SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Gentlemen of the Choir"/1) | (@(roleclean,performerclean) "Gentlemen of the Choir")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 989 matches on Performance Comments, 864 matches on Event Comments, 390 matches on Author, 200 matches on Performance Title, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: All For Love

Performance Comment: Antony-the Gentleman who performed Cato at lif.
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Performances

Mainpiece Title: The Orphan

Performance Comment: Chamont-the Gentleman who performed Mark Anthony.

Performances

Mainpiece Title: Cato

Performance Comment: Cato-the Gentleman who performed the Part of Antony.

Afterpiece Title: The Rival Milliners

Event Comment: Benefit the Author of both Pieces. Mainpiece: Written by the Author of Pasquin. Afterpiece: a very short, but very merry Tragedy [By Henry Fielding]. Pit and Boxes (at the Desire of several Ladies of Quality) put together at 5s

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd; or, A Word to the Wise

Performance Comment: Edition of 1737 lists: Spatter-Mrs Charke; Sourwit-Lacey; Lord Dapper-Ward; Pillage-Roberts; Honestus-Davis; Muse-Mrs Haywood; Actors-Blakes, Lowther, Pullen, Topping, Woodburn, Machen; Gentlemen-Jones, Machen, Woodburn.

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: Flora

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Necromancer

Event Comment: Mainpiece: Written by the late J. Addison, Esq

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Royal Chace

Event Comment: Benefit Quin. By Command of Their Royal Highnesses the Prince and Princess of Wales. [Tickets at Quin's Lodgings, Sign of the Sun, Bedford Street, cg.

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Virgin Unmask'd

Dance: III: Serious Dance-Muilment; V: Grand Ballet-Denoyer, Muilment

Event Comment: AA Compleat List (1747), pp. 182-83: [After some resentment at Quin's refusing a part in Fatal Retirement, 12 Nov.]. When coming on one Night to play the Part of Pierre...and he was treated in the same Manner, he came forward, and speaking to the Audience said, 'That he had met with Insults of that kind for several Nights past, and that he judged they came from the Friends of the Author of a Play lately acted at that House, called Fatal Retirement; that the Author of it desired him to read it before it was acted, which he did, at his Requests, and likewise, at his Request, gave him his sincere Opinion of it, which was, that it was the very worst Play he had read in his Life; and therefore he had refused to act a Part in it, &c.' After his Speech was ended, he found a thundering Applause from the Audience, and went thro' the whole Play without any farther Disturbance. But we ought not entirely to form out Judgment of its being the very worst Play, from what this Gentleman was pleased to say of it, in the Heat of his Resentment for being ill-treated; nor wonder that an Audience should applaud a Sentence which condemned an Author, at a Time when it was the Fashion to condemn them all, right or wrong, without being heard; and when Parties were made to go to new Plays to make Uproars, which they called by the odious Name of The Funn of the first Night. For the Afterpiece, A Compleat List, p. 183: And on the very Night I am speaking of it, at the End of the Play, was acted for the first [second] Time a new Farce, called, An Hospital for Fools, of which one single Word was not heard that the Actors spoke, the Noise of these First-Night Gentlemen was so great; however, the Actors went thro' it, and the Spectatbrs might see their Mouths wag, and that was all

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: An Hospital for Fools (being generally Insisted on by last Night's Audience)

Song:

Dance: As17391116

Event Comment: Benefit Cibber. At the particular Desire of several Persons of Quality. Mainpiece: Written by George Duke of Buckingham. Afterpiece: With Additions, the Words and Musick by Mr Carey. 6:30 p.m. London Daily Post and General Advertiser, 6 June: Yesterday Morning died Mrs Hallam

Performances

Mainpiece Title: The Rehearsal

Performance Comment: See17391031, but Bayes-Cibber; Johnson-Ryan; Smith-Bridgwater; other parts-Hippisley, Rosco, Hallam, Hale, Gibson, Stephens, Roberts, Arthur, James, Neale, Mullart, Bencraft, Mrs Cross, Miss Burgess, Miss Brunette; With the Original Prologue-; With an Additional Re-inforcement of Mr Bayes's new rais'd Troops-; Vocals-Leveridge, Salway, Bencraft, Mrs Lampe, Miss Young.
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Parting Lovers

Performance Comment: See17400318 but Nancy's Father-Leveridge; Truelove-Salway; Lieutenant-Bencraft; Nancy-Mrs Lampe; In which will be a Hornpipe-a Gentleman in the Character of a Sailor; With an Epilogue by Jo. Haines, Comedian, of Facetious Memory, -Cibber, riding on an Ass.

