SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Genests News Clippings"/1) | (@(roleclean,performerclean) "Genests News Clippings")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3201 matches on Event Comments, 2672 matches on Performance Title, 1553 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Achilles in Petticoats

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Sylphs

Performances

Mainpiece Title: La Contessina

Dance: I: La Bagatelle, as17731120; II: Le Provencal-Mariottini, Sga Mazzoni

Ballet: End Opera: Orfeo e Eurydice. As17731130

Event Comment: To the writer of the letter signed Hotspur in the Morning Chronicle 13 Jan. 1774; Sir: I solemnly disavow myself the writer of any anonymous letter in this or any other Newspaper relative to the School for Wives and as to the villainous accusation respecting any personal insult offered me at Liverpool I pronounce it to be a notorious lie. I now call on you to stand forth with your name and your proofs or the world will be convinc'd you are an infamous malignant assassin. Thursday Nt. Jan. 13 1774. James Reddish (Winston MS 10, from Dr Burney News Cuttings). Receipts: #255 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The King and Miller of Mansfield

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Sylphs

Dance: III: A Dance, as17731014

Performances

Mainpiece Title: The Man Of Business

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Sylphs

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Genii

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Sylphs

Performances

Mainpiece Title: Antigono

Dance: I: A Grand Serious Ballet, never performed-Mariottini, Nina Favier; II: Pastoral Ballet, as17740222

Ballet: End of Opera: Orfeo e Eurydice. Orfeo-Pitrot; Eurydice-Mlle Mimi Favier

Performances

Mainpiece Title: The Man Of Business

Afterpiece Title: Midas

Performances

Mainpiece Title: Othello

Afterpiece Title: Florizel and Perdita

Entertainment: End: Bucks have at ye all-Palmer

Performances

Mainpiece Title: The Man Of Business

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Ladies Frolick

Song: II: Rise Glory-Mrs Wrighten

Dance: V: The Sailors Revels, as17730928

Performances

Mainpiece Title: Nitteti

Dance: I: Ballet-Mariottini, Nina Favier; II: The Tempest; or, The Happy Shipwreck, an Heroic Ballet with a Grand Chaconne-Pitrot, Mimi Favier, other parts-Nina Favier, Sga Mazzoni, Mariottini, Bocchini; End Opera: Ballet, Chaconne-Fierville

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Englishman in Paris

Dance: End: The Frolick, as17740416

Performances

Mainpiece Title: The Nabob

Afterpiece Title: The Waterman or The First of August

Dance: As17740613

Performances

Mainpiece Title: The Fair Orphan

Afterpiece Title: The Rival Fools

Entertainment: II: Dissertation on Hobby Horses-Wilson

Song: