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13200 results for: Keyword - George C. D. Odell</i>, <i>Annals of the New <span class=
We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.

1226
17 November 1781 @ Covent Garden

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .
Cast
Role: Theodore Actor: Lewis
Role: Officers of the Count Actor: Fearon, J. Bates, Painter, &c.

Afterpiece Title: The Deaf Lover

1227
17 November 1781 @ King's Theatre

Event Comment: A revived Serious Opera; the Music by the most eminent Composers [Bertoni, Gugliclmi, Giordani, Rauzzini, Gretry, &c], under the direction of Bertoni. With entire new scenes painted by Novosielski. New Dresses and Decorations both for the Opera and Dances. The Doors to be opened at 6:00. To begin exactly at 7:00 [see 18 June 1782]. By Command of Their Majesties no Persons to be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. Upper Gallery 3s. To prevent inconvenience in getting to their carriages, the Nobility and Gentry are requested to order their servants to set down and take up with their horses' heads towards Pall-Mali. The Subscribers to the Opera are intreated to send their instructions to Jewell and Johnson at the Office in Union-court before the opening of the Theatre, when the final arrangement of the Boxes will take place, and those which are not retained will then be disposed of. Subscriptions to be paid on delivery of the tickets. Books of the Opera, with an account of the Pantomime Dance, to be had at the Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I a Pastoral Dance (composed by Simonet) by Henry, Bournonville, Raymond, Sga Crespi, Mlle Dumont; End of Act II A Divertisement Dance (composed by Noverre) by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Henry. Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.]

Performance Comment: Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.] hathi. hathi.
Cast
Role: ; End of Opera a new Tragi Actor: Pantomime Ballet
Role: Chief of the Island Actor: Slingsby.

1228
09 April 1798 @ Covent Garden

Event Comment: 3rd piece [1st time; P 2 (?), by John Cartwright Cross. MS of Songs only: Larpent MS 1203]: Partly New and Partly Selected. The Overture and Music by Reeve. The Scenery partly new & the rest completely repaired by Phillips, Lupino, Hollogan, Blackmore, &c. The Machinery by Cresswell, Sloper, Goostree, Goostree Jun., &c. Receipts: #195 9s. (193.2; 2.7)

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Orphan

Cast
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: warned from the Grotto of the Goddess Pleasure by Actor: they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine

Afterpiece Title: Harlequins Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.
Cast
Role: Father to Columbine Actor: Hawtin
Role: The other Pantomime Characters Actor: Goostree Jun., Parsloe, Coombs, Noble
Role: Harlequin's Father Actor: Street
Role: Harlequin's Mother Actor: Mrs Henley
Role: Other Vocal Characters Actor: Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray
Role: The Pantomime commences with a Sea View Actor: the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor
Role: whom they conceive lost at Sea Actor: a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor
Role: Laugh or Sleep those living objects it is employed Actor: Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: he has to contend with her Power Actor: the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: brings to his View his beloved Columbine Actor: from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: The wind blew fresh and fair Actor: Townsend
Role: Rustic rejoicings Actor: Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley
Role: In the spring when the meadows Actor: Miss Sims, Miss Wheatley
Role: Milk pail change to Milk Actor: maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees
Role: in which a Variety of New Imitations Actor: Rees
Role: Harlequin and Columbine in jeopardy Actor: make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining
Role: Come buy my earthenware Actor: Mrs Clendining
Role: Bottle changes to Tarantula Actor: the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr
Role: Hither haste the young and gay Actor: Mrs Martyr changes the Scene to The Bower of Constancy
Role: and the Piece concludes with an appropriate Finale Actor: .

1229
21 January 1795 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of The Cherokee; afterpiece of All the World's a Stage, both announced on playbill of 20 Jan. In mainpiece the playbill retains C. Kemble as Jaques de Bois and Barrymore as Orlando, but "Orlando C. Kemble, Barrymore Ill; Jaques de Bois Benson for C. Kemble"; in afterpiece the playbill retains Barrymore as Kera Khan and C. Kemble as Kajah, but "Kera Khan C. Kemble for Barrymore Ill, Kajah Cooke for C. Kemble. Miss Leak, Miss Redhead, Miss Gawdry absent from this Evening's Performance" (Powell).] Powell: School for Scandal rehearsed at 10; Miss in her Teens at 11; New Ballet at 12. Receipts: #149 12s. (95.7.0; 42.1.6; 12.3.6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Lodoiska

Cast
Role: The Horde Actor: _Bourk, Roffey
Role: Sebastian Actor: Fairbrother

Song: As17941029

1230
15 February 1745 @ Covent Garden

Event Comment: Written on a plan of Shakespear by Colley Cibber. The characters new Dress'd. With New Scenes and Decorations. No persons admitted behind the scenes

