SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Performance Comment: Principal Characters by King, Dodd, Bensley, Parsons, Baddeley, Whitfield, Webster, Mrs Baddeley, Mrs Hopkins, Miss Younge. [Cast from text (T. Cadell, 1778): Sir George Boncour-King; Young Kennel-Dodd; Mr Boncour-Bensley; Old Valence-Parsons; Old Kennel-Baddeley; Young Valence-Whitfield; Young Boncour-Webster; Miss Valence-Mrs Baddeley; Mrs Boncour-Mrs Hopkins; Miss Boncour-Miss Younge; Prologue-King; Epilogue-Miss Younge. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Sir George Boncour Actor: King

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: Mainpiece: 14th Time [i.e. in continuation of the reckoning for the previous season]. With new Scenery, &c. Receipts: #212 10s. (207.18; 4.12)

Performances

Mainpiece Title: Wild Oats Or The Strolling Gentlemen

Performance Comment: Rover-Lewis; Sir George Thunder-Quick; Harry-Holman; Sim-Blanchard; John Dory-Wilson; Ephraim Smooth-Munden; Banks-Hull; Gammon-Cubitt; Muz [in all playbills beginning 1 Dec. called Midge]-Macready; Men [in text: Sailors]-Milburne, Thompson, Farley; Landlord-Powel; Twitch-Rock; Trap-Evatt; Zachariah-Rees; Lamp-C. Powell; Sheriff's Officer-Cross; Coachman-Ledger; Waiter-Master Simmons; Jane-Mrs Wells; Amelia-Miss Chapman; Lady Amaranth-Mrs Pope.
Cast
Role: Sir George Thunder Actor: Quick

Afterpiece Title: Robin Hood

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle

Afterpiece Title: Windsor Castle

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.
Cast
Role: representing the Marriage of Peleus and Thetis Actor:
Role: Thetis Actor: Mme Prevost
Role: The Masque commences with the View of A Grove Actor:
Role: the Genii of the Morn Actor:
Role: the Graces Actor:
Role: he is her intended Husband Actor: Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: which she respectfully accepts Actor: the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: the Temple of Jupiter Actor:
Role: the Destinies Actor:
Role: arise from the Sea in their Watry Car Pluto Actor:
Role: together with Rhadamanthus Actor:
Role: enraged at not being invited to the sacred Festiva Actor: She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: For the Fairest" Actor: Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: who adjudge it to Thetis Actor: Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: Festoons of Flowers descend Actor: Cupids ascend supporting a Medallion and the Letters G. C.
Role: ] Actor: the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a
Role: accompanied on the Harp Actor: Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Event Comment: By Permission of the Lord Chamberlain. By Desire of the Author's Friends (though unusual for a new piece) the Dramatis Personae is inserted. Mainpiece [1st time; C 4, author unknown]. Afterpiece [1st time; MF 2, author unknown. Authors of Prologues and Epilogue unknown. Not in Larpent MSS; neither piece published]

Performances

Mainpiece Title: The Detection Or A Sketch Of The Times

Performance Comment: Alderman Increase-Beesley (from the Theatre Royal, Norwich); George Increase-Williams; Sprightly-Mason (1st appearance); Landlord Blacklegs, Carmine-Welldon; Brass-Johnstone; Dr M'Drugg, Powell-Swords; Rushlight-Stannard; Marrowbone-Whittaker; Sam. Baldpate-Parker; Putty-Hedges; Snip-Phillips; Flint-Freeman; Tom Blunt-Robinson; Boy-Master Charles; M'Intosh-Brown (from the Theatre Royal, Edinburgh); Sir Petulant Poundage-Barrett; Clara-Miss Frederick (1st time); Gauze-Miss Watkins; Mrs Tripe-Miss Jackson; Mrs Increase-Mrs Baker (from the Theatre Royal, York); With a new Prologue-; Epilogue-.
Cast
Role: George Increase Actor: Williams
Role: With a new Prologue Actor:

Afterpiece Title: The City Association or The National Spirit Rousd

Performance Comment: Captain Constant-Beesley; Serjeant Standfast-Parker; James-Welldon; Paddy O'Flail-Whittaker; Dunk Donald-Brown; Gregory Last-Swords; Dick Hatchet-Robinson; Sam. Slender-Thomas; Nat. Forge-Freeman; Timothy Remnant-Sutton; Mrs Magnum-Mrs Baker; Jenny Magnum-A Young Lady (1st appearance [unidentified]); Miss Fanny Lovewell-Miss Hemet (6th appearance); A new Prologue-Corbett [in the character of one of the City Associators.in the character of one of the City Associators.
Cast
Role: A new Prologue Actor: Corbett

