SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Alexander Steevens"/1) | (@(roleclean,performerclean) "George Alexander Steevens")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4230 matches on Author, 852 matches on Performance Comments, 673 matches on Event Comments, 575 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Red-cross Knights

Related Works
Related Work: The Red-Cross Knights Author(s): Joseph George Holman

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Votary Of Wealth

Related Works
Related Work: The Votary of Wealth Author(s): Joseph George Holman

Afterpiece Title: Robin Hood

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Naval Pillar

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Dance: In 2nd piece: As17991007

Song: In 2nd piece: As17991011

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Afterpiece Title: The Naval Pillar

Dance: In 3rd piece: As17991007

Song: In 3rd piece: As17991011

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Afterpiece Title: The Naval Pillar

Dance: In 3rd piece: As17991007

Song: In 3rd piece: As17991011

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Song: Vocal Parts, as17990930, but _Dyke, Whitmore, added: Ms +Litchfield, Ms +Mills, Ms +Dibdin, _Incledon

Performances

Mainpiece Title: Abroad And At Home

Related Works
Related Work: Abroad and at Home Author(s): Joseph George Holman

Afterpiece Title: The Volcano

Performances

Mainpiece Title: The Votary Of Wealth

Related Works
Related Work: The Votary of Wealth Author(s): Joseph George Holman

Afterpiece Title: The Rendezvous

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: Abroad And At Home

Related Works
Related Work: Abroad and at Home Author(s): Joseph George Holman

Afterpiece Title: Britain's Sons; or, Success to our Heroes

Afterpiece Title: The Turnpike Gate

Song: In: Together let us range the Fields-Incledon, Mrs Atkins; The Soldier Tir'd (from Artaxerxes)-Mrs Atkins

Performances

Mainpiece Title: Julius Caesar; With The Deaths Of Brutus And Cassius

Performance Comment: Antony-Barry; Brutus-Sparks; Cassius-Ryan; Caesar-Bridgwater; Trebonius-Anderson; Metellus-Steevens; Decius Brutus-White; Cinna-Redman; Lepidus-Bencraft; Soothsayer-Marten; Ligarius-Holtom; Pindarus-R. Smith; Antony's servant-Cushing; LUcius-Miss Mullart; Caska-Ridout; Octavius-Usher; Plebians-Arthur, Collins, Barrington, Dunstall, Stoppelaer; Calphurnia-Mrs Vincent; Portia-Mrs Bland.
Cast
Role: Metellus Actor: Steevens

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Lying Valet

Performance Comment: As17620921, but Melissa-Mrs Steevens, 1st appearance this stage; Sharp-Yates.

Performances

Mainpiece Title: Redemption (selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon [on 26 And 27 May 1784])

Performance Comment: Vocal Parts as17860303but Negus in place of Carter. 1st Violin by Shaw. Morning Chronicle, 16 Mar., lists the selections as follows: Overture to Occasional Oratorio. Oh! First Created Beam (Samson) Nasce al bosco (Eatius [i.e. Ezio]). When his loud voice by Chorus (Jephtha) Lord, what is man (Semele). How excellent by Chorus (Saul). Dite che fa (Tolomeo). Would custom bid (Susanna). Jehovah is my Shield (Occasional Oratorio). Blest be the man by Chorus (Joseph). He gave them hail-stones by Chorus; The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus . The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus .
Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Event Comment: Benefit for Shuter. Mainpiece: Not acted in 10 years. Receipts: #194 10s. in cash, plus #147 18s. from tickets (Boxes 378; Pit 356). Charges #64 5s. Advanced to Mrs Ward #30. [Shuter called for imaginative participation of his audience in his Medley Skit (see Larpent MS 171): @"Suppose my dress alter'd with each exhibition....@If I speak like a Dutchman, or Brogue it like Paddy,@Or mimic Monsieur, or lisp like a Lady"@ Parts for The English Sailors in America (by G. A. Steevens) are listed in Larpent MS 172: Indian King , English Captain , Irishman , Sailor Ned and Sailor Ben , a Black Messenger , Guards , White Savage Lady , Black Woman , Image .

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Dance: TThe Dutch Skipper-Poitier

Entertainment: E+Extravaganza. Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage

Event Comment: Benefit for Steevens. Othello Advertis'd. Deferr'd. Mr Barry Ill (Cross Diary)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Padlock

Dance: End: New Comic Dance, as17681210

Performances

Mainpiece Title: Redemption 0; Triumph Of Truth 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was eyes unto the blind-Kelly (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Ambrose (Rodelinda); Glory be to the Father-Chorus (Jubilate); God save Great George our King-.

Music: As17890311

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Ariadne)-; Happy Iphis-Miss Poole (Jephtha); The many rend the Skies-Chorus (Alexander's Feast); The Lord is a man of war-Griffiths, Sale (Israel in Egypt); O come let us worship-Harrison (Coronation? Anthems); Behold the Monster Polypheme-Chorus (Acis and Galatea); Ye Men of Gaza-Miss Poole (Samson); Bless the true Church and save the King-Saville, Chorus (Athalia); The Mansion of Peace-Harrison (composed by Webbe).

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Jehovah crown'd-Saville; He comes he comes-Chorus (Esther); Let me wander, Or let the merry Bells ring round-Miss Mahon, Chorus (L'Allegro); Softly sweet-Miss Cantelo (Alexander's Feast); Crown with festal pomp-Chorus (Hercules); Oft on a Plat-Harrison (L'Allegro); As from the power of sacred Lays-Miss Cantelo, Grand Chorus; accompanied on the trumpet-Sarjant (Dryden's Ode); God save Great George our King-.

Music: As17900224

Performances

Mainpiece Title: L'allegro Ed Il Penseroso [, Part I Only]; Grand Selection 0

Afterpiece Title: Acis and Galatea

Afterpiece Title: A New Grand Selection

Performance Comment: The undaunted Britons-Dignum (Atterbury); Fairest Isles-Miss Leak, Chorus [King Arthur, by Purcell]; Gentle Airs-Harrison; accompanied on the violoncello-Mason [Athalia]; From rosy bowers-Miss Poole (Purcell); The praise of Bacchus, Bacchus ever fair and Young-Welsh [Alexander's Feast]; Concerto on the violin-Janiewicz; Dear is my little native vale-Mrs Harrison (Sir W. Parsons); The Maid of the Rock-Master Welsh [Dignum]; Together let us range the fields-Mr and Mrs Harrison (Solomon, by Boyce); God save Great George our King (with new accompaniments by Dr Arnold)-Full Chorus.

Song: In 1st piece: Sweet bird-Mrs Ferguson (her 1st performance); accompanied on the violin-Shaw; End 2nd piece: an Italian Scena-Mrs Ferguson

Event Comment: The United Company. The date of the first performance is not certain, but Luttrell acquired his copy of the separately-printed Prologue and Epilogue on 18 Aug. 1684. (Bindley Collection, William Andrews Clark@Jr@Library), and the play was probably first performed on that day or in the preceding week. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 221-23. In the broadside the speaker of the Prologue is identified as Jevon. A sofg, Ah poor Oliver never boast, the verse by a Lady, and the music by R. King, is in A Collection of Twenty-Four Songs, 1685. Another, Damon if you wilt believe me, the verse by a Person of Quality and the music by Alexander Damascene, is in The Banquet of Musick, The Fifth Book, 1691. Two songs, Tell me no more I am deceived, the verse by Sir George Etherege and the music by J. B. Draghi, and Who can resist my Celia's charms, the music by J. B. Drahgi, and the verse by A Person of Quality, are in the printed play. This cast contains the last new role certainly assigned to John Wiltshire, who, according to (Cibber, Apology, ed. Lowe, I, 84-85), entered the army and was killed in action

Performances

Mainpiece Title: A Duke And No Duke

Event Comment: John Dryden to Sir George Etherege, 16 Feb. 1686@7: The Coffee-house stands certainly where it did, & angry men meet in the square sometimes, as Abercomy, & Goodman lately did, where they say Alexander the Great was wounded in the arme (The Letters of John Dryden, ed. Ward, p. 27). See 27 Oct. 1686