Performances

Mainpiece Title: Papal Tyranny In The Reign Of King John

Performance Comment: King John-Quin; Arthur-Miss Jenny Cibber; Salisbury-Ridout; Pembroke-Rosco; Arundel-Anderson; Falconbridge-Ryan; King Philip-Hale; Lewis the Dauphin-T. Cibber; Melun-Cashell; Pandulph-C. Cibber; Abbot-Gibson; Governor-Carr; Lady Constance-Mrs Pritchard; Blanch-Mrs Bellamy; Hubert-Bridgwater; Prologue-C. Cibber; Epilogue-Mrs Clive [1st edition].1st edition].
Cast
Role: Lewis the Dauphin Actor: T. Cibber

1231
10 May 1792 @ Covent Garden

Event Comment: Benefit for Munden. Mainpiece [1st time; CO 3, by Thomas Hurlstone. Text (J. Debrett [1792]) gives cast for season of 1792-93. Poetical Sketch by John Wolcot (Morning Herald, 11 May)]: With new Scenery, Dresses, and other Decorations. The Overture and Music entirely new, composed by Carter. Morning Herald, 13 Apr.: Tickets to be had of Munden, No. 15, Catherine-street. Ibid, 1 Dec. 1792: This Day is published Just in Time (1s. 6d.). Receipts: #415 3s. (126.4.6; 4.9.6; tickets: 284.9.0) (charge: #105)

Performances

Mainpiece Title: Just In Time

Performance Comment: Principal Characters by Quick, Blanchard, Munden, Powel, Marshall, Thompson, C. Powell, Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton, Incledon, Mrs Martyr, Mrs Mountain, Mrs Webb, Miss Dall (1st appearance this season). The other Vocal Parts-Mrs Arnold, Miss Francis, Mrs Davenett, Miss Leserve, Mrs Watts, Mrs Gray, Mrs Lloyd, Mrs Powell, Miss Barnett, Mrs Masters, Mrs Cross; Cast from London Chronicle, 12 May 1792: Sir Solomon Oddly-Quick; Handy-Blanchard; Stave-Munden; Commodore Larboard-Powel; Dr Julep-Marshall; Roger-Thompson; Le Friz-C. Powell; Captain Melville-Incledon; Judith-Mrs Martyr; Maria-Mrs Mountain; Lady Oddly-Mrs Webb; Augusta-Miss Dall; Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton and the Vocal Parts are unassigned. Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton and the Vocal Parts are unassigned.
Cast
Role: The other Vocal Parts Actor: Mrs Arnold, Miss Francis, Mrs Davenett, Miss Leserve, Mrs Watts, Mrs Gray, Mrs Lloyd, Mrs Powell, Miss Barnett, Mrs Masters, Mrs Cross

Afterpiece Title: The Deaf Lover

Performance Comment: As17920202, but Old Wrongward-Powel; Meadows-_; here called The Deaf Lover-Munden.
Cast
Role: here called The Deaf Lover Actor: Munden.

Dance: In: Dance incidental to the piece,-Byrne, Mlle St.Amand

Entertainment: Monologue End: (by way of Epilogue) Poetical Sketch, Jemmy Jumps in the Dumps; or, A Sunday Lounge in Hyde Park-Munden

1232
07 March 1794 @ Covent Garden

Event Comment: Principal Violoncello by C. Ashley. Double Drums by R. Ashley. Trumpets by Sariant, Cantelo, Purney. Among the other Principal Instrumental Performers are Foster, Mahon, Boyce, Flack, Lavenu, John Sharp, Simpson, Gwilliam, Monro, Mich. Sharp, Wood, Warren, Wm. Sharp, Cobham, Cornish, Jenkinson, F. Sharp, Shutze, Lord, Woodham, J. Sharp, Franks, &c. With a Complete Set of Chorus Singers. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Places to be had of Brandon at the Box Office in Hart-street. Books of the Performance, 6d. each, may be had at the Theatre. The Directors' Books have these words at the bottom of each title-page: "Printed by H. Madeish, Recorder-Office, Duke's-Court, Drury-lane."

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Incledon, Florio, Linton, Hill (from Winchester), Bardeman//Mme Mara, Mrs Stuart, Master Hummell, Miss Bruman, Miss Parke. Leader of the Band-G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest [by Chorus] (CORONATION ANTHEMS). Overture (ARIADNE). THE DETTINGEN TE DEUM, in which Holy, Holy Lord by Mme Mara. PART II. Overture and Dead March (SAUL). Funeral Anthem. Tune your harps (ESTHER). Gentle airs [by Incledon], accompanied on the violoncello by C. Ashley (ATHALIA). Fall'n is the foe by Chorus {JUDAS MACCABAEUS). What tho' I trace [by Miss Parke] (SOLOMON). Lord of Eternity by Chorus; Behold the Nations; O Baal (DEBORAH). With thee the unsheltered (SOLOMON). He smote all the first-born by Chorus (ISRAEL IN EGYPT). Pious Orgies [by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .
Cast
Role: Leader of the Band Actor: G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest
Role: Organ Actor: J. Ashley. PART I. Zadock the Priest
Role: He smote all the first Actor: born by Chorus

