SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: By Command of Their Majesties. Doors, &c. as 21 Nov. 1798. Receipts: #530 12s. 6d. (524 19s. 6d.; 5.13.0)

Performances

Mainpiece Title: The Votary Of Wealth

Related Works
Related Work: The Votary of Wealth Author(s): Joseph George Holman

Afterpiece Title: Two Strings to Your Bow

Cast
Role: George Bevil Actor: Clarke
Event Comment: By Command of Their Majesties. Doors, &c. as 21 Nov. 1798. Receipts: #418 4s. (414.4; 4.0)

Performances

Mainpiece Title: The Votary Of Wealth

Performance Comment: As17990112, but Prologue-_; Epilogue-_ [and thereafter].and thereafter].
Related Works
Related Work: The Votary of Wealth Author(s): Joseph George Holman

Afterpiece Title: The Irish Mimic or Blunders at Brighton

Event Comment: By Their Majesties' Command. [Their Majesties and the rest of the Royal Family present.]

Performances

Mainpiece Title: Henry IV Part I

Afterpiece Title: The Harlots Progress or The Ridotto Al Fresco

Performance Comment: Kitty-Mrs Clive; Harlequin-Le Brun; Mordecai-Salway; Debauchee-Berry; Poudre-Este; Constable-Hough; Porter-Beckham; Jenny-Mrs Davenport; Mother Midnight-Turbutt; Brindle-Leigh; Pompey-Young Carney; Justices-Winstone, Raftor, Colo; Ladies of Pleasure-Mrs Villeneuve, Mrs Davenport, Miss Brett; Pierrot-Davenport; Punch-Janno; Scaramouch-Taylor; Shepherd and Shepherdess-Villeneuve, Mrs Walter; Dutchman and Frou-Thurmond, Miss Mann; Peasant Man and Woman-Duke, Mrs Pelling. With a New Comic Medley Overture, composed by Mr Charke .
Related Works
Related Work: Ridotto al Fresco Author(s): Theophilus Cibber
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Dance: I: Grand Serious Ballet by Essex, Mrs Walter, &c. II: Le Badinage de Provence by Poitier, Mlle Roland, &c. III: Russian Sailor by Denoyer and others. V: Le Chasseur Royal by Denoyer, Mlle Roland, &c

Performance Comment: II: Le Badinage de Provence by Poitier, Mlle Roland, &c. III: Russian Sailor by Denoyer and others. V: Le Chasseur Royal by Denoyer, Mlle Roland, &c .
Event Comment: Among the Principal Instrumental Performers are G. Ashley, Leader of the Band; C. Ashley, Principal Violoncello; Wm. Parke, Sarjant, J. Mahon, Boyce, Bridgtower, Parkinson, Lavenu, Taylor, W. Ware, Flack, Dressler, Gwilliam, Nicks, [the] Munros, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, Jackson, Wood, Coyle, Cornish, Purney, Leffler, Woodham, Piele, [the] Cantelos, Skillern, Beale, Lloyd, Franki, Simpson, Jenkinson, &c.; J. Ashley, Organ; R. Ashley, Double Drums (used at Westminster Abbey). The Chorusses will be numerous and complete. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the imprimatur of E. Macleish) to be had at the Theatre. [Sga Galli did not sing in The Messiah when it was originally performed in Dublin in 1742, or in London in 1743, in which year the cg oratories under Handel were established.] "I had the curiosity to go, and heard [Sga Galli] sing, 'He was despised and rejected of men' in the Messiah. Of course her voice was cracked and trembling, but it was easy to see her school was good; and it was pleasing to observe the kindness with which she was received, and listened to; and to mark the animation and delight with which she seemed to hear again the music in which she had formerly been a distinguished performer. The poor old woman had been in the habit of coming to me annually for a trifling present; and she told me on that occasion that nothing but the severest distress should have compelled her so to expose herself, which after all did not answer its end, as she was not paid according to her agreement" (Mount-Edgcumbe, pp. 19-20). [At the rehearsal, 1 Mar., I know that my Redeemer liveth sung by Mme Mara; Comfort ye my people by Braham; But@thou didst not leave by Miss Poole (Morning Herald, 2 Mar.).] "The chorusses are not such as would give satisfaction to a musical amateur: in this department we must endeavour to be content with noise and bawling, instead of sense and science:--they are not, however, worse than usual" (Monthly Visitor, Mar.1797, p. 262)

Performances

Mainpiece Title: The Messiah 0

Performance Comment: Principal Vocal Performers-Master Elliot, Braham, Sale, Bartleman, Mme Mara, Miss Poole, Sga Galli (Who is in her Seventy-Fifth Year, and will sing He was despised, which was originally composed for her by Handel, and which she sung when the Oratorios were first performed under his Direction, in the year 1741).

Music: End I: concerto on the violoncello-C. Ashley

Event Comment: The Duke's Company. Pepys, Diary: I away before to White Hall and into the new play-house there, the first time I ever was there, and the first play I have seen since before the great plague. By and by Mr Pierce comes, bringing my wife and his, and Knipp. By and by the King and Queene, Duke and Duchesse, and all the great ladies of the Court; which, indeed, was a fine sight. But the play being Love in a Tub, a silly play, and though done by the Duke's people, yet having neither Betterton nor his wife, and the whole thing done ill, and being ill also, I had no manner of pleasure in the play. Besides, the House, though very fine, yet bad for the voice, for hearing. The sight of the ladies, indeed, was exceeding noble; and above all, my Lady Castlemayne. The play done by ten o'clock. I carried them all home, and then home myself, and well satisfied with the sight, but not the play

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege
Event Comment: The Duke's Company. Downes (p. 29): It took well, but Inferior to Love in a Tub. Pepys, Diary: I to the Duke of York's playhouse; where a new play of Etherige's called She Would if she Could; and though I was there by two o'clock, there was 1000 people put back that could not have room in the pit: and I at last, because my wife was there, made shift to get into the 18d. box, and there saw; but, Lord! how full was the house, and how silly the play, there being nothing in the world good in it, and few people pleased in it. The King was there; but I sat mightily behind, and could see but little, and hear not all. The play being done...here was the Duke of Buckingham to-day openly sat in the pit; and there I found him with my Lord Buckhurst, and Sidly, and Etherige, the poet; the last of whom I did hear mightily find fault with the actors, that they were out of humour, and had not their parts perfect, and that Harris did do nothing, nor could so much as sing a ketch in it; and so was mightily concerned: while all the rest did, through the whole pit, blame the play as a silly, dull thing, though there was something very roguish and witty; but the design of the play, and end, mighty insipid. Thomas Shadwell, Preface to The Humorists (1671): The last (viz.) imperfect Action, had like to have destroy'd She Would if she could, which I think (and I have the Authority of some of the best Judges in England for't) is the best Comedy that has been written since the Restauration of the Stage: And even that, for the imperfect representation of it at first, received such prejudice, that, had it not ben for the favour of the Court, in all probability it had never got up again; and it suffers for it, in a great measure, to this very day

Performances

Mainpiece Title: She Would If She Could

Event Comment: It is not certain that this performance was given by the King's Company, but because it first produced the play, it has been assigned to Drury Lane. Pepys, Diary: Tuesday January the 27th...comeing home at night (after I had carryed my Cozen Winn Houblon home from a Play (shee would if she could). [Mornamont MS II, folio 1192, Cambridge University Library.] See also Arthur Bryant, Samuel Pepys: Years of Peril (New York, 1935), p. 314

Performances

Mainpiece Title: She Would If She Could

Event Comment: It is not known in which theatre this revival occurred. It was witnessed by van Constantijn Huygens, Monday 19 Dec. 1695 N.S. [translation]: In the afternoon I was at the comedy with my wife and Mrs Creitsmar. They played an old show called: The Love in the Tubb (Publications of the Dutch Historical Society, New Series, XXV [Utrecht, 1877], 560)

Performances

Mainpiece Title: Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege
Event Comment: At the Desire of several Ladies of Quality. And the principal Characters new Dress'd

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege
Event Comment: By His Royal Highness's Command. All the Characters being New Dress'd. [The Prince of Wales present.

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: As17161027

Event Comment: For the Benefit of The Author of a new Tragedy which cannot conveniently be acted this Season. Tickets for 28 Feb. will be taken

Performances

Mainpiece Title: The Man Of Mode

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: Lally, Essex, Mrs Booth

Event Comment: Benefit for Dodd. Public Advertiser, 21 Mar.: Tickets to be had of Dodd at his house in New Ormond-street, Queen's-square. Receipts: #245 7s. 6d. (102.15.0; 19.9.0; 0.7.6; tickets: 122.16.0) (charge: #68 19s.)

