SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Alexander Steevens"/1) | (@(roleclean,performerclean) "George Alexander Steevens")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4230 matches on Author, 852 matches on Performance Comments, 673 matches on Event Comments, 575 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17331013 With a new Prologue [by Alexander Pope] .

Afterpiece Title: The Festival

Performances

Mainpiece Title: The Relapse

Music: Second Musick: the 8th Concerto of Corelli, commonly called The Natalia. Third Musick: Overture of Alexander, composed by Handel. III: The Cuckoo, composed by Vivaldi

Performance Comment: Third Musick: Overture of Alexander, composed by Handel. III: The Cuckoo, composed by Vivaldi .

Dance: II: Les Amants Constants, as17340123 In V: Grand Dance in Momus, as17331231

Song: I: Lusingue pui care by Miss Arne. IV: Sentir si Dire by Miss Arne

Event Comment: Benefit Alexander Gordon

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Flora

Dance: II: Je ne scay quoi-Villeneuve, Richardson, Miss Oates; IV: French Peasants-Poitier, Mlle Roland the Elder; V: Scots Dance-Glover, Mlle Roland Ynger

Song: III: Ballad call'd Love in Low Life-Salway, Laguerre, Mrs Lampe

Event Comment: Benefit Gentleman with a large Famil y, under Misfortunes. Tickets 4s., 2s. 6d., to be had of Alexander Burges, Hardwareman, near Finch Lane, Cornhill; Tickets deliver'd out for the Tender Husband, which was to have been perform'd at Covent-Garden on Friday the 8th Instant, will be taken at this concert

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: Lethe

Dance: Three Graniers

Event Comment: Mainpiece: By Particular Desire. Tickets for Alexander will be taken

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Amorous Goddess

Performances

Mainpiece Title: Music

Performance Comment: Part I Overture to Samson-; Airs: Total Eclipse in Samson-Beard; Preso al Caro amato Cido in Meraspe-Sga Galli; Return O God of Hosts from Samson-Miss Robinson; Myself I Shall Adore in Semele-Sga Francesina; Del Minacciar del Vento in Otho-Reinhold; Part II Concerto-Weideman; Airs: Per Pieta nell' Incostanza Delusa-Sga Frasi; O Ruddier than the Cherry in Acis and Galatea-Reinhold; O Sleep in Semele-Sga Francesina; Concerto-Sga Caporale; Air: Dirti ben Mio in Alexander in Persia-Miss Robinson; Part III Concerto-Miller; Airs: Tremende oscure atroci in Meraspe-Sga Galli; Why does the God of Israel Sleep in Samson-Beard; Scherza Quest' Alma Mia del Sig Lampugnani-Sga Frasi; Concerto-Vincent; Trio in Acis and Galatea-Sga Francesina, Miss Robinson, Reinhold; Handel's Grand Sonata-.

Performances

Mainpiece Title: Entertainment Of Music

Performance Comment: First Part: A new Overture [by Paradies-; D'Ogni Amator[ in L'Ingratitudine Punita-Ciacchi; Son Confusa Pastbrella [from same]-Sga Pirkir; Rasserena il mest Ciglio [in Artamene-Sga Galli; Concerto-Pasqualino; Se Fosse il mio Diletto (Hasse)-Reginelli; Leon Cacciato [in Selva in Scipione-Sga Casarini; [Second Part: Concerto-Carbenell; Heart thou Seat of soft Delight [in Acis and Galatea-Sga Frasi; Viv non ti contendono [in L'Ingratitudine Punita-Ciacchi; Vuoi Saper se tu mi piaci (Hasse)-Reginelli; Pender L'Amico [in Enrico-Sga Pirkir; Concerto-Miller; A me ritornate Speranzeptu Care [in Enrico-Sga Casarini; Passagier che su la Sponda (Hasse)-Reginelli;[ Third Part: Concerto-Vincent; O'inespettata Sorte (Veracina)-Sga Galli; The Prince unable to Conceal his Pain [from Alexander's Feast-Frasi; Come ever Smiling Liberty [in Judas Maccabaeus-Sga Casarini; Che quel Cor (Hasse)-Reginelli; A Grand Concerto [of Handel's-.
Cast
Role: from Alexander's Feast Actor: Frasi

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: Prologue-Mrs Midnight; Act I. I. A grand Piece with Kettle@Drums and Trumpets-; 2. The Inauguration Speech-Mrs Midnight; 3. Overture by Handel-; 4. Declamatory Piece on Jew's Harp-a Casuist; Act II. I. The Speech of Mrs Midnight in Defence of her Existence-; 2. Overture to Ariadne-; 3. Solo on the Viol d'Amor-; 4. Oration on the salt@Box-a Rationalist; 5. March in Judas Macchabeus-; , with the Side Drum-; Act III. I. The Speech of Old Time to the Good People of Britain-. 2.; Solo on the Violoncello-Cupid; 3. Song-Mrs Midnight; 4. Solo-Master Hallett; Overture to Alexander-; Epilogue-Master Hallett.
Cast
Role: Overture to Alexander Actor:

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17511230, but I. 3. Overture by Handel-_; II, 1, 2 reversed; the Overture to Sampson-; instead of the Overture to Ariadne-_; III, Overture to Alexander-_; Prologue-a Gentleman.
Cast
Role: Overture to Alexander Actor:
Event Comment: TThe Sorcerer, a Pantomime Entertainment, originally performed at the Theatre in Lincoln's Inn Fields, is preparing, with alterations, at Covent Garden (The scenes painted by Mr Lambert) and will be performed one day next week. [Another letter appeared in the General Advertiser on innocent entertainment for the lower classes (see 29 Jan. 1752), but severely criticized the existence of Prize fights, Cock-pits, and Gambling houses as the real nuisances and nurseries of theft and disorder."] It is whispered that the Townwill shortly be entertained with a phenomenon of the Monosyllable Fun,--the match between Sir Alexander Drawcansir, Kent. and their Lownesses of Grub Street, being certainly to be decided on the Stage; great bets depending on this Battle, it is thought the Knowing ones will be taken in (General Advertiser)

Performances

Mainpiece Title: Othello

Afterpiece Title: Mock Doctor

Performances

Mainpiece Title: Grand Composition Of Fun And Music

Performance Comment: But advertised (10 Feb.) as a Decision of the Match so long depending between Sir Alexander Drawcansir, Knt. and their Lownesses of Grub Street, on which large bets are depending. It is thought the Knowing Ones will be greatly taken in. A piece of Witchcraft from Macbeth-; A Town and a Country piece between a Blood and a Blockhead-; A curious examination before Mr Justice Bobadil-; A Phenomenon of High Humbug-; A Piece from the Brazen Head-; A solo on a very uncommon instrument imported from the Antipodes-Mynheer eht soumaf dna deifiton reddalb dna grirts saila Len Roop.; An Apparition of a Ghost-; A barbarous cruel bloody and inhuman committed by the Man Mountain in Rocky Termagant, in a new Taste. To conclude with a dying Fall and the Birth, Parentage and Education of Fun. (General Advertiser). A barbarous cruel bloody and inhuman committed by the Man Mountain in Rocky Termagant, in a new Taste. To conclude with a dying Fall and the Birth, Parentage and Education of Fun. (General Advertiser).
Event Comment: We hear that Mr Handel will play a Concerto on the organ in Alexander's Feast, Wednesday next at Covent Garden Theatre

Performances

Mainpiece Title: The Earl Of Essex

Dance: IIl Pastore, as17521219

Event Comment: Paid 3 Day's salaries to Wed. 28 Dec. 1757. Rec'd for Mr Dall's painting in Alexander #1 1s. (Account Book)

Performances

Event Comment: The Tragedy of Alexander is oblig'd to be deferr'd till further notice. Boxes #42 12s. 6d. (Account Book). Receipts: #175 17s. (Account Book)

Performances

Mainpiece Title: King Henry Iv, Part I

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: La Disfatta Di Dario

Performance Comment: At the end of Act III: Chorus by Handel in Alexander-.
Event Comment: In the Gazetteer 25 Feb. appeared a long editorial by "Rectus": "Though the performing oratorios in the time of Lent,is highly censured by many, yet I must own that I think the far greater part of them become enemies to those solemn performances, rather because their ears are more unfit for music than their minds are for the pretended immorality that attends such exhibitions." [The writer wishes not to cry down every entertainment he cannot relish himself and adds], "I have long endeavoured to find out the reason why plays should not be performed on Wednesdays and Fridays in Lent as well as on those days all through the rest of the season. I have never yet been able to find out that Lent makes the least difference in people's way of living." [He wonders, however, why the non-sacred oratorios such as Acis and Galatea and Alexander's Feast have been allowed performance. He then registers a mild complaint about the management of the Oratorios because they do not include sufficient solo instrumental entertainment between the parts.] "This custom was wholly dropped last year, and I complained greatly of it in a letter which you did me the favour to insert. I was greatly surprised to find Mr Pinto, who then led the band, was either not permitted or not paid to play a solo, as well as Mr Hay, who played one every night the preceding season. Mr Stanley's illness not permitting him then to play, that omission was overlooked, though it might have been supplied by a performer on some other instrument. This season the managers have thought proper to treat their audience with one solo or concerto every night, but why not have two?" [He liked Barthelemon's solos, but lamented that Stanley sat idle, and he offered final advice that the managers should alternate the solo instruments for "pleasing variety." The admission price demands it.

Performances

Mainpiece Title: Samson

Music: As17660214

Event Comment: Benefit for Miss Young and Mr Rooker. House charges #65 1s. Paid for two practices for Alexander #1 16s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Flora

Dance: End: Hearts of Oak, as17670212

Event Comment: N.B. On Saturday Next, 11 March, for the Benefit of Woodward will be presented Cymbeline...and a New Tragedy in Two Acts, call'd The Rival Favourites; or, The Death of Bucephalus the Great: Alexander-$Woodward; Philip-$Shuter; Statira-$Mrs Green. With a Triumphal Entry. The Funeral Procession of Bucephalus to the Monument of the Houyhnhnms and a Solemn Dirge [See Comment 7, 9, 11 March.] Receipts: #208 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton

Event Comment: Benefit for Barry. Mainpiece: A Tragedy never acted there, Taken from Southern's Oroonoko [by Francis Gentleman]. Tickets deliver'd for Alexander will be admitted. Ladies send servants by 4 o'clock

Performances

Mainpiece Title: The Royal Slave

Afterpiece Title: A Peep behind the Curtain

Dance: V: New Comic Dance, as17681210

Event Comment: Benefit for Woodward. Ladies send servants by 4 o'clock. Charges #66 19s. Balance to Woodward #87 16s. 6d. plus #65 15s. from 263 Box tickets (Account Book). [The proposed afterpiece, Dr Schomberg's burlesque tragedy, The Rival Favourites; or, Death of Bucephalus the Great (Public Advertiser, 4 March), had been sent to the Licenser 27 Feb., had been cast, and put in rehearsal, but was dropped and never played there. It had been done in Edinburgh in 1765. Larpent MS 293 is the Edinburg edn. The rivals are Statira and the Horse, Statira bribes Alexander's physician to kill Bucephalus.] Receipts: #154 16s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Oxonian in Town

Dance: End: The Irish Lilt, as17680930

Event Comment: Paid Younger for license for the Court of Alexander #2 2s. Gave King's Footmen #2 2s.; Chairmen #2 2s.; Queen's Footmen #2 2s. & Chairmen #2 2s. (Account Book). Receipts: #210 12s

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

Event Comment: Benefit for Hartry and Fawcett. Paid 1 extra Trumpet in Rehearsal & 5 in Alexander #2 5s. Receipts: #199 5s. 6d. Charges: #65 5s. Profits to the beneficiaries: #134 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Irish Widow

Entertainment: End Act V: Judge Tycho's Sentence-Weston. [See17740505.

Dance: End I: The Irish Fair, as17730918

Event Comment: Paid tallow chandler's 2nd bill #34 7s. 4d.; 5 extra trumpets in Alexander 2 nights (11th inst. incl.) #3 15s. Receipts: #113 9s. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Election

Related Works
Related Work: The Election of Managers Author(s): George Colman, the elder

Afterpiece Title: The Genii

Event Comment: [A humorous parody on Alexander's Feast. Music composed by Dr Arne.] Complete Books with the parody on one side and Dryden's Ode on the other, that the allusions may be traced throughout, and the words of the Catches and Glees are to be had at the Theatre. 1s. Dr Arne's last night this season

Performances

Mainpiece Title: Whittington's Feast

Song: Catches and Glees-; after Part I: New Italian Song-Mrs Barthelemon

Music: After the Parody: Concerto on Violin-Barthelemon

Event Comment: Benefit for Mr and Mrs Ward. The Country Mad-Cap [announced on playbill of 5 May] is obliged to be set aside on account of Mrs Pitt's indisposition. Tickets delivered for Alexander the Great, for Saturday, May 3, will be admitted. Public Advertiser, 22 Apr.: Tickets to be had of Mr and Mrs Ward at Stacy's, No. 76, the Corner of Long-acre, Drury-lane. Receipts: #197 18s. (82.10; tickets: 115.8) (charge: #66 1s.)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Country Wife

Dance: End: All in the Downs, as17770425

Song: As17770505