Song: End I: song-Phillips

Entertainment: Monologue.End: (not acted these 10 years) Shuter's comic interlude, Post Haste Observations on his Journey to Paris-Sutton (from the Theatre Royal, Edinburgh)

Performance Comment: End: (not acted these 10 years) Shuter's comic interlude, Post Haste Observations on his Journey to Paris-Sutton (from the Theatre Royal, Edinburgh).
Event Comment: Mainpiece [1st time; CO 3, by William Linley. Larpent MS 1150; not published]: With new Dresses and Decorations. The Overture and Musick new by W. Linley. Receipts: #245 13s. 6d. (196.9.6; 45.19.0; 3.5.0)

Performances

Mainpiece Title: The Honey Moon

Performance Comment: Characters by Kelly, Suett, Palmer, Barrymore, Dignum, Bannister Jun., Wathen, Cooke, Evans, Fisher, Webb, Miss Pope, Miss Leak, Miss Arne, Miss DeCamp, Mrs Bland. Cast from Songs (C. Lowndes, 1797): Sir George Orbit-Kelly; Sir William Wellbred-Suett; Captain Clifton-Palmer; Captain Belmont-Barrymore; Major Lessington-Dignum; Worry-Bannister Jun.; Tim-Wathen; Huntsman-Cooke; Lady Wellbred-Miss Pope; Emmeline-Miss Leak; Dorinda-Miss Arne; Floretta-Miss DeCamp; Dina-Mrs Bland; unassigned-Evans, Fisher, Webb; Chorus of Villagers-Welsh, Maddocks, Gregson, Phillimore, Wentworth, Atkins, Meyers, Caulfield Jun., Denman, Fisher, Tett, Earle, Aylmer, Dibble, Gallot, Potts, Annereau, Bardoleau, Walker, Willoughby, Ms Butler, Ms Roffey, Ms Granger, Ms Jackson, Ms Maddocks, Ms Menage, Ms Wentworth, Ms Benson.
Cast
Role: Sir George Orbit Actor: Kelly
Role: Tim Actor: Wathen

Afterpiece Title: Robinson Crusoe

Performance Comment: As17970105, but in Act I: Friday-Wathen; Act II: Pantaloon-_; Miller-_; Father Paul-_; Principal Witches-_; Principal Warriors Savages and Dancers-_Gentili.
Cast
Role: Friday Actor: Wathen
Role: Captain of the Portugese Frigate Actor: Sedgwick
Role: the Lover Actor: Caulfield
Role: the Clown Actor: Hollingsworth
Role: Father Paul Actor: Denman
Role: Lay Brother Actor: Evans
Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe; text (1st authorized) published in Cumberland's British Theatre, xxxvii. Prologue and Epilogue by George Colman, the elder (Colman, Prose, iii, 244, 246, which give names of speakers)]: With new Scenes and Dresses. "It had four new scenes to decorate it, and those extremely well painted. In one of them a portrait of Captain Ambush is exhibited, which presented a very happy likeness of Williamson, by Alefounder" (Universal Magazine, Aug. 1783, p. 76)

Performances

Mainpiece Title: The Young Quaker

Performance Comment: Principal Characters by Palmer, Edwin, Riley, Gaudrey, Bannister Jun., Williamson, Wewitzer, Barrett, Ledger, Wilson, Parsons; Mrs Webb, Miss Morris, Mrs Lloyd, Mrs Love, Miss Hale, Miss Frodsham. [Cast from European Magazine, Aug. 1783, p. 148; Larpent MS 627; playbill of 19 July 1785: Young Sadboy-Palmer; Clod-Edwin; Lounge-Riley; Twig-Gaudrey; Spatterdash-Bannister Jun.; Capt. Ambush-Williamson; Shadrach-Wewitzer; Waiter-Barrett; Coachman-Ledger; Old Sadboy-Wilson; Chronicle-Parsons; Goliah-Miss Painter; Lady Rounceval-Mrs Webb; Araminta-Miss Morris; Pink-Mrs Lloyd; Mrs Mellefleur-Mrs Love; Judith-Miss Hale; Dinah Primrose-Miss Frodsham.] New Prologue [spoken by Palmer] and Epilogue [spoken by Miss Frodsham. These were spoken, presumably as here assigned, at all subsequent performances] . New Prologue [spoken by Palmer] and Epilogue [spoken by Miss Frodsham. These were spoken, presumably as here assigned, at all subsequent performances] .

Afterpiece Title: Medea and Jason

Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Performance Comment: For a previous cast, see16670815. A Prologue by Sir George Etherege is in A Collection of Poems (1701), p. 293-.
Event Comment: Prelude [1st time; PREL 2, by George Colman, the elder. MS: Larpent 659, which lists the following unassigned parts: Cabbage, Clatterton, Folio; not published; synopsis of plot in Gazetteer, 3 June. Prologue by the author (Colman, Prose, III, 250)]: With new Scenes, Dresses, Banners, Songs, &c

Performances

Mainpiece Title: The Election Of The Managers

Performance Comment: Principal Characters by Palmer, Parsons, Aickin, Williamson, Baddeley, Egan, Bannister, R. Palmer, Riley, Bannister Jun., Stevens, Swords, Barrett, Ledger, Edwin; Mrs Webb, Miss Farren. [Cast from European Magazine, June 1784, p. 471: Buckram-Palmer; Type-Parsons; Bayes-Aickin; Holly-Williamson; Canker-Baddeley; Irishman-Egan; Quirk-Bannister; Smatter-R. Palmer; Ivy-Riley; Supple-Bannister Jun.; Tom Tipple-Edwin; Mrs Buckram-Mrs Webb; Mrs Simper-Miss Farren. Stevens, Swords, Barrett, Ledger are unassigned.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The English Merchant

Event Comment: Mainpiece: In three acts altered from Shakespeare. Afterpiece, a New Pastoral Masque and Pantomime interspersed. The Music composed by Fisher. The scenes painted by Messrs Dahl, Richards and Carver. Nothing under Full Prices will be taken. Books of Songs, &c. sold in Theatre. The words of the Masque taken chiefly from Ben Johnson (playbill). [DNB s.v. "Jonson," suggests The Haddington Masque, 1608, with the "Hue and Cry after Cupid" material as the source. The reviewer for the Westminster Magazine commented on the performance of 25 November, after outlining the story: "Such are the outlines of The Druids, whick is a hetereogeneous jumble of monstrous absurdities; and if considered merely as a vehicle for music, dances, and decorations, is, in our opinion, far inferior to the dramatic monstrum horrendum of the other House [The Maid of the Oaks]. Both pieces, however, are equally an insult on the understanding and judgments of the Public, and exhibit striking proofs of the miserably depraved state of the English theatre, whose entertainments are at present conducted by Managers either destitute of taste and abilities or actuated by no other than the paltry, despicable motives of vanity, prejudice, and avarice,"]

Performances

Mainpiece Title: The Winters Tale

Performance Comment: Leontes-Melmoth; Clown-Woodward; Old Shepherd-Clarke; Autolicus-Quick; Florizel-Lewis; Polixenes-Bensley; Hermione-Mrs Melmoth; Perdita (with the Sheep Sheering Song)-the Lady who performed Indiana [Mrs Armstead].Mrs Armstead].

Afterpiece Title: The Druids Masque

Performance Comment: Characters-Mattocks, Reinhold, DuBellamy, Fox, Mas. Loader, Mas. George, Miss Dayes, Mrs Baker, Mrs Ogilvie, Mrs Willems, Miss Brown, Pantomime Characters-Lee Lewes, Fearon, Banks, Cushing, Holingsworth, Thompson, Mrs Pitt, Mrs Whitefield, Mrs White, Miss Wilde; The Dances-Aldridge, Helm, Harris, Blurton, Miss Valois, Mrs Stephens, Mas. Holland, Mas. Scriver, Miss Armstrong, Daiguville, Sga Vidini; Bridegroom-Mattocks; 1st Druid-Reinhold; 1st Shepherd-DuBellamy; 2nd Shepherd-Fox; Hymen-Mas. George; Cupid-Mas. Loader; Speaking Druid-Booth; Bride-Miss Dayes; Venus and Pastoral Nymph-Miss Brown; Graces-Mrs Baker, Mrs Ogilvie, Mrs Willems; Chorus of Druids-(1774 libretto).
Event Comment: By Permission of the Lord Chamberlain. Benefit for the Author. Play [1st time; T 5]: Written by the Rev. [Thomas] Stratford. The Doors to be opened at 6:00. To begin at 7:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Dr Stratford, No. 5, Cecil-street, Strand, and of Fosbrook at the Theatre. Dr Stratford, in the overflowing of a grateful heart, is happy indeed in returning thanks to the Ladies and Gentlemen who, with equal benignity and humanity, have so generously exerted themselves in bringing forward his tragedy of Russel. Above the mean manoeuvres that have been practised by persons he had the least reason to expect such a conduct from, and which have detained him almost three years in London, at a ruinous expense, he went with a party of his friends, on Wednesday last, to the Hay-market, in support of the other Lord Russel, penned by superior genius. As he never injured an individual, he trusts every intention to defeat the success of his play will be disappointed by a generous London audience who, he still presumes to hope, will be actuated by the same noble spirit and principle that first induced the Lady and Gentleman to undertake so arduous a task as appearing on a public theatre. As many parts of the play will be expunged and altered, he begs leave to mention that it cannot be again represented till Wednesday next, when the characters of Lord Howard and Hubert will be performed by two other Gentlemen, who have generously undertaken their parts, and an entire new address will be spoken by the Gentleman who performs Lord Russel, wrote by himself. "The performers ... rendered the Doctor's Tragedy one of the most laughable farces at which we were ever present. [It] has much Calimanco in it, and where we could hear a sentence compleat (which was seldom indeed) it abounded with Fustian" (Public Advertiser, 21 Aug.)

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .
Event Comment: 3rd piece: Ballet Tragi-Comique, composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Signior Rookereschi. Tailor-Signior Walkerino

Performances

Mainpiece Title: The Son in law

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

Performance Comment: Creon (in the Character of Punch)-Wewitzer; Prince de la Cour (as a Running Footman)-Byrn; Furies (in the Character of Chimney Sweepers)-Rossi, Nicolini, &c.; Captain of the Guard-Master Edwin; Jason (in the Character of Pierrot)-Delpini; Creusa (en dishabille Francoise)-Miss Byrn; Nurse-Mr Painter; Children-Miss Painter, Master Clarke; Medea (in the Character of Mother Shipton)-Mme Dagueville .
Event Comment: 2nd piece [1st time; MD 3, by Thomas Morton]: With new Scenery, Dresses and Decorations. The Overture, Chorusses, and new Musick by Dr Arnold. The new Scenery by Rooker, Marinari, &c. Books of the Songs to be had at the Theatre. Morning Chronicle, 1 July 1795: This Day is published Zorinski (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Zorinski

Event Comment: Benefit for Johnstone. 1st piece: The Overture, Chorusses and new Musick by Dr Arnold. The new Scenery by Rooker, Marinari, &c. 2nd [1st time; MF 1, author unknown. Not in Larpent MS; not published]: Overture and new Music by Reeve, and selected Songs by Dibdin. [3rd piece in place of The Prize, advertised on playbill of 31 Aug. C. Kemble had 1st appeared as Zorinski at the hay on 31 Aug. and 7 Sept. 1795.] Morning Herald, 27 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden

Performances

Mainpiece Title: Zorinski

Afterpiece Title: The Married Un Married or The Widowd Wife

Performance Comment: O'Blarney (with In my Father's Mud Cabin and Paddy O'Blarney)-Johnstone; Jacky Item (with Jacky and the Cow)-Fawcett; Tim Tingle (with The Town Crier)-Suett; Sam Surge (with Lovely Nan)-Wathen; Jack Junk (with a new Sea Song)-Burrows (1st appearance); Nancy (with two new ballads)-A Young Lady (1st appearance on any stage [unidentified]).unidentified]).
Cast
Role: Sam Surge Actor: Wathen

Afterpiece Title: A Mogul Tale

Event Comment: Mainpiece [1st time; c 5, ascribed to Frances Burney (see Boaden, Siddons, 1, 272). MS: Larpent 596; not published; synopsis of plot in London Magazine, July 1782, p. 312. Prologue by George Colman, the elder (Colman, Prose, III, 235). The play is anonymous.]

Performances

Mainpiece Title: The East Indian

Performance Comment: Principal Characters by Palmer, Bannister Jun., R. Palmer, Gardner, Wilson, Webb, Usher, Staunton, Egan, Swords, Bensley; Miss Sherry, Miss Morris, Mrs Inchbald, Mrs Poussin, Mrs Bulkley. [Cast from European Magazine, July 1782, p. 67: Colonel Errwood-Palmer; Edmonds-Bannister Jun.; Young Johnson-R. Palmer; Johnson-Gardner; Cecil-Wilson; Landlord-Webb; Simpson-Usher; Danford-Staunton; Chairman-Egan; Savage-Bensley; Mrs Cecil-Miss Sherry; Nancy Johnson-Miss Morris; Emma Cecil-Mrs Inchbald; Mrs Johnson-Mrs Poussin; Harriet Sidney-Mrs Bulkley. Swords is unassigned.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Related Works
Related Work: The East Indian Author(s): Matthew Gregory Lewis

