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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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13200 results for: Keyword - George C. D. Odell</i>, <i>Annals of the New <span class=
We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.

801
06 April 1799 @ Covent Garden

Performances

Mainpiece Title: Abroad And At Home

Performance Comment: Harcourt (with the Battle Song, from The Italian Villagers, composed by Shield)-Incledon; Sir Simon Flourish (1st time)-Emery; Captain O'Neill-Johnstone; Old Testy-Munden; Young Flourish-Fawcett; Young Testy-Knight; Bluff-Townsend; Snare-Claremont; Tipstaff-Simmons; Kitty-Mrs Martyr; Lady Flourish-Mrs Litchfield; Miss Hartley-Miss Poole; (for that night only; a New Obligato Song-Miss Poole;, accompanied on the violin-Mountain.
Cast
Role: a New Obligato Song Actor: Miss Poole
Role: accompanied on the violin Actor: Mountain.
Related Works
Related Work: Abroad and at Home Author(s): Joseph George Holman

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Jack Connor-Betterton; Lord Edmond-Mansel; Father Frank-Waddy; Frill-Farley; Tough-Rees; Dowdle-Munden; Rachael-Miss Sims; Mary-Mrs Gibbs; Adelaide-Miss Chapman.
Cast
Role: Father Frank Actor: Waddy

Afterpiece Title: Fun and Frolic or Sailors Revels

Performance Comment: Vocal Parts-Johnstone, Munden, Fawcett, Incledon, Townsend, Linton, Street; With a jolly full bottle- [see17990528]; Boxing the Compass-Fawcett; Young William-, the melody by Incledon [and see17990606; Four and Twenty Fidlers-Munden; Brave Betty was a maiden Queen-Johnstone; Song-Townsend; The New Mariners-Chorus.
Cast
Role: Boxing the Compass Actor: Fawcett
Role: Young William Actor: , the melody by Incledon
Role: The New Mariners Actor: Chorus.

Song: In course Evening: The Storm-Incledon; Black Ey'd Susan-Incledon; Mad Tom of Bedlam (in character)-Incledon; Together let us range (composed by Boyce)-Incledon, Miss Poole

802
28 August 1747 @ Shepherd's Market, Mayfair

Event Comment: A Concert etc. Pit and Upp?r Boxes 2s. Gallery 1s. 6 p.m. Afterpiece: The new farce now performingG in Dublin, [by John Cunningham]

Performances

Mainpiece Title: The True And Tragical History Of George Barnwell

Afterpiece Title: Love in a Mist

803
29 December 1748 @ New Wells, London Spa, Clerkenwell

Event Comment: At the New Wells, London Spaw, Clerkenwell. A concert, etc. To begin at six o'clock. Last night of performing

Performances

Mainpiece Title: The London Merchant Or The True And Ancient History Of George Barnwell

Related Works
Related Work: The Merchant; or, The True History of George Barnwell Author(s): George Lillo

Afterpiece Title: The Lying Valet

804
17 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Fosbrook, box-book and housekeeper. Mainpiece: Not acted these 10 years. Receipts: #185 19s. 6d. (17/19/0; 5/12/6; 0/6/0; tickets: 162/2/0) (charge: #106 3s. 6d.)

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Afterpiece Title: Whos the Dupe

Related Works
Related Work: The Dupes of Fancy; or, Every Man his Hobby Author(s): George Saville Carey

Song: dl

Dance: Plutus-Staunton; Wit-Miss George; the Dance by Mr and Miss Hamoir. End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs

Performance Comment: End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs .

Song: In mainpiece an Interlude of

805
31 May 1784 @ Haymarket Theatre

Event Comment: Mainpiece: Written by Ben Jonson. Afterpiece: With a New Overture by Dr Arnold. With Italian, French, Irish, Scotch, Welsh and English

Performances

Mainpiece Title: The Fox

Afterpiece Title: Gretna Green

Performance Comment: Principal Characters by Wilson, Gaudry, Swords, Egan, Barrett, Ledger, Painter, Bannister; Sga Sestini, Mrs Webb, Miss Morris, Mrs Bannister. [Cast adjusted from text (T. Cadell, 1783) and Larpent MS 634: Rory-Wilson; Crack-Swords; Capt. Tipperary-Egan; Landlord-Ledger; Anvil-Painter; Capt. Gorget-Bannister; Signora Figurante-Sga Sestini; Lady Pedigree-Mrs Webb; Miss Plumb-Miss Morris; Maria-Mrs Bannister. Gaudry, Barrett are unassigned.] New Begging Prologue, in a Musical Medley from The Beggar's Opera, sung by Wilson. [This was sung, as here assigned, at all subsequent performances.] hathi. New Begging Prologue, in a Musical Medley from The Beggar's Opera, sung by Wilson. [This was sung, as here assigned, at all subsequent performances.] hathi.

Music: [Prologue by George Colman, the elder.]