1233
09 February 1782 @ Covent Garden

Event Comment: Mainpiece [1st time; c 5, by Hannah Cowley. Prologue by Henry Bate (European Magazine, Mar. 1782, p. 210, which also gives name of speaker)]. 2nd piece [1st time; prel I, by Henry Bate (later Sir Henry Bate Dudley). Epilogue by John O'Keeffe (O'Keeffe, 11, 301)]: With New Dresses, Scenery, &c. Public Advertiser, 19 Feb. 1782: This Day is published The Dramatic Puffers (6d.). Receipts: #222 9s. 6d. (219/4/6; 3/5/0)

Performances

Mainpiece Title: Which Is The Man

Performance Comment: Principal Characters by Henderson, Lewis, Wroughton, Quick, Robson, Jones, W. Bates, Lee Lewes; Mrs Mattocks, Mrs Morton, Mrs Wilson, Miss Satchell, Miss Platt, Mrs Davenett, Miss Younge. [Cast from text (C. Dilly, 1782): Fitzherbert-Henderson; Beauchamp-Lewis; Belville-Wroughton; Pendragon-Quick; Visitors-Robson, Jones, W. Bates; Lord Sparkle-Lee Lewes; Sophy Pendragon-Mrs Mattocks; Clarinda-Mrs Morton; Kitty-Mrs Wilson; Julia-Miss Satchell; Mrs Johnson-Miss Platt; Tiffany-Mrs Davenett; Lady Bell Bloomer-Miss Younge; Ladies-Miss Stuart, Mrs Poussin, &c. The designation "Visitors" is taken from a MS annotation on the BM playbill (CG, Vol. III). Prologue, not listed on playbill, spoken by Lee Lewes; it was presumably, spoken at all subsequent performances.] hathi. it was presumably, spoken at all subsequent performances.] hathi.
Cast
Role: Ladies Actor: Miss Stuart, Mrs Poussin, &c. The designation "Visitors" is taken from a MS annotation on the BM playbill
Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: The Dramatic Puffers

Performance Comment: Characters by Edwin, Robson, Whitfield. [Cast from text (G. Kearsley and E. Macklew, 1782): Zephyr-Edwin; Breeze-Robson; Author-Whitfield (in text: Lee Lewes [see17820211]).] A new Epilogue spoken by Miss Younge. [This was spoken, as here assigned, at all subsequent performances.] hathi.see17820211]).] A new Epilogue spoken by Miss Younge. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Golden Pippin

1234
26 January 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, based on The Beaux Stratagem, by George Farquhar. Prologue by the author (World, 27 Jan.). Epilogue by the same (Knapp, 150)]. Public Advertiser, 14 Feb. 1789: This Day is published The Impostors (1s. 6d.). Receipts: #254 (235.16; 17.9; 0.15)

Performances

Mainpiece Title: The Impostors

Performance Comment: Characters by Palmer, Baddeley, Aickin, Barrymore, Suett, Lamash, Wroughton, Miss Pope, Mrs Jordan. [Cast from text (C. Dilly, 1789): Lord Janus-Palmer; Sir Solomon Sapient-Baddeley; Captain George Sapient-Aickin; Sir Charles Freemantle-Barrymore; Oliver-Suett; Philibert-Lamash; Polycarp-Wroughton; Mrs Dorothy-Miss Pope; Eleanor-Mrs Jordan; Prologue-Palmer; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Captain George Sapient Actor: Aickin

Afterpiece Title: Robinson Crusoe

Cast
Role: Principal Characters Actor: Banks, Bourk, Suett, Williames, Spencer, Phillimore, Fawcett, Fairbrother, Wilson, Jones, Benson, Alfred, Lyons, Cox, Hollingsworth, Mrs Booth, Miss Stageldoir.

1235
23 August 1792 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; C 5, ascribed variously to Elizabeth Inchbald and to Miss Griffiths, based on L'Amour Use, by Philippe Nericault, dit Destouches. Prologue and Epilogue by George Colman, ynger (see text)]. Morning Herald, 4 Sept. 1792: This Day is published Cross Partners (1s. 6d.)

Performances

Mainpiece Title: All In Good Humour

Cast
Role: Man in the Pit Actor:

Afterpiece Title: Cross Partners

Performance Comment: Principal Characters by Wilson, King, Williamson, Palmer, Wewitzer, Farley, Johnson, Lyons, Mrs Webb, Mrs Goodall, Miss Heard, Miss Fontenelle. Cast from text (C. and G. Kearsley, 1792): Sir Charles Cullender-Wilson; General Touchwood-King; George Cleveland-Williamson; Captain Herbert-Palmer; Corporal Smack-Wewitzer; Pompey-Farley; Thomas-Johnson; Servant-Lyons; Lady Diana Dupely-Mrs Webb; Maria Sydney (formerly Sophia Hobson)-Mrs Goodall; Louisa Fairfax-Miss Heard; Mrs Mutter-Miss Fontenelle; Prologue-Palmer; Epilogue-Mrs Goodall.
Cast
Role: George Cleveland Actor: Williamson

1236
10 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece [1st time; C 5, author unknown. MS: Larpent 651; not published]. Places for the Boxes to be taken of Rice at the Theatre; and Tickets to be had of Mrs Williams, the Artificial Flower Warehouse, Store-street, Bedford-square. [Mrs Williams is identified in Morning Post, 11 Feb.]

Performances

Mainpiece Title: The Fair Refugee Or The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Performance Comment: Vocal and Rhetorical Characters by Connell, Henley, Mitchell; Miss Barnard, A Gentleman [sic], Mrs Henley, Mrs Bolton, Mrs Bradshaw, The Lady who is to perform Mrs Cadwallader .

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

1237
21 June 1794 @ Drury Lane Theatre

Event Comment: [In afterpiece the playbill retains Barrymore and C. Kemble as on 9 June, but "Barrymore being ill, C. Kemble play'd Kera Khan, and Cooke Kajah. Messrs Tett, Horsfall, Pilbrow, Bardeauleau absent from the first Chorus this Evening" (Powell).] Powell: New Ballet [Glorious First of June] rehearsed at 12. Receipts: #158 17s. (96/19; 54/11; 7/7)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: LODOISKA

Cast
Role: Sebastian Actor: Fairbrother
Role: Camazin Actor: Boimaison. The Horde. As above.

1238
22 June 1796 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; D 3, by John O'Keeffe. Prologue by John Taylor Poems, I, 61]: With new Dresses, Decorations, &c

Performances

Mainpiece Title: The Flitch Of Bacon

Afterpiece Title: The Magick Banner or Two Wives in a House

Performance Comment: Characters-Palmer, Aickin, R. Palmer, C. Kemble, Davies, Caulfield, Palmer Jun., Trueman, Abbot, Waldron Jun., Ledger, Lyons, Chippendale, Wathen, Fawcett, Mrs Kemble, Mrs Harlowe, Mrs Gibbs; [Cast from O'Keeffe's Dramatic Works, Vol. IV (T. Woodfall, 1798), where it appears as Alfred; or, The Magic Banner: King Alfred-Palmer; Hastings-Aickin; Sweno-R. Palmer; Eustace-C. Kemble; Earl Burrhed-Davies; Hubba-Caulfield; Anlaff-probably Palmer Jun. (in text: Johnson); Odune-probably Trueman (in text: Gardner); Oswald-probably Abbot (in text: Burton); Hollybush-Wathen; Gog-Fawcett; Lady Albina-Mrs Kemble; Bertha-Mrs Harlowe; Blanche-Mrs Gibbs. Waldron Jun., Ledger, Lyons, Chippendale are unassigned.] Prologue-C. Kemble.
Cast
Role: Characters Actor: Palmer, Aickin, R. Palmer, C. Kemble, Davies, Caulfield, Palmer Jun., Trueman, Abbot, Waldron Jun., Ledger, Lyons, Chippendale, Wathen, Fawcett, Mrs Kemble, Mrs Harlowe, Mrs Gibbs
Role: Hollybush Actor: Wathen

1239
21 October 1797 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue and Epilogue by John Taylor (see text)]: With new Scenes, Dresses, and Decorations. Morning Herald, 3 Nov. 1797: This Day is published Cheap Living (2s.). Receipts: #348 14s. 6d. (283.4.0; 62.18.6; 2.12.0)

Performances

Mainpiece Title: Cheap Living

Performance Comment: Characters by Mrs Jordan, Suett, C. Kemble, Palmer, Bannister Jun., Dowton, Trueman, Evans, Fisher, Webb, Maddocks, Miss Pope, Miss DeCamp, Miss Stuart. [Cast from Text (G. G. and J. Robinson, 1797): Sir Edward Bloomly-Mrs Jordan; Old Woodland-Suett; Young Woodland-C. Kemble; Scatter-Palmer; Spunge-Bannister Jun.; Farmer Cole-Dowton; William-Trueman; Mrs Scatter-Miss Pope; Elinor Bloomly-Miss DeCamp; Stella-Miss Stuart; unassigned-Evans, Fisher, Webb, Maddocks; Prologue-C. Kemble; Epilogue-Miss DeCamp. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Irish Widow

Performance Comment: As17971017, but added to Widow Brady: With the Epilogue Song-Miss Biggs.
Cast
Role: With the Epilogue Song Actor: Miss Biggs.

Entertainment: Entertainment.As17971019

Cast
Role: A Representation of the English and Dutch Fleet Actor:
Role: God save the King Actor: .

1240
24 May 1799 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Richard Brinsley Sheridan, adapted from Die Spanier in Peru, by August Friedrich Ferdinand von Kotzebue. Prologue by Richard Brinsley Sheridan (consisting of the 1st 30 lines and the concluding couplet of his Prologue to The Miniature Picture); Epilogue by the Hon. William Lamb (see text). For publication see 1 July]: The Scenery, Dresses, and Decorations entirely new. The Musick, Airs and Chorusses incidental to the Piece composed and selected [from Gluck, Sacchini, &c. (Morning Chronicle, 25 May)] by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood? Jun, Demaria, Banks, Blackmore, &c. [See Theatre Notebook, XX, 30-32, for suggestion that one scene was designed by DeLoutherbourg.] The Machinery, Decorations, and Dresses under the direction of Johnston, and executed by him, Underwood, and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book, 14 May: Paid Miss Anne? Plumtree [i.e. Plumptree] for Spaniards in Peru #25. [It was this translation of Kotzebue's play that Sheridan adapted for the stage as Pizarro. For an account of the relationship between the translation and its adaptation see Marcella Gosch, "'Translators' of Kotzebue in England," Monatshefte fur deutschen Unterricht, XXXI, 178-83.] Paid Johnston [on this and other days] for sundries for Pizarro #135 14s. "It requires certainly more than English patience and spirits to sustain any Play of five hours in length. It is not one of the worst features of Pizarro that it contains a great deal which may be spared, without injury to the piece [see 25, 27 May]" (Morning Chronicle, 25 May). Receipts: #540 3s. 6d. (406.0.6; 17.5.0; 0.4.0; tickets sold by Fosbrook's Office: 116.14.0)

Performances

Mainpiece Title: Pizarro

Performance Comment: Characters by Powell, Kemble, C. Kemble, Barrymore, Caulfield, Wentworth, Trueman, Surmont, R. Palmer, Aickin, Suett, Dowton, Cory, Holland, Russell, Wathen, Maddocks, Sparks, Ryder, Master Chatterley, Webb, Fisher, Evans, Mrs Jordan, Mrs Siddons. [Cast from text (James Ridgway, 1799), and Genest, VII, 420: Ataliba-Powell; Rolla-Kemble; Alonzo-C. Kemble; Pizarro-Barrymore; Almagro-Caulfield; Gonzalo-Wentworth; Davilla-Trueman; Gomez-Surmont; Valverde-R. Palmer; Las Casas-Aickin; Diego-Suett; Orozembo-Dowton; Old Blind Man-Cory; Centinel-Holland; Peruvian Officer-Archer [see17990525]; Attendant-Maddocks; Boy-Master Chatterley; Soldiers-Webb, Fisher, Evans, Chippendale; Cora-Mrs Jordan; Elvira-Mrs Siddons; unassigned-Russell, Wathen, Sparks, Ryder; Prologue-King; Epilogue-Mrs Jordan.
Cast
Role: unassigned Actor: Russell, Wathen, Sparks, Ryder

Afterpiece Title: My Grandmother

Song: Vocal Parts-Kelly, Sedgwick, Dignum, Trueman, Danby, Brown, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates

1241
03 December 1791 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 5, by Hannah Cowley. Author of Prologue unknown. Epilogue by the author (see text)]: With Songs, Duetts, and Chorusses composed by Mazzinghi. With new Scenery, Dresses, and Decorations. Books of the Songs, &c. to be had at the Theatre. [Afterpiece in place of The Padlock, advertised on playbill of 2 Dec.] Morning Herald, 23 Feb. 1792: This day is published A Day in Turkey (1s. 6d.). Receipts: #263 16s. (261.15.6; 2.0.6)

Performances

Mainpiece Title: A Day In Turkey Or The Russian Slaves

Performance Comment: Principal Characters by Holman, Farren, Munden, Fawcett, Cubitt, Macready, Thompson, Farley, C. Powell, Cross, Incledon, Mrs Esten, Mrs Mattocks, Mrs Martyr, Mrs Pope. [Cast from text (G. G. J. and J. Robinson, 1792): Ibrahim-Holman; Orloff-Farren; Mustapha-Munden; A La Greque-Fawcett; Azim-Cubitt; Muley-Macready; Old Man-Thompson; Ismael-Farley; 2nd Turk-C. Powell [in text: Evatt (see17911230)]; Son-Cross; Selim-Incledon; Paulina-Mrs Esten; Lauretta-Mrs Mattocks; Fatima-Mrs Martyr; Alexina-Mrs Pope; Female Slaves-Mrs Fawcett, Mrs Rock; Prologue-Harley; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the first 9 performances only (see17920120).]These were spoken, as here assigned, at the first 9 performances only (see17920120).]

Afterpiece Title: Hob in the Well

Performance Comment: Hob-Blanchard; Sir ThomasTesty-Thompson; Dick-Farley; Old Hob-Powel; Friendly-Davies; Hob's Mother-Mrs Pitt; Betty-Miss Stuart; Flora-Mrs Martyr.
Cast
Role: Hob's Mother Actor: Mrs Pitt

1242
02 July 1794 @ Drury Lane Theatre

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-King; Harcourt-Palmer; Sparkish-Dodd; Belville-C. Kemble//Alithea-Mrs Kemble; Miss Peggy-Mrs Jordan; Lucy-Miss Heard. Occasional Prologue spoken by Kemble. Original Epilogue to THE RIVALS spoken by Mrs Jordan .
Cast
Role: Belville Actor: C. KembleAlithea-Mrs Kemble
Role: KembleAlithea Actor: Mrs Kemble
Role: Lucy Actor: Miss Heard. Occasional Prologue spoken by Kemble. Original Epilogue to THE RIVALS spoken by Mrs Jordan

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Performance Comment: Cast not listed. [Cast from text (C. Lowndes [1794]): Commodore Broadside-Palmer; Endless-Suctt; Old Cottager-Maddocks; Robin-Barrymore; William-C. Kemble; Tom Oakum-Bannister; Ben-Sedgwick; Splicem-Kelly; Boy-Master Welsh; Dick-Hollingsworth; Busy-Benson//Cottager's Wife-Mrs Booth; Mary-Miss De Camp; Susan-Miss Leak; Girl-Miss Menage; Cicely-Miss Chatterley; Margaretta-Sga Storace.] In which the Principal Performers will assist in the M usical Parts . In which the Principal Performers will assist in the M usical Parts .

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

1243
20 February 1795 @ Covent Garden

Event Comment: Principal Instrumental Performers-C. Ashley, Bridgtower, Archer, Harvey, Sarjant, Mahon, Boyce, Cantelo, Parkinson, Taylor, J. Sharp, Lavenu, Napier, Simpson, the Flacks, Purney, Seutze, Gwilliam, Monro, Wood, Warren, Woodham, Francis, M. Sharp, &c. Organ by J. Ashley. Double Drums by R. Ashley. The Chorusses will be numerous and compleat, and the Orchestra will consist of upwards of Two Hundred Performers. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places to be taken, and Tickets for the Boxes may be had of Brandon at the Office in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. [This performance was originally advertised to take place at the Pantheon, Oxford-street, but "The routed Host of Harmonists, driven from their new works in Oxford-road, hastily encamped last night [at Covent Garden]. Their performance...went off as might be expected from a scanty band, thus collected, without any previous rehearsal" (Morning Herald, 21 Feb.). The Pantheon had been destroyed by fire in January 1792. Work on its reconstruction had only recently been begun, and Was still not completed. It was reopened with a masquerade on 9 April 1795, the "usual licenses being now fully renewed and established" (Morning Herald, 9 Apr.).

Performances

Mainpiece Title: A Grand Selection 0 Main Of Sacred Music From The Works Of handel

Performance Comment: Principal Vocal Performers-Master Elliot, Kelly, Nield, Burdon (from Salisbury), Gray, Linton, Bartleman, Miss Parke, Miss Poole; Leader of the Band-G. Ashley.
Cast
Role: Leader of the Band Actor: G. Ashley.

Afterpiece Title: Grand Selection 1

Performance Comment: Zadock the Priest-Chorus (Coronation Anthems); Overture (Esther)-; The Dettingen te Deum-;, in which Holy Holy Lord-.
Cast
Role: Zadock the Priest Actor: Chorus
Role: The Dettingen te Deum Actor:

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; Gentle Airs-; accompanied on violoncello-C. Ashley (Athalia); Fall'n is the foe-Chorus (Judas Maccabaeus); He was eyes unto the blind [Redemption]-; Lord of Eternity-Chorus; Behold the nations-; O Baal=-Chorus (Deborah); Tune your Harps [Esther]-; He smote all the first born-Chorus (Israel in Egypt); What though I trace-Miss Parke (Solomon); He gave them hailstones-Double Chorus (Israel in Egypt).
Cast
Role: Fall'n is the foe Actor: Chorus
Role: Behold the nations Actor:
Role: Esther] Actor:
Role: He smote all the first born Actor: Chorus
Role: He gave them hailstones Actor: Double Chorus

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; Happy Iphis (Jephtha)-; My arms, Sound an alarm, We hear-Chorus (Judas Maccabaeus); O magnify the Lord [Chandos Anthems]-; Hear Jacob's God-Chorus (Samson); What's sweeter than the new@blown rose (Joseph)-; I feel the Deity within-; Arm arm ye brave-; We come-Chorus (Judas Maccabaeus); From mighty Kings-Miss Parke (Judas Maccabaeus); Gloria Patri-Chorus (Jubilate).
Cast
Role: Chandos Anthems] Actor:
Role: What's sweeter than the new@blown rose Actor:
Role: I feel the Deity within Actor:

1244
23 November 1795 @ Drury Lane Theatre

Event Comment: Mainpiece [altered by John Philip Kemble]: With new Scenes, Dresses, Decorations, and Machinery. In Act I, at the opening will be introduced, for the First Time a Battle between the Macedonians and the Persians. In Act IV, the Royal Banquet. [These were included in all subsequent performances.] The Scenes designed and painted by Marinari. The Dresses and Decorations by Johnston and Miss Rein. The Machinery by Cabanel. "[In the last scene] the expiring tone with which [Kemble] pronounces 'Cover me'; his shivering, when wrapt round in the imperial robes; his wan and wasted countenance; the manner of his labouriously drawing his legs together, and their aguish knocking when they meet, surpass all description" (Monthly Mirror, Jan. 1796, p. 180). Receipts: #375 2s. 6d. (306.14.6; 67.3.0; 1.5.0)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: Characters by Kemble, Bensley, Palmer, Barrymore, C. Kemble, Caulfield, Whitfield, Maddocks, Benson, Packer, Trueman, Mrs Hopkins, Mrs Powell, Miss Miller, Mrs Siddons. Cast from text (C. Lowndes, 1795): Alexander-Kemble; Clytus-Bensley; Cassander-Palmer; Lysimachus-Barrymore; Hephestion-C. Kemble; Polyperchon-Caulfield; Perdiccas-Whitfield; Thessalus-Maddocks; Eumenes-Benson; Aristander-Packer; Slave-Trueman; Sysigambis-Mrs Hopkins; Statira-Mrs Powell; Parisatis-Miss Miller; Roxana-Mrs Siddons.
Cast
Role: Thessalus Actor: Maddocks

Afterpiece Title: My Grandmother

Performance Comment: As17950922, but Sir Matthew Medley-_; Woodly-_; Soufrance-_; Charlotte-_.
Cast
Role: Sir Matthew Medley Actor: Maddocks

Song: In II: Alexander's Triumphal Entry into Babylon-; The Grand Chorus of Priests Youths Virgins-Bannister, Sedgwick, Dignum, Wathen, Welsh, Wentworth, Trueman, Cooke, Danby, Evans, Fisher, Master Welsh, Master DeCamp, Master Gregson, Mrs Bland, Miss Leak, Miss DeCamp, Miss Arne, Miss Mellon, Mrs Bramwell, Mrs Boimaison, Mrs Maddocks, Miss Menage, Miss Jackson, Miss Granger, Miss Chatterley, Miss Wentworth, Mrs Butler

1245
20 April 1796 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Sophia Lee. Prologue and Epilogue by Harriet Lee (see text)]: With new Scenes, Dresses, &c. Receipts: #252 8s. (182.5; 68.8; 1.15)

Performances

Mainpiece Title: Almeyda Queen Of Granada

Performance Comment: Characters by Palmer, Aickin, Wroughton, Kemble, Caulfield, C. Kemble, Wentworth, Mrs Siddons, Mrs Powell, Miss Heard. Cast from text (Cadell and Davies, 1796): Abdallah-Palmer; Ramirez-Aickin; Orasmyn-Wroughton; Alonzo-Kemble; Nourassin-Caulfield; Hamet-C. Kemble; Almeyda-Mrs Siddons; Victoria-Mrs Powell; Abra-Miss Heard; Wentworth [is unassigned; Prologue-Whitfield; Epilogue-King; [These were spoken, as here assigned, at all subsequent performances.] [These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Smugglers

Cast
Role: Signor Ritornello Actor: Fairbrother
Role: The Horde Actor: Danby, Maddocks, Phillimore, Welsh, Evans, Annereau.
Role: unassigned Actor: _Wathen, _Russell, _Benson
Role: Sailor Actor: Fairbrother
Role: Squire Sturdy Actor: Wathen

1246
15 August 1797 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; MD 3, by James Boaden]: With new Musick, Scenery, Dresses, and Decorations. The Overture and Musick by Dr Arnold. The Scenery by Marinari, Rooker, &c. Morning Herald, 26 Aug. 1797: This Day is published The Italian Monk (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Italian Monk

Song: 2nd piece: General Chorus [of Assassins and Nuns (text)]-Linton, Brown, Lyons, Aylmer, Little, Willoughby, Dibble, Kenrick, Caulfield Jun., Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve

1247
23 June 1798 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; D 5, by Thomas Holcroft, based on Diego und Leonore, by Johann Christoph Unzer. Prologue and Epilogue by Francis Godolphin Waldron (Thomas Holcroft, Life, ed. Elbridge Colby, 1925, II, 125)]: With new Scenes, Dresses, and Decorations. The Scenery by Marinari. [Johnston was from cg.] Times, 12 July 1798: This Day is published The Inquisitor (2s.)

