SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 1897 matches on Event Comments, 1418 matches on Performance Comments, 284 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Positive Man

Related Works
Related Work: The She-Gallants Author(s): George Granville, Lord Lansdowne

Song: Mainpiece: Vocal Parts by Reinhold, Doyle, J. Wilson, Darley; Mrs Morton, Miss Morris, Mrs Davenett, Miss Stuart, Miss Willis, Miss Adcock, &c

Event Comment: Books of the new Dance to be had at the Theatre. "Nothing could equal the manner in which the whole was conducted: the wrestling, the gladiators; the defeat of the Sabines; the besieging of Rome by the latter; their reconciliation with the Romans, &c." (Morning Herald, 13 Dec)

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Opera a new grand Ballet, composed by Lepicq, Il Ratto delle Sabine; or, The Rape of the Sabines, by Lepicq, Henry, Zuchelli, Degville Sen., Slingsby, Mlle Theodore, Sga Crespi, Mme Rossi. [Partial cast from Public Advertiser, 14 Dec: Romolo-Lepicq; Acronte-Zuchelli; Erfilia-Mme Rossi.]

Performance Comment: , Slingsby, Mlle Theodore, Sga Crespi, Mme Rossi. [Partial cast from Public Advertiser, 14 Dec: Romolo-Lepicq; Acronte-Zuchelli; Erfilia-Mme Rossi.] hathi. hathi.
Event Comment: Mainpiece [1st time; T 4, but published in 5, by Richard Bentley. The assignments of Fearon, Booth, Mahon (who are not listed in the text) are my own conjecture. Prologue and Epilogue by Richard Bentley Jun. (Public Advertiser, 18 Dec.)]: New Dresses, &c. Words of the Epithalamium will be given at the Box Doors. Public Advertiser, 11 Jan. 1783: This Day is published Philodamus (1s. 6d.). Afterpiece: Never performed at this Theatre. Receipts: #203 2s. (198/16/6; 4/5/6)

Performances

Mainpiece Title: Philodamus

Afterpiece Title: The Quaker

Dance: End of mainpiece Diversion a-la-Mode, as17821211 in which The Devonshire Minuet, as17821129

Song: In Act III of mainpiece an Epithalamium by Mrs Kennedy and Mrs Martyr

Event Comment: Mainpiece [1st time; C 5, by Samuel Jackson Pratt. Prologue and Epilogue probably by the author]. Receipts: #210 7s. (190/11; 19/11; 0/5)

Performances

Mainpiece Title: The School For Vanity

Performance Comment: Principal Characters by King, Palmer, Dodd, Brereton, Baddeley, R. Palmer, Parsons; Mrs Bulkley, Mrs Hopkins, Mrs Wrighten, Miss Phillips, Miss Farren. [Cast from text in the author's Miscellanies (T. Becket, 1785), Vol. n: Sir Hercules Caustic-King; Sighwell-Palmer; Lord Frolic-Dodd; Valentine Onslow-Brereton; Secondhand-Baddeley; Scrape-R. Palmer; Alderman Ingot-Parsons; Scurry-Phillimore; Servants-Chaplin, Kenny, Alfred, Spencer; Widow Wherret-Mrs Bulkley; Lady Blaze-Mrs Hopkins; Pucker-Mrs Wrighten; Helena Caustic-Miss Phillips; Ophelia Wyndham-Miss Farren.] Prologue spoken by Palmer. Epilogue spoken by Miss Farren . Prologue spoken by Palmer. Epilogue spoken by Miss Farren .

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber

Performances

Mainpiece Title: A Bold Stroke For A Husband

Performance Comment: Principal Characters by Lewis, Wroughton, Quick, Edwin, Wilson, Whitfield, Fearon, Stevens; Mrs Robinson, Mrs Wilson, Mrs Whitfield, Miss Morris, Mrs Davenett, Miss Platt, Mrs Mattocks. [Cast from text (T. Evans, 1784): Don Julio-Lewis; Don Carlos-Wroughton; Don Caesar-Quick; Don Vincentio-Edwin; Gasper-Wilson; Don Garcia-Whitfield; Vasquez-Fearon; Pedro-Stevens; Victoria-Mrs Robinson; Minette-Mrs Wilson; Laura-Mrs Whitfield; Marcella-Miss Morris; Sancha-Mrs Davenett; Inis-Miss Platt; Olivia-Mrs Mattocks.] New Prologue [spoken by Whitfield]. New Epilogue [spoken by Mrs Mattocks (.European Magazine, Mar. 1783, p. 231). These were spoken, as here assigned, at all subsequent performances] . New Prologue [spoken by Whitfield]. New Epilogue [spoken by Mrs Mattocks (.European Magazine, Mar. 1783, p. 231). These were spoken, as here assigned, at all subsequent performances] .