Performances

Mainpiece Title: Love For Love

Performance Comment: As17780305but Ben (with song, The Storm)-Dodd [1st appearance in that character].1st appearance in that character].

Afterpiece Title: Selima and Azor

Related Works
Related Work: Selima and Azor Author(s): Sir George Collier
Event Comment: Mainpiece: With new Scenes, Dresses and Decorations. Receipts: #201 12s. (150.8.0; 51.1.6; 0.2.6)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Selima and Azor

Related Works
Related Work: Selima and Azor Author(s): Sir George Collier
Event Comment: Delpini being entirely recovered from his late Accident will perform his original Character this Evening in the new Serious Pantomime. [Who had been his substitute, or when the accident had taken place, is not stated] Receipts: #232 16s. (226.4; 6.12)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: The Death of Captain Cook

Cast
Role: Father Luke Actor: Booth
Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Afterpiece Title: The Farmer

Event Comment: Afterpiece: As now representing in Paris with uncommon Applause. With the original French Music, new Dresses, Scenery, Machinery, and Decorations. Receipts: #229 19s. 6d. (228.13.0; 1.6.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Death of Captain Cook

Performance Comment: Cast from text (T. Cadell, 1789), and Parke, I, 115: Terreeobo-Blurton; Pareea-Byrne; Koah-Delpini; Captain Cook-Cranfield; His Lieutenant-Evatt; Priest-Darley; Lieutenant of the Marines-Ratchford; Emai-Miss Francis. Part I. A Nuptial Procession, with the Performance of the Marriage Ceremony according to the Custom observed at O'Whyee. The Manner of Combat between two Natives. Part II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. Part III. A Representation of the Naval and Military Honours observed on erecting a Pile to the Memory of Capt. Cook, by the Officers of the Resolution. The Ceremony performed on the same Occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.

Song: As17890914, but Vocal Parts-Lee, W. _Thompson, Miss +MacGeorge, Mrs +Lefevre

Performance Comment: _Thompson, Miss +MacGeorge, Mrs +Lefevre.
Event Comment: Mainpiece: With Alterations and New Music. Receitps: #229 8s. (224.12; 4.16)
Event Comment: 2nd piece [1st time; T 3, by Henry James Pye. Authors of Prologue and Epilogue unknown]: With new Scenes, Dresses and Decorations. Morning Chronicle, IO June 1794: This day is published THE SIEGE OF MEAUX (1s. 6d.). Receipts: #125 9s. (117/2; 8/7)

Performances

Mainpiece Title: The Death Of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Afterpiece Title: THE SIEGE OF MEAUX

Afterpiece Title: NETLEY ABBEY

Cast
Role: Catherine Actor: Mrs Martyr.
Event Comment: Benefit for Incledon. 2nd piece: Performed but once [recte twice: on 1 and 8 May 1795]. The Music part new, and part compiled, by Shield. True Briton, 20 Apr.: Tickets to be had of Incledon, No. 15, Charlotte-street, Bloomsbury. Receipts: #440 7s. 6d. (245.7.0; 5.18.0; tickets: 189.2.6)

Performances

Mainpiece Title: Abroad And At Home

Related Works
Related Work: Abroad and at Home Author(s): Joseph George Holman

Afterpiece Title: The Sailors Prize

Afterpiece Title: The Prisoner at Large

Cast
Role: Father Frank Actor: Davenport

Song: End I 1st piece: The Storm-Incledon; In 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden, Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; Black Ey'd Susan-; Hearts of Oak-; Rule Britannia-; End I 3rd piece: Old Towler- [Incledon?]

Event Comment: Afterpiece: To conclude as 3rd piece, 21 Oct. [The playbill includes Incledon in Vocal Parts, but he was ill.] The New Comic Opera, called The Turnpike Gate, is unavoidably deferred on account of Incledon's Hoarseness [see 14 Nov.]. Receipts: #177 13s. 6d. (175.10.0; 2.3.6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Song: Vocal Parts, as17990930, but _Dyke, Whitmore, added: Ms +Litchfield, Ms +Mills, Ms +Dibdin, _Incledon

Event Comment: Benefit for Holman. Morning Chronicle, 9 Apr.: Tickets to be had of Holman, No. 73, New-street, Hanover-square. Receipts: #195 7s. (105.13.6; 14.19.6; tickets: 74.14.0)

