SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Gentlemen of the Choir"/1) | (@(roleclean,performerclean) "Gentlemen of the Choir")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 989 matches on Performance Comments, 864 matches on Event Comments, 390 matches on Author, 200 matches on Performance Title, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: Phaedra And Hippolitus

Cast
Role: Theseus Actor: Mossop

Afterpiece Title: Lethe

Ballet: SSavoyard Travellers. As17511105

Event Comment: By desire. Benefit for a Citizen under misfortunes. A Concert, &c. Tickets may be had of Mr Meredith, housekeeper at the Theatre. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: With an Occasional Prologue-; Horatio-the person for whom it is a benefit; Lothario-Gentleman first time on any stage.

Song: Powell

Event Comment: The Fifth Day. At the Castle Tavern, Paternoster Row. [See 30 Dec., hay; 3 Dec., ct.

Performances

Mainpiece Title: The Old Woman's Oratory 1

Performance Comment: Occasional Prologue-a Gentleman; 1. A grandpiece, with Kettle Drums and Trumpets-; first Violoncello-Cupid; 2. The Inauguration Speech-Mrs Midnight; 3. Concerto for two Clarinettes-; 4. Mr Handel's Water@Piece-; with a Preamble on the Kettle@Drums-.

Afterpiece Title: Old Woman's Oratory 2

Performance Comment: 1. a Trumpet Concerto-; 2. The Speech of Mrs Midnight in Defence of her Existence-; 3. Solo on the Viol d'Amor-; 4. A Declamatory Piece on the Jew's Harp-a Casuist; 5. March in Judas Macchabeus-; ; with the Side Drum-.

Afterpiece Title: Old Woman's Oratory 3

Performance Comment: 1. A new Concerto for several different Instruments-; 2. A Piece of innocent Politicks-; 3. A French Horn Concerto-; 4. An Oration on the Salt Box-a Rationalist; 5. Overture by Dr Boyce-; Epilogue-Master Hallet in the Character of Cupid.
Event Comment: HHarlequin Ranger oblig'd to be deferr'd. A new Dramatic Entertainment call'd Taste written by Mr Foote. The House was full as soon as open--before the first Music, several Speeches were made in ye Pit, moving the Farce might be acted before the Play, wch was insisted on by some, & oppos'd by others Cross, Cross, Prompter &c. was often call'd--The Curtain went up, & ye Clamour encreas'd, ye farce &c. Mr Mossop (who did Zanga ) came off--I went on, & spoke--Gentlemen, I perceive the farce has been desir'd before ye Play, wch cannot be comply'd with, for ye performers in ye Farce, having nothing to do in the Play, are not come--a great applause follow'd--Mr Mossop went on again--but ye noise renew'd, & he retir'd again, & wanted to undress wch I prevented; Mr Lacy (Manager) then went on, # spoke to ye same effect I had done--The play was then call'd for, & it went on with Applause--Tho' I believe Audience wish'd it over--The play done--Mr Garrick spoke ye Prologue in the Character of an Auctioneer , with surprising Applause--when he had done, he made this Apology--Gents--a performer being taken ill, the Author, Mr Foote, is here & will if you please, perform his part, this he spoke in a Hesitating manner, & was greatly applauded--the first Act went off well, & Mr Worsdale, a painter (to whom Mr Foote had given the profits of the farce) play'd a Woman's part, & was greatly received--When Mr Foote came on--he made this Speech--Gent: I have left the Stage some time, nor have I any hopes of Profit from this Piece, but as a performer is taken ill, I had rather appear my self, than have so many people, whom Curiosity has drawn together, b disappointed--Great Applause--In ye Second Act, the people grew Dull, & towards ye End, hiss'd greatly, wch I believe wou'd not have been, had not Mr Foote, bid Blakes pull off his Wig at ye Discovery of Mr Puff --vide Farce--it ended with ye usual Noise, when given out, of No more--Encore &c. &c. Sunday we had great debates about it, & at last it ended it shou'd be play'd no more 'till Mr Worsdale's benefit & an advertisement was put in the paper to signifie that as ye Farce was not so well receiv'd as was expected, the Author had withdrawn it to Alter &c. &c. we put up--We were told on Monday it wou'd be call'd for by the Audience; but no such thing happen'd. The fact concerning the performer's being taken ill is this--At ye practise, the Night before, Mr Foote seem'd dissatisfied with Mr Yates in the part of Puff, so got Mr Garrick next Day, to prevail with Mr Yates to let 'em say he was sick, that Mr Foote might have occasion to do the part (Cross). Mr Goodfellow begs leave to acquaint his friends that through the Indisposition of two of his principal performers, he is compelled to postpone his Benefit to a farther Day; Timely notice of which shall be given in this paper; Tickets deliver'd out for Monday the 13th Instant will then be admitted.--As the sole intent of this Benefit is to satisfy his creditors, who are to share the profits arising from it, he humbly hopes to meet with encouragement, and assures those ladies and Gentlemen who honour him, that the whole performance shall be carried on with the utmost decorum, and will be free from all danger of interruption (General Advertiser). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: Taste

Event Comment: The Ninth Day. By the Command of several Noble Personnages, at the Castle Tavern, Paternoster Row

Performances

Mainpiece Title: The Old Woman's Oratory 1

Performance Comment: Act I As17520107, but new Occasional Prologue by a Gentleman of the University-.

Afterpiece Title: Old Woman's Oratory 2

Performance Comment: Act II, III As17520131, but Solo on Cymbals-; Solo on the Viol d'Amour-_.
Event Comment: Benefit for Mr Church, performer on the Jew's Harp. Boxes 4s. [Rest as 12 March. The seventeenth night.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520211, but will be introduc'd several new Tunes on the Jew's Harp never performed before-; A Solo in a new Taste-Signor Piantafugo; Salt@Box-; and the Performances of Signior Bombasto; Sg Bombazino as usual; a Solo of Humour on the French Horn-Mrs Midnight's Daughter; A New Prologue-a Gentleman; Epilogue-Hallet.

Performances

Mainpiece Title: Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: Lethe

Dance: The Grand Provincial Dance, as17520204

Song: II: A song of Handel's-Master Vernon

Event Comment: Benefit for Winstone and Burton. No building on the stage. Tickets from Winstone at Mr Race's, Peruke Maker, Bridges St., from Mr Burton at Brownlow Sq., Long Acre. Receipts: #89 (Cross)

Performances

Mainpiece Title: Othello

Cast
Role: Othello Actor: Mossop first time

Afterpiece Title: Lethe

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Lethe

Event Comment: Mainpiece: Not acted these 4 years [see 5 Oct. 1748]. No persons to be admitted behind the scenes, nor any money to be returned after the curtain is drawn up. [A customary note for the remainder of the season.

Performances

Mainpiece Title: The True And Ancient History Of King Lear, And His Three Daughters

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Perseus and Andromeda Author(s): Lewis Theobald
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Great Noise when Woodward came on in Ostrich--Mr Garrick advanc'd & said--Gentlemen, if Mr Woodward's oath don't satisfie you, pray defer ye Resentm[en]t till tomorrow when it will be corroborated by some others--all Quiet (Cross). Receipts: #170 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Lethe

