SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4212 matches on Author, 1897 matches on Event Comments, 1418 matches on Performance Comments, 284 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: Never [previously] performed at this Theatre [1st acted by the dl Company at king's, 18 Oct. 1792]. The new Scenes by Greenwood. The Musick composed principally by Attwood; rest from Mozart and Sarti. Receipts: #363 9s. (262.10; 99.2; 1.17)

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Prisoner

Performance Comment: Marcos-Kelly; Bernardo-Dignum; Pasqual-Caulfield; Roberto-Suett; Lewis-Wewitzer; Narcisso-Master Welsh; Clara-Miss DeCamp; Theresa-Miss Leak; Nina-Mrs Bland; Juliana-Miss Menage; Chorus of Soldiers-Evans, J.? Fisher, Maddocks, Phillimore, Trueman, Welsh, Atkins, Burrows, Meyers, Caulfield Jun., Denman, Fisher, Tett, Aylmer, Dibble, Gallot, Potts, Annereau, Bardoleau, Walker, Willoughby, Peck.
Cast
Role: Theresa Actor: Miss Leak
Event Comment: Ballet [1st time; by Giacomo Gentili; music by Vittorio Trento]: With new Scenes and Decorations. In the course of the Ballet will be introduced Groups of Flying Cupids. Receipts: #598 2s. (511.7.6; 83.0.0; 3.14.6)

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-King; Harcourt-Palmer; Sparkish-Bannister Jun.; Belville-C. Kemble; William-Maddocks; Countryman-Hollingsworth; Servant-Webb; Alithea-Mrs Goodall; Miss Peggy-Mrs Jordan; Lucy-Miss Heard.
Cast
Role: Alithea Actor: Mrs Goodall

Afterpiece Title: My Grandmother

Performance Comment: Sir Matthew Medley-Maddocks; Vapour-Bannister Jun.; Woodly-Sedgwick; Gossip-Suett; Soufrance-Wewitzer; Charlotte-Miss DeCamp; Florella-Miss Leak.
Cast
Role: Sir Matthew Medley Actor: Maddocks

Ballet: End: The Triumph of Love. Corida-Mlle Parisot (by permission of the Proprietor of the king's Theatre); Olympio-Gentili; Aristea-Sga Bossi? DelCaro; Cupid-Master Menage; Discord-Master Chatterley; Nymphs-Mrs Brooker, Mrs Brigg, Mrs Haskey, Mrs Barrett, Miss Bourk, Miss Daniels, Mrs Byrne, Mrs Thompson; Shepherds-Roffey, Whitmell, Thompson, Wells, Banks, Garman, Butler, Nicolini

Performance Comment: Corida-Mlle Parisot (by permission of the Proprietor of the king's Theatre); Olympio-Gentili; Aristea-Sga Bossi? DelCaro; Cupid-Master Menage; Discord-Master Chatterley; Nymphs-Mrs Brooker, Mrs Brigg, Mrs Haskey, Mrs Barrett, Miss Bourk, Miss Daniels, Mrs Byrne, Mrs Thompson; Shepherds-Roffey, Whitmell, Thompson, Wells, Banks, Garman, Butler, Nicolini.
Event Comment: Mainpiece: With the original Musick of Matthew Locke, and Accompaniments by Dr Arne and Linley? Sen. Receipts: #283 13s. 6d. (229.10.6; 52.17.0; 1.6.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Citizen

Song: Mainpiece: Chorus of Witches and Spirits-Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Mrs Crouch, Mrs Bland, Miss Leak, Miss DeCamp, Miss Menage

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Who's the Dupe

Related Works
Related Work: The Dupes of Fancy; or, Every Man his Hobby Author(s): George Saville Carey