Performances

Mainpiece Title: The Inquisitor

Performance Comment: Characters by Johnston (1st appearance on this stage), Barrymore, Aickin, C. Kemble, R. Palmer, Trueman, Caulfield, Abbot, Miss Heard, Mrs Harlowe, Miss DeCamp. Cast from text (G. G. and J. Robinson, 1798): Alberto-Johnston; Francisco-Barrymore; The Patriarch-Aickin; Fernando-C. Kemble; Lelio-R. Palmer; Don Manuel-Trueman; Alguazil-Caulfield; Servant-Abbot; Violante-Miss Heard; Licia-Mrs Harlowe; Leonora-Miss DeCamp; Prologue-C. Kemble; Epilogue-Mrs Harlowe.
Cast
Role: The Patriarch Actor: Aickin

Afterpiece Title: The Flitch of Bacon

1248
25 January 1800 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Henry James Pye. Prologue by William Sotheby; Epilogue by John Taylor (see text)]: With new Dresses and Decorations. "From the first drawing up of the curtain, till its final fall, we could not discover one single flight of fancy, one solitary scene of woe...It is but justice to add that for a first night the performers, with the exception of Barrymore, were very perfect in their respective parts [and see 27 Jan.]" (Dramatic Censor, I, 175, 181). Receipts: #309 13s. (246.4.6; 61.0.6; 2.8.0)

Performances

Mainpiece Title: Adelaide

Afterpiece Title: The First Floor

1249
15 February 1793 @ Covent Garden

Event Comment: Among the Instrumental Performers are C. Ashley, Patria, Sarjant, Mahon, Boyce, Mountain, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Wood, &c. &c. Double Drums, Bass Trumpets, &c. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. Places to be had of Brandon at the Box-Office in Hart-Street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance, 6d. each, may be had at the Theatre. The Director's Books have these words at the bottom of each Title Page: "Printed by H. Macleish, Recorder Office, Duke's-court, Drury-lane.

Performances

Mainpiece Title: A Grand Selection 0

Performance Comment: Principal Vocal Parts-Incledon, Bartleman, Reynolds (from Durham), Kelly, Mme Mara, Miss Sharp, Mrs Crouch; Leader of the Band-G. Ashley; Organ-J. Ashley.
Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: Grand Selection 1

Performance Comment: God save the King-Chorus (Coronation Anthems); Overture-(Esther); The Dettingen te Deum-; in which Holy Holy Lord-Mme Mara [Rodelinda].Rodelinda].
Cast
Role: God save the King Actor: Chorus
Role: The Dettingen te Deum Actor:

Afterpiece Title: Grand Selection 2

Performance Comment: Overture, Dead March-(Saul); When the ear heard him-Quartetto see17930313 His body is buried-Semi-Chorus; But his Name liveth-Chorus (Funeral Anthems); O God@like Youth-Miss Sharp (Saul); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Fall'n is the Foe-Chorus (Judas Maccabaeus); What tho' I trace each herb and flow'r-Mrs Crouch (Solomon); Lord of Eternity-Chorus; Behold the Nations-; O Baal-Chorus (Deborah); Pious orgies-Mme Mara (Judas Maccabaeus); He gave them hailstones-Double Chorus (Israel in Egypt); Concerto on the violin-Mme Gautherot.
Cast
Role: When the ear heard him Actor: Quartetto see17930313 His body is buried-Semi-Chorus
Role: accompanied on the violoncello Actor: C. Ashley
Role: Fall'n is the Foe Actor: Chorus
Role: Behold the Nations Actor:
Role: He gave them hailstones Actor: Double Chorus
Role: Concerto on the violin Actor: Mme Gautherot.

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; Sound an Alarm-Kelly; We hear-Chorus (Judas Maccabaeus); Ye sacred Priests, Farewell ye limpid springs-Mme Mara (Jephtha); Hear Jacob's God-Chorus (Samson); Arm arm ye brave-Bartleman; We come-Chorus (Judas Maccabaeus); O Magnify the Lord-Mrs Crouch (Chandos? Anthems); The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Mme Mara; The horse and his rider-Double Chorus (Israel in Egypt); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).
Cast
Role: O Magnify the Lord Actor: Mrs Crouch
Role: The Lord shall reign Actor: Chorus
Role: Sing ye to the Lord Actor: Mme Mara
Role: The horse and his rider Actor: Double Chorus

1250
13 December 1750 @ Drury Lane Theatre

Event Comment: Mainpiece: By Desire. Afterpiece: A new Musical Entertainment went off pretty well--some Noise &c. (Cross). Published at 3 o'clock that afternoon and sold at the theatre for 6d. (General Advertiser). No admission behind scenes or in Orchestra on account of the entertainment. [Music by C. Burney. Text by Moses Mendez]. Receipts: #120 (Cross)

Performances

Mainpiece Title: Alchemist

Afterpiece Title: Robin Hood

Performance Comment: Principal parts-Beard, Reinhold, Wilder, Mas. Mattocks, Miss Norris, Miss Clive. Robin Hood-Beard; Graspall-Reinhold; Glitter-Wilder; Leander-Mas. Mattocks; Clarinda-Miss Norris; Primrose-Mrs Clive; Scarlet-Bullbrick; Little John-Messink; To conclude with a New Forest Dance- (1st Edn.).
Cast
Role: To conclude with a New Forest Dance Actor: