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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12197 results for: Keyword - George C. D. Odell</i>, <i>Annals of the New <span class=
We found 4519 matches on Event Comments, 4212 matches on Author, 2942 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.

10976
25 April 1737 @ Haymarket Theatre

Event Comment: Benefit Hatchett. Third Piece: an additional Addition of a new entertaining Scene. In which the whole Art and Mystery of Free-Masonry is delineated, by the Admission of a Lady. At 6:30 p.m. Tickets for Mrs Haywood's benefit taken this day

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Afterpiece Title: The Female Free Mason

10977
25 April 1737 @ King's Theatre

Event Comment: DDaily Advertiser, 26 April: Signior Rolli's new Opera Call'd Sabrina, was rehears'd Yesterday Morning in Mr Heidegger's Apartments, to a numerous and very splendid Audience of Ladies and Gentlemen. The Signora Antonia Maria Marchesini, lately arriv'd from Italy, perform'd in it with universal Approbation

Performances

Mainpiece Title: Sabrina

10978
26 April 1737 @ King's Theatre

Event Comment: A new Opera. [Text by Paul Rolli.] Daily Advertiser, 26 April: The Signora Marchesini's Songs are distributed after such a judicious Manner by the ingenious Author, so as to rise gradually upon the Audience in each Act

Performances

Mainpiece Title: Sabrina

10979
28 April 1737 @ York Buildings

Event Comment: LLondon Daily Post and General Advertiser, 28 April: This is to inform the Publick, That the new Tragi-Comedy, entitled, The Free Thinker, or the Fox Uncased, which was to have been play'd on this Day, is oblig'd to be again deferr'd till Friday Se'nnight, being the 6th of May, when it will certainly be play'd [in yb], Pen. Aubin. [See also 14 April.

Performances

10980
03 May 1737 @ Haymarket Theatre

Event Comment: Benefit Mrs Charke. Mainpiece: A new Ballad Opera. Written in Honour of the Gentlemen of the Navy. [Author not known. Apparently not published.] Afterpiece: Written by the Author of Pasquin

Performances

Mainpiece Title: The Sailor's Opera; Or, An Example Of Justice To Present And Future Times

Afterpiece Title: The Historical Register

Music: With aPreamble on the Kettle@Drums-Mr Job Baker; who will accompany several Songs in the Opera-

10981
06 May 1737 @ Haymarket Theatre

Event Comment: Benefit a Family under real Misfortunes. At the Desire of several Persons of Quality. 6:30 p.m

Performances

Mainpiece Title: The Historical Register

Performance Comment: See17370321 but With a new Song by way of Epilogue to The Historical Register, call'd The Politician , address'd to the Criticks; the Words of which will be printed, and deliver'd this Night, gratis, at the Theatre;-a Gentlewoman who never sung on the Stage before.
Cast
Role: at the Theatre; Actor: a Gentlewoman who never sung on the Stage before.

Afterpiece Title: Eurydice Hiss'd

Song: TThe Lady's Lamentation for the Loss of Senesino-

10982
17 May 1737 @ Drury Lane Theatre

Event Comment: Afterpiece: A new Farce [By T. Cooke]

Performances

Mainpiece Title: Cato

Afterpiece Title: The Eunuch; or, The Darby Captain

10983
18 May 1737 @ Covent Garden

Event Comment: A new Opera. [Text by A. Salvi. Music by Handel.] By His Majesty's Command, [Their Majesties expect to attend.

Performances

Mainpiece Title: Berenice

10984
21 May 1737 @ King's Theatre

Event Comment: Afterpiece: a new Comic Interlude. [Apparently not published. Composer not known.

Performances

Mainpiece Title: Sabrina

Afterpiece Title: Le Bourgeois Gentilhomme

10985
24 May 1737 @ King's Theatre

Event Comment: A new Opera. [Composed by Egidio Duni Nepolitano.] 7 p.m

Performances

Mainpiece Title: Demofoonte

10986
25 May 1737 @ Drury Lane Theatre

Event Comment: Benefit Robinson, Wright, Hobson. Mainpiece: Taken from the French of Moliere. [Tickets for Gillibrand, Fulwood, Lee also taken.

Performances

Mainpiece Title: The Mother-in-law

Performance Comment: As17361112, but Agnes-Miss Wright, the first time of her appearing on the stage.
Cast
Role: Agnes Actor: Miss Wright, the first time of her appearing on the stage.

Afterpiece Title: The Mock Doctor

Performance Comment: As17370423 A new Prologue, Epilogue to the Farce, -Miss Wright.

Dance: I: English Maggot-Villeneuve, Mrs Walter; II: Russian Sailor-Denoyer's@Prentice; III: Two Pierrots-Livier, Villeneuve; IV: Punch's Dance, as17370519; V: Wooden Shoe Dance-Livier, Villeneuve

10987
30 August 1737 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Congreve. Egerton 2320: Berry, Oats & Shepard discharg'd much noise in ye Pit for ye restoring of Oats. Griffin at Rotterdam, Jack Ray did his part. Milward's [?] a good one--the first night of Beard's playing--his success great. Receipts: #115. [For performances at the Fairs, see season of 1736-1737.] Daily Advertiser, 22 Aug.: The House [dl] is neatly decorated, and a very large Lobby prepar'd for the Servants that keep Places, with two Fire Places, Seats, near the Boxes, where a Person is to attend to call them, whe wanted by their Masters or Ladies. There is also a new Passage to the Pit, which will make it much more convenient for the Audience

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

10988
01 September 1737 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Otway. At Common Prices. 6 p.m. N.B. There is a new Passage to the Pit.,. also a large Lobby for the Servants that keep Places. Receipts: #65. Egerton 2320: ye first night of Mr Right's appearance. Cato given out, but cou'd not be play'd, Mrs Cibber not being ready in Maria we cou'd play no Play but the Orphan Mrs Thurmond having left us

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Orphan-Mrs Cibber; Castalio-Milward; Polydore-Mills; Chamont-Quin; Chaplain-Turbutt; Page-Miss Cole; Serina-Miss Holliday; Florella-Mrs Brett; Acasto-Wright, the first time of his appearance on that stage.
Cast
Role: Acasto Actor: Wright, the first time of his appearance on that stage.