Ballet: The Triumph of Love. As17961001

Event Comment: Mainpiece: Not acted these 10 years. Afterpiece: The Scenery, Dresses, and Decorations entirely new. Receipts: #293 4s. 6d. (183.5.6; 103.0.0; 6.19.0)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Feignwell-Bannister Jun.; Freeman-C. Kemble; Sir Philip Modelove-Wewitzer; Obadiah Prim-Hollingsworth; Tradelove-Wathen; Perriwinkle-Suett; Sackbut-R. Palmer; Simon Pure-Caulfield; Aminadab-Grimaldi; Gentlemen-Cooke, Trueman; Stockbrokers-Banks, Maddocks; Servant-Webb; Waiters-Evans, Fisher, Master Gregson; Mrs Prim-Miss Pope; Nancy-Miss Mellon; Betty-Miss Tidswell; Lady-Miss Chatterley.
Cast
Role: Tradelove Actor: Wathen

Afterpiece Title: Richard Coeur de Lion

Performance Comment: Richard-Kelly; Blondel-Barrymore; Florestan-Caulfield; Sir Owen-Bannister; The Seneschal-Phillimore; Antonio-Mrs Bland; Guillot-Wathen; Matthew-Maddocks; William-Banks; Pilgrim-Webb; Matilda-Mrs Crouch; Laurette-Miss DeCamp; Dorcas-Mrs Maddocks; Julie-Miss Menage; Chorus of Knights-Trueman, Welsh, Peck, Dibble, Cook, Tett, Atkins, [J.] Fisher, Gallot, Walker, Bardoleau; Chorus of Soldiers-Evans, Meyers, Caulfield Jun., Denman, Fisher, Earle, Aylmer, Potts, Annereau, Willoughby; Chorus of Peasants-Banks, Butler, Garman, Thompson, Wells, Ms Arne, Mrs Bramwell, Ms Butler, Ms Chatterley, Ms Granger, Ms Jackson, Ms Menage, Ms Benson.
Cast
Role: The Seneschal Actor: Phillimore
Role: Guillot Actor: Wathen
Role: Matthew Actor: Maddocks

Dance: III afterpiece: Dance-Master and Miss Menage

Event Comment: Afterpiece: The principal parts of the Compilation from The Choice of Harlequin. The Magic Cavern, The Enchanted Castle, The Sylphs, The Sorcerer. The Music compiled from, and composed by Michael Arne, Shield, J. C.? Bach, Spofforth, &c. The Scenery, Machinery and Decorations are partly new, and the rest completely repaired by Hodgins, Phillips, Hollogan. Blackmore, and assistants. Receipts: #210 14s. 6d. (209.16.6; 0.18.0)

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Pope; Roderigo-Knight; Cassio-Macready; Brabantio-Hull; Lodovico-Toms; Duke-Thompson; Gratiano-Powel; Montano-Claremont; Iago-Murray; Emilia-Mrs Fawcett; Desdemona-Mrs Pope.
Cast
Role: Othello Actor: Pope

