SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 1897 matches on Event Comments, 1418 matches on Performance Comments, 284 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Two Young Lady's made their first Appearance in the Characters of Polly & Lucy Pupils of Dr Arne--Miss Wellers figure is very well for Polly but she wants Spirit & is apt to Sing out of Tune. Mrs Bradley is Tall & a good figure for Lucy and acquitted herself very well in that character they both met with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly: Two young Gentlewomen appeared in the characters of Polly and Lucy,--brought out by Dr Arne,--Miss Weller and Mrs Bradley.--Miss Weller's figure was very well for Polly; but she is a piece of still life, sings out of tune and will never make an actress.--Mrs Bradley,--very tall, and appears to have blackguard requisites enough for Lucy, but will not do for anything else--Hopkins Diary No 7. Mrs Bradley is since married to Mr Prior the Builder.--J. P. Kemble."] Paid Renters #8 [this payment occurs each playing night of the season, 188 times in all, and will not be further noted]; Mr Carver, six days, #6 [a weekly payment outside the pay list throughout the season. Presumably to scene painter. No further noted]; Mr S. French, 6 days, #1 10s. Renters total for season #1592. Carver total for season #088 (Treasurer's Book). [see account of Miss Weller and Miss Bradley in Town and Country Magazine (Theatre XXXVIII): The first performed the part of Polly, and the latter that of Lucy. Their figures are both genteel, and their countenances expressive. Miss weller was much confused upon her first entrance; but from the melody of her voice, tho she did not raise it sufficiently in many parts, there is reason to believe, when she was got the better of her terrors of facing an audience, that she will be an acquisition to the stage, at least as a vocal performer. Miss Bradley's performance of Lucy with great spirit, vivacity and Propriety' and her singing being so well suited to the character, she so much eclipsed Polly, that the audience formed a more indifferent opinion of her abilities than she deserved."] Receipts: #220 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Miss in Her Teens

Dance: II: A Comic Dance-Daigville, Sga Vidini

Event Comment: Mrs Booth has lately erected a Monument to B. Booth, is now upwards of 90, was the famous Miss Santlowe so much admir'd as Actress and Dancer (Winston MS 10). Advanc'd Mr Barry (b:office keeper) #15; Ditto to Mr Watson (b:office keeper) #10 (Treasurer's Book). [Operating cash returned to treasury on 5 June 1773, but with a deficit of #6 5s. Barry seems not to have been hired thereafter, Archeveque taking his place the following season.] Receipts: #173 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: High Life below Stairs

Performance Comment: Young Lovel-Cautherly; Duke's Servant-Palmer; Sir Harry's Servant-Dodd; Philip-Baddeley; Freeman-Fawcett; Robert-Ackman; Kitty-Miss Pope.
Cast
Role: Young Lovel Actor: Cautherly

Dance: II: Comic Dance, as17720922

Event Comment: Paid Black? Lyon bill #2 7s. 4d. (Treasurer's Book). [This is a recurring item weekly throughout the season varying in amounts from about #1 to #3. Tavern. Run by Yearley Waterer. Not noted further. Total payments this season about #75.] Public Advertiser, Theatrical Intelligence: Any Young Lady inclined to the Stage, is offered an advantageous Opportunity to experience her Theatrical Abilities in a very desirable Situation. As this Advertisement appears not from an itinerant Manager, nor results from a Dearth of People, but a Wish to promote Merit, which often (for want of the proper Mode of Application, or Fear in the Parties of their Intentions being made public, in case their Services should not be received) lies hid and unnoticed, it is hoped none but such as are possessed of a good Figure, as that will be greatly regarded, and whose Capabilities are blended with a real Inclination will apply. Enquire for W. at No. 114, in Long-Acre between the hours of Eleven and One on Wednesday or Thursday Morning in person, as no Attention will be paid to any Substitute. The Stage: A Gentlewoman, who has played capital Characters with unblemished Reputation in the three Kingdoms, takes this Method of acquainting such Ladies who have Talents and Inclination for the stage, that she undertakes to instruct them for the Profession many having been unsuccessful, more from Want of previous Instructions than Want of Genius. Her Attention to the great Articles of Reading and Speaking, with Elegance and Propriety, as well as Expression, Grace, and Ease, will be found of infinite Service to those who are assisted by the least Understanding. Those Ladies who do not intend to display their Talents in Public may be instructed for their Amusement. Enquire for E. H. No. 2 Queen Street, near Windmill Street, Haymarket. N.B. Any Lady will be waited on by a Line directed as above. [These advertisements ran for a number of days.] Receipts: #183 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Commissary

