote in a hurry & on purpose to Shew Some fine Scenes which were design'd by Mons DeLoutherberg particularly a Burning Palace &c. which was extremely fine & Novel. Mr Weston Play'd very well, The Music by Mr Dibdin. the worst he ever Compos'd. The Piece was very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid for supernumary soldiers #1 12s. (Treasurer's Book). [The afterpiece reviewed, but not well liked by the Westminster Magazine.] Receipts: #219 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Performance Comment: Parts by: Vernon, Bannister, Parsons, Hurst, W. Palmer, Wright, Griffith, Mas. Blanchard, Kear, Mrs Wrighten, Mrs Hunt, Miss Platt, Weston, Champness, Dimond, Ackman, Burton, Wrighten, Fawcett, Blanchard, Scott, Mrs Johnston, and Mrs Smith. Dances-Como, Grimaldi, Atkins, Giorgi, Sga Crespi, Mrs Sutton, Sga Giorgi; With a Prologue, after which a New Overture=-; Tycho-Weston; Floridor-Vernon; Bonoro-Bannister; Faladel-Parsons; Nigromant-Champness; Radel-Dimond; Camilla-Mrs Smith; Robinette-Mrs Wrighten; Messengers-Griffith, Mas. Blanchard; Good and Evil spirits in various characters-Hurst, Ackman, W. Palmer, Wright, Wrighten, Courtney, Miss Platt, Mrs Johnston, Mrs Bradshaw, Mrs Millidge, Mrs Scott, Fawcett, Mrs Hunt, Mrs Smith, Kear, Burton; Prologue-Palmer in character of Christmas; unassigned-Blanchard, Scott (Edition of 1774).
Cast
Role: after which a New Overture Actor:

Afterpiece Title: Miss in Her Teens

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Text (which assigns no parts) 1st published in his Posthumus Dramatic Works, I, 1813. Epilogue by the author (Public Advertiser, 24 Apr. 1782). Prologue probably by same; speakers unknown]: With new Scenery, Dresses and Decorations. Receipts: #171 14s. (166/6; 5/8)

Performances

Mainpiece Title: The Walloons

Performance Comment: Principal Characters by Henderson, Wroughton, Quick, Lee Lewes, Aickin, Clarke, Edwin, Fearon, Thompson, Stevens; Mrs Wilson, Miss Satchell, Mrs Pitt, Mrs Webb. [Cast from Town and Country Magazine, Apr. 1782, p. 171: Father Sullivan-Henderson; Montgomery-Wroughton; Sir Solomon Dangle-Quick; Davy Dangle-Lee Lewes; Daggerly-Aickin; Don Vincentio Drclincourt-Clarke; Pat Carey-Edwin; Bumboat-Fearon; Tipple-Thompson; Joyce-Stevens; Kitty Carrington-Mrs Wilson; Agnes-Miss Satchell; Mrs Partlet-Mrs Pitt; Lady Dangle-Mrs Webb.] With a new Prologue and Epilogue. [These were spoken at all subsequent performances.] hathi. With a new Prologue and Epilogue. [These were spoken at all subsequent performances.] hathi.
Cast
Role: : Father Sullivan Actor: Henderson

Afterpiece Title: The Dragon of Wantley

Event Comment: Benefit for Quick. Mainpiece: With (1st time) Alterations and Additions by the Author [John O'Keeffe]. The Overture, Airs, &c. by Dr Arnold. The selected [music] by Handel, Vento, Giordani, Bertoni, Dr Arne, and Carolan. The new additional Songs by Shield. Public Advertiser, 22 Mar.: Tickets to be had of Quick, Broad-court, Bow-street, Covent-garden. Receipts: #325 8s. 6d. (164.6.6; 3.19.0; tickets: 157.3.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: Ferdinand-Johnstone; Spado-Quick; Pedrillo-Edwin; Philippo-Blanchard; Alphonso-Mrs Kennedy; Don Scipio-Booth; Don Juan-Fearon; Rapino-Cubitt; Sanquino-Darley; Lopez-Stevens; Calvetto-Thompson; Pedro-Helme; Don Caesar-Bowden (1st appearance in that character); new songs-Bowden; Victoria-Mrs Morton; Catalina-Mrs Brown; Isabell-Mrs Platt; Lorenza-Mrs Martyr [Public Advertiser: Mrs Billington].Public Advertiser: Mrs Billington].
Cast
Role: new songs Actor: Bowden

Afterpiece Title: The Commissary

Ballet: End: The Wapping Landlady; or, Jack in Distress. Jack in Distress-Blurton; Wapping Landlady-Mr King; Orange Woman-Mrs Watts

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on Le Glorieux, by Philippe Nericault, dit Destouches. In 1793 reduced by the author to an afterpiece of 3 acts. Prologue and Epilogue by the author (Knapp, 101, 307). This play was originally attributed to James Marshall (Public Advertiser, 5 Feb.); on 8 Feb. he wrote a letter to the editor of the Oracle, stating that "The School for Arrogance is not mine, but Mr Holcroft's...By appearing for a time as the ostensible author I hope I have contributed to heal what was most unaccomodating between Mr Harris and Mr Holcroft." And see Genest, VII, 24, 27.] Oracle, 19 Feb. 1791: This Day is published The School for Arrogance (1s. 6d.). "If Mrs Wells could be prevailed upon to speak out, so that the audience might hear, it would be of some advantage to the new play. At present, the performer who happens to be on the stage with her has it all in confidence" (Gazetteer, 9 Feb.). Receipts: #186 11s. (181.8; 5.3)

Performances

Mainpiece Title: The School For Arrogance

Performance Comment: Principal Characters by Lewis, Johnstone, Aickin, Farren, Wilson, Munden, Marshall, Thompson, Farley, Evatt, Cross, Mrs Wells, Miss Brunton, Mrs Mattocks. [Cast from text (G. G. J. and J. Robinson, 1791): Count Conolly Villars-Lewis; MacDermot-Johnstone; Mr Dorimont-Aickin; Edmund-Farren; Sir Paul Peckham-Wilson; Sir Samuel Sheepy-Munden; Picard-Marshall; Exempt-Thompson; Footmen-Farley, Evatt, Letteney, Blurton; Bailiffs-Cross, Lee; Lucy-Mrs Wells; Lydia-Miss Brunton; Lady Peckham-Mrs Mattocks; Prologue-Bernard [in the Character of a News-hawker]; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Picture of Paris

Cast
Role: Catherine Actor: Mrs Webb
Event Comment: A new Comic Opera; the music entirely by Paisiello [performed at the Pantheon, 14 May 1791, as La Molinarella]. Bianchi and Martini [i.e. Martin y Soler] are both engaged as composers to this Theatre, and will each preside at the harpsichord the three first nights of every new Opera of their composition. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [see 30 Apr. 1795]. The Nobility are intreated to give directions to their servants to set down and take up at the Theatre, with horses' heads towards Pall Mall. On account of abuses practised in the names of the Subscribers it is become necessary to require the production of the Subscription Tickets both at the doors and the Boxes, At the Chair-door in Market-lane Subscribers only will be admitted. "The Pantomime is too much in the gaudy stile of Italy, and even in this respect the ballet-master is not well seconded by the machinist; the decorations were unfinished, and the scenes clumsily shifted...We were sorry to find that the new and superb room, which the proprietor was encouraged to build, and Which was opened in its unfinished state last year, is now entirely shut up, through the cabal of some few of the subscribers who refuse a miserable guinea for its illumination. The inconvenience of getting away from the Theatre will consequently be severely felt by the Beau Monde" (Morning Chronicle, 8 Dec.)

Performances

Mainpiece Title: L'amore Contrastato; Or, La Molinarella

Dance: End I: a Divertisement-Mme Hilligsberg, others; End II: [a grand Heroic Pantomime Ballet composed by Onorati Giustino I Imperatore dei Romani [; or, Il Trionfo dell' Amore e dell' Amicizia-D'Egville, Gentili, Aumer, Mme Ferlotti [Rinaldi], Mlle Rosine, Mme DelCaro, Mme Hilligsberg

Event Comment: Under the license of the Lord Chamberlain. Leader of the band-Mountain. Grand Piano Forte-Reeve. Among the other Instrumental Performers are W. Ware, Haigh, Leffler Sen., Leffler Jun., Nicks, Alexander, Price, Francis, Cornish, English, Eley, Forster, &c. The Doors to be opened at 6:30. To begin at 7:30. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [For names of speakers and singers see Morning Post, 5 Mar.; Oracle, 12 Mar.

Performances

Mainpiece Title: The Thespian Panorama; Or, Three Hours Heart's Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.
Event Comment: A New Opera (1st time [in London; 1st performed at Venice, 1792]), accompanied with Chorusses; the music entirely new, composed [i.e. revised] here by Bianchi. With entirely new Scenes, designed by Hamilton and executed by Walmsley, Dresses and Decorations

Performances

Mainpiece Title: Aci E Galatea

Dance: As17950228

Event Comment: Benefit Laguerre. Mainpiece: Written by the late Sir John Vanbrugh. [Tickets at Laguerre's, over against the King's Arms in George Street, York Buildings.] Receipts: money #13 9s. 6d.; tickets #95 12s

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Flora

Dance: Clown by Nivelon. Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from Orestes) by Glover, &c