Afterpiece Title: Harlequin's Treasure; or, Jewels New Set

Performance Comment: Pantomimic Characters. Persian Merchant and Lover-Farley; Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Fop's Servant-Simmons; Punch-Rayner; Cooper-Blurton; Lemon Merchant-Wilde; Landlord-Thompson; Cook-Mrs Henley; Columbine-Mlle St.Amand; [Vocal Characters. Gamblers-Bowden, Townsend, Haymes, Philipps; Pleasure-Mrs Martyr; Virtue-Mrs Mountain; Arabian Girl-Mrs Clendining; Glees and Chorusses-Linton, Street, Gray; [Part I A View of Desarts of Arabia, with passing of Caravan. The Banditti (from The Magic Cavern, painted by Richards, the music by Shield); A Garden@song-Mrs Clendining; [composed by Shield. The Hotel (from The Choice of Harlequin), with Views of Temple of Virtue and Pleasure Painted by Richards, Dall, and Smirk; the music by Michael Arne. The Building Scene and Falling Scaffold (from The Sorcerer) invented by Rich. The Outside of Pantaloon's House-the Mandarine-the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club (from The Choice of Harlequin) Come pass the Box(, composed by [M.] Arne) -Bowden, Townsend, Haymes, Philipps, Linton, Street, Gray; [Prison Scene-with a Hornpipe in Fetters-Blurton; [Part II. An exact Representation of the Telegraphev. in which is shewn the manner of conveying Intelligence, demanding Questions, and receiving Answers. A View of Doverv. with the Fleet prepared for Sea-The arrival of an Express from an Admiralty by the Telegraphe-the Sailing of the Fleet, with Rule Britannia-Townsend, Chorus [Park Wall, changes to a Public House. The Trick Tea Chest, Harlequin's Leap and Transformation. The Kitchen Scenev by Messink. Harlequin changes to a Lobster. A Landscapev painted by Lambert, which changes to the Wash-House Scenev (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: the Mandarine Actor: the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: the Inside Actor: the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: the Magic Candles Actor: Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club
Role: with the Fleet prepared for Sea Actor: The arrival of an Express from an Admiralty by the Telegraphe-the Sailing of the Fleet, with Rule Britannia-Townsend, Chorus
Role: The arrival of an Express from an Admiralty by the Actor: the Sailing of the Fleet, with Rule Britannia-Townsend, Chorus
Role: which changes to the Wash Actor: House Scenev
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: Outside of a Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: The Statuary Yard invented by Messink Actor: Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Role: A Dark Wood Actor: Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Event Comment: [Halpin is identified in MS list in Kemble playbills of new performers for this season. This was not his first appearance; he had acted previously in Dublin (Monthly Mirror, Nov. 1796, p. 437; Hibernian Journal (Dublin), 16 Dec. 1789, 20 Jan. 1790). For the naming of the characters in mainpiece, as they were called originally, see 23 Feb. 1792.] Receipts: #255 (193.11.6; 58.4.6; 3.4.0)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Richard Coeur de Lion

Cast
Role: The Seneschal Actor: Phillimore
Role: Guillot Actor: Wathen
Role: Matthew Actor: Maddocks

Dance: As17961019

Song: As17960927

Event Comment: Mainpiece: Not acted these 4 years (notice on playbill of 8 Nov.). Afterpiece: The Musick composed by W. Linley. The Scenery by Greenwood. The Machinery and Decorations by Cabanel, Johnston, Jacobs. The Dresses by Johnston and Miss Rein. The Doors to be opened at 5:15. To begin at 6:15 [see 3 Apr. 1797]. Receipts: #318 4s. 6d. (237.14.6; 76.5.6; 4.4.6)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Captive; or, The Magick Fire

Event Comment: Afterpiece: Not acted these 4 years [and in place of The Doctor and the Apothecary, advertised on playbill of 17 Nov.]. Receipts: #161 18s. 6d. (92.8.0; 64.3.6; 5.7.0)

Performances

Mainpiece Title: First Love

Afterpiece Title: The Apprentice

Ballet: The Scotch Ghost. As17961116

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Palmer; Frederick-Barrymore; Duke-Whitfield; Petruchio-C. Kemble; Antonio-Suett; Gentlemen-Caulfield, Cooke, Fisher, Trueman; Peter-Russell; Anthony-Wewitzer; Surgeon-Maddocks; Francisco-Hollingsworth; First Constantia-Mrs Powell; Mother@in@Law to Constantia-Miss Tidswell; Kinswoman-Miss Heard; Landlady-Mrs Booth; Nurse-Mrs Maddocks; Second Constantia-Miss Farren.
Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: Richard Coeur de Lion

Cast
Role: The Seneschal Actor: Wentworth
Role: Guillot Actor: Wathen
Role: Matthew Actor: Maddocks
Event Comment: "Rule a Wife and Have a Wife is, for the first time, revived with dresses suitable to the times" (True Briton, 2 Feb.). Receipts: #227 10s. 6d. (150.5.0; 72.13.6; 4.12.0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Deserter

