SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4519 matches on Event Comments, 4212 matches on Author, 2942 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: MMr Barry flew from his articles & engag'd with Rich; Mrs Cibber (who did not play last season) is also engag'd there--Y: King went to Ireland--Macklin and Wife came from thence to Mr Rich (Cross). Passage open'd from Russel St. into the boxes where Ladies and Gentlemen may be set down from their coaches, and there is likewise a better accommodation made for Chairs to come up to the House, and be kept in waiting, at the end of the Passage from Bridges St. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the stage door of the Theatre. [The notice about the Passage was continued through 20 Sept. The notice about prices was customary throughout the season. Neither will be repeated further here.] Receipts: #110 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Yates; Antonio-Berry; Bassanio-Havard; Lorenzo-(with Songs) Beard; Launcelot-Shuter; Jessica-Miss Minors; Portia-Mrs Clive; Nerissa-Mrs Bennet; With a New Occasional Prologue-Garrick.
Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Virgin Unmask'd

Event Comment: Mainpiece: By Particular Desire of several Persons of Quality. Garrick's New Occasional Prologue publish'd this day in the papers, ending with "Sacred to Shakespeare was this spot designed,@ To pierce the Heart and humanize the mind. But if an empty house...&c." Receipts: #15O (Cross)

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Stratagem Author(s): George Farquhar

Dance: IV: By desire a Hornpipe-Mathews

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Havard; Sir John Bevil-Winstone; Sealand-Berry; Myrtle-Blakes; Cimberton-Taswell; Tom-Woodward; Humphrey-Simpson; Daniel-Vaughan; Phyllis-Mrs Clive; Lucinda-Mrs Mills; Isabella-Mrs Bennet; Mrs Sealand-Mrs Cross; Indiana-Mrs Pritchard; In Act II, Singing-Master Mattocks; New Occasional Prologue-Garrick by desire, being positively the last time of speaking it.

Dance: IV: A Hornpipe-Mathews

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17501011, but new Epilogue-_.

Afterpiece Title: The Anatomist

Event Comment: A New Pastoral Opera. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be deliver'd this Day at the said Office, at Half a Guinea each. Gallery Five Shillings. No person whatsoever to be admitted behind the Scenes. To begin at 6 p.m. [Repeated in all bills.

Performances

Mainpiece Title: La Forza D'amore

Event Comment: A New Comedy call'd Gil Blas is now in rehearsal at Drury Lane, and will speedily be performed there. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: Queen Mab

Cast
Role: others Actor: Mrs _Pit, Mrs Toogood.

Dance: Devisse, Mad Auretti

Event Comment: A New Comedy written by Mr Moor, author of ye Foundling--the 3 first Acts went off without much hissing, but the two last were but indifferently treated; a great party for & against it, but it was given out again--great crowding to get in, & ye Pit took possession of many of the Boxes, wch confus'd ye accounts (Cross). [Cast taken from the 1751 edn., since the General Advertiser merely lists the actors and does not mention the Prologue or Epilogue.] Receipts: #180 (Cross)

Performances

Mainpiece Title: Gil Blas

Event Comment: Great applause--I believe the Author had many friends (Cross). This day at 2 o'clock will be publish'd at 6d. The Original Story from which the New Comedy of Gil Blas is taken. Printed for W. Owen, at Temple Bar. Receipts: #150 (Cross)

Performances

Mainpiece Title: Gil Blas

Event Comment: Benefit for ye Author (no more Noise) (Cross). Tickets as of 5 Feb. Tickets deliver'd out for the third and sixth Nights will be taken. Receipts: #140 (Cross). Gentleman's Magazine, Feb. 1751, pp. 77-78, concerning Gil Blas: To animadvert upon a piece which is almost universally condemned is unneccessary, and to defend this is impossible. There is not one elegant expression or moral sentiment in the dialogue; nor indeed one character in the drama, from which either could be expected. It is however, to be wished that the Town, which opposed this play with so much zeal, would exclude from the theatre every other in which there is not more merit; for partiality and prejudice will be suspected in the treatment of new plays, while such pieces as the London Cuckolds, and the City Wives Confederacy, are suffered to waste time and debauch the morals of society....Upon the whole the Author appears to have intended rather entertainment than instruction, and to have disgusted the Pit by adapting his comedy to the taste of the Galleries....Perhaps the ill success of this comedy is chiefly the effect of the author's having so widely mistaken the character of Gil Blas whom he has degraded from a man of sense, discernment, true humor, and great knowledge of mankind...to an impertinent silly, conceited coxcomb, a mere Lying Valet, with all the affectation of a Fop, and all the insolence of a coward. [Thomas Gray wrote to Horace Walpole 3 March 1751, "Gil Blas is the Lying Valet in five acts. The fine lady has half-a-dozen good lines dispersed in it."