Afterpiece Title: None are so Blind as Those Who Wont See

Dance: As17820613

Event Comment: Mainpiece [1st time; c 3, by Denis O'Bryen. Prologue by the author; Palmer was obliged to read it, he "not having received it in due time". Epilogue by George Colman, the elder, with name of speaker (Town and Country Magazine, July 1783, p. 339). MS: Larpent 626; not published; synopsis of plot in Public Advertiser, 7 July]

Performances

Mainpiece Title: A Friend In Need Is A Friend Indeed

Performance Comment: Principal Characters by Palmer, Parsons, Wewitzer, Usher, Williamson, Gardner, Davis, Baddeley, Massey, Pierce, Edwin; Mrs Inchbald, Mrs Wells, Miss Morris, Mrs Love, Mrs Bulkley. [Cast from European Magazine, July 1783, p. 67, and Public Advertiser, 7 July: Archley-Palmer; Sir Simon Howard-Parsons; Attorney-Wewitzer; Steward-Usher; Trustall-Williamson; Ragan-Baddeley; Citpup-Edwin; Emma Howard-Mrs Inchbald; Mrs Ragan-Mrs Wells; Fanny-Miss Morris; Lydia Howard-Mrs Bulkley. Gardner, Davis, Massey, Pierce, Mrs Love are unassigned. Larpent MS adds the following parts: Redtail, Richard, Betty, Hosier's Wife.) A new Prologue [read by Palmer] and Epilogue [spoken by Mrs Bulkley. These were spoken, presumably as here assigned, at all subsequent performances] .read by Palmer] and Epilogue [spoken by Mrs Bulkley. These were spoken, presumably as here assigned, at all subsequent performances] .

Afterpiece Title: The Flitch of Bacon

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley.] Miss Younge had a song [Wake, thou son of dullness] composed by Michael Arne. Authors of Prologue and Epilogue unknown]: New Scenes and Dresses. Account-Book, 16 June: Paid Mrs Cowley for suspending the publication of the Belle's Stratagem #100. Public Advertiser, 1 Apr. 1782: In a few Days will be published The Belle's Stratagem. A spurious Copy having been published in Ireland [in 1781] make[s] it necessary to observe that the above is the genuine Comedy, as performed at Covent Garden Theatre. Ibid., 9 Apr. 1782: This Day is published The Belle's Stratagem (1s. 6d.). Receipts: #213 19s. (212.15.6; 1.3.6)

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Principal Characters-Lewis, Wroughton, Lee Lewes, Aickin, Whitfield, Robson, Edwin, L'Estrange, Thompson, Wewitzer, Fearon, Booth, Jones, W. Bates, Quick, Mrs Hartley, Mrs Mattocks, Mrs Morton, Miss Morris, Miss Stewart, Mrs Poussin, Mrs Webb, Mrs White, Miss Younge; [Cast from text (T. Cadell, 1782): Doricourt-Lewis; +Sir George Touchwood-Wroughton; +Flutter-Lee Lewes; +Saville-Aickin; +Villers-Whitfield; +Courtall-Robson; +Silvertongue-Edwin in text: $W. Bates]; Gentlemen-L'Estrange, Thompson; +French Valet-Wewitzer; +Porter-Fearon; +Dick-Stevens; +Mountebank-Booth; +Crowquill-Jones; +Hardy-Quick; +Lady Frances Touchwood-Mrs Hartley; +Mrs Racket-Mrs Mattocks; +Miss Ogle-Mrs Morton; +Kitty Willis-Miss Stewart; +Lady-Mrs Poussin; +Letitia Hardy-Miss Younge; W. Bates, Miss Morris, Mrs Webb, Mrs White are unassigned; +Prologue-Edwin; Epilogue-Miss Younge. [These were spoken as here assigned, at all subsequent performances.]These were spoken as here assigned, at all subsequent performances.]

Afterpiece Title: Cross Purposes

Cast
Role: George Bevil Actor: Whitfield
Event Comment: Mainpiece [1st time; C 5, by Thomas Lewis O'Beirne, based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by Frederick Pilon (Crouch, 1, 90). Author of Epilogue unknown. For Pastoral Interlude see 23 Nov.]: With new Scenery and Dresses. Public Advertiser, 13 Dec. 1780: This Day at Noon is Published The Generous Impostor (1s. 6d.). Receipts: #197 3s. 6d. (183.4.0; 13.10.6; 0.9.0)