Dance: I: Peasants-the French Boy and Girl; II: Comic Ballet-Villeneuve, Miss Oates; III: Swiss Dance-French Boy and Girl; IV: Grecian Sailors-Glover; V: Hippisley's Drunken Man-

Performances

Mainpiece Title: King Lear And His Three Daughters

Dance: YYorkshire Maggot-Haughton, Mlle Roland; Wooden Shoe Dance-Mechel; Le Bergeres Fidele-Villeneuve, Miss Oates; Louvre-Signora Barberini

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: See17401114, but Othello-a Gentleman, who never performed on any stage; Desdemona-Mrs Giffard; Iago-Paget; Cassio-Blakes; Roderigo-Yates; Brabantio-Nelson; Gratiano-Julian; Ludovico-Marr; Montano-Crofts; Emilia-Mrs Lamball.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Performances

Mainpiece Title: King Henry The Fourth, Part I

Afterpiece Title: Tom Thumb the Great

Performance Comment: Tom Thumb-Miss Cole; With the Original Epilogue-.
Cast
Role: With the Original Epilogue Actor: .

Dance: As17410415

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Honest Yorkshireman

Song: s 25 Sept., but Gentleman-_%

Dance: As17410918; with Les Bergiers-Froment, Mme Duvall, first time on this stage

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Virgin Unmasked

Dance: As17410928

Song: As17410928

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Imprisonment; with Triumphs of Love

Cast
Role: Father to Columbine Actor: Julian

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Chapman; Johnson-Ryan; Smith-Cashell; First King of Brentford-Roberts; Prince Prettyman-Hale; Gentleman Usher-Hippisley; Second King of Brentford-Harrington; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Mullart; General-Stephens; Lieut General-Stevens; Lord Mayor-Marten; Tom Thimble-James; Thunder-Bridgwater; Lightening-Mrs Villeneuve; Sun-Bencraft; Moon-Leveridge; Earth-Salway; Amarillis-Miss Burgess; Chloris-Mrs Mullart; Pallas-Woodward; Two Sing@Song Dancing Spirits-Mrs Lampe, Miss Young; Players, Soldiers horse and foot, Cardinals, Judges, Sargeant at Arms-the rest of the comedians; With the Music-; Songs-; Dances-; Scenes, Machines, Habits, other Decoration proper to the play; With the Additional Reinforcements of Mr Bayes's New Rais'd Troops-.
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Clodio, alias Don Dismallo Thickscullo de Halfwitto-the Gentleman who perform'd King Richard; Carlos-Giffard; Duart-Marshall; Sancho-Peterson; Jaques-Vaughan; Governor-Blakes; Manuel-Crofts; Angelina-Miss Hippisley; Honoria-Mrs Bishop; Antonio-Dunstall; Charino-Julian; Louisa-Mrs Steele; Elvira-Mrs E. Giffard; Don Cholerick snapshorto de Testy-Yates.

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Ryan; Bajazet-Stephens; Moneses-Hale; Axalla-Stevens; Tanais-Gibson; Omar-Rosco; Zama-Cashell; Selima-Mrs Vincent; Dervise-A Gentleman; Arpasia-Mrs Horton; With the Usual Prologue-.
Cast
Role: With the Usual Prologue Actor: .

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: The Orphan

Performance Comment: Chamont-the Gentleman who performed King Richard (Garrick); Castalio-W. Giffard; Polydore-Giffard; Acasto-Paget; Chaplain-Vaughan; Ernesto-Julian; Serina-Miss Hippisley; Florella-Mrs Yates; Monimia-Mrs Giffard.

Afterpiece Title: The Honest Yorkshireman

Event Comment: Never perform'd before. All the Characters new dressed. [By James Dance, adapted from Richardson's novel.

Performances

Mainpiece Title: Pamela

Performances

Mainpiece Title: Pamela

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: RRehearsal deferred by Garrick's illness. London Daily Post and General Advertiser: Whereas it has been industriously reported to my prejudice, that I was at the Masquerade in the Habit of a Madman; this is to assure the Gentlemen or Ladies, who are offended at me, without Cause, I was not at either of the Masquerades this Season, as can be testify'd by several Gentlemen in whose Company I was. If any Person has a Mind to be further satisfy'd, I will fully convince them of the Truth of this Advertisement. David Garrick

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Lethe

Dance: WWelchman's Triumph, as17420210