SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin [1790]. Sga Storace had 1st appeared in concerts from 1774 to 1778, and at king's on 24 Apr. 1787 and thereafter]: With new Scenes, Dresses and Decorations. The new Music composed by Storace, the rest compiled from Linley? Sen., Purcell, Sarti, Paisiello, Martin y Soler?, Pleyel, &c. The Scenes designed and executed by Greenwood. Books of the Songs to be had at the Theatre. "In her own particular line on the stage [Sga Storace] was unrivalled, being an excellent actress, as well as a masterly singer. She settled entirely in England, and after quitting the opera (to which she was frequently recalled in times of distress, as was too often the case), she engaged at Drury Lane, where the English opera was raised to an excellence not known before, by her singing, with that of Mrs Crouch, Mrs Bland, Kelly, and Bannister, and under the direction of her brother Stephen Storace, who composed, or rather compiled, several very pretty operas, of which the Haunted Tower, and the Siege of Belgrade still remain favorites, and are frequently performed" (Mount-Edgcumbe, 65). Account-Book, 4 Jan. 1790: Paid Cobb on Acct. of the Purchase of the Copyright of the Haunted Tower #157 10s.; 27 Feb. 1790: Paid Cobb in full for Copyright #52 10s. Receipts: #219 9s. 6d. (200.13.0; 17.14.6; 1.2.0)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: [Characters-Kelly, Baddeley, Moody, Suett, Dignum, Sedgwick, Whitfield, Williames, Bannister Jun.; Sga Storace (1st appearance on the English stage i.e. in a speaking part]), Miss Romanzini, Mrs Booth, Mrs Crouch. [Cast from Songs (J. Jarvis, 1789): Lord William-Kelly; Baron of Oakland-Baddeley; Hugo-Moody; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; De Courcy-Whitfield; Martin-Williames; Edward-Bannister Jun.; Hubert-Webb; Servant-Lyons; Adela-Sga Storace; Cicely-Miss Romanzini; Maud-Mrs Booth; Lady Elinor-Mrs Crouch.

Afterpiece Title: The Miller of Mansfield

Performance Comment: The King-Whitfield; Richard-R. Palmer; Joe (with a song)-Williames; Lord Lurewell-Benson; The Miller-Moody; Kate-Mrs Wilson; Peggy-Miss Collins; Margery-Mrs Hopkins [Public Advertiser: Mrs Booth].Public Advertiser: Mrs Booth].
Cast
Role: The King Actor: Whitfield
Role: The Miller Actor: Moody
Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews and Frederick Reynolds; based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by the Duke of Leeds; Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses and Decorations. The Scenery designed and executed by Greenwood. Gazetteer, 18 Nov.: At the rehearsal of the new comedy on Tuesday the Duke of Leeds, Major Scott, Mr Angerstein [the banker] and Mr Boswell were in the boxes. Mr Boswell said an epigrammatic thought had struck him...and he brought the following Impromptu into life: Andrews, your play is safe enough; For noble Leeds endures it; Boswell and Scott are pledged to puff, And Angerstein ensures it. World, 13 Dec. 1790: To-morrow will be published Better Late than Never (1s. 6d.). Receipts: #240 14s. (206.7; 32.6; 2.1)

Performances

Mainpiece Title: Better Late Than Never

Performance Comment: Characters by Kemble, Dodd, Palmer, Baddeley, Bannister Jun., R. Palmer, Maddocks, Lyons, Webb, Mrs Jordan, Mrs Goodall, Miss Pope. [Cast from text (J. Ridgway, 1790): Saville-Kemble; Flurry-Dodd; Sir Charles Chouse-Palmer; Grump-Baddeley; Litigamus-Bannister Jun.; Pallet-R. Palmer; Lawyer's Clerk-Maddocks; Servant to Saville-Lyons; Servant to Flurry-Webb; Augusta-Mrs Jordan; Mrs Flurry-Mrs Goodall; Diary-Miss Pope; Prologue-Bannister Jun; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Don Juan

Cast
Role: Masaniello Actor: Fairbrother
Role: Waiter Actor: Fairbrother

Dance: As17901026

Event Comment: By Command of Their Majesties. 2nd Ballet: With entire new Scenes, Dresses, Machinery, &c. [Synopsis of action (H. Reynell, 1791); music by Mazzinghi.] "The machinery in this Ballet is highly deserving of praise. Calypso's Grottov, which is formed by the wings and a flat scene rising suddenly from the earth, had a surprising effect. The Mechanism by which this change is produced, we apprehend, is wholly new in this country" (Morning Post, 21 Mar.)

