SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 1897 matches on Event Comments, 1418 matches on Performance Comments, 284 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Theatre. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", pp. 12, 16

Performances

Mainpiece Title: Shes Jealous Of Herself

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard, but the entry does not specify the day. See VanLennep, "Plays on the English Stage", p. 16. The play was not published until 1706, and the cast in an edition of that year represents one for performances nearer the date of publication. There is no indication of the date of the premiere

Performances

Mainpiece Title: The Amorous Widow Or The Wanton Wife

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard: and two Boxes for H. Prince of Orange. See VanLennep, "Plays on the English Stage", p. 16

Performances

Mainpiece Title: Macbeth

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 16

Performances

Mainpiece Title: The Tempest

Event Comment: [The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", pp. 16-17. This performance may have been the premiere. Shadwell, in his Preface, implies that it was acted six days. As Saturday was a day frequently chosen for a first showing and as the play was certainly given again on 14 Dec. 1670, the sequence of performaces which follow in this Calendar is based on the assumption that Saturday 10 Dec. 1670 was the first day, Wednesday 14 Dec. 1670 the fourth day of acting. The Preface: This Play...came upon the Stage with all the disadvantages imaginable: First, I was forced, after I had finish'd it, to blot out the main design of it; finding, that, contrary to my intention, it had given offence. The second disadvantage was, that notwithstanding I had (to the great prejudice of the Play) given satisfaction to all the exceptions made against it, it met with the clamorous opposition of a numerous party, bandied against it, and resolved, as much as they could, to damn it, right or wrong, before they had heard or seen a word on't. The last, and not the least, was, that the Actors (though since they have done me some right) at first were extreamly imperfect in the Action of it.... This of mine, after all these blows, had fall'n beyond Redemption, had it not been revived, after the second day, by her [Mrs Johnson's (?)] kindness (which I can never enough acknowledge) who, for four days together, beautified it with the most excellent Dancings that ever has been seen upon the Stage. This drew my enemies, as well as friends, till it was something better acted, understood, and liked, than at first

Performances

Mainpiece Title: The Humorists

Performance Comment: Prologue-; Epilogue-. [Edition of 1671: Prologue Written by a Gentleman of Quality. No actors' names. Epilogue. [The dancer referred to in Shadwell's Preface may well have been Mrs Johnson.]Edition of 1671: Prologue Written by a Gentleman of Quality. No actors' names. Epilogue. [The dancer referred to in Shadwell's Preface may well have been Mrs Johnson.]
Event Comment: The Duke's Company. This performance is on the L. C. lists. See VanLennep, "Plays on the English Stage", p. 17

Performances

Mainpiece Title: The Humorists

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 17

Performances

Mainpiece Title: The Humorists

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", pp. 17-18: The Schoole of Complements

Performances

Mainpiece Title: Love Tricks Or The School Of Compliments

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18. It should be noted that this performance falls on a Friday in Lent; there is no indication as to whether this is the premiere

Performances

Mainpiece Title: The Amorous Prince Or The Curious Husband

Performance Comment: Edition of 1671: The Prologue-; No actors' names. Epilogue-Cloris, Guilliam?.
Cast
Role: The Prologue Actor:
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: The New Utopia. There is no indication as to whether this performance was the premiere. The Preface refers to malice against the plays, and the edition of 1671 has a poem: To the Author of the New Utopia. On the Miscarriage of his Play in Acting

Performances

Mainpiece Title: The Six Days Adventure Or The New Utopia

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage," pp. 18-19: The Town Shifts. There is no indication as to whether this is the premiere, and it should be noted that this date is a Wednesday in Lent

Performances

Mainpiece Title: The Town shifts Or The Suburb justice

Event Comment: On this date (L. C. 5@188, p. 111) a warrant was issued for the arrest of Will Cavill (or Gavill) for presenting without leave a dumb show called Paradise. See the season of 1660-61 for Paradise Transplanted

Performances

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 17. There is no indication as to whether this is the premiere. The play was licensed 6 March 1670 [1671]. Downes (Roscius Anglicanus, p. 27) refers to it as being the first "new Play" acted at Dorset Garden in 1666, an error as to both place and time of presentation. Downes adds: All the other Parts, being perfectly well Acted, Succeeded six Days with a full Audience. It seems unlikely that Cambyses was given six days consecutively at this time. A performance of The Forc'd Marriage on Monday 9 Jan. 1670@1 and one of The Humorists on Saturday 14 Jan. 1670@1 do not permit six uninterrupted days for Cambyses at this time

Performances

Mainpiece Title: Cambyses King Of Persia

Performance Comment: Edition of 1671 Cambyses-Betterton; Prexaspes-Harris; Otanes-Crosby; Darius-Smith; Artaban-Norris; Osiris-Mrs Long; Smerdis-Medbourne; Parasithes-Sandford; Theramnes-Young; Phedima-Mrs Jennings; Orinda-Mrs Dixon; Mandana-Mrs Betterton; Prologue-; Epilogue-.
Cast
Role: Parasithes Actor: Sandford
Role: Theramnes Actor: Young
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 18. British Museum Add. Mss. 36916, folio 233: 18 Nov. 1671: The new playhouse in Salisbury Court opened on the 9th instant, since which his Majesty hath been often there, and likes it so well that he hath given the players #1000 towards the building of it

Performances

Mainpiece Title: The Sullen Lovers Or The Impertinents

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard: The Villain. See VanLennep, Plays on the English Stage, pp. 18-19

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19

Performances

Mainpiece Title: Pompey

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19

Performances

Mainpiece Title: The Duchess Of Malfi

Performance Comment: The edition of 1678 contains a cast which corresponds to the Duke's Company at this time: Ferdinand-Harris; Cardinal-Young; Antonio-Smith; Delio-Midburn [Medbourne]; Bosola-Betterton; Castruchio-Richards; Sylvio-Cademan; Pescara-Norris; Malateste-Price; Roderigo-Cogun; Grisolan-Percival; Dutchess of Malfey-Mrs Betterton; Cariola-Mrs Norris; Old Lady-Mrs Osborn; Julia-Mrs Shadwell.
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19

Performances

Mainpiece Title: The Guardian

Performance Comment: [The Cutter of Coleman Street] .
Event Comment: The Duke's Company. There is no indication as to whether this is the premiere. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19. Downes (Roscius Anglicanus, p. 32): The third new Play Acted there [dg] was the Gentleman Dancing-Master, Wrote by Mr Witcherly, it lasted but 6 Days, being like't but indifferently, it was laid by to make Room for other new ones. A song, with music by John Bannister, for this play is in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Gentleman Dancing Master

Performance Comment: Edition of 1672: Prologue to the City-; Newly after the Removal of the Duke's Company from Lincoln Inn Fields to their new Theatre, near Salisbury-Court. Epilogue-Flirt; allusions in the play imply: Don Diego-Angel?; Monsieur de Paris-James Nokes?.
Cast
Role: Prologue to the City Actor:
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, pp. 12, 19

Performances

Mainpiece Title: Wit A La Mode

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2 (see also Nicoll, Restoration Drama, p. 347); but see the discussion under 9 March 1671@2 for the dating

Performances

Mainpiece Title: The Romantic Lady

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2 (see also Nicoll, Restoration Drama, p. 347); for the dating of this performance, see the discussion under 9 March 1671@2

Performances

Mainpiece Title: Pompey

Event Comment: The King's Company. The date of the premiere is most uncertain. The play was apparently finished in July 1671-see C. E. Ward, The Life of John Dryden (Chapel Hill, North Carolina, 1961), p. 83-and the play may have been acted before April 1672. For the possibilities see Macdonald, Bibliography of Dryden, p. 110, and Nicoll, Restoration Drama, pp. 404-5. The Prologue and Epilogue are in Covent Garden Drollery, 1672. The song, Whilst Alexas lay prest, the music by Nicholas Staggins, was printed in Westminster Drollery (entered in the Stationers' Register, 3 June 1672) and in Choice Songs and Ayres, The First Book, 1673. Another song, Why should a foolish Marriage Vow, set by Robert Smith, is also in Choice Songs and Ayres, 1673

Performances

Mainpiece Title: Marriage A La Mode

Performance Comment: Edition of 1673: Prologue-Hart; Polydamas-Wintershall; Leonidas-Kynaston; Argaleon-Lydall; Hermogenes-Cartwright; Eubulus-Watson; Rhodophil-Mohun; Palamede-Hart; Palmyra-Mrs Coxe; Amalthea-Mrs James; Doralice-Mrs Marshall; Melantha-Mrs Bowtell; Philotis-Mrs Reeve; Belisa-Mrs Slade; Artemis-Mrs Uphill; Epilogue-Mohun.
Cast
Role: Amalthea Actor: Mrs James
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Adventures Of Five Hours

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The History Of Charles The Eighth Of France