Performances

Mainpiece Title: The Votary Of Wealth

Performance Comment: As17990925, but Drooply (for that night only)-Holman; Caroline-the Late Miss Betterton [i.e. now Mrs Glover]; Servant-_; Waiter-_; Simpson-_.
Related Works
Related Work: The Votary of Wealth Author(s): Joseph George Holman

Afterpiece Title: The Rendezvous

Afterpiece Title: Tom Thumb

Performance Comment: Tom Thumb (with The Little Farthing Rushlight)-Master Standen; Grizzle-Emery; Ghost-Street; Noodle-Townsend; Doodle-Simmons; Merlin-Thompson; Arthur-Munden; Huncamunca-Mrs Atkins; Glumdalca-Mrs Gilbert; Dollalolla-Mrs Martyr.
Event Comment: A new Comic Opera; the Music by several celebrated Composers [chiefly Scolari], and conducted Ii.e. arranged] by Bianchi. With new Scenes, new Dresses and Decorations. Public Advertiser, 27 Nov.: L'Arcifanfano was performed for the first time on Saturday, and universally disapproved of. It will not be repeated Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season, except for L'Omaggio (see 5 June 1781)]. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their Horses' Heads towards Pall-mall. The Door in Market Lane for Chairs only

Performances

Mainpiece Title: Larcifanfano

Performance Comment: Principal Characters by Trebbi, Manzoletto, Gherardi, Micheli, Mrs Barthelemon, Sga Prudom, Sga Sestini. Cast from Larpent MS 538: Arcifanfano-Trebbi; Tagliacantoni-Manzoletto; Dottore Matteo-Gherardi; Malgoverno-Micheli; Gloriosa-Mrs Barthelemon; Garbata-Sga Prudom; Semplicina-Sga Sestini.
Cast
Role: Gloriosa Actor: Mrs Barthelemon

Dance: End I: New Ballet-Sg and Sga Zuchelli, Sga Crespi; End II: new ballet, composed by Simonet, The Fortunate Escape-Slingsby, Sga Tantini, Sga Crespi, Mme Simonet; End Opera: new ballet, composed by Simonet, The Country Gallant-, in which Mme Simonet, will dance in Men's Cloaths with Sga Tantini, Sga Crespi, Sg and Sga Zuchelli

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh and C. Cibber Esq; Poet-Laureat. The Advance Money to be return'd to those who go out before the Overture of the Entertainment begins

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17341021, but Richard-Cross; Mrs Motherly-Mrs Sherburn .
Cast
Role: Mrs Motherly Actor: Mrs Sherburn

Afterpiece Title: The Plot

Dance: Poloncse by Essex, Mrs Walter, &c

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Mock Lawyer

Music: First Musick: A Concerto for Hautboys, &c. Second Musick: A Concerto of Geminiani. Third Musick: Overture to Ariadne. The Act Tunes for French Horns, Trumpets, &c. V: Handel's Water Musick

Performance Comment: Second Musick: A Concerto of Geminiani. Third Musick: Overture to Ariadne. The Act Tunes for French Horns, Trumpets, &c. V: Handel's Water Musick .

Dance: I: Tambourine by Miss Rogers. Flanderkins by Duke and Mrs Ogden. III: Two Pierrots by Duke and Delagarde. IV: Richmond Maggot by Le Sac and Miss Rogers

Song: V: As17350422

Performances

Mainpiece Title: The Country Wife

Performance Comment: Pinchwife-Quin; Horner-W. Mills; Sir Jasper-Griffin; Harcourt-Mills; Sparkish-Cibber; Dorilant-Este; Quack-Shepard; Mrs Pinchwife-Mrs Clive; Lady Fidget-Mrs Pritchard; Alithea-Mrs Butler; Mrs Squeamish-Mrs Grace; Mrs Dainty-Miss Mann; Lucy-Mrs Cross .
Cast
Role: Alithea Actor: Mrs Butler

Afterpiece Title: Colombine Courtezan

Music: Second Musick: 1st Concerto of 2d Opera of Geminiani. Third Musick: Ouverture to Alcina. I: Concerto for Hautbois by Geminiani

Dance: II: Revellers by Essex, Mrs Walter, &c. III: Le Chasseur Royal by Denoyer, Mlle Roland, &c

Event Comment: At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Dance: II: Le Badinage de Provence by Poitier, Mlle Roland, &c. V: French Peasants by Poitier, Mlle Roland, &c