SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 1897 matches on Event Comments, 1418 matches on Performance Comments, 284 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Loves Last Shift Or The Fool In Fashion

Afterpiece Title: The Harlots Progress

Cast
Role: Mother Midnight Actor: Turbutt
Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Dance: I: Tambourine-Mlle Roland; III: Les Bergeries-Essex, Mrs Walter; IV: Double Jealousy, as17360907

Event Comment: See Daily Advertiser, 4 Feb., for a letter from Colley Cibber to the Gentlemen of the Inns of Court. Daily Advertiser, 4 Feb.: Whereas it is agreed on between several Gentlemen, to erect a New Theatre for the exhibiting of Plays, Farces, Pantomime, &c. all such Persons as are willing to undertake the said Building, are desir'd to bring their Plans for the same by the 2d of May next ensuing, in order to be laid before the said Gentlemen, the Time and Place of which Meeting will be advertis'd in this Paper on the last of April. Proportions of the Ground: The North Side 120 Feet; the West, square with the North, 130 Feet; the South 110 Feet; and the East on a Bevil, joining the Parallel. Note, There must be a Passage left to go round the Building, and the Stages to be 30 Feet wide at the First Scene; the Distance between Wall and Wall 80 Feet; and the Scene-Rooms, Green and Dressing Rooms, to be on the outside of the last mention'd Measure. The Stage to be either North or South

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: Benefit Mrs Talbot. Mainpiece: Written by C. Cibber, Esq; Poet Laureat. [Tickets to be had at Talbot's Coffee House in the Old Playhouse Passage, Drury Lane.

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: DDaily Advertiser, 8 March: We hear that the Great Mogul has acceeded to the Treaty of the Hay-Market, which causes various Speculations. Our best Advices assure us, that the Town will be entertain'd there Tomorrow, by a Gentleman who never wrote for the Stage, with a new Performance call'd a Rehearsal of Kings: which will be immediately succeeded by a Dramatick Piece call'd The Historical Register, for the Year 1736, written by the Author of Pasquin. We hear this has given great Alarm to all the Pantomimical Houses in London, Southwark, Rag Fair, &c

Performances

Event Comment: Never Acted before. [Author not known. Apparently not published.] By a Company of Comedians dropt from the Clouds, late Servants to their thrice-renown'd Majesties, Kouly Kan and Theodore. With new Scenes, Habits, and proper Decorations. Boxes 5s. Pit 3s. Gallery 2s. 1st N.B. To prevent the Imposition of Box-Keepers, Gentlemen and Ladies are humbly desir'd to take Tickets at the Office, or to send for them at the Theatre, where Attendance will be given every Day, and Places may be taken. 2d N.B. The Company will endeavour to entertain the Town the remaining part of the Season. [In advance bill in Daily Advertiser, 23 Feb.: 2d N.B. Considering the extraordinary Expence that must necessarily attend equipping so many Monarchs of different Nations, the Proprietor hopes the Town will not take Umbrage at the Prices being rais'd. 3rd. N.B. The Proprietor begs leave to enter his Caveat against all (what Names soever distinguish'd) who may hire, or be hir'd, to do the Drudgery of Hissing, Catcalling, &c. and entreats the Town would discourage, as much as in them lies, a Practice at once so scandalous and prejudicial to Author, Player, and every Fair Theatre Adventure.

Performances

Mainpiece Title: A Rehearsal Of Kings Or The Projecting Gingerbread Baker With The Unheard Of Catastrophe Of Macplunderkan King Of Roguomania And The Ignoble Fall Of Baron Tromperland King Of Clouts

Performance Comment: First Queen Incog-Mrs Eliza Haywood; Don Resinano-Mrs Charke; King of Clouts-Roberts; Mynheer Maggot-Jones; Mynheer Wiserman-Lacy; Crimcrowky-Davies; other characters are King Roguomania-; King Bombardino-; King Pamper Gusto-; King Taxyburndus-; King Lexoneris-; Sardonides-; Bandiquamonti-; Campanardicoff-; Ghost of a Dutch Statesman-.
Event Comment: For discussion of the Licensing Act, see Craftsman, 4 June, and Common Sense, 4 June. London Evening Post, 4 June: We hear that by the Bill now in the House of Peers against Players of Interludes, &c. all Copies of Plays, Farces, or any Thing wrote in the Dramatick Way, are to lie fourteen Days before his Grace the Lord Chamberlain of his Majesty's Household for the Time being, for his Grace's Perusal and Approbation, before they shall be exhibited on the Stage

Performances

Performances

Mainpiece Title: Loves Last Shift Or The Fool In Fashion

Afterpiece Title: The Devil to Pay

Cast
Role: with The Early Horn Actor:
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Harlots Progress

Cast
Role: Mother Midnight Actor: Harper
Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Damon and Phillida

Dance: I: Flanderkins-Master Ferg, Miss Wright; III: Drunken Peasant-Phillips; V: Scot's Dance, as17371110

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Burgomaster Trickd

Dance: Glover, Mlle Roland

Event Comment: By Desire. Mainpiece: Written by the late J. Hughes, Esq. London Evening Post, 28 Jan.: It's remarkable that the new Comedy call'd The Nest of Plays...and the new Farce call'd The Coffee House...and which are the two first that have been perform'd since the Act of Parliament took Place, obliging all Plays, Farces, &c. to be licens'd before play'd, were both damn'd by the Town

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Harlequin Grand Volgi

Music: Select Pieces-

Dance: I: Flanderkins, as17380120 II: Drunken Peasant-Philips; III: Grand Polish Dance-Haughton, Mrs Walter, Liviez, Pelling, Vallois, Rector, Mrs Thompson, Mrs Pelling, Mrs Woodward, Miss Brett

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: The Mock Lawyer

Dance: SSerious Dance-Villeneuve, Miss Oates; A new Pantomime Dance-Nivelon, Mrs LeBrun; Comic Dance-Richardson, Miss Cantrel

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Drunken Peasant-Philips; IV: Flanderkins-Master Ferg, Miss Wright

Song: I: Sweet Echoby Arne in Comus-Mrs Arne; III: Dove Spiega (an Italian Song by Arne)-Mrs Arne

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Lovers Opera

Dance: I: Punch-Master Ferg; III: Minuet, The Bretagne-Miss Wright, Miss Morrison; V: La Pierraite-Leviez, Mrs Thompson

Event Comment: Never Acted before. Benefit the Author. By C. Marsh. [Tickets of the Author at Cicero's Head, Round Court, in the Strand.

Performances

Mainpiece Title: Amasis King Of Egypt

Afterpiece Title: The Honest Yorkshireman

Performances

Mainpiece Title: Amasis King Of Egypth

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: Benefit Carey. N.B. And whereas building Benches, &c. on the Stage obstructs the Performance, and gives great Cause of Complaint, Mr Carey chuses rather to relinquish that Part of his Profit than incommode his Friends, and hopes no Person will take it ill, that they cannot be admitted behind the Scenes

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Margery

Cast
Role: Margery Mauxalinda Actor: Miss Esther? Young

Dance: As17381213

Event Comment: As 27 Nov. 1738. Mainpiece: Alter'd from Shakespear. Victor, History of the Theatres, II, 48: In the Year 1738, having, as he [Colley Cibber] said, Health and Strength enough to be as useful as ever, he came to Terms with Mr Fleetwood for his performing Richard, Fondlewife, Sir John Brute, &c. All his Comedy Parts he was right in, but in Richard he found his Mistake; his usual Strength and Spirit failed him most unhappily. I went behind the Scenes in the third Act, and asking him how he fared? He whispered me in the Ear, "That he wou'd give fifty Guineas to be then sitting in his easy Chair by his own Fireside.

Performances

Mainpiece Title: King Richard The Third

Performance Comment: See17380930, but King Richard-Cibber Sr, the first time of his appearing in that character these seven years; King Henry-Milward; Buckingham-Mills; Richmond-Cibber Jr; Queen Elizabeth-Mrs Roberts; Dutchess of York-Mrs Pritchard; Lady Anne-Mrs Mills.

Afterpiece Title: The Mock Doctor

Dance: Muilment

Performances

Mainpiece Title: A Match In Newgate

Performance Comment: Vizard-Chapman; Thinkwell-Turbutt; Freeman-Cashell; Bevil-Havard; Mixum-Martin; Tim-Woodward; Solomon-Yates; Padwell-Reed; Fidler-Raftor; Mother Griffin-Penkethman; Celia-Miss Bennet; Miranda-Mrs Chetwood; Corinna-Mrs Pritchard; Mrs Mixum-Mrs Grace.
Cast
Role: Mother Griffin Actor: Penkethman

Afterpiece Title: The Fall of Phaeton

Song: I: By Desire, As17391024

Dance: II: Scotch Dance-Master Matthews, Miss Wright

Event Comment: AA Compleat List (1747), pp. 182-83: [After some resentment at Quin's refusing a part in Fatal Retirement, 12 Nov.]. When coming on one Night to play the Part of Pierre...and he was treated in the same Manner, he came forward, and speaking to the Audience said, 'That he had met with Insults of that kind for several Nights past, and that he judged they came from the Friends of the Author of a Play lately acted at that House, called Fatal Retirement; that the Author of it desired him to read it before it was acted, which he did, at his Requests, and likewise, at his Request, gave him his sincere Opinion of it, which was, that it was the very worst Play he had read in his Life; and therefore he had refused to act a Part in it, &c.' After his Speech was ended, he found a thundering Applause from the Audience, and went thro' the whole Play without any farther Disturbance. But we ought not entirely to form out Judgment of its being the very worst Play, from what this Gentleman was pleased to say of it, in the Heat of his Resentment for being ill-treated; nor wonder that an Audience should applaud a Sentence which condemned an Author, at a Time when it was the Fashion to condemn them all, right or wrong, without being heard; and when Parties were made to go to new Plays to make Uproars, which they called by the odious Name of The Funn of the first Night. For the Afterpiece, A Compleat List, p. 183: And on the very Night I am speaking of it, at the End of the Play, was acted for the first [second] Time a new Farce, called, An Hospital for Fools, of which one single Word was not heard that the Actors spoke, the Noise of these First-Night Gentlemen was so great; however, the Actors went thro' it, and the Spectatbrs might see their Mouths wag, and that was all

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: An Hospital for Fools being generally Insisted on by last Nights Audience

Song:

Dance: As17391116

Event Comment: At the particular Desire of several Persons of Quality. Daily Advertiser, 25 Jan.: On Wednesday night last a Disturbance happen'd at Drury-Lane Playhouse, occasion'd by one of the principal Dancers not being there to dance at the end of the Entertainment, and after most of the People in the Pit and Galleries were gone, several Gentlemen in the Boxes pull'd up the Seats and Flooring of the same, tore down the Hangings, broke down the Partitions, all the Glasses and Sconces, the King's Arm over the middle front Box was pull'd down and broke to Pieces; they also destroy'd the Harpsichord, Bass Viol, and other Instruments in the Orchestra; the Curtain they cut to pieces with their Swords, forc'd their way into the lesser Green-Room, where they broke the Glasses, &c. and after destroying every thing they could well get asunder, to the amount of about three or four hundred Pounds Damage, left the House in a very ruinous Condition. [See also London Magazine, IX (1740), 47-48, 100.

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: The Fortune Tellers

Cast
Role: Colombine's Father Actor: Pelling
Role: Mother Actor: Yates

Ballet: AA Voyage to the Land of Cytherea. As17400115

Event Comment: 7 p. p.m. 5s. The Eighth Day. [Music by J. C. Smith Jr.

Performances

Mainpiece Title: Davids Lamentation Over Saul And Jonathan

Music: Violin-Festing; Violoncello-Caporale; Several Concertos-

Event Comment: Written by the late Sir John Vanbrugh, and C. Cibber, Esq; Poet-Laureat. Receipts: #59 14s. (Account Book); #80 (Rylands MS.)

Performances

Mainpiece Title: The Provokd Husband

Cast
Role: Mrs Motherly Actor: Mrs Martin

Dance: MMars and Venus-Desnoyer, Signora Barberini; Tyrolean Dance, as17410108; The Swiss-Mechell, Mlle Mechell

Event Comment: HHeidegger gets a new leave and license to perform operas at Haymarket Theatre from 8 Dec. 41 to 30 Oct. 45.-Deutsch, Handel, p. 526, from public Record Office L. C. 5@161, p. 97

Performances

Mainpiece Title: Alexander In Persia

Event Comment: By Command of their Royal Highnesses the Duke and the Princesses Amelia, Caroline, and Louisa. Rylands MS.: Duke &c attended. [Winston MS. lists Merchant of Venice, which had been advertised on the previous day's bill, but which was supplanted by this command performance.] Receipts: #80

Performances

Mainpiece Title: The Spanish Friar

Song: I: Happy Pair-Beard; III: Bright Author of my Present Flame-Lowe

Dance: II: Le Boufon, as17411030; V: Le Genereux Corsaire, as17411214