SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 1897 matches on Event Comments, 1418 matches on Performance Comments, 284 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Ladies Frolick

Dance: III: The Medley-Scholars of Giorgi

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Commissary

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Event Comment: Miss Younge having been a Season in Ireland is now return'd play'd Well & was receiv'd with Great Applause (Hopkins Diary). Potter, Theatrical Review: We must beg leave to point out a small error in her playing the part of Imogen; and which was too obvious to escape notice: --When Iachimo arrives from Italy...he is introduc'd to her by Pissanio who says..."Madam, a noble gentleman of Rome comes from my Lord with letters." And Iachimo on his first appearance informs her, that "the worthy Leonatus is in safety." These circumstances ought to awaken the highest joy and transport in Imogen, instead of which, we wer sorry to observe, she dropped a solemn curtsey, and without one joyous feature said, with the utmost langor, "Thanks good sir, &c." And even after she had read the letter...she addresses herself to him again with the same indifference. Rec'd Mrs Groath, 1 yrs. Rent to Xmas last #3, and from Mr Atkins on Acct #5 5s.; Advanc'd Mr Barry, Box Office keeper #15; Ditto to Mr Watson, Box Office Keeper #10 (Treasurer's Book). Receipts: #164 5s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Reddish; Iachimo-Palmer; Cymbeline-Hurst; Cloten-Dodd; Arviragus-Brereton; Belarius-Burton; Pisanio-Packer; Guiderius-Cautherly; Philario-Wright; Frenchman-Fawcett; Lucius-Bransby; Captain-Keen; Courtiers-Ackman, Wheeler; Queen-Mrs Reddish; Imogen-Miss Younge; 1st time since her return from Ireland. In Act II: a Masquerade Scene-; with Dancing-Giorgi, Atkins, Sga Giorgi; Singing-Mrs Scott.
Cast
Role: Guiderius Actor: Cautherly

Afterpiece Title: The Mayor of Garratt

Performance Comment: Major Sturgeon-Love; Jerry Sneak, with the Song of Johnny Pringle-Weston; Jollup-Baddeley; Bruin-Wright; Lint-Castle; Snuffle-Hartry; Heel@Tap-Bransby; Roger-Messink; Mrs Bruin-Miss Platt; Mrs Sneak-Miss Pope.

Dance: III: A Comic Dance, as17710921

Event Comment: Paid Mr Kirk for copper tickets as per bill #5 5s. (Account Book). [These copper checks (illustrated in W. J. Lawrence, Old Theatre Days and Ways, London, 1935, p. 86) were supposedly given, by the box office keeper, to each person who entered the boxes. They were there dropped into a slit box by those who paid the money gatherer between the acts, or were returned to the box office by the holder if he left before the third act. The system was devised to check the receipts from the money gatherers against the number of copper tickets issued. Collusion between the Box office keeper and the gatherer could occur, but was checked by a third office, the numberer who counted heads, from his central position, as the gatherers went their rounds.] Receipts: #222 1s. (Account Book)

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: Midas

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Hob in the Well

Performance Comment: Hob-Moody; Friendly-Fawcett; Sir ThomasTesty-Hartry; Old Hob-Parsons; Roger-Keen; Dick-J. Burton; Flora-Mrs Scott; Betty-Mrs Millidge; Hob's Mother-Mrs Bradshaw.
Cast
Role: Hob's Mother Actor: Mrs Bradshaw.
Event Comment: Afterpiece: By Desire. About this time papers say inside of Foote's theatre with Dressing Room Green Room &c. is entirely pulled down to enlarge the stage which is to be nearly twice the size it was. Woodward is to exhibit two new pantomimes next summer. (Winston MS 10). Paid Printer's Bill #9 6s. (Treasurer's Book). [Treasurer's Book also indicates that this night #30 4s. of Orders were given out.] Paid 2 Clarinets 6 nights (18th incl.) #9 9s. (Treasurer's Book). Receipts: #173 2s. 6d. Ordinary charges #84. Extra for Invasion #10 10s. Profit for Author #78 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Harlequins Invasion

Performances

Mainpiece Title: Twelfth Night

Cast
Role: Sebastian Actor: Cautherly

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: V: The Sailors Revels, as17711008

Event Comment: Mainpiece: By Desire. Last time for the Institution of the Garter this season. Paid R. Johnston's bill for gilding &c., #19 10s.; Mr Greenwood for painting #8 8s. (Treasurer's Book). Receipts: #240 13s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Cast
Role: Charles Dudley Actor: Cautherly

Afterpiece Title: The Institution of the Garter

Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexanders Feast With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Event Comment: By Command of their Majesties. Performed as an Oratorio, though only a Serenata. Words by Gay...set to music by Mr Handel for that princely nobleman the Duke of Chandos...This being too short for a whole evening's entertainment, Mr Dryden's celebrated Ode, also set by Handel, was performed after the Serenata. End of Part I Concerto on French Horn, by Ponta. End of Part II, Solo on Violincello-Janson (Theatrical Review, 18 March). Ross and Mossop engag'd for Haymarket for tragedy, also Bannister; Aickin, Baddeley, Parsons, Dibdin, Mrs Baddeley, Evans, Miss Miller, Miss Ambrose &c. (Winston MS 10). [For Summer season?]

Performances

Mainpiece Title: Acis And Galatea With Drydens Ode

Music: End Part I: Concerto on French Horn-Ponta; End Act II: Concerto on Violincello-Janson

Event Comment: Never performed in this Kingdom. In the manner of an Oratorio. This is a species of entertainment borrowed from our volatile neighbors on the continent, and never performed in England before; that is not directly in this manner. [But see 4 May 1759.] The performance was divided into three parts: the First consisted of Mr Addison's celebrated Hymn, set to music by Mr Handel, which is a masterly performance; the second contained Miserere mei Dei, &c., the music compsoed by Sig Pergolesi; this is a noble performance; the third part consisted of a very fine anthem, by Sig Nigri of Milan, a work of great merit. A concerto on the French Horn (as 6 March) and a concerto on the Violin (as 11 March) (Theatrical Review, p. 220). Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

Performances

Mainpiece Title: The West Indian

Performance Comment: As17720420 but Charles Dudley-Cautherly.
Cast
Role: Charles Dudley Actor: Cautherly.

Afterpiece Title: Harlequins Invasion

Event Comment: Benefit for Mrs Woodman. Charges #64 15s. 6d. Profit to Mrs Woodman #17 8s. plus #42 1s. from tickets (Box 77; Pit 110; Gallery 63). Paid half year's paving &c. for the theatre due Lady Day last #18 5s. (Account Book). Receipts: #82 3s. 6d. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Intriguing Chambermaid

Song: I: The Favourite Irish Song call'd Ailen Aroon will be sung-Mrs Woodman

Dance: II: The Old ground Young, as17711030

Performances

Mainpiece Title: The Funeral Or Grief A La Mode

Afterpiece Title: A Trip to Scotland

Dance: II: By Desire, Hornpipe-Tassoni's 7-year-old scholar, her second appearance on any stage

Song: End: Several Catches and Glees-, some composed by Dibdin

Event Comment: Mainpiece: By Desire Towards raising a Fund for the relief of those who from their infirmities shall be oblig'd to retire from the stage. Mr G better than before if possible (Hopkins Diary). Pit and Boxes together, admittance to Pit only by Box ticket. Doors open half past 5. Begin promptly at Six. Paid Renters #8; Supers and K Drum #1 15s.; Soldiers 14s.; Printer #2 6s. 6d.; Extra constables &c. 18s.; Candles, Oyl and Lampmen, #3 18s. 6d. Total #17 12s. (Treasurer's Book). Receipts for Fund: #295 12s. 3d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Tressel Actor: Cautherly

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Monologue: V: Linco's Travels. As 24 March

Event Comment: Proprietor of Marlebone Gardens, Mr Arnold, summoned to Bow St. to pay penalty of #5 for causing Fireworks to be made contrary to the Act of 9th and 10th of William III. Opinion of the Bench he was not fineable (Public Advertiser). Letter to Garrick in consequence of his moving the Court of the King's Bench for leave to file an information against author of Love in the Suds &c. will shortly be publish'd by D. Kendk. Was publish'd 7 July Folio 2s. 6d. an quarto 1s. 6d. 2nd edn. (Winston MS 10, from Burney News Clippings.

Performances

Event Comment: Mainpiece: Not acted for 14 years, altered from Shirley. [See 7 Feb. 1758.] Characters New Dress'd in the Habits of the Times. This Comedy is reviv'd with Alterations. It is well perform'd & had great Applause (Hopkins Diary). Paid Half year's paving &c. to Mich. last for Drury Lane & Russel St. #14. Mr Godfrey for women's cloaths, #15. Mr Clutterbuck's last summer's balance #57 15s. 2d.; Mrs Foster for men's cloaths, #25 (Treasurer's Book). Receipts: #121 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Witches

Performances

Afterpiece Title: The Country Madcap

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Afterpiece Title: The Upholsterer

Dance: After: The Tartars-Fishar, Sga Manesiere

Event Comment: Mainpiece: Never perform'd. New Scenes and Dresses (playbill). This Comedy was written by Mr Obrien. It was very much hiss'd from the 2d Act & with the greatest difficulty we got thro' the Play amidst Groans hisses &c. They would not Suffer it to be given out again. After many Altercations between the Audience Mr G. & Mr King by the Author's Consent the Play was withdrawn (Hopkins Diary). [Macmillan's note from Kemble briefer. See long review of The Duel in British Theatre article, London Magazine, Dec. 1772, and Town and Country same month.] Paid Mr Scott (c[opper] laceman) #83 9s.; Mr Waller (hosier) #17 18s. 6d.; Mr Hatsell (mercer) #80 19s.; Mr Barrow & Co. for oil, #45 13s.; Mr Cropley (linen draper) #73 14s.; Mr Cubitt (tinman) #15 19s. (Treasurer's Book). Receipts: #241 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Duel

Performance Comment: Parts by Barry, King, Reddish, Weston, Moody, Brereton, Davies, Wright, W. Palmer, Griffith, Mrs Hopkins, Miss Jarratt, Mrs Bradshaw, Miss Younge, Mrs Barry. Prologue-; Epilogue-; Melville-Barry; Hargrave-King; Young Melville-Reddish; Servant to Sir Dermont-Weston; Sir Dermot O'Leinster-Moody; Barfort-Brereton; Servant to Young Melville-Wright; other servants (?)-Davies, W. Palmer, Griffith; Lady Margaret Sinclair-Miss Younge; Mrs Melville-Mrs Hopkins; Miss Melville-Miss Jarratt; Mrs Jones-Mrs Bradshaw; Maria-Mrs Barry (Genest, V, 342, MacMillan.)

Afterpiece Title: The Old Maid

Cast
Role: Clerimont Actor: Cautherly
Event Comment: Paid one year's insurance to Xmas next #15 (Treasurer's Book). [Copies of the annual insurance policies were extant in the Sun Insurance Office, 63 Theadneedle St. London, E. C. 2, as of Dec. 1951.] Receipts: #134 8s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Cast
Role: Sebastian Actor: Cautherly
Event Comment: Gave the Porters at the several Inns of Court their Christmas Box, #3 11s. 6d. Paid Colman for the clear receipts of his night for alterations &c. the 11th inst. #254 15s. 6d. (Account Book). Receipts: #213 8s. 6d

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Afterpiece Title: Cross Purposes

Monologue: Before: New Occasional Prelude. As 27 Oct. 1772

Event Comment: Paid Mr Conner for a dinner and supper &c. for the Orchestra #10 17s. 2d. (Account Book). Receipts: #119 2s

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Sorcerer

Event Comment: Benefit for Love. Recd Messrs Stanley & Smith 11 Oratorio Nights at #28 per night Candles Oyl &c. #347 12s.; Paid 11 nights Rent for Oratorios #88 (Treasurer's Book). [The Apology for Apologies is Larpent MS 351. Satire upon "Indispositions" of principal performers, suggests what would happen if other professions (law, medicine) substituted stand-ins with no other apology than is made in the theatrical profession.] Receipts: #168 8s. Charges: #64 12s. Profits to Love: #103 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Intriguing Chambermaid

Entertainment: After: (For that Night only) An Apology for Apologies-King

Dance: The Sailors Revels, as17720919