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: Divertisement, as17910217; End II: a Grand Heroic Ballet in 3 acts (1st time), Telemachus in the Island of Calypso (composed by D'Auberval)-Didelot, D'Egville, Mlle Theodore, Mlle Gervaise Troche, Mlle Deligny, Mlle L. Simonet, Mlle R. Simonet, Mlle Menage. For assignment of parts see17910322

Event Comment: Mainpiece [1st time; MD 3, by the Hon. Francis North. Johnstone was from cg]: The Music partly new by Gyrowetz, and partly compiled [by Miss Monck, or Monckton] from Paisiello, Sacchini, and Guglielmi. With new Dresses, Decorations, &c. Books of the Songs to be had at the Theatre. Oracle, 27 June: The chief excellence of this piece is the preservation of costume. Gazetteer, 27 June: Bensley disgraced a performance otherwise good by concluding his sentences with a rant, and a look at the gallery. Times, 9 July 1791: This day is published The Kentish Barons (1s. 6d.)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Kentish Barons

Event Comment: Mainpiece [1st time; C 5, by Catherine? Cuthbertson. Authors of Prologue and Epilogue unknown. Larpent MS 969; not published]: With new Dresses and Decorations. "The [new] piece possessing nothing like a plot, and being perfectly uninteresting, was much disapproved of...Palmer contributed to its bad reception by being absent when he was most wanted on the stage, and occasioning thereby an aukward chasm, which put the audience out of humour. He was otherwise highly reprehensible for his imperfections in his part" (Public Advertiser, 26 Feb.). Receipts: #375 16s. 6d. (342.13.6; 31.7.0; 1.16.0)

Performances

Mainpiece Title: At kings Anna

Afterpiece Title: The Deaf Lover

Event Comment: Mainpiece [1st time; CO 3, by Richard Cumberland; music ascribed to Capt. Warner. Larpent MS 976; not published]: With entire new Music, new Scenes and Dresses. Books of the Songs [C. Dilly,1793] to be had at the Theatre. Receipts: #224 0s. 6d

Performances

Mainpiece Title: The Armourer

Performance Comment: Principal Characters by Quick, Johnstone, Munden, Incledon, Blanchard, Fawcett, Harley, Cubitt, Powel, Gray, Thompson, Rock, Evatt, Rees, Linton, Mrs Martyr, Mrs Harlowe, Miss Barnett, Mrs Clendining. Cast from European Magazine, Apr. 1793, p. 308: Diggory-Quick; Harry Furnace-Johnstone; Friar Dominic-Munden; Earl Fitzallan-Incledon; Simon Sapling-Blanchard; Town Cryer of Rumford-Fawcett; Sir Theodore De Courcy-Harley; Bluster-Cubitt; Kate-Mrs Martyr; Margery-Mrs Harlowe; Rosamund-Mrs Clendining; unassigned-Powel, Gray, Thompson, Rock, Evatt, Rees, Linton, Miss Barnett.

Afterpiece Title: Lovers Quarrels

Event Comment: 2nd ballet: With entirely new Scenery, Machinery, Dresses and Decorations. The Music entirely new, composed by Millerd, composer for the ballets at the Opera at Paris. In the course of the performance the Grand Procession of Iphiginia into Aulide. The Scenery, Machinery, &c. designed by Marinari, and executed by him and his assistants. The decorations by Johnston, the dresses by Sestini. [Scenario published by J. Hammond [1793].] The Managers beg leave particularly to request that no Gentleman will come behind the Scenes, as the number of people engaged in the ballet, and the variety of scenery and machinery, render such admission highly inconvenient. Morning Herald, 24 Apr,: The story [of the ballet] is perhaps not very intelligibly told; but the shew and the dance are admirable. It begins and concludes with magnificent processions, the last of which brings Iphiginia to the altar, where she is saved just as the holy knife is raised for the sacrifice. At this instant the chariot of the Sun, the brilliancy of which is much beyond any former representation of the sort, passes over the stage, and is, for some time, suspended over the altar, while the whole corps de ballet offer their adorations