Performances

Mainpiece Title: The Generous Impostor

Performance Comment: [Principal Characters by Palmer, Dodd, Bensley, Parsons, Baddeley, Burton, R. Palmer, Norris, Fawcett, Phillimore, Vernon, Mrs Baddeley, Miss Pope, Miss Farren. Cast from text (J. Robson, 1781 [i. e. 1780]): Sir Harry Glenville-Palmer; George Oldgrove-Dodd; Supple-Bensley; Holdfast-Parsons; Sir Jacob Oldgrove-Baddeley; Harpin-Burton; Trimbush-Vernon; Mrs Courtly-Mrs Baddeley; Phillis-Miss Pope; Dorinda-Miss Farren; unassigned-R. Palmer, Norris, Fawcett, Phillimore [are unassigned; Prologue-Palmer; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: George Oldgrove Actor: Dodd

Afterpiece Title: The Padlock

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by James Boaden. Epilogue by Edward Topham (see text). For this play Reynolds and the cg manager made a new plan for payments to the author. Benefits for the author on the 3rd, 6th and 9th nights were abandoned; instead he received #33 6s. 8d. for each of the first nine nights and #100 on the 20th night. "This was the foundation of that bargain between manager and author which, I believe, exists to the present period [1826]" (Reynolds, II, 182-83)]. Morning Chronicle, 19 Jan. 1795: This Day is published The Rage! (2s.). Receipts: #259 13s. 6d. (255.17.6; 3.16.0)

Performances

Mainpiece Title: The Rage

Performance Comment: Principal Characters by Lewis, Quick, Holman, Munden, Fawcett, Bernard, Middleton, Davenport, Cross, Rees, Mrs Mattocks, Mrs Mountain, Mrs Pope. [Cast from text (T. N. Longman, 1795): Gingham-Lewis; Sir Paul Perpetual-Quick; Darnley-Holman [in text: Pope]; Flush-Munden; The Hon. Mr Savage-Fawcett; Signor Cygnet-Bernard; Sir George Gauntlet-Middleton; Ready-Davenport; Servants-Cross, Abbot, Ledger, Wilde; Waiter-Rees; Groom-Simmons; Lady Sarah Savage-Mrs Mattocks; Clara Sedley-Mrs Mountain; Mrs Darnley-Mrs Pope; Prologue-Holman; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 24 performances only (see17941213).]These were spoken, as here assigned, at the 1st 24 performances only (see17941213).]

Afterpiece Title: Cymon

Dance: Afterpiece to conclude with: a Dance-

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor (see text). Address by John Wolcot (Pocket Magazine, supra)]: With new Dresses and Decorations. [Mrs Lee was from the Salisbury theatre.] Morning Chronicle, 11 May 1795: This Day is published Life's Vagaries (2s.). Receipts: #268 3s. 6d. (259.19.6; 8.4.0)

Performances

Mainpiece Title: Lifes Vagaries

Performance Comment: Characters by Lewis, Quick, Johnstone, Munden, Fawcett, Bernard, Townsend, Farley, Thompson, Rees, Davenport, Burton, Rock, Follett, Cross, Williamson, Ledger, Wilde, Blurton, Abbot, Miss Wallis, Mrs Lee (1st appearance on this stage), Miss Stuart, Mrs Platt, Mrs Watts, Miss Leserve, Mrs Pope. [Cast from text (T. N. Longman, 1795), and O'Keeffe's Dramatic Works, Vol. I (T. Woodfall, 1798), and playbill of 27 Nov. 1795: Arthur D'Aumerle-Lewis; Dickins-Quick; Timolin-Johnstone; Sir Hans Burgess-Munden; George Burgess-Fawcett; Lord Torrendel-Bernard; Robin Hoofs-Townsend; L'Oeillet-Farley; Coachman-Thompson; Tradesmen-Davenport, Follett, Cross, Williamson; John-Ledger; Constable-Blurton; Robinson-Abbot; Thomas-Simmons; Augusta-Miss Wallis; Fanny-Mrs Lee; Miss Clare-Miss Stuart; Landlady-Mrs Platt; Fruit Woman-Mrs Watts; Martha-Miss Leserve; Lady Torrendel-Mrs Pope; unassigned-Rees, Burton, Rock, Wilde; Prologue-Middleton [This was spoken, as here assigned, at all subsequent performances.; An Address by way of Epilogue [not listed on playbill,-Lewis [(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].
Cast
Role: George Burgess Actor: Fawcett

Afterpiece Title: Rosina

Song: In: I can dance and sing-Mrs Lee. [Not listed on playbill, but see BUC, p. 619.

Event Comment: By Permission of the Lord Chamberlain. Benefit for Waldron, prompter. Mainpiece [1st time; TC 5, by Francis Godolphin Waldron. Larpent MS 1094; not published]: Founded on Shakespeare and Fletcher's Two Noble Kinsmen, by the Continuator of Ben Jonson's Sad Shepherd. With new Music composed by Dr Arnold. Copies of the Songs will be delivered gratis at the Theatre. Afterpiece [1st time; C 3, by Francis Godolphin Waldron, abridged from his The Maid of Kent. Larpent MS 1095; not published]: Written by the Author of Heigho for a Husband. Tickets and Places for the Boxes to be had of Waldron, No. 54, Drury-lane, and of Rice, at the Theatre

Performances

Mainpiece Title: Love And Madness

Performance Comment: Theseus-Davies; Palamon-Lacy Jun. (1st appearance in London); Arcite-Palmer Jun.; Governor-Wilkinson; Brother-Longdale; Officer-Waldron Jun.; Peasants-Holmes, Adcock, Willoughby, Aberdein; Female Peasants-Mrs Gawdry, Miss Gawdry, Mrs Hale, Mrs Butler, Mrs Jones; Emilia-A Young Lady [unidentified]; Attendant-Mrs Haskey; Hermia (with a song)-Mrs Harlowe.
Cast
Role: Theseus Actor: Davies
Role: Brother Actor: Longdale

Afterpiece Title: Tis a Wise Child Knows its Father

Performance Comment: Characters-Davies, Wilkinson, Palmer Jun., Usher, Waldron, Waldron Jun., A Young Lady, Mrs Harlowe. [Larpent MS lists the parts: Lord Sealand, Sir ThomasRichacre, Doctor Goodman, George, Metre, William, Emily, Patty.]Larpent MS lists the parts: Lord Sealand, Sir ThomasRichacre, Doctor Goodman, George, Metre, William, Emily, Patty.]
Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Performance Comment: Characters-Kemble, Barrymore, Palmer, Wewitzer, Suett, R. Palmer; Aickin, Webb, Evans, Fisher, Mrs Siddons, Mrs Goodall, Miss Stuart. Cast from text (T. N. Longman and O. Rees, 1802): The Stranger-Kemble; +Count Wintersen-Barrymore; +Baron Steinfort-Palmer; +Mr Solomon-Wewitzer; +Peter-Suett; +Francis-R. Palmer; +Tobias-Aickin; +George-Webb; +Count's Son-$Master Wells; Stranger's Son-$Master Tokely; Mrs Haller-Mrs Siddons; +Countess Wintersen-Mrs Goodall; +Charlotte-Miss Stuart; +Annette-$Mrs Bland; Savoyard-$Miss Leak; Maid-$Mrs Jones; Stranger's Daughter-$Miss Beton; unassigned-Evans, Fisher; Prologee-Barrymore; Epilogue-Suett. [These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]
Cast
Role: The Stranger Actor: Kemble
Role: George Actor: Webb

Afterpiece Title: The Prize

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.

Performance Comment: [These were the same in all subsequent performances, except on 5 May.]
Event Comment: Mainpiece: 14th Night [i.e. in continuation of the reckoning for the previous season]. With new Music [consisting of 6 new songs (Gazetteer, 2 Oct.)], Scenes and Dresses. The new Music and Accompaniments to the adapted Airs by Shield. The Overture by Baumgarten. The Words of the Songs to be had at the Theatre. [It was "represented in an altered state . . . The second act is almost newly written, and the language of the whole opera amended and pointed with great neatness" {London Magazine, Oct. 1784, p. 315).] "At the end of the first act [of mainpiece], Davies came forward and informed the audience that Mrs Kennedy was of a sudden taken dangerously ill, and hoped that Cubitt might be permitted to read the remainder of her part; a request that was immediately complied with" (London Chronicle, 13 Oct.). [Afterpiece in place of The Positive Man, announced on playbill of 11 Oct.]

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: St

Event Comment: [1st piece in place of THE FLITCH OF BACON, advertised on playbill of 25 July.] 3rd piece [1st time; CO 2, by Samuel James Arnold]: The new musick, with a Scottish Medley Overture, by Dr Arnold. New Scenery by Rooker. New Dresses and Decorations. Morning Chronicle, 28 Aug. 1794: This Day is published AULD ROBIN GRAY (1s)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: THE VILLAGE LAWYER