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Follies of a Day

Event Comment: Mainpiece: Not acted these 4 years. With Additions from Dryden; the Musick by Purcell and Dr Arne, and the new Airs and Chorusses by the late Mr Linley Jun. [Afterpiece in place of A Friend in Need, advertised on playbill of 21 Feb.] The Publick is respectfully informed that on Account of the sudden Indisposition of Sga Bossi DelCaro, The Scotch Ghost [advertised on playbill of 21 Feb.] cannot be performed this Evening (printed slip attached to Kemble playbill). Receipts: #212 2s. 6d. (145.1.0; 61.0.0; 6.1.6)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Afterpiece Title: My Grandmother

Cast
Role: Sir Matthew Medley Actor: Maddocks

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Caulfield, Cooke, Master Welsh, Miss Leak, Miss D'Evelyn

Monologue: V: The Masque of Neptune and Amphitrite. Neptune-Sedgwick; Amphitrite-Miss D'Evelyn

Performances

Afterpiece Title: A Grand Sacred Selection 1

Performance Comment: Part I. Overture- (Occasional Oratorio); Arm arm ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; Lord what is man?-Miss Poole [Semele]; Total eclipse-Braham; O first created beam-Chorus [Samson]; The mighty power-Chorus [Athalia]; O worse than death, Angels ever bright and fair-Mme Mara [Theodora]; Fixed in his everlasting seat-Chorus [Samson].Samson].
Cast
Role: The mighty power Actor: Chorus

Afterpiece Title: A Grand Sacred Selection 2

Performance Comment: Part II. Ye Sons of Israel-Chorus; Shall I in Mamre's-Bartleman; For all these mercies-Chorus [Joshua]; My Faith and Truth-Miss Poole, Master Elliot; Return O God of Hosts-Sga Galli [Samson]; First concerto Op. 3 Geminiani-G. Ashley; Deeper and deeper still, Waft her angels-Braham [Jephtha]; Thy right hand O Lord-Chorus [Israel in Egypt]; Holy Holy Lord-Mme Mara [Redemption]; He gave them hailstones-Chorus [Israel in Egypt].Israel in Egypt].

Afterpiece Title: A Grand Sacred Selection 3

Performance Comment: Part III. Overture and Dead March- (Saul); Great Jehovah's awful-Master Elliot [Israel in Egypt]; In sweetest Harmony-Mme Mara; O fatal Day-Chorus [Saul]; Gentle Airs-Braham; [accompanied on the violoncello-C. Ashley [Athalia]; Fallen is the Foe-Chorus [Judas Maccabaeus]; O magnify the Lord-Miss Poole [Chandos Anthems]; The Lord shall reign-Chorus; For the Horse of Pharoah, Sing ye to the Lord-Mme Mara; The Horse and his Rider-Double Chorus [Israel in Egypt].Israel in Egypt].

Music: End I: concerto on pedal harp-Miss Dupree (1st appearance in public)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Apprentice

Afterpiece Title: Cape St

Event Comment: [In mainpiece the playbill assigns Cassio to Barrymore, but "Charles Kemble undertook Cassio at a short notice, and sustained it very creditably" (Monthly Mirror, Apr. 1797, p. 250).] Afterpiece: Engagement as 6 Mar. Receipts: #219 6s. 6d. (158.19.6; 59.6.6; 1.0.6)

Performances

Mainpiece Title: Othello

Performance Comment: Duke of Venice-Maddocks; Brabantio-Aickin; Gratiano-Phillimore; Lodovico-Packer; Othello-Kemble; Cassio-C. Kemble; Iago-Palmer; Roderigo-Russell; Montano-Campbell; Julio-Trueman; Antonio-Caulfield; Desdemona-Mrs Siddons; Aemilia-Mrs Powell.
Cast
Role: Othello Actor: Kemble

Afterpiece Title: Cape St

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Lodoiska

Song: As17960927

Performances

Afterpiece Title: A Grand Selection of Sacred Music 1

Performance Comment: Part I. Overture and March- (Ptolemy); Tear such as tender father-Bartleman [Deborah]; When his loud voice-Chorus [Jephtha]; From mighty Kings-Miss Poole [Judas Maccabaeus]; His mighty arm-Braham [Jephtha]; See the conquering hero comes, [with the March-Chorus; Pious orgies-Mme Mara [Judas Maccabaeus]; The Trumpet's loud clangour-Chorus [Dryden's Ode].Dryden's Ode].

Afterpiece Title: A Grand Selection of Sacred Music 2

Performance Comment: Part II. Fourth concerto of Avison-; Father of heaven-Sga Galli; Sion now her head shall raise-Miss Poole, Master Elliot [Judas Maccabaeus]; Tune your harps-Chorus [Esther]; Tho' pleasure swells-Braham [Mahmoud (Storace)]; Lord of eternity-Chorus; Behold the nations-; O Baal-Chorus [Deborah]; What though I trace-Mme Mara [Solomon]; Gird on thy sword-Chorus [Saul].Saul].
Cast
Role: Father of heaven Actor: Sga Galli
Role: Behold the nations Actor:

Afterpiece Title: A Grand Selection of Sacred Music 3

Performance Comment: Part III. [Select Parts of the Water Music-; Wave from wave-Bartleman [Israel in Egypt]; Tyrants would-Miss Poole; Tyrants ye in vain conspire-Chorus [Athalia]; O Liberty-Braham; [accompanied on the violoncello-C. Ashley; Come ever smiling Liberty-Master Elliot; Disdainful of danger- [Judas Maccabaeus]; Mad Bess-Mme Mara (Purcell); Rule Britannia-Chorus.

Music: As17970315

Event Comment: Benefit for Barrymore. Mainpiece: In IV a Masquerade Scene. Afterpiece: To conclude with a Superb Prospect of the Infernal Regions and a Rain of Fire. True Briton, 12 May: Tickets to be had of Barrymore, No. 59, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #337 11s. (62.18; 72.12; 5.17; tickets: 196.4) (charge: #216 1s. 5d.)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Event Comment: Benefit for King. 2nd piece: Not acted for more than 20 years [acted 14 May 1782]. The Dialogue by Garrick and King. The Music by Michael Arne and Vernon. Tickets delivered for Friday May 5 [for which day the benefit was first announcedP will be admitted. True Briton, 6 May: Tickets to be had of King, No. 56, New Store-street, Bedford-Square. Receipts: #290 9s. 6d. (111.5.6; 58.4.6; 4.16.0; tickets: 116.3.6) (charge: #211 18s.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Linco's Travels

Afterpiece Title: The Smugglers

Entertainment: Monologue. End I: Kitty Conolly and Jack the Painter (Very lately Versified, and never before presented to the Public)-King

Performance Comment: End I: Kitty Conolly and Jack the Painter (Very lately Versified, and never before presented to the Public)-King.
Event Comment: Benefit for Mrs Jordan. [In mainpiece the playbill retains King as Sir Peter Teazle, but "Murray, on account of the indisposition of King, was the Sir Peter to Mrs Jordan's Lady Teazle" (Monthly Mirror, May 1797, p. 311).] Tickets delivered for the 15th [for which day the benefit was first announced] will be admitted. "On the whole, Mrs Jordan's Lady Teazle, if not excellent, was respectable; and at a time when it was thought that it would be impossible to personify her Ladyship [i.e. after the retirement of Miss Farren], Mrs Jordan is commendable in having endeavoured it...[Sir Peter] was a part well suited to Murray, who excels in the still and the pathetic...In the screen scene his mirth in revealing to Charles the story of the French milliner, and his amazement the moment after when Charles, throwing down the screen, presented that milliner in the shape of Lady Teazle, must confirm the reputation of Murray. 'Lady Teazle!' (exclaimed he, turning from her towards the door, and in an accent alarmingly impressive), 'Lady Teazle, by all that is damnable!" (Monthly Visitor, June 1797, pp. 531-32). True Briton, 6 May: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #550 3s. (232.4.0; 72.2.0; 7.10.6; tickets: 238.6.6) (charge: free)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: As17960927

Entertainment: Monologue. End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan

Performance Comment: End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan.

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Critic

Ballet: The Scotch Ghost. As17961221

Entertainment: Imitations. End: a Variety of Imitations-Caulfield