Afterpiece Title: The Quaker

Event Comment: Benefit for Aickin. Mainpiece: Not acted these 5 years. Afterpiece [1st time; c 2]: By the Author of Retaliation [Leonard Macnally, with incidental music by Michael Arne. Prologue by Chalmers (see text, S. Bladon, 1783)]. The Persons represented to be dressed from the Caricatures of Hogarth. Receipts: #191 15s. 6d. (140/1/6; tickets: 51/14/0) (charge: #64 5s.)

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: Tristram Shandy

Dance: As17820927

Event Comment: By Permission [of the Lord Chamberlain]. 1st piece [1st time; c 5, author unknown. Authors and speakers of Prologue and Epilogue unknown]. 2nd piece [1st time; m.int i, author unknown]. 3rd piece [1st time; f 2, by Walley Chamberlain Oulton, altered from The Letter Writers, by Henry Fielding. MSS of none of these pieces in Larpent; none of them published]. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: Cheapside Or All In The City

Performance Comment: Principal Characters by Benson, Johnson (from the Theatre Royal, Dublin), Pressly, Robson, Bailey (from the Theatre Royal, York), Jacobs (from the Theatre Royal, Edinburgh); Miss Hemet, Miss Dudley, Miss Dancer, Mrs Hyam. Cast not known. With a new Prologue and Epilogue .

Afterpiece Title: The Sailors Sheet Anchor

Afterpiece Title: A New Way to Keep a Wife at Home

Dance: In 2nd piece The Merry Sailors and The Wapping Landlady (perfomers not listed for either dance)

Monologue: 1783 09 17 End of Act III of 1st piece The Farmer's Blunder by Kenrick

Event Comment: Mainpiece [1st time; tc 5]: Altered from [The Picture, by Philip] Massinger [by Henry Bate; incidental music by William Shield. Prologue by William Pearce (see text)]. With New Dresses, Scenery, &c. Afterpiece: Written by O'Keeffe. London Chronicle, 10 Nov., prints the words of the Chorus, and also of a song sung by Quick, Poor Hillario, once so jolly, and of one sung by Mrs Martyr, Would you view the loveliest rose. Receipts: #209 16s. (205/3; 4/13)

Performances

Mainpiece Title: The Magic Picture

Performance Comment: Principal Characters by Wroughton, Quick, Edwin, Wilson, Clarke, Hull, Whitfield, Davies, Jones; Mrs Bates, Mrs Wilson, Miss Piatt, Miss Younge. [Cast from text (T. and J. Egerton [et al], 1783: Eugenius-Wroughton; Hillario-Quick; Ubaldo-Edwin; Ricardo-Wilson; Eubulus-Clarke; Baptista-Hull; Ladislaus-Whitfield; Ferdinand-Davies; Honoria-Mrs Bates; Corisca-Mrs Wilson; Acanthe-Miss Platt; Sophia-Miss Younge. Jones is unassigned.] Prologue, not listed on playbill, spoken by Aickin (see17831114) . Prologue, not listed on playbill, spoken by Aickin (see17831114) .
Cast
Role: Acanthe Actor: Miss Platt

Afterpiece Title: The Poor Soldier

Cast
Role: Father Luke Actor: Wilson

Song: In Act II of mainpiece a Grand Chorus [Crowned with conquest] by Bannister, Reinhold, Johnstone, Mattocks, Brett, Mahon, Doyle, Darley; Mrs Bannister, Mrs Johnstone, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Kennedy. [For songs, see below.]

Performances

Mainpiece Title: More Ways Than One

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Wewitzer, Fearon, Stevens, Jones, Helme, Wroughton; Mrs Kemble, Mrs Wilson, Miss Platt, Miss Younge. [Cast from text (T. Evans, 1784): Bellair-Lewis; Doctor Feelove-Quick; Sir Marvel Mushroom-Edwin; Evergreen-Wilson; Le Gout-Wewitzer; David-Fearon; Doctor's Servant-Stevens; Stranger-Jones; Lawyer's Clerk-Thompson [see17831208]; Carlton-Wroughton; Arabella-Mrs Kemble; Miss Juvenile-Mrs Wilson; Lodging Mistress-Miss Piatt; Miss Archer-Miss Younge. Helme is unassigned.j Prologue spoken by Bonnor. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at the 1st 10 performances only (see17840115).] hathi.These were spoken, as here assigned, at the 1st 10 performances only (see17840115).] hathi.