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John-Beard, the second time of his appearing on that stage in any speaking character; Lady Loverule-Mrs Pritchard; Jobson-Harper; Nell-Mrs Clive.
Cast
Role: Sir John Actor: Beard, the second time of his appearing on that stage in any speaking character
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

10989
29 October 1737 @ King's Theatre

Event Comment: A New Opera. [Text by Salvi. Altered by Rolli.] Pit and Boxes together at half a guinea each. Gallery 5s. 6 p.m. [Their Majesties present.

Performances

Mainpiece Title: Arsaces

10990
19 November 1737 @ Drury Lane Theatre

Event Comment: Afterpiece: By Desire. With New Habits, Scenes, Machines, and other Decorations

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Afterpiece Title: The Burgomaster Trick'd

Performance Comment: All the Characters by Lilliputians. Burgomaster-Master Ferg; Harlequin-Master Holman; Boor Servant-Master Hamilton Jr; Scaramouch-Master Brooks Jr; Colombine-Miss Wright; Country Lads and Lasses, Tabor, and Pipe-Master Hamilton Sr, Master Brooks Sr, Master Harper, Master Case, Miss Cole, Miss Morrison, Miss Edwards; with The Shepherd's Mount-all the Characters (likewise performed by Lilliputians).
Cast
Role: with The Shepherd's Mount Actor: all the Characters
Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald

10991
26 January 1738 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Written by Shakespear. Afterpiece: a new Dramatick Piece: Intermix'd with Songs in Character. [By James Miller.

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Coffee House

Dance: V: Ballet, as17380120

10992
28 January 1738 @ King's Theatre

Event Comment: A New Opera. [Music by Giovanni Battist Pescetti.

Performances

Mainpiece Title: La Conquista Del Vello D'oro

10993
21 February 1738 @ Drury Lane Theatre

Event Comment: DDaily Advertiser, 22 Feb.: Since my distant Relation Tomo Chachi was pleas'd, through your Means, to give his Reason for the Town's Condemnation of the Two first licensed Dramatick Performances since the new Act,-I desire to have his Opinion concerning the Fate of the Third-call'd Art and Nature:-I presume he cannot assign for Cause what he did before, for that this Piece did not receive the Indulgence of being heard at all....Adomo Tomo

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Grand Ballet-Muilment, Mrs Walter; III: Drunken Peasant-Philips; V: Polonese-Haughton, Mrs Walter

10994
23 February 1738 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Written by the late Mr Otway. Afterpiece: A new Dramatick Piece of One Act: Being the Sequel to the King and the Miller of Mansfield. [By Robert Dodsley.

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Sir John Cockle at Court

Dance: V: Ballet-Denoyer, Haughton, Miss Thompson

10995
25 February 1738 @ King's Theatre

Event Comment: A new Opera. [Text possibly by Zeno. Music, a Handel pasticcio.

Performances

Mainpiece Title: Alessandro Severo

10996
14 March 1738 @ King's Theatre

Event Comment: A New Opera. [Music by Francis Veracini.

Performances

Mainpiece Title: Partenio

10997
26 March 1738 @ York Buildings

Event Comment: At the New Oratory, in Villars Street, York Buildings. The Doors will be open'd at Six, and the Oration begin at Seven o'clock. In Regard to the Expences of the late Prosecution the Seats will be 2s

Performances

Mainpiece Title: An Oration

Performance Comment: On a Passage from St. Matthew-Lacy.
Cast
Role: Matthew Actor: Lacy.

10998
15 April 1738 @ King's Theatre

Event Comment: A New Opera. [Music by Handel.

Performances

Mainpiece Title: Xerxes

10999
08 November 1738 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Afterpiece: With Additional Scenes, particularly a new one for the Conclusion

Performances

Mainpiece Title: Aesop

Afterpiece Title: Robin Goodfellow

Cast
Role: Father to Colombines Actor: Pelling

Ballet: III: A Comic Ballet called Double Jealousy. Miller-Poitier (the first time of his appearing on that stage these two years); Miller's Wife-Mlle Roland; Coquette-Mrs Walter

Performance Comment: Miller-Poitier (the first time of his appearing on that stage these two years); Miller's Wife-Mlle Roland; Coquette-Mrs Walter.

11000
09 December 1738 @ Covent Garden

Event Comment: Afterpiece: A new Burlesque Opera. [By Henry Carey.] Being the Sequel to the Dragon of Wantley

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Margery; or, A Worse Plague than the Dragon : Being the Sequel to the Dragon of Wantley

Performance Comment: More of Morehall-Salway; Margery More-Mrs Lampe; Gaffer Gubbins-Laguerre; Margery Mauxalinda-Miss Esther? Young; but edition of 1738 adds: Herald-Reinhold; First Guest-Roberts.
Cast
Role: Margery Mauxalinda Actor: Miss Esther? Young

Dance: With Dances, incident to the Opera,-Glover, Lalauze, Haughton, Mlle Roland, Villeneuve, Richardson, Dupre, Thompson, Miss Oates, Miss Norman, Mrs LeBrun, Mrs Bullock