Afterpiece Title: AULD ROBIN GRAY

Performance Comment: Principal Characters by Suett, C. Kemble, Davies, Sedgwick, Benson, Bland, Barrett, Cross, Fawcett//Mrs Bland, Miss De Camp, Mrs Booth, Miss Leak. [Cast from text (Geo. Goulding, 1794): Auld Robin Gray-Suett; Jemmy-C. Kemble; Donald-Davies; Duncan-Sedgwick; Pilot-Benson; Sandy-Bland; Steward-Barrett; Rustic-Cross; Jerry-Fawcett//Moggy-Mrs Bland; Susan-Miss De Camp; Mother-Mrs Booth; Jenny-Miss Leak.] hathi. hathi.
Cast
Role: Mother Actor: Mrs Booth
Event Comment: Benefit for Lewis. Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor. Epilogue by George Colman, ynger (see text)]. "No piece in the remembrance of this writer was ever better acted. No piece was ever better cast...The palm of acting, however, must be given to Blanchard. One short scene of rustic generoisity, in which he gives his purse to Farmer Banks, displayed finer efforts than we ever saw before" (Oracle, 18 Apr.). Public Advertiser, 15 Apr.: Tickets to be had of Lewis, Bow-street. Receipts: #315 (225.6.6; 3.15.6; tickets: 85.18.0)

Performances

Mainpiece Title: Wild Oats Or The Strolling Gentlemen

Performance Comment: Principal Characters by Lewis, Quick, Holman, Blanchard, Wilson, Munden, Hull, Cubitt, Macready, Thompson, Powel, Rock, Evatt, Reeve, C. Powell, Cross, Farley, Ledger, Milburne, Master Simmons, Mrs Wells, Miss Chapman, Mrs Pope.[Cast from O'Keeffe's Dramatic Works, Vol. II (T. Woodfall, 1798), and text (Dublin: For the Booksellers, 1791): Rover-Lewis; Sir George Thunder-Quick; Harry-Holman; Sim-Blanchard; John Dory-Wilson; Ephraim Smooth-Munden; Banks-Hull; Gammon-Cubitt; Muz [in subsequent seasons: Midge]-Macready; Sailors-Thompson, Farley, Milburne; Landlord-Powel; Twitch-Rock; Trap-Evatt; Zachariah-Reeve [in text: Rees (see17911012)]; Lamp-C. Powell; Sheriff's Officers-Cross, Ledger; Waiter-Master Simmons; Jane-Mrs Wells; Amelia-Miss Chapman; Lady Amaranth-Mrs Pope; Prologue-Harley; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 10 performances only (see17910530).]These were spoken, as here assigned, at the 1st 10 performances only (see17910530).]
Cast
Role: Sir George Thunder Actor: Quick

Afterpiece Title: The Highland Reel

Cast
Role: George Bevil Actor: Macready

Dance: As17901204

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Larpent MS 1050; published (pirated) 1795]: The Musick, principally new, composed by Storace, with a few Pieces selected from Anfossi, Mozart, Bianchi, Ditters and Sarti. The Scenes and Decorations are all designed and painted by Greenwood, except the View of the New Settlement, which is by Capon. The Dresses, &c. are executed by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. Powell: Cherokee rehearsed at 9:30. Receipts: #340 5s. 6d. (284.5.0; 54.13.0; 1.7.6)

Performances

Mainpiece Title: The Cherokee

Performance Comment: Principal Characters. Europeans: Kelly, Master Welsh, Cooke, Dignum, Hollingsworth, Bannister Jun., Bannister, Suett, Mrs Crouch, Sga Storace, Miss Leak, Mrs Bland. Indian Chiefs: Barrymore, C. Kemble, Sedgwick, Caulfield. Indian Warriors-Phillimore, Dubois, Fairbrother, Boimaison, G. D'Egville, Butler, Keys, Nicolini, Roffey, Whitmell, Wells, Garman, Banks; Chorusses-Danby, Evans, Lyons, Maddocks, Trueman, Welsh, Fisher, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dorion, Dorion Jun., Fisher, Pilbrow, Tett, Walker, Willoughby, Master DeCamp, Mrs Bramwell, Mrs Boimaison, Mrs Butler, Miss Chatterley, Miss Gawdry, Miss Granger, Miss Menage, Miss Redhead, Miss Stageldoir, Mrs Iliff, Miss Davies, Mrs Maddocks, Miss Beaufort, Miss Brooker, Mrs Brigg, Mrs Barrett, Miss Bourk, Mrs Harris, Mrs Haskey, Miss Phillips; Cast from Songs (E. Cox, 1794): Europeans: Col. Blandford-Kelly; Henry-Master Welsh; Officer-Cooke; Ramble-Dignum; Average-Hollingsworth; Jack Average-Bannister Jun.; Ser. Bluster-Bannister; Jeremy-Suett; Zilipha-Mrs Crouch; Eleanor-Sga Storace; Fanny-Miss Leak; Winifred-Mrs Bland; Indian Chiefs: Malooko-Barrymore; Zamorin-C. Kemble; Ontayo-Sedgwick; Patowmac-Caulfield; Indian-Phillimore; Partheca-Mrs Bramwell.

Afterpiece Title: The Wedding Day