Performances

Event Comment: Benefit for Miss Pope. The Comedy in 2 acts taken by Miss Pope from Mrs Sheridan's Discovery. House charges #64 17s. [Profit to Miss Pope #115 5s.] Paid B. Johnson's Head bill 18s. 7d.; Manager's subscription for St George's #10 10s.; Soldier's practice for Alexander 8s. 6d. (Treasurer's Book). [Neville attended this night and in his Diary compliments all the performers and dancers. I am afraid Vernon's attempt to imitate old Shuter will prove vain. He added something to the introduction to the Cries tonight."] Receipts: #180 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Young Couple

Dance: II: Hearts of Oak-Giorgi, Mrs King

Entertainment: The Cries of London, The Tombs of Westminster-Vernon

Event Comment: The King's Company. This play is on L. C. list, 5@12, p. 17: ye king here. See also Nicoll, Restoration Drama, p. 344. The play was apparently designed for the opening of the Bridges St playhouse in November 1666 but was not then acted. The edition of 1667 gives a intended cast. Bonhomme-Cartwright; Valerio-$C. Hart; Ergasto-$W. Winterson [$Wintershall]; Don Buisson-Burt; La Fleur-$E. Keninston [$Kynaston]; Sganarelle-J. Lacy; Mascarillio-$M. Moon [$Mohun]; Jodelet-Alexander, $Wilbraham">R. Shatterel; Housekeepers-$Alexander, $Wilbraham; Mary and Anne-$The Two Marshalls; Isabella-$Mrs Rutter; Lysette-$Nel Guin; Prologue Intended for the Overture of the Theatre, 1666; Epilogue. [In this list the names Alexander and Wilbraham are not otherwise known and may represent errors in the printed list.

Performances

Mainpiece Title: The Damaseiles A La Mode

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Edition of 1688: Prologue to the Squire of Alsatia-Mr Mountfort; Sir William Belfond-Leigh; Sir Edward Belfond-Griffin; Belfond Sr-Jevon; Belfond Jr-Mountfort; Freeman-Bowman; Cheatly-Samford; Shamwell-Powel Jun; Captain Hackum-Bright; Scrapeall-Freeman; Attorney-Powell Sr; Lolpoop-Underhill; Termagant-Alexander [Verbruggen?]; Teresia-Mrs Knight; Isabella-Mrs Mountford; Ruth-Mrs Cory; Lucia-Mrs Bracegirdle; Mrs Termagant-Mrs Bowtell; Epilogue-Mrs Mountfort.
Cast
Role: Termagant Actor: Alexander

Performances

Mainpiece Title: The Massacre Of Paris

Performance Comment: Edition of 1690: Prologue-Mr Mountfort; King Charles IX-Mountfort; Duke of Guise-Williams; Cardinal of Lorrain-Kynaston; Duke of Anjou-Pruet; Alberto Gondi-Harris; Lignoroles-Bowen; Admiral of France-Betterton; Cavagnes-Freeman; Langoiran-Alexander [Verbruggen (?)]; Queen Mother-Mrs Betterton; Marguerite-Mrs Barry; Queen of Navarre-Mrs Knight; Antramont-Mrs Jorden; Genius-Bowman; Epilogue-Mr Powell.
Cast
Role: Langoiran Actor: Alexander

Performances

Mainpiece Title: The Widow Ranter; Or, The History Of Bacon In Virginia

Performance Comment: Edition of 1690: Prologue [By Mr Dryden-a Woman; Cavarnio-Bowman; Bacon-Williams; Col. Wellman-Freeman; Col. Downright-Harris; Hazard-Alexander [Verbruggen (?)]; Friendly-Powell; Dareing-Sandford; Fearless-Cudworth; Dullman-Bright; Timerous Cornet-Underhill; Whimsey-Trefuse; Whiff-Bowen; Boozer-Barns; Semernia-Mrs Bracegirdle; Madame Surelove-Mrs Knight; Mrs Crisante-Mrs Jordon; Widow Ranter-Mrs Currer; Mrs Flirt-Mrs Cory; Petitioner-Blunt; Parson Dunce-Baker; The Epilogue-a Woman.
Cast
Role: Hazard Actor: Alexander