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Les Epoux du Tempe- [See17930205]

Ballet: End Opera: the Grand Historical Ballet in 4 Parts, which has been so long in preparation, Iphiginia in Aulide; or, The Sacrifice of Iphiginia composed by Noverre. Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet

Performance Comment: Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet.
Event Comment: Afterpiece [1st time; F 2, by Mary Robinson. Prologue and Epilogue by the author (London Chronicle, 1 Dec.). MS: Larpent 1046; not published]: With new Dresses, &c. "The dissatisfaction to the Piece being so great [Mrs Jordan] was so much agitated as to be unable to repeat above one half of the Epilogue, which, from the Opposition of Hisses and Applauses, not scarely three lines of that could be distinctly heard" (Powell). Powell: New Ballet rehearsed at 10; Nobody at 12. Receipts: #334 2s. 6d. (222.13.6; 107.10.6; 3.18.6)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Nobody

Performance Comment: Characters-Barrymore, Bensley, Bannister Jun., Maddocks, Trueman, Evans, Mrs Goodall, Miss Pope, Miss Collins, Miss Heard, Miss DeCamp, Mrs Booth, Mrs Jordan; [Larpent MS 1046 lists the parts: Sir Henry Rightly, Sharply, Lord Courtland, Thomas, Servants, Nelly Primrose, Lady Languid, Lady Rouleau, Lady Farrow, Lady Squander, Miss Cassino, Mrs Goodly.] Prologue-Barrymore; Epilogue-Mrs Jordan.
Event Comment: Afterpiece [1st time; P 2 (?), by William Linley. Also attributed to Cordal Powel, librarian to the Prince of Wales (London Chronicle, 19 Jan. 1796). Larpent MS 1106; not published, except for Airs (C. Lowndes, 1796). Synopsis of action in Pocket Magazine, Jan. 1796, p. 59]. The Musick composed by W. Linley. The Scenes [for a description of which see Theatre Notebook, 1965, XIX, p. 58] entirely new, and painted by Greenwood. The Machinery and Decorations by Cabanel, Johnston and Jacobs. The Dresses by Johnston and Miss Rein. Nothing under Full Prince will be taken. Account-Book, 22 Jan.: Paid Wm. Linley for music of new pantomime #25. Receipts: #619 3s. (608.9; 10.14)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Harlequin Captive or The Magick Fire

Performance Comment: Characters by Caulfield, Banks, Boimaison, Master Welsh, Dubois, Fairbrother, Wathen, Russell, Benson, Hollingsworth, Burton, Phillimore, Maddocks, Jones, Webb, Fisher, Wentworth, Evans, Roffey, Keys, Whitmell, Wells, Butler, W. Banks, Nicolini, Garman, Master Gregson, Master DeCamp; Miss DeCamp, Miss Mellon, Mrs Boimaison, Miss Heard, Mrs Cuyler, Mrs Booth, Miss Tidswell, Mrs Maddocks, Mrs Hedges, Mrs Heard, Mrs Butler, Mrs Brooker, Miss Chatterley, Mrs Jones, Mrs Mills, Mrs Brigg, Mrs Haskey, Mrs Barrett. Chorus of Knights and Ladies (Vocal Parts)-Sedgwick, Dignum, Trueman, Danby, Cooke, Welsh, Mrs Bland, Miss Leak, Miss Arne, Mrs Bramwell, Miss Granger, Miss Jackson, Miss Menage, Miss Stuart, Miss Wentworth; Cast adjusted from playbill of 9 Nov. 1796: Ormandine-Caulfield; Harlequin-Banks; Ormandine's Servant-Boimaison; Ariel-Master Welsh; Clown-Dubois; Sailor-Fairbrother; Sir Epicure-Hollingsworth; Crop-Burton; Landlord-Phillimore; Countrymen-Maddocks, Jones; Constable-Webb; Prigg-Fisher; Gipsies-Evans, Garman, Mrs Butler, Mrs Jones, Mrs Mills, Mrs Brigg; Furies-Roffey, Wells, Master Gregson; Gardener-Whitmell; Waiter-Butler; Cheesemonger-Nicolini; Postboy-Master DeCamp; Colombine-Miss DeCamp; Minerva-Miss Mellon; Spirit-Miss Heard; Landlady-Mrs Booth; Lady-Miss Tidswell; Countrywomen-Mrs Maddocks, Mrs Heard; Cook-Mrs Brooker; Chambermaid-Miss Chatterley; unassigned-Wathen, Russell, Benson, Wentworth, Keys, W. Banks, Mrs Boimaison, Mrs Cuyler, Mrs Hedges, Mrs Haskey, Mrs Barrett.
Event Comment: Mainpiece [1st time; C 5, by Thomas Morton; with incidental music by John Moorehead. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With New Scenes [by Richards (Universal Magazine, Feb. 1800, p. 157)] and new Dresses. Morning Chronicle, 8 July 1800: This day is published Speed the Plough (2s.). Receipts: #256 7s. (253.4.6; 3.2.6)

Performances

Mainpiece Title: Speed The Plough

Performance Comment: Principal Characters by Pope, Munden, Fawcett, Knight, H. Johnston, Murray, Davenport, Waddy, Atkins, Street, Abbot, Curties, Klanert, Miss Murray, Mrs Davenport, Mrs Dibdin, Mrs H. Johnston. [Cast from text (T. N. Longman and O. Rees, 1800): Sir Philip Blandford-Pope; Sir Abel Handy-Munden; Bob Handy-Fawcett; Farmer Ashfield-Knight; Henry-H. Johnston; Morrington-Murray; Evergreen-Davenport; Gerald-Waddy; Peter-Atkins; Postillion-Abbot; Young Handy's Servant-Klanert; Susan Ashfield-Miss Murray; Dame Ashfield-Mrs Davenport; Lady Handy-Mrs Dibdin; Miss Blandford-Mrs H. Johnston; unassigned-Street, Curties; Prologue-Betterton; [This was spoken, as here assigned, at the 1st 9 performances only (see18000219).] Epilogue-Fawcett. [This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Pretenders Or Kensington Gardens

Performance Comment: Edition of 1720 lists: Lord George Belmour-Leigh; Colonel Lovely-Ryan; Sir Vanity Halfwit-Pack; Sir Politick Noodle-Bullock Sr; Varnish-Egleton; Grogram-Harper; Captain Hackit-Spiller; Bardach-C. Bullock; Lucinda-Mrs Bullock; Lady Jane-Miss Stone; Melissa-Mrs Spiller; Spleen-Mrs Giffard; Vapours-Mrs Robertson; Betty-Mrs Gulick; Prologue-Ryan; Epilogue-Mrs Bullock.
Cast
Role: Lord George Belmour Actor: Leigh
Event Comment: Inkle and Yarico [advertised on playbill of 22 Jan.] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #209 7s. (203.2.6; 6.4.6)

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Lewis; Sir George Touchwood-Farren; Saville-Aickin; Flutter-Bernard; Villers-Hull; Courtall-Davies; French Valet-C. Powell; Porter-Powel; Hardy-Quick; Mrs Racket-Mrs Mattocks; Lady Touchwood-Mrs Wells; Miss Ogle-Mrs Lewis; Kitty Willis-Miss Stuart; Letitia Hardy-Mrs Pope.
Cast
Role: Sir George Touchwood Actor: Farren

Afterpiece Title: Harlequins Chaplet

Dance: As17891231

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Lewis; Sir George Touchwood-Farren; Saville-Aickin; Flutter-Bernard; Villers-Hull; Courtall-Davies; French Valet-C. Powell; Porter-Powel; Hardy-Quick; Mrs Racket-Mrs Mattocks; Lady Touchwood-Miss Chapman; Miss Ogle-Mrs Lewis; Kitty Willis-Miss Stuart; Letitia Hardy-Mrs Pope.
Cast
Role: Sir George Touchwood Actor: Farren

Afterpiece Title: The Deserter

Event Comment: By command of Their Majesties. Receipts: #369 15s. (368.3; 1.12)