Dance: II: The Fingalian Dance with Double Hornpipe, as17721009

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman in Paris

Dance: End: The Fingalian Dance with Double Hornpipe, as17721009

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Woodward; Cross-Shuter; Kitchen-Dunstall; Col. Freeman-Perry; Mrs Cross-Mrs Green; Charlotte-Mrs Bulkley; Lettice-Mrs Mattocks; Landlady-Mrs Gardner; Sally-Miss Brown, who performed last season in the Fairy Prince and in Man and Wife.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Irish Widow

Cast
Role: Nephew Actor: Cautherly

Dance: I: The Irish Fair, as17721023; II: Minuet, Allemande-Mas. Holland, Miss Armstrong, Scholars of Daigville

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Dance: II: Comic Dance, as17720922

Performances

Mainpiece Title: The Beggars Opera

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Dance: II: Comic Dance, as17720922

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Minor

Dance: II: A Comic Dance, as17730325

Event Comment: Benefit for Ackman. Tickets to be had at Pond's in the Great Piazza, Covent Garden; and of Mr Johnston, at the Theatre. House charges #84. Profit to Ackman #123 10s.; Paid Mr Davies's note to Liddell, #3 3s.; Paid extra Flute and Hautboy 10s.; Chorus 2 nights (this incl.) #4 1s. Receipts: #207 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Invasion

Dance: Other dances-Atkins, Sg Giorgi, Sga Giorgi

Entertainment: End: Bucks Have at ye All-Palmer; by Desire

Event Comment: Doors open at 5 o'clock. Play to begin at 6 o'clock. Prices: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places to be had of Mr Johnston at the Stage door. [Customary note, repeated.] Rec'd Mrs Groath's one year's rent to Xmas last #3; Paid Renters #8 (Treasurer's Book). This regular expenditure was made nightly for the 189 acting nights of the season, as well as for the 11 nights on which Oratorio's were given in the Spring. The total amount came to #1600. No further note will be made of this item this season. The Westminster Magazine this month, reiterated its doleful cry "that the stage is on its decline." In a long article on "Stage Effect, or Dramatic Cookery," it concluded that our "Theatrical managers and even our Theatrical Critics seem to have resolved all the merit of dramatic composition into stage trick, and rest their criterion of Dramatic Genius on the knowledge of what they are pleased to call Stage effect." The "Theatre" article for the month remarked upon the boldness of Garrick's opening with the Beggar's Opera, "notwithstanding he was requested by the Bench of Justices at Bow-Street, to suppress it, as they were of opinion it had done a great deal of mischief among the low class of people." Lloyd's Evening Post, 17 Sept., included extracts from letters against playing the Beggar's Opera, "because every performance makes from one two twenty thieves." Sir John Fielding and his associates had addressed a letter to Garrick requesting him not to perform the opera for the same reason. The Morning Chronicle, 23 Sept., praised Garrick for not complying with the Justices' request. Wm Augustus Miles published a Letter to Sir John Fielding occasioned by his extraordinary Request to Mr Garrick for the suppression of the Beggar's Opera (44 pp.). In this he vindicated the moral effect of the opera.] Receipts: #158 (Treasurer's Book). [Note: For perform ance at hay 18 and 20 September, see Season of 1772-1773, p. 1740

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: High Life below Stairs

Performance Comment: Sir Harry's Serv't-Parsons; Duke's Serv't-Palmer; Young Lovel-Cautherly; Philip-Baddeley; Freeman-Fawcett; Kitty-Miss Pope; Robert-Ackman.
Cast
Role: Young Lovel Actor: Cautherly

Dance: II: The Irish Fair-Atkins, Mrs Sutton

Event Comment: [Lucy identified as Miss Dayes by Kemble note on playbill and by Winston MS 10.] At the opening of this season Justice Sir John Fielding wrote to Garrick not to play the Beggar's Opera fearing it had a bad influence on the minds of the young. But both Garrick and Colman continued to play it (Winston MS 10). Receipts. #183 13s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman in Paris

Dance: End: New Dance, as17731021

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Fair

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber
Event Comment: Mainpiece: By Particular Desire. Paid Younger for writting parts #10 4s. 9d.; Paid Mrs Giles for a Blue & Silver suit of women's cloaths #9 9s. (Account Book). To Covent Garden. Beggar's Opera and Commissary. Found the Pit not over fifth full, and on the 4th bench from orchestra orange woman showed me Pol. Kennedy alias Mrs Bevon, on which I went and sat immediately before her, and talked with her much during the play. Pol. Kennedy in cloak and large hat. She is tall, large and raw-boned. Irish features, yet had something in her face and person necessarily attracting notice--was very civil, curteous, and chatty (Baker, Diary, p. 270). [Pol. Kennedy was the Irish actress and contralto who later appeared as Mrs Farrell at dl in 1776 in Arne's Caractacus.] Receipts: #122 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Commissary

Event Comment: The New Tragedy of King Henry II, is still oblig'd to be deferr'd on account of Indisposition of Mrs Hartley. Receipts: #133 19s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Pantomime will be laid aside after this Night on Account of the preparation for the New entertainment. Receipts: #169 7s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17731027, but Polly announced as for the last this season-Miss Catley.
Event Comment: Benefit for Aickin. The Tragedy of All for Love, which was to have been performed this evening, is oblig'd to be changed, on account of the indisposition of Mrs Barry and Miss Younge; therefore Mr Aickin humbly hopes that his friends will accept of the Tempest in its stead. Tickets deliver'd for All for Love will be taken. Paid extra flute and hautboy 10s. (Treasurer's Book). Aickin did not act (Winston MS 10). [This month published The Sentimental Spouter; or, Young Actor's Companion. The whole comprising the essence of theatrical delivery, and the beauties of dramatic poetry. Price 1s. 6d. Printed for Wheble (Gentleman's Magazine Register).] Receipts: #123 14s. 6d. Charges: #74 14s. Profit to F. Aickin: #49 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Palmer; Ferdinand (With songs)-Vernon; Stephano-King; Trincalo-Baddeley; Caliban-Ackman; Ceres-Mrs Wrighten; Ariel (With songs)-Mrs Scott; Miranda (With song)-Mrs Smith; Hymen-Fawcett; Gonzalo-J. Aickin; Alonzo-Bransby; Sebastian-Keen; Francisco-Griffith; Boatswain-Wright; Master of Ship-Wrighten; With a Grand Dance of Fantastic Spirits-; The Other Dances-Giorgi, Mrs Sutton.

Afterpiece Title: The Elopement

Event Comment: Benefit for Kennedy. Afterpiece: Never performed in this theatre. [No mention of permission.] Mr Kennedy intended having this performance before the Benefits commenced at Drury Lane and Covent Garden Theatres, but having been detained at Bristol, could not pay his respects to his friends sooner

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The King and The Miller of Mansfield

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Event Comment: Benefit for Mrs Baker. The Citizen oblig'd to be deferr'd, on account of the Indisposition of Woodward. Charges #66 6s. 6d. Profit to Mrs Baker #21 12s., plus #112 11s. from tickets (Box 172; Pit 359; Gallery 157). Paid Buxton & Enderby (oyl merchants) #238 1s.; Bellamy & Settree (mercers) #36 10s. Receipts: #87 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Commissary

Monologue: Interlude.True Blue. As 12 April

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Miller of Mansfield

Entertainment: End Opera: Bucks Have at Ye All-Palmer