Event Comment: [The afterpiece] An Arabian Night's Entertainment produc'd in two parts with New Scenes, Habits, Music & Decorations. Full Prices. Went off with great applause (Cross). It is hop'd no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes or into the Orchestra, the Entertainment depending chiefly upon the Machinery and Music. [Repeated on all Genii Bills this season.] This new entertainment...hath fully decided the controversy and fix'd the superiority of Pantomime to Drury Lane Theatre, as it had before had of almost everything else;...for beauty of scenery, elegance of dress, propriety of music, and regularity of designs, it exceeds all the boasted grandeur of Harlequin Sorcerer, or of any I have seen either separate or collective. The last scene beggars all description; the most romantic Eastern account of sumptuous palaces are but faint to this display of beauty, this glow of light, this profusion of glittering gems, which adorn the whole, and much exceeds all expectations. I rejoice and congratulate myself that I am not of that modern way of thinking (or rather seeming to think) that nothing can deserve the epithet good from their superior taste, but while I am pleased will own it, and not endeavor to gain the character of a critick, ar the expense of violation of my senses (Scourge No. 14, quoted in the Gentleman's Magazine, Dec. 1752, p. 582). Receipts: #200 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Genii, Arabian Night's Entertainment

Event Comment: This night [see Public Advertiser 13 Jan.] about the middle of the play at Covent Garden, a Gentleman who sat in one of the gallery boxes, ask'd another who sat next him if he could lend him a knife; on being told he could not, the former pull'd out a small pen-knife and stabb'd himself; which occasioned some commotion in that part of the house; he was immediately carried to the Shakespeare's Head, and Mr Baker the surgeon dress'd the wound, which the gentleman suffer'd with great constraint; He would not tell who he was, nor what was the cause of this rash action

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Harlequin Skeleton

Event Comment: For the Small Pox Hospital; Pit and Boxes 1!2 Guinea; a Treble Ticket at 26s., which admits a Gentleman and two Ladies to the Pit and Boxes, and the Gentleman to Dinner at Merchant Taylors Hall. First Gallery 5s. Upper Gallery 3s. 6d. No more Tickets will be disposed of than will conveniently fill the House, nor will any Money be taken at the Doors, or Collection at the Theatre. This being a Morning's Entertainment it is not expected that the Ladies come full-dressed. The most convenient way to the upper gallery at the Theatre, is through the King's Yard. To begin at 12 noon

Performances

Mainpiece Title: Alexander's Feast

Music: CConcerto-Stanley who is to conduct the performance

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Lethe

Dance: IV: A Dutch Dance, as17521125; End: A Hornpipe-Harrison

Song: II: A Song-Wilder

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Lethe

Dance: II: A Comic Dance, as17530514; III: A Hornpipe-Walker; V: A Minuet-Morris, Miss Shawford

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]

Performances

Mainpiece Title: Merope

Performance Comment: Dorilas-Garrick; High Priest-Bransby; Euricles-Blakes; Erox-Burton; Ismene-Miss Minors; Polyphontes-Havard; Narbas-Berry; Merope-Mrs Pritchard; With a Procession and Sacrifice- after the manner of the Ancients.

Afterpiece Title: Lethe

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Lethe

Dance: I: Shepherd's Holiday, as17541008

Event Comment: [This Othello was Murphy. See 15 Nov.

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-a Gentleman who never appeared on any stage before; Iago-Ryan; Brabantio-Sparks; Cassio-Ridout; Roderigo-Dyer; Lodovico-Anderson; Gratiano-Redman; Duke-Marten; Montano-White; Emilia-Mrs Hamilton; Desdemona-Mrs Bellamy; Occasional Prologue-.

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Virgin Unmask'd

Dance: CComic Dance-Poitier Jr, Mlle Capdeville

Event Comment: At the Great Tiled Booth, George Inn Yard, West Smithfield. Afterpiece: A new Pantomime. By a Company of Comedians from the Theatres. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d

Performances

Mainpiece Title: The Constant Quaker; Or, The Humours Of The Navy

Afterpiece Title: A Morning's Frolick; or, A Ramble Through Covent Garden

Music: Kettle Drum-Woodbridge

Event Comment: At the Great Tiled Booth, George Inn Yard, West Smithfield. By a Company of Comedians from the Theatres. With a Band of Music

Performances

Mainpiece Title: The Constant Quaker

Afterpiece Title: A Morning's Frolick

Entertainment: Bird and Animal Imitator-Cloesong

Music: As17550903