Dance: End of Act III of mainpiece, as17840528

806
16 March 1789 @ Covent Garden

Event Comment: 2nd piece [1st time; ball. P 3, adapted by Sir George Collier from La Mort du Capitaine Cook a son Troisieme Voyage au Nouveau Monde, by Jean Francois Mussot, dit Arnould. For a detailed synopsis of the action, see 13 Apr.]: As now representing in Paris with uncommon Applause. With the original French Music. New Dresses, Scenery, Machinery and Decorations. Books, containing a description of the Ballet [by James Byrne (World, 23 Mar.)], to be had at the Theatre. Receipts: #257 16s. 6d. (247.16.0; 10.0.6)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Afterpiece Title: The Poor Soldier

Cast
Role: Father Luke Actor: Booth

807
09 April 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is in the L. C. list, 5@139, p. 125: Love in a Tub. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

808
28 December 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This play is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

809
25 February 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: She Would If She Could

810
07 March 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: She Would If She Could

811
20 April 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: She Would If She Could

812
29 May 1668 @ Whitehall or St. James's

Event Comment: The Duke's Company. This play is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347. Pepys, Diary, 31 May: At the play at court the other night, Mrs Davis was there; and when she was to come to dance her jigg, the Queene would not stay to see it, which people do think it was out of displeasure at her being the King's whore, that she could not bear it

Performances

Mainpiece Title: She Would If She Could

813
30 March 1669 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This play is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage", p. 14

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

814
20 June 1670 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 15

Performances

Mainpiece Title: She Would If She Could

815
13 November 1671 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage," p. 18: Love in a Tubb. Downes, Roscius Anglicanus, p. 32: [After Sir Martin Marall] Next was Acted Love in a Tub, it was perform'd 2 Days together to a full Audience

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

816
17 August 1672 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2: Loue in a Tubb. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

817
30 December 1674 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216.See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: She Would If She Could

818
11 March 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Performance Comment: Edition of 1676: Prologue [by Sir Car Scroope Baronet-; Epilogue [by Mr Dryden-; [Downes (Roscius Anglicanus, p. 36): Dorimant-Betterton; Medly-Harris; Sir Fopling-Smith; Old Bellair-Leigh; Young Bellair-Jevon; Mrs Loveit-Mrs Barry [possibly she did not play this role at the premiere but succeeded another actress, such as Mrs Mary Lee]; Bellinda-Mrs Betterton; Lady Woodvill-Mrs Leigh; Emilia-Mrs Twiford.
Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

819
18 April 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode and Box for the Mayds of Honor. See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: The Man Of Mode

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

820
17 February 1680 @ Whitehall or St. James's

Event Comment: The Duke's Company. This is the third in the series of Court performances in L. C. 5@145, p. 120: Sir Fopling Flutter. See also Nicoll, Restoration Drama, p. 350, and 11 Feb. 1679@80

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

821
27 February 1680 @ Whitehall or St. James's

Event Comment: The Duke's Company. This is another in the series of Court performances in L. C. 5@145, p. 120. See also Nicoll, Restoration Drama, p. 350, and 11 Feb. 1679@80. It should be noted that not only is this date a Friday in Lent but it is also during the period of mourning for the Princess Elizabeth. Yet to place this performance in 1681 would make it fall on Sunday

Performances

Mainpiece Title: She Would If She Could

822
22 April 1749 @ Covent Garden

Event Comment: Benefit for Stede, Hatchet, Miss Morrison, and Page (Housekeeper). Tickets deliver'd by Rawlings, the Widow Dupre, &c. will be taken

Performances

Mainpiece Title: The Man Of Mode

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: The King and Miller

Dance: As17490329

823
31 October 1755 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Mode

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: Fortunatus

Cast
Role: Others Actor: _Johnson, _Clough, _Blakes, Miss _Minors.

Dance: End II: The Lilliputian Sailors, as17551030

824
07 May 1789 @ Covent Garden

Event Comment: Benefit for Macklin. [This was his last appearance on the stage; his 1st was c. 1716. In the middle of his first scene his memory failed him, and Ryder, who had been asked by the manager to be prepared for this eventuality, finished the part (Public Advertiser, 9 May; William W. Appleton, Charles Macklin, 1960, 225-27).

Performances

Mainpiece Title: The Merchant Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Death of Captain Cook

Cast
Role: The Characters Actor: _Aickin.
Role: The Vocal Parts Actor: _Blanchard.
Role: Aladin's Mother Actor: Mrs Davenett
Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Dance: End IV: Fortune's Favor-Byrn, Mrs Goodwin, Mrs Ratchford

825
23 September 1789 @ Covent Garden

Event Comment: Mainpiece: The Overture, Airs, &c. by Dr Arnold. The selected, by Handel, Vento, Giordani, Bertoni, Dr Arne, and Carolan. [Afterpiece in place of Animal Magnetism, advertised on playbill of 21 Sept.] Receipts: #199 6s. 6d. (197.5.6; 2.1.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: Ferdinand-Johnstone; Spado-Blanchard (1st appearance in that character); Pedrillo-Edwin; Philippo-Davies; Don Scipio-Powel; Don Caesar-Bannister; Don Juan-Cubitt; Rapino-Rock; Sanguino-Thompson; Lopez-Evatt; Alphonso-Duffey (from the Theatre Royal Crow Street, Dublin]; 1st appearance on this stage); Victoria-Mrs Mountain; Catalina-Miss Stuart; Isabell-Mrs Platt; Lorenza-Mrs Martyr.

Afterpiece Title: The Death of Captain Cook

Cast
Role: Lieutenant of the Marines Actor: Ratchford
Role: Emai Actor: Miss Francis. Part I. A Nuptial Procession, with the Performance of the Marriage Ceremony according to the Custom observed at O'Whyee. The Manner of Combat between two Natives. Part II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. Part III. A Representation of the Naval and Military Honours observed on erecting a Pile to the Memory of Capt. Cook, by the Officers of the Resolution. The Ceremony performed on the same Occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.
Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier