SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 1897 matches on Event Comments, 1418 matches on Performance Comments, 284 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Shuter. Tickets to be had of Shuter at Number 2, in Martlet Court, Bow St. Covent Garden; and of Mr Sarjant, Book-Keeper. Charges: #65 2s. [Profits to Shuter #150 6d., plus #70 11s. from tickets (Box 233; Pit 82).] Paid Miss Elliott the balance of her two nights Jan. 13 and Feb. 18, #90 13s. 6d. and gave her as a present from the managers by deducting the charge of the Farce for her 2nd night, Feb. 18th, #21 (Account Book). Receipts: #215 2s. 6d. (Account Book). About 5 with great difficulty got into the Pit at Covent Garden to see...the benefit for Mr Shuter. Stood all night at the bottom of the Pit in a most disagreeable situation, though I saw very well and heard too, unless when prevented by the noise on occasion of which Shuter very smartly applied the Passage, But if we all speak together, how shall we hear one another," and again when a great noise was made about someone in the Gallery, he cried 'Give him a knock o' the head and make him quiet,' and another bawling Silence," he cried Silence, Silence why don't you be quiet.'At the end of Act II, the Cries of London', with additions by Shuter. In going off he shook his head on hearing it encored, but was oblig'd to comply by repeating the greater part. End of Opera Shuter entertained us with his Serious, Comic Post-Haste Observations in his Journey to Paris, to hear which was a principal reason of my not dining at Holliss's. The Barber in the Upholsterer inimitably played by Woodward (Neville MS Diary)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Upholsterer

Performance Comment: As17661015, but Harriet-Miss Vincent (playbill) [but she remains Mrs Baker in The Public Advertiser].but she remains Mrs Baker in The Public Advertiser].

Dance: TThe Female Archer, as17661215

Event Comment: By Command of their Majesties

Performances

Mainpiece Title: Carattaco

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Citizen

Dance: II: The Village Romps, as17661008; End Opera: The Female Archer, as17661215

Event Comment: Benefit for Squibb. Mainpiece: By Particular Desire. Charges #65 2s. [Profit to Squibb #13 10s. plus #85 10s. from tickets (Box 137; Pit 205; Gallery 205).] Paid half year's land tax for theatre #37 10s., and for House in Bow Passage #2 1s. 8d.; Paid half year's window lights tax for theatre #6 10s., for House in Bow Passage 15s.; half year's Scavanger's rate for theatre #2 1s. 8d., for House, 2s. 1d. (Account Book). Receipts: #78 12s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Upholsterer

Dance: II: The Female Archer, as17661215

Song: End: two favourite songs in the Italian Manner-Squibb

Performances

Mainpiece Title: The Tempest

Afterpiece Title: High Life below Stairs

Cast
Role: Lovel Actor: Cautherley, 1st time

Entertainment: End: The Cries of London, Tombs of Westminster-Vernon

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Upholsterer

Song: I: A favourite song from Judith-Miss Brickler; accompanied on a new instrument call'd Piano Forte-Dibdin

Dance: II: A Comic Dance, Blind Man's Buff-Arnauld, Miss Valois. [See17641003.

Event Comment: Benefit for Mortimer, Tomlinson, West, Lings. House charges #84. [Deficit to actors #60 4s.] Received Mr Evans and Miss Roger's deficiency #28 18s. 6d. Paid Ann Collett for a gold brocaided silk #10 10s. (Treasurer's Book). Receipts: #23 16s. (Treasurer's Book). Went into ye Pit...Vernon is an excellent MacHeath. I don't like Yates as Peachum so well as Shuter, and Parsons is not so good a Filch as Holborn. Bransby ye Lockit and Mrs Abington Lucy pretty well...Polly-$Mrs Vincent, who is now too old for ye character, and I think wants feeling...One Tomlinson, who had a 4th of the Benefit, spoke an Epilogue in the character of a Beggar, but by one party hissing and a greater clapping, could not hear it.--At Covent Garden a Hurdy-Gurdy man and girl play in the whore's scene, and as the Highwaymen march out, one returns and kisses MacHeath, and Shuter says some things Yates did not, but perhaps they are additions of his own (Neville MS Diary)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Register Office

Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment">Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Duke and no Duke

Dance: II: The Fingalian Dance-; III: New Hornpipe-; End Opera: The Italian Peasants-Miss Froment

Event Comment: They have better gangs of Highwaymen and whores here than at ye other Theatres. The Farce was ye School Boy, a low smutty thing (Neville MS Diary)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The School Boy

Performance Comment: School Boy-Weston; Major Rakish-Shuter; Young Rakish-Palmer; Friendly-Davis; Father Benedict-Quick; Lady Manlove-Mrs Gardiner.
Cast
Role: Father Benedict Actor: Quick

Dance: FFingalian-; New Hornpipe, as17670805

Event Comment: NNeville MS Diary: In ye evening read ye part of Hartop in the Knights. Went into ye Pit just as ye Beggar and Player came on and saw ye Beggar's Opera for a third time running, Mrs Dancer has more command of her eyes than any woman I ever saw, and sings very sweetly, tho' with less power than ye mere singing Pollys. Barry cannot sing well. Mrs Mahon's expression and propriety in Lucy is delightful. Mrs Jeffries does Doll Trapes better than she does Mrs P

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Knights

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder
Related Work: The Red-Cross Knights Author(s): Joseph George Holman

