SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4212 matches on Author, 1897 matches on Event Comments, 1418 matches on Performance Comments, 284 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Charles II to Madame, 10 Dec. 1663: I am just now going to see a new play (C. H. Hartmann, Charles II and Madame[1934], p. 89). The Duke's Company. W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, suggests that it was The Step-Mother which was given on this occasion. The edition of 1664 lists: The Prologue to the King at the Cockpit at White-Hall. The Epilogue to the King

Performances

Mainpiece Title: The Step Mother

Performance Comment: . Sylvanus-Sandford?; Filamor-Bettertun?; Adolph-Young?; Tetrick-Underhill?; Fromund-Price?; Crispus-Smith?; Capito-Metborn?; Gracchus-Lovell?; Sergius-Rob. Noke?; Pontia-Mrs Williams?; Caesarina-Mrs Bettertun?; Violinda-Mrs Davies?; Brianella-Mrs Long?; The Prologue to the King-; The Prologue to the Stage-; The Epilogue to the House-the Step-Mother?; The Epilogue to the King-; Instrumental Vocal Recitative Musick by Mr Lock-.
Event Comment: The King's Company. It is difficult to determine the run of the play, as all the known performances fall on Mondays, Wednesdays, and Fridays, but, except for 30 January, a Fast Day, it may well have been performed daily. L. C. 5@138, f. 15: A Warrant to the Master of the Great Wardrobe to prouide and deliuer to Thomas Killigrew Esq. to the value of forty pounds in silkes for to cloath the Musick for the play called the Indian Queen to be acted before their Maties Jan. 25th 1663 (Nicoll, Restoration Drama, p. 354)

Performances

Mainpiece Title: The Indian Queen

Event Comment: Charles II to Madame, 14 July 1664: I am just now come from seeing a new ill play and it is almost midnight (C. H. Hartman, Charles II and Madame [1934], p. 108). W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, stated his belief that this play was acted at court this day

Performances

Mainpiece Title: Pompey The Great

Event Comment: An unnamed play was acted by the King's Company at the Cockpit at Court. See L. C. 5@138, p. 156, in Boswell, Restoration Court Stage, p. 281

Performances

Event Comment: The dangerous increase in the plague resulted in a proclamation closing the theatres. L. C. 5@138, p. 417 (in Nicoll, Restoration Drama, p. 299n): Whereas it is thought dangerous that soe greate resort of People should be permitted at yor Theatre in this tyme of Infection of the Plague These are therefore to require you that you forbeare Acting any more Playes vntill you shall receive further Order from mee

Performances

Event Comment: The Duke's Company, presumably. Evelyn, Diary: This night was acted my Lord Brahals Tragedy cal'd Mustapha before their Majesties &c: at Court: at which I was present, very seldom at any time, going to the publique Theaters, for Women now (& never 'til now) permitted to appeare & act, which inflaming severall young noble-men & gallants, became their whores, & to some their Wives, wittnesse the Earle of Oxford, Sir R. Howard, Pr. Rupert, the E. of Dorset, & another greater person than any of these, who fell into their snares, to the reproch of their noble families, & ruine both of body & Soule: I was invited to see this Tragedie, exceedingly well writ, by my Lord Chamberlain, though in my mind, I did not approve of any such passe time, in a season of such Judgements & Calamitie. Pepys, Diary: Here my Lord Bruncker proffered to carry me and my wife into a play at court to-night, and to lend me his coach home, which tempted me much; but I shall not do it

Performances

Mainpiece Title: Mustapha

Event Comment: The Duke's Company. Boswell (Restoration Court Stage, p. 282) thinks that this play given on the L. C. lists--see Nicoll, Restoration Drama, p. 346--between 29 Oct. and 6 Nov., may have been acted on this day. See also an order for supplies for the comedians acting at court in Alwin Thaler, Shakespear to Sheridan, p. 290. Pepys, Diary: I to White Hall, where I staid walking up and down till night, and then got almost into the playhouse, having much mind to go and see the play at Court this night; but fearing how I should get nome, because of the bonefires and the lateness of the night to get a coach, I did not stay

Performances

Mainpiece Title: Mustapha

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125: Adventure of five houres at court. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: The Adventures Of Five Hours

Event Comment: The King's Company. In L. C. 5@139, p. 129, the play is given on one list as The Silent Woman on another list for the same day, The Scornful Lady. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: . the cast may be that in Downes (p. 6): Elder Loveless-Burt; Younger Loveless-Kynaston; Welford-Hart; Sir Roger-Lacy; The Lady-Mrs Rebecca? Marshal; Martha-Mrs Rutter; Abigail-Mrs Corey.
Cast
Role: The Lady Actor: Mrs Rebecca? Marshal
Event Comment: The Duke's Company. This performance is listed in the L. C. records, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. See Pepys, Diary, for Mrs Pepys attendance at an unnamed play in the afternoon

Performances

Mainpiece Title: Macbeth

Event Comment: The Duke's Company. This performance is in the L. C. lists 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald
Event Comment: The King's Company. This performance is in the L. C. lists, 5@139, p. 129. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: The Indian Emperor

Event Comment: This performance is on the two L. C. lists, 5@139, p. 129, and 5@12, p. 17. The second list states that the King attended the play. See also Nicoll, Restoration Drama, p. 343. The play may have continued its run on 6, 7, 9, 11, 12, and 13 March, as it was certainly given on 14 March

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: The Duke's Company. L. C. 5@139, p. 125, lists it for 3 March, but as this date falls on Sunday, it is probably an error in dating. The play was licensed on 22 May 1667. Pepys, Diary: To the Duke's playhouse...and I in and find my wife and Mrs Hewer, and sat by them and saw The English Princesse, or Richard the Third; a most sad, melancholy play, and pretty good; but nothing eminent in it, as some tragedys are; only little Mis. Davis did dance a jig after the end of the play, and there telling the next day's play; so that it come in by force only to please the company to see her dance in boy's clothes; and, the truth is, there is no comparison between Nell's dancing the other day at the King's house in boy's clothes and this, this being infinitely beyond the other. Downes (p. 27): Wrote by Mr Carrol, was Excellently well Acted in every Part;...Gain'd them an Additional Estimation, and the Applause from the Town, as well as profit to the whole Company

Performances

Mainpiece Title: The English Princess; Or, The Death Of Richard The Third

Performance Comment: The edition of 1667 lists no actors' names, but Downes (Roscius Anglicanus, p. 27) lists: King Richard-Betterton; Duke of Richmond-Harris; Sir William Stanly-Smith; Prologue-; Edition of 1673: Epilogue. Edition of 1673: Epilogue.
Event Comment: [The King's Company. Evelyn, Diary: Saw the Virgin Queene a play written by Mr Dryden &c. [Possibly the run of this play continued, for Pepys saw it again on 25 March and there are no certain performances of other plays at the King's Theatre. If Secret Love was acted without interruption, except for the customary non-acting days in Lent, it was probably given on 16, 18, 19, 21, and 23 March.

Performances

Mainpiece Title: [the Virgin Queen

Performance Comment: Secret Love; or, The Maiden Queen. See16670302.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. The play, licensed on 27 Nov. 1667, was not printed until 1667. There is no certainty that this is the premiere, but it may well have been, as Pepys saw it on 30 March and on 11 April suggested that it had recently had its first showing: [The Duchess of Newcastle] was the other day at her own play, The Humourous Lovers; the most ridiculous thing that ever was wrote, but yet she and her Lord mightily pleased with it; and she, at the end, made her respects to the players from her box, and did give them thanks

Performances

Mainpiece Title: The Humourous Lovers

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17: The Mayden Queene at court. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Performance Comment: The Mayden Queene. See16670302.
Event Comment: The King's Company. This performance is on the L. C. list, 5@139, p. 129, and 5@12, p. 17; Bartholomew fayre at the Theatre. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125: The Witts at court. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: The Wits

Event Comment: The Duke's Company. This play is on the L. C. list 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Gervase Jaquis to the Earl of Huntington, 7 May: Upon monday last the Duchesse of Newcastl's play was Acted in the theater in Lincolns Inne field the King and the Grandees of the Court being present and soe was her grace and the Duke her husband (Hastings MS., Ha 7657, Huntington Library)

Performances

Mainpiece Title: The Humorous Lovers

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125: The Schoole of Complements at Court. See also Nicoll, Restoration Drama, p. 346. The edition of 1667 was licensed 24 May 1667. Gildon, Life of Betterton (1710), states that Betterton had a role in it

Performances

Mainpiece Title: The Schoole Of Complements

Performance Comment: [Love Tricks, by James Shirley.] Edition of 1667: The Prologue-; [No actors' names. Epilogue-. [As it is now Acted by His Royal Highnesse the Duke of York's Servants at the Theatre in Little Lincolns Inn Fields.As it is now Acted by His Royal Highnesse the Duke of York's Servants at the Theatre in Little Lincolns Inn Fields.
Cast
Role: The Prologue Actor:
Event Comment: The King's Company. This performance is on the L. C. list, 5@139, p. 129, and 5@12, p. 17. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: The Committee

Event Comment: The King's Company. This performance is on the L. C. list, 5@12, p. 17: Auglaura at court [but not on 5@139, p. 129]. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: Auglaura

Event Comment: The King's Company. This performance is on L. C. lists 5@139, p. 129, and 5@12, p. 17, adds: King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Country Captain

Event Comment: The Duke's Company. This performance is on L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: But, Lord! how it went against my heart to go away from the very door of the Duke's play-house, and my Lady Castlemayne's coach, and many great coaches there, to see The Siege of Rhodes. I was very near making a forfait, but I did command myself

Performances

Mainpiece Title: The Siege Of Rhodes