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Lewis; Sir George Touchwood-Farren; Saville-Aickin; Flutter-Fawcett; Villers-Macready; Courtall-Davies; French Valet-C. Powell; Porter-Powel; Hardy-Quick; Mrs Racket-Mrs Mattocks; Lady Touchwood-Miss Chapman; Miss Ogle-Mrs Harlowe; Kitty Willis-Miss Stuart; Letitia Hardy-Mrs Pope.
Cast
Role: Sir George Touchwood Actor: Farren

Afterpiece Title: Blue Beard

Cast
Role: 2nd Brother Actor: Letteney.
Role: Brothers to Colombine Actor: Farley, King
Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger
Event Comment: Afterpiece: Not acted these 4 years [not acted since 15 June 1787). Receipts: #238 15s. (226/11; 12/4)

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: NINA

Performance Comment: Germueil-Incledon; Count-Hull; George-Richardson//Eliza-Mrs Mountain; Nina-Miss Poole (1st appearance in that character). Villagers-Linton, Tett, Kendrick, Sawyer, Little, Spofforth, Street, Speechly, &c.//Miss Stuart, Mrs Bayzand, Miss Kirton, Miss Leserve, Mrs Castelle, Mrs Follett, Mrs Watts, Mrs Lloyd, &c .
Event Comment: [Miss Goddard was from the Margate theatre.] Receipts: #295 4s. (199.16.6; 91.12.0; 3.15.6)

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Palmer; Hardy-Hollingsworth; Sir George Touchwood-Wroughton; Flutter-Bannister Jun.; Saville-C. Kemble; Villers-Caulfield; Courtall-Russell; Letitia Hardy-Miss Goddard (1st appearance on this stage); Mrs Racket-Miss Pope; Lady Touchwood-Miss Miller; Miss Ogle-Miss Heard; Kitty Willis-Miss Tidswell.

Afterpiece Title: A Trip to the Nore

Performance Comment: As17971109, but added to Bannister Jun.: (With a new song, A Salt Eel for Mynheer-Bannister, by permission of Dibdin).

Afterpiece Title: My Grandmother

Cast
Role: Sir Matthew Medley Actor: Maddocks

Dance: In 2nd piece: As17971109; IV: a Masquerade Scene-; a Minuet-D'Egville, Miss Goddard

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Barrymore; Hardy-Hollingsworth; Sir George Touchwood-Powell; Flutter-Russell; Saville-C. Kemble; Villars-Caulfield; Courtall-R. Palmer; Silvertongue-Maddocks; Gentlemen-Webb, Trueman, Wentworth; Letitia Hardy-Miss Biggs; Mrs Racket-Miss Pope; Lady Touchwood-Miss Miller; Miss Ogle-Miss Heard; Kitty Willis-Miss Tidswell.
Cast
Role: Sir George Touchwood Actor: Powell

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: Doricourt-Barrymore; Hardy-Hollingsworth; Sir George Touchwood-Powell; Flutter-Palmer; Saville-C. Kemble; Villers-Caulfield; Courtal-Holland; Silvertongue-Maddocks; Letitia Hardy-Miss Biggs; Mrs Racket-Miss Pope; Lady Touchwood-Miss Campbell; Miss Ogle-Miss Heard; Kitty Willis-Miss Tidswell.
Cast
Role: Sir George Touchwood Actor: Powell

Afterpiece Title: Blue Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger
Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Larpent MS 779; not published; synopsis of plot in Universal Magazine, Aug. 1787, p. 100. Prologue by the author; Epilogue by George Colman elder (European Magazine, July 1787, pp. 63-64). In 1789 altered as The School for Widows]

Performances

Mainpiece Title: The Country Attorney

Performance Comment: Principal Characters by Bensley, Aickin, Kemble, Browne, R. Palmer, Johnson, Lyons, Ledger, Bannister Jun., Mrs Bulkley, Miss Woollery, Mrs Cuyler, Miss Brangin, Miss Farren. [Cast from European Magazine, July 1787, pp. 63-64, and Crouch, II, 25: Sterling-Bensley; Worldly-Aickin; Sir Wilful Wayward-Kemble; Frederick Wayward-Browne; Lord Millamour-R. Palmer; Gayless-Johnson; Jack Volatile-Bannister Jun.; Mrs Worldly-Mrs Bulkley; Arabella Grenville-Miss Woollery; Mrs Gayless-Mrs Cuyler; Lucy-Miss Brangin; Lady Rustic-Miss Farren; unassigned-Lyons, Ledger; Prologue-Bensley; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Harvest Home

Cast
Role: Muzzy Actor: Mathews
Role: Unah Actor: Miss George
Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Performance Comment: Prologue To the King and $Queen At the Opening of Their Theatre by Mr Dryden-Mr Batterton; Epilogue by the same Authour-Mr Smith.
Event Comment: Benefit Miss Porter. At the Desire of several Ladies of Quality. Admission as 21 May, but Gallery 1s

Performances

Mainpiece Title: The Busy Body

Performance Comment: Busy Body-Young Pervil; Sir Jealous-Young Ray; Sir George-Young Boman; Charles-Young Mills; Whisper-Young Norris; Miranda-Miss Younger; Isabinda-Miss Porter; Parch-Miss Lydell; With a new Epilogue-Miss Porter.
Event Comment: Not Acted these 50 Years. Written by Shakespear in the Reign of King James the First. N.B. There will be a Play acted upon every Tuesday and Friday during the Summer-Season

Performances

Mainpiece Title: The Puritan Or Widow Of Walting Street

Performance Comment: cnl, but in Daily Courant, 19 June, this cast was listed: George Pyeboard-Mills; Captain Idle-Keen; NicholasSt. Antlings-Bullock; Sir Godfrey Plus-Johnson; Skirmish-Bickerstaff; Frailty-Norris; Corporal Oath-Bowen; Edmond-Pack; Sir Oliver Muckhill-Leigh; Sir John Pennyclub-Bullock Jr; Sir Andrew Tipstaff-Ryan; Puttock-Cross; Widow Plus-Mrs Willis; Molly-Miss Younger; Frances-Miss Willis; With a New Prologue-; Epilogue-.
Cast
Role: George Pyeboard Actor: Mills
Role: With a New Prologue Actor:
Related Works
Related Work: Tartuffe; or, The French Puritan Author(s): Matthew Medbourne

Performances

Mainpiece Title: The Busie Body

Performance Comment: Charles-Mills; Sir George-Wilks Jr; Marplot-Miller; Sir Francis Francis-Norris; Sir Jealous-Shepard; Miranda-Mrs Booth; Isabinda-Mrs Younger; A new Epilogue-Miss Lindar.
Cast
Role: Sir George Actor: Wilks Jr
Role: A new Epilogue Actor: Miss Lindar.

Song: Singing in Italian-Miss Lindar

Dance:

Event Comment: Benefit Mrs Mary Man. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The London Merchant

Performance Comment: Millwood-Mrs Mary Man; George Barnwell-Edward Giles; Barnwell Sr-Phoenix; Thorowgood-Jones; Trueman-Barcock; Blunt-Wignall; Maria-Miss Palms; Lucy-Mrs Hind; With the Original Prologue-Giles; and a new Epilogue-Mrs Man.
Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Song: Singing in Italian and English-

Dance:

Music: Solo on the German Flute-Gentlemen for their Diversion; End Play: Trumpet Concerto-Burk Thumoth; Lesson on the Harpsichord-; Solo on the German Flute-

Event Comment: At Fielding-Hippisley Booth at the George Inn in West Smithfield. A new Dramatick Entertainment. Done from the French of Moliere, and intermix'd with Variety of Songs to old Ballad Tunes and Country Dances. All the Characters to be entirely new Dressed. [Advertised 22, 23, 24, 25, 26, 28, 29, 30, 31 Aug.; 1, 2, 4, 5, 6, 7 Sept.

Performances

Mainpiece Title: The Envious Statesman Or The Fall Of Essex With The Humours Of The Forcd Physician

Performance Comment: Queen-Mrs Mullart; Physician-Hippisley; rest-Huddy, A. Hallam, Mullart, Cole, Penkethman, Stoppelaer, R. Wetherilt, Leigh, Gray, Mrs Grace, Mrs Templer, Mrs Talbot, Mrs Palmer, Miss Atherton, Mrs Morse, Miss Mears.

Dance: Mons D'Ferrou Ville , lately arrived from Paris, Miss Brett, Miss Mears

Music: A Band , including Burk Thumoth

Entertainment: Before the Opera: Postures-Phillips