Performances

Mainpiece Title: Gil Blas

Event Comment: A New Pastoral Opera

Performances

Mainpiece Title: Nerina

Event Comment: A little Noise at ye Singing & Dancing (Cross). Nn Saturday night was played for the first time a new Masque called Alfred, at the Theatre Royal in Drury Lane, before a very numerous and splendid audience. The Piece itself, as it justly deserved met with great and universal applause: However, the spectators rightly found fault with some improprieties in the performance of the inferior dancers and actors, which we hear will be all corrected in this night's representation (General Advertiser). Receipts: #160 (Cross)

Performances

Mainpiece Title: Alfred

Event Comment: A new tragedy, call'd the Earl of Essex, which has sometime been in rehearsal at the Theatre Royal in Covent Garden, will be performed in a Few Days

Performances

Mainpiece Title: Belshazzar

Afterpiece Title: Concerto on Organ

Event Comment: Benefit for Mrs Pritchard. By desire of Several Ladies of Quality. Part of the Pit and Boxes will be laid together, and servants will be admitted to keep Places on the Stage. N.B. The building on the stage is rais'd on a new plan, much more convenient than any ever yet erected, the Area of the being kept entirely clear, and the Building enclos'd so as to form distinct Boxes, like those in the Front of the House. Tickets and Places to be had of Mrs Pritchard, next the Chapel in Great Queen St., Lincoln's Inn Fields, and of Mr Hobson at the stage Door. Receipts: #250 (Cross)

Performances

Mainpiece Title: The Roman Father

Performance Comment: Publius-Sowdon; Valerius-Lee; Hostilius-Burton; Roman Father-Garrick; Valeria-Mrs Ward; Horataa-Mrs Pritchard.
Cast
Role: Roman Father Actor: Garrick

Dance: Devisse, Mad Auretti

Event Comment: Benefit for Mrs Clive. Part of Pit will be rail'd into the Boxes. Servants allow'd to keep places. Send servants by 3 o'clock. Tickets and places to be had of Mrs Clive at the Naked Boy in Henrietta St., Covent Garden. Mainpiece: Not acted these 7 years [see 18 Nov. 1754]. Afterpiece: With alterations and an additional scene. Mr Havard's benefit play, which should have been acted some day this month, is deferr'd on account of his Indisposition, to the 12th of April, when the new Masque of Alfred will be perform'd, with its proper Scenes, Dances, Music, and Machinery. Receipts: #230 (Cross)

Performances

Mainpiece Title: The Inconstant; Or, The Way To Keep Him

Related Works
Related Work: The Inconstant: or, The Way to Win Him Author(s): George Farquhar
Related Work: The Inconstant Author(s): George Farquhar

Afterpiece Title: The Rehearsal; or, Bayes in Petticoats

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham

Dance: Devisse, Mad Auretti, Harvey, Mad Camargo

Event Comment: Benefit for Woodward. Afterpiece: A New farce written by Mr Woodward-for his Benefit, The farce was a kind of dispute among ye Actors, & went off, as it was a Benefit, without Interruption, but I believe will not be play'd agen, ye Epil: was a parody upon Shakespear's Stage of Life, & was Lik'd (Cross). No Part of Pit will be rail'd into the Boxes. Ladies send servants by three. Tickets to be had of Woodward at Clarendon's Warehouse, and of Hobson at the stage door. Last time of performing the mainpiece this season. [Larpent MS 92, indicates the afterpiece as a criticism from the actors' view of the way they are handled by audiences, and of their own damnation of a play presented to them. All works up to the Epilogue: @'All the town's a farce-he says and swears,@And all the men and women merely players...'@ which is severe upon politicians, doctors, statesmen and connoisseurs. The characters appear under their own names, Cross, Clive, etc.] Receipts: #300 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: A Lick at the Town

Event Comment: Benefit for Barry. Last time of performing mainpiece this season. N.B. A New Tomb will be made use of, so modell'd as to prevent any obstruction to persons sitting on the stage, from seeing the performance. Pit and boxes will be laid together. Amphitheatre on stage. Servants admitted to keep places. Tickets at Mr Barry's in Bow St., Covent Garden and at Stage Door

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Mock Doctor

Dance: As17500926

Event Comment: This Morning we were surpris'd with the unhappy News, that Frederick Prince of Wales Dy'd the Night before between ten & eleven-Mr Beard's Benefit was to be on Thursday & many of ye Bills were posted before we heard of this Accident the Bills were immediately torn down, & the House shut up before my Ld Chamberlain sent orders for so doing-on fryday the 5th of Ap: my Lord sent us leave to open on the 8th: being Easter Monday; it is said our having permission to open so soon, & before the prince was Bury'd was on account of the Actors Benefits depending (Cross)