Afterpiece Title: The Country Mad Cap

Performance Comment: Ballad-Mattocks; Cantileno (with Imitations)-Reinhold; Lord Bawble-Bonnor; Thomas-Whitfield; Goodall-Fearon; Zorobabel-Quick; Mrs Midnight-Mrs Pitt; Jenny-Mrs Poussin; The Country Mad-Cap-Mrs Mattocks .
Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue and Epilogue by Edward Topham (see text)]: With new Scenery and Dresses. Public Advertiser, 26 Feb. 1784: This Day at Noon will be published The Reparation (1s. 6d.). Receipts: #161 1s. (148/16/0; 11/19/6; 0/5/6)

Performances

Mainpiece Title: The Reparation

Afterpiece Title: Thomasand Sally

Cast
Role: Sally Actor: Miss George

Dance: Afterpiece to conclude as17831104

Event Comment: Afterpiece [1st time; MF 2, by Harriet Horncastle Hook]: The Overture and Music entirely new, composed by Hook. Books of the Songs, &c. to be had at the Theatre. "After four Hours sitting at Hamlet, and Half an Hour more at Miss Hamoir's Ballet, we were cheered indeed by the Overture to the Double Disguise" (Public Advertiser, 11 Mar.). Morning Chronicle, 20 Mar. 1784: This Day is published The Double Disguise (1s.). Receipts: #167 12s. 6d. (116/8/0; 50/19/6; 0/5/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disguise

Dance: End of mainpiece a new Comic Ballet, The Return of the Hunters, by Mr and Miss Hamoir. [Beginning with the 3rd performance, on 11 Mar., this was entitled The Sportsmen's Return.]

Performance Comment: [Beginning with the 3rd performance, on 11 Mar., this was entitled The Sportsmen's Return.] hathi.
Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally; words to some of the songs by Edward Lysaght]: With new Music, Scenes and Dresses. The Music composed by Shield [with selections from Sacchini, Bertoni, Lord Mornington, &c. (Public Advertiser, 19 Apr.); overture by Baumgarten, being the same as that used by him in William and Nanny at CG, 12 Nov. 1779 (Town and Country Magazine, Apr. 1784, p. 171)]. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Oct. 1784: This Day is published by J. Almon Robin Hood [listing cast for season of 1784-85] (1s. 6d.). [In the season of 1789-90 this was reduced to an afterpiece of 2 acts.] Receipts: #206 4s. (204/3; 2/1)

Performances

Mainpiece Title: Robin Hood Or Sherwood Forest

Afterpiece Title: Harlequin Rambler

Dance: End of mainpiece a New Dance by Le Bccuf and Mlle Constance (from the King's Theatre in Paris; 1st appearance)

Event Comment: Benefit for Baddeley. Mainpiece: Not acted these 30 years [not acted since 22 July 1718]. Afterpiece [1st time; C 2, ascribed to Jesse Foot. MS: Larpent 650; not published; synopsis of plot in Gazetteer, 20 Apr. Author of Prologue unknown]. Public Advertiser, 16 Apr.: Tickets to be had of Baddeley, No. 2, Little-Russel-street, Covent Garden. Receipts: #216 18s. (73/10; 35/11; 3/10; tickets: 104/7) (charge: #106 8s. 4d.)

Performances

Mainpiece Title: Love In A Veil

Afterpiece Title: Jewish Education

Performance Comment: End of Act II Baddeley in the Character of Moses [in The School for Scandal] will present the Audience with a Specimen of Jewish Education .

Afterpiece Title: The Quacks or The Credulous Man

Performance Comment: Principal Characters by Parsons, Farren, Bannister Jun., Waldron, R. Palmer, Burton, Phillimore, Baddeley; Mrs Booth, Mrs Love, Mrs Brereton. [Cast from Gazetteer, 20 Apr.: Sir Toby Meagrim-Parsons; Temple-Farren; Sharper-Bannister Jun.; John-Waldron; Christopher Camp-R. Palmer; Dr Humberg-Burton; Martel-Phillimore; Dr Seraglio-Baddeley; Lady Meagrim-Mrs Booth [Gazetteer: Mrs Hopkins]; Betty-Mrs Love; Miss Kitty-Mrs Brereton.] Prologue in the Character of an Undertaker spoken by Bannister Jun . Prologue in the Character of an Undertaker spoken by Bannister Jun .

Dance: End of mainpiece, as17840311athi

Event Comment: Benefit for Mrs Siddons. Mainpiece: Not acted these 10 years [on playbill of 23 Apr.]. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Mrs Siddons's 1st appearance as Sigismunda was at Manchester, 10 Jan. 1778.] Public Advertiser, 20 Apr.: Tickets to be had of Mrs Siddons, No. 7, Leicester-fields. Receipts: #324 1s. (146/2/0; 8/1/6; 0/2/6; tickets: 169/15/0)(charge: #106 10s. 1d.)

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Kemble; Siffredi-Bensley; Osmond-Farren (Their 1st appearance i n those characters) ; Rhodolpho-R. Palmer ; Officers-Phillimore, Wilson, Chaplin [Public Advertiser : Kenny], &c.; Laura (1st time)-Miss Kemble ; Sigismunda-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Deaf Lover

Dance: As17840311athi

Event Comment: By Permission of the Lord Chamberlain. Benefit for Delpini. The Band from the Opera-house. Play: In 3 acts [i.e. reduced from the original 5]. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Performance Comment: ; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile .

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe. Text (ist authorized) in Cumberland's British Theatre, Vol. xxxi]: Written by the Author of The Agreeable Surprise, Son-in-Law, &c. The Overture and new Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: Lord Russel

Cast
Role: Charles the Second Actor: Aickin

Afterpiece Title: Peeping Tom

Event Comment: Mainpiece [1st time; C 5, author unknown; frequently attributed to Thomas Vaughan, but his authorship denied in a letter written by him to editor of the Oracle, 13 Feb. 1796. Author of Prologue unknown. Epilogue by Edward Topham (European Magazine, Nov. 1784, p. 393). MS: Larpent 670; not published; synopsis of plot in London Magazine, Nov. 1784, p. 389]. Receipts: #161 2s. 6d. (142/9/0; 18/0/6; 0/13/0)

Performances

Mainpiece Title: Deception

Related Works
Related Work: Tit for Tat Author(s): George Colman, the elder

Afterpiece Title: The Padlock

Dance: End of Act IV of mainpiece a New Dance incident to the Piece by Mr and Miss Hamoir

Event Comment: Mainpiece [1st time; CO 3]: Written by [John] O'Keeffe. The Music by Shield. With a new French Medley Overture, new Dresses, &c. The Words of the Songs to be had at the Theatre. [Mrs T. Kennedy was from the Newcastle theatre.]

Performances

Mainpiece Title: Fontainbleau Or Our Way In France

Afterpiece Title: The Citizen

Dance: End of mainpiece The Belle of the Village, as17840917

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Ladies Frolick

Dance: In Act I of afterpiece the celebrated Crutch Dance [performers not listed]

Event Comment: Windham Diary (30 Jan. 1784), 41: On the Wednesday 1 went to see Mrs Crawford in 'Belvidera', and found her much as I expected, though her disparity was very great. I can perhaps better conceive the delusion that, aided by a little prejudice [in favor of Mrs Siddons] and the recollection of Mrs C. in better times, could hesitate about the preference. The chief faults that I should find would be, that her articulation was cramped and timid, her tones sometimes colloquial and vulgar, her action confined, and her countenance inexpressive. A new man of the name of Pope performed; I pronounced him in my own judgment as inferior, upon the whole, to Brereton. [Henderson's 1st appearance as Pierre was at Bath, 14 Oct. 1773.]

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Magic Cavern

Event Comment: Afterpiece [1st time; P 2 (?), author unknown. MS not in Larpent; not published]: The Scenery, &c., partly new and partly selected from old and approved Pantomimes. Receipts: #205 7s. (156/6/0; 46/16/6; 2/4/6)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Palmer; Duke-Packer; Petruchio-Aickin; Antonio-Waldron; Peter-Burton; Antony-Suett; Francisco-Wright; Surgeon-Wrighten; Frederick-Brereton; 1st Constantia-Mrs Ward; Mother-Mrs Hopkins; Landlady-Mrs Love; Nurse-Mrs Booth; 2nd Constantia-Miss Farren .
Cast
Role: Mother Actor: Mrs Hopkins
Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The Caldron or Pantomimical Olio

Performance Comment: Harlequin-Wright; Clown-Grimaldi; Colombine-Miss M. Stageldoir. The other Principal Characters by Suett, R. Palmer, Burton, Williames, Waldron, Staunton, Wrighten, Fawcett, Chaplin, Wilson, Phillimore, Spencer, Alfred; Mrs Booth, Miss Hale, Mrs Burnett, Miss Cranford, Miss Barnes, Mrs Heard, Miss Palmer, Mrs Smith, Miss Tidswell, Miss Burnett, Mrs Love. 1st Singing Witch-Chapman .

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

Performance Comment: [The dances were included, as here assigned, in all subsequent performances.] hathi.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Alchymist

Event Comment: Benefit for Mme Rossi. Tickets, half a guinea each, to be had of Mme Rossi, No. 33, Pall-mall. 2nd ballet: With Grand Chorusses; the original Music by Matthew Locke is entirely preserved; the rest partly new [by Barthelemon], partly compiled from the most favourite Scotch Airs. "We cannot think last night's effort among the most successful . . . Lepicq and Rossi were the Macbeth and Lady--and considering the narrow boundaries of their art, which is tongue-tied, they discoursed 'with most miraculous organs.' Still, however, the whole of the material questions of the scene were agitated with all the disadvantages of contrast with comparative inefficience" (Public Advertiser, 18 Mar.)

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17850224, with The Cossack; End of Opera a new Heroic Ballet (1st time; composed by Lepicq) founded on Shakespeare's Historical Play of Macbeth by Lepicq, Angiolini, Nivelon, Mme Rossi, Slingsby, Frederic, Sga Angiolini, Mlle Dorival. The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel

Performance Comment: The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel .
Event Comment: Mainpiece [1st time; C 5, by Leonard Macnally. Prologue by ---- Chalmers. Epilogue by ---- Norris (see text, but London Chronicle, 4 Apr., says by Thomas Morris). In 1792 this was acted at this theatre reduced to 3 acts]. Public Advertiser, 30 Apr. 1785: This Day is published Fashionable Levities (1s. 6d.)

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: Principal Characters by Henderson, Lewis, Wroughton, Quick, Edwin, Farren, Wewitzer; Mrs Wilson, Mrs Martyr, Mrs Bates, Mrs Webb, Mrs T. Kennedy, Miss Platt, Miss Younge. [Cast from text (G. G. and J. Robinson, 1785): Mr Ordeal-Henderson; Welford-Lewis; Capt. Douglas-Wroughton; Sir Buzzard Savage-Quick; Nicholas-Edwin; Cheaterly-Farren; Colonel Staff-Wewitzer; Grace-Mrs Wilson; Clara-Mrs Martyr; Widow Volatile-Mrs Bates; Honour-Mrs Webb; Constance-Mrs T. Kennedy; Mrs Muslin-Miss Platt; Lady Flippant Savage-Miss Younge.] Prologue spoken by Wroughton. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Wroughton. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Magic Cavern

Event Comment: Benefit for Wilson. 1st piece [1st time; PREL I, by John Dent. On 16 Aug. acted at HAY under its 2nd title]. 2nd piece: As altered in 3 acts by Garrick. [Kean was from the HAY.]

Performances

Mainpiece Title: The Lawyers Panic Or Westminster Hall In An Uproar

Performance Comment: Principal Characters by Quick, Wewitzer, Booth, Cubitt, Stevens, Kennedy, Helme, Ledger, Wilson. [Cast from text (S. Bladon, 1785): Chief Justice-Quick; Moses Lyons-Wewitzer; Counsellor Puzzle-Booth; Counsellor Stutter-Cubitt; Cryer-Stevens; Counsellor Bantam-Kennedy; Apothecary-Helme; Gentleman-Ledger; Serjeant Gloss-Wilson; Jacobs-Newton; Isaacs-Jones; Wick-Thompson; Coniac-Bates; Clerk-Gaudry; Tradesman-Painter; Stone Chalker-unassigned; Counsellor-Baker, Gawdry [sic], Doyle, Darley, &c.; Bellamy's Maid-Miss Brangin.] hathi. hathi.
Cast
Role: Apothecary Actor: Helme

Afterpiece Title: The Winters Tale

Afterpiece Title: The Devil upon Two Sticks

Performance Comment: As17841222, but added: Doctor Squib, a Part of the Devil-Kean (in imitation of Foote; the 1st time of his ever attempting a character); omitted: Sir T. Maxwell, Julep, Apozem, Calomel, Camphire . the 1st time of his ever attempting a character); omitted: Sir T. Maxwell, Julep, Apozem, Calomel, Camphire .
Cast
Role: , a Part of the Devil Actor: Kean
Role: The Devil Actor: Wilson

Song: End of Act I of 2nd piece The Twaddle by Wilson. imitations. End of Act II of 2nd piece a great variety of Imitations by Kean (1st appearance on this stage)

Monologue: 1785 05 07 End of 2nd piece Joe Haynes's Epilogue, riding on an ass, by Wilson