Song: Chancon a Boire by Leveridge and Laguerre

Event Comment: Mainpiece: Altered from [The Scornful Lady, by] Beaumont and Fletcher [1st time; c 5, by William Cooke; incidental music by Michael Arne. Prologue by the alterer. Epilogue by George Colman, the elder (see text)]. Public Advertiser, 27 Jan. 1783: Wednesday Morning [29 Jan.] will be published The Capricious Lady (price not listed). "The costume of James's reign was strictly attended to in the dresses of the characters; and I remember the enjoyment of Mrs Abington, in a high ruff and a rich silver silk edged with black velvet" (Boaden, Siddom, I, 371). Receipts: #228 4s. 6d. (218/10/6; 9/14/0)

Performances

Mainpiece Title: The Capricious Lady

Performance Comment: Principal Characters by Wroughton, Lee Lewes, Quick, Wilson, Wewitzer, Davies, Mahon, Lewis; Mrs Morton, Mrs Lewis, Mrs Webb, Mrs Abington. [Cast from text (C. Dilly, 1783): Elder Loveless-Wroughton; Welford-Lee Lewes; Savil-Quick; Morecraft-Wilson; Poet-Wewitzer; Traveller-Davies; Captain-Mahon; Younger Loveless-Lewis; Servants-Fearon, Helme; Widow-Mrs Morton; Martha-Mrs Lewis; Abigail-Mrs Webb; The Lady-Mrs Abington.] Prologue spoken by Lee Lewes. Epilogue spoken by Mrs Abington. [These were spoken as here assigned, at all subsequent performances.] hathi. Prologue spoken by Lee Lewes. Epilogue spoken by Mrs Abington. [These were spoken as here assigned, at all subsequent performances.] hathi.
Cast
Role: The Lady Actor: Mrs Abington.

Afterpiece Title: Rosina

Cast
Role: Another Irishman Actor: Mahon

Dance: As17820927

Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Receipts: #282 3s. 6d. (253/3/0; 26/6/6; 1/11/6; tickets not come in: 1/2/6)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Bon Ton; or, Colonel Tivy-Barrymore; Davy-Parsons; Jessamy-Burton; Lord Minikin-Dodd; Lady Minikin-Miss Pope; Gymp-Miss Tidswell; Miss Tittup-Miss Farren

Event Comment: Afterpiece: 1st Time at this Theatre. [Prologue by George Colman, elder.] Receipts: #241 19s. 6d. (237.5.0; 4.14.6)

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King (1st appearance on this stage); Orlando-Holman (1st appearance in that character); Amiens (with songs)-Johnstone; Adam-Hull; Duke Senior-Powel; Corin-Thompson; William-C. Powell; Le Beu-Macready; Sylvius-Evatt; Oliver-Davies; D. Frederick-Gardner; Charles-Cubitt; Jaques-Harley (1st appearance in that character); Caelia-Miss Chapman; Audrey-Mrs Rock; Phoebe-Miss Stuart; Rosalind (with the Cuckoo Song)-Mrs Pope.

Afterpiece Title: Bon Ton

Performance Comment: Sir John Trotley (with the original Prologue)-King; Lord Minikin-Bernard; Colonel Tivy-Davies; Jessamy-Macready; Mignon-C. Powell; Davy-Quick; Lady Minikin-Miss Chapman; Gymp-Mrs Platt; Miss Tittup-Mrs Mattocks.

Dance: End I: Divertissement-[See17891002]; End: Tamborine Dance, as17891021

Event Comment: Mainpiece: Not acted these 2 years. [Afterpiece: Prologue by George Colman elder.] Receipts: #327 8s. (244.10.6; 81.2.0; 1.15.6)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Bon Ton

Performance Comment: Lord Minikin-R. Palmer; Sir John Trotley (with the original Prologue)-King; Col. Tivy-Barrymore; Jessamy-Wathen; Davy-Suett; Lady Minikin-Miss Pope; Miss Tittup-Miss Mellon.
Cast
Role: Jessamy Actor: Wathen
Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Embarkation

Event Comment: A new Farce, never acted but twice. [By John Corey. Date of premiere unknown.

Performances

Mainpiece Title: The Metamorphosis; Or, The Old Lover Outwitted

Performance Comment: Edition of 1704 lists no actors' names; Prologue by C. Johnson designed for Verbruggen, in the Astrologer's Habit. Prologue-Mrs Bradshaw; Epilogue written by C. Johnson-Booth.
Event Comment: Mainpiece: [By Christopher Bullock.] A New Farce. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Perjuror

Afterpiece Title: Woman's Revenge

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: The Jealous Doctor

Song: Mrs Barbier; particularly Around Her See Cupids Flying-Mrs Barbier

Dance: As17171022; French Peasant-Moreau, Mrs Bullock