Performances

Mainpiece Title: None

Event Comment: Benefit for Macklin. At the desire of Several Persons of Quality. Tickets deliver'd for the 25th of March will be taken

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Performance Comment: Varanes-Barry; Theodosius-Ryan; Leontine-Macklin; Marcian-Sparks; Aranthes-Ridout; Pulcheria-Mrs Vincent; Athenais-Miss Macklin (her 1st appearance); With a New Prologue on the Occasion-Macklin.
Related Works
Related Work: The Weathercock Author(s): Theodosius Forrest

Afterpiece Title: Hob in the Well

Dance: As17500926

Event Comment: Benefit for Berry. Tickets at Popes Perke maker Russell St., and at the Stage Door. Tickets deliver'd out for 26 March will be taken. At Punch's Theatre in James St., near the Haymarket, this, and every Evening this week, the Town will be entertained with Yeates's inimitable dexterity of Hand; likewise by Mr Punch's Company of performers will be exhibited the play of Jane Shore. To conclude with a New Grand Machine, representing the Temple of the Sunv, at Mexico, in North America, which has given universal satisfaction to the Nobility and Gentry (General Advertiser). Receipts: #212 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lethe

Dance: Devisse, Mad Auretti

Event Comment: Benefit for Palmer and Shuter. Last time of acting mainpiece this season. Tickets of Hobson at the stage Door. At Sadler's Wells near Islington will this day be opened a Concert of Vocal and Instrumental Music, divided into two parts; the vocal parts to be perform'd by Hemskirk, Bell, Mrs Yates, and Mrs Hooper. Between the two parts of the concert will be introduced several curious Performances, among which will be a fine representation of the Italian Shadows, which have not been performed in England these 30 years. The whole to conclude with a Grand piece of Fireworks, decorated with machinery and paintings entirely new, Each person to be admitted for a pint of Wine. To begin at 5 o'clock (General Advertiser). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Dance: Mathews, Mad Camargo, the Little Swiss

Event Comment: Benefit for Leviez (Ballet Master). Tickets of Leviez, the corner of Marlet Court, Bow St., Covent Garden, and of Hobson at the Stage Door. Tickets for 17 April will be taken. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17500927, but Young Bevil-Palmer; Daniel-_; New Occasional Prologue-_.

Afterpiece Title: Queen Mab

Performance Comment: As17510122, but others-Mad Mariet returns, +Mathews, Mad +Camargo.
Cast
Role: others Actor:

Dance: The Last two Entertainments of Dancing-Devisse, Mad Auretti

Event Comment: Benefit for Costollo and Miss Minors. Tickets of Costollo at his lodgings at Mr Waiter's, Chymist, the Golden Cross, in Russel St., Covent Garden; of Miss Minors, at Mr Nichols's a Baker, in Catherine St., near Russel Court, and at the Stage Door. We are assured that Sg Giardini's Performance on the Violin, at Sga Cuzzoni's Benefit, at the New Theatre in Haymarket, on Saturday Night last, gave the highest pleasure to several of the best judges of that instrument. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Lord Townly-Palmer; Lady Grace-Mrs Willoughby for the first time; Manly-Berry; Basset-Blakes; Squire Richard-Costollo; Lady Wronghead-Mrs James; Miss Jenny-Miss Minors; Sir Francis Wronghead-Yates; Moody-Winstone; Mrs Motherly-Mrs Cross; Trusty-Mrs Yates; Lady Townly-Mrs Pritchard.

Afterpiece Title: Lethe

Song: Master Mattocks

Dance: Mathews, Mad Camargo, McNeil

Event Comment: At the New Wells, Lemon St. Tickets which could not be admitted last night will be taken tonight. [The concert formula omitted.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Hob in the Well

Event Comment: A Concert, etc. At the Desire of several Gentlemen and Ladies. For One Night Only. For the Benefit of Mr Phillips. At the New Playhouse, Bowling Green, Southwark. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. Sylvius went to see Hamlet but was distracted by a beautiful woman nearby (Daily Advertiser and Literary Gazette, 20 Sept.)

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

Dance: Phillips

Song: Platt, Master Phillips

Event Comment: Receipts. #100 (Cross). General Advertiser: The tragedy of the Revenge is reviving at Drury Lane, and will be played there sometime next week, in which Mossop will play the part of Zanga. A Poem To Mr Ross, on his first appearance in the Character of Bevil : @Who can resist to pour the raptur'd praise@When such deserts as thine attention raise...@Bevil whose words still fire the Noble mind@Shines with new lustre to thy Merits joined...

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Intriguing Chambermaid