Dance: FFingalian-; New Hornpipe, as17670805

Event Comment: Neville MS Diary: Shuter is a comical dog, a disturbance arising among the gods, he was obliged to stop and looking up to the Gallery asked, Well, are all affairs settled above?" During the noise Filch went off after singing--the gods encored the song. Shuter said You have frightened him so that he has lost his voice" but beckoning to Weston to return and sing. Weston steals Doll Trapes scarf in a new manner; he makes her drop it, etc. and pretending to do something about his knee, till she is out of sight, takes it up, saying I take it with all my spirit. When Macheath went to trial, Shuter cried, "Clear the way there--knock down that old woman with the apples.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The School Boy

Cast
Role: Father Benedict Actor: Quick

Dance: FFingalian-; New Hornpipe, as17670805

Performances

Mainpiece Title: The Beggars Opera

Dance: III: A Hornpipe-Mrs King; A Country Dance-

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Event Comment: Paid for Licensing The Oxonian in Town #2 2s. Paid for Licensing the New Prologue #1 1s. (Account Book). Receipts: #138 18s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Mahoon, 1st appearance this kingdom; Peachum-Shuter; Lockit-Dunstall; Filch-Holtom; Player-Gardner; Beggar-Bennet; Mat@o@Mint-Baker; Lucy-Mrs Baker; Mrs Peachum-Mrs Stephens; Diana Trapes-Mrs Pitt; Mrs Slammekin-Mrs Green; Polly-Mrs Pinto; With Hornpipe-Miss Pitt; a Country Dance-the Characters in the opera.

Afterpiece Title: Harlequin Dr Faustus

Dance: II: The Irish Lilt, as17670921

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Dr Faustus

Dance: II: The Irish Lilt, as17671013

Event Comment: Mainpiece: By Desire. N.B. Those ladies and gentlemen who haven taken tickets for the Widow'd Wife, are desired to send their servants sometime today, in order to ascertain same, otherwise they cannot be secured

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Dance: I: The Lilliputian Camp, as17671202

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Orpheus and Eurydice

Cast
Role: Mrs Motherly Actor: Mrs Copin

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Orpheus and Eurydice

Cast
Role: Mrs Motherly Actor: Mrs Copin

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Packer, 1st time; Caliban (with songs)-Champness; Ariel (with songs)-Miss Young; Ceres-Mrs Dorman; Human-Kear; Trinculo-Baddeley; Ferdinand-Vernon; Stephano-King; Miranda-Mrs Palmer; With a Grand Dance of Fantastic Spirits-; The other dances-Giorgi, Mrs King.

Afterpiece Title: The Lyar

Cast
Role: Kitty Actor: Miss Matthews
Event Comment: Benefit for Bransby and Burton. Tickets deliver'd by W. Palmer will be taken. [In the afterpiece Frank-Palmer, last appearance on the stage (MacMillan).

Performances

Mainpiece Title: The Beggars Opera

Dance: II: The Wake, as17680220

Event Comment: Benefit for Mahoon. [The Young Gentlewoman who played Polly would seem to have been Miss Groce. See 25 May.] Charges 1!2 #32 2s. 6d. Mahoon to accept 1!2 Receipts. A balance due him of #25 7s. plus #39 7s. from Tickets (Box 111; Pit 42; Gallery 53) (Account Book). [Mrs Dyer seems to have shared this night, who in lieu of paying half the charges accepted only half the value of the tickets she disposed of. She received #18 17s. as one-half value of 43 Box tickets; 101 Pit; 118 Gallery.] Paid Danl Gyles [or Dancer Gyles?] in consideration of his assigning over Miss Parfett's Indentures...#78 15s. Receipts: #114 19s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Lethe

Dance: II: The Irish Lilt, as17670921

Event Comment: Benefit for Holtom, Miss Besford, Curtat, and Mrs Naylor. Charges #64 10s. Deficit to beneficiaries #28 11s. 6d. or #7 2s. 10 1!2d. apiece, covered by the value of their tickets: Holtom #32 2s.; Miss Besford #28 1s.; Curtat #33 5s.; Mrs Naylor #24 5s. @Box Pit Gallery Value@Holtom 18 126 87 #32 2s.@Besford 43 58 86 #28 1s.@Curtat 42 89 94 #33 5s.@Naylor 24 71 76 #24 5s.@Money #35 18s. 6d.@Total Value of House #153 11s. 6d.@ Receiv'd of Condell in full for fruit rent this season #20 (Account Book). Receipts: #35 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17680430 but Macheath-Mattocks; Polly-Miss Groce, being her second appearance on any stage; The Hornpipe-Miss Besford (apprentice to Fishar) 1st time.

Afterpiece Title: The Upholsterer

Ballet: End of Opera: The Wapping Landlady. As17680416

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Bannister (being his first appearance in that character); Peachum-Aickin; Lockit-Jackson; Jemmy Twitcher-Loveman; Wat Dreary-Graham; Jack-Lloyd; Nimming Ned-Jacobs; Mat-Davis; Filch-Vandermere; Robin of Bagshot-Keen; Ben-Casey; Constable-Walker; Player-Strange; Beggar-Castle; Drawer-Miell; Lucy-Mrs Saunders; Mrs Peachum, Diana Trapes-Mrs Pitt; Sukey-Mrs White; Molly-Mrs Jackson; Mrs Coaxer-Mrs Graham; Polly-Miss Edwards; To conclude with a Country Dance-the Characters.

Dance: Between the Acts: Duquesney, Miss Street

Performances

Mainpiece Title: The Beggars Opera

Dance: III: Double Hornpipe-Vandemere, Miss Street

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Mayor of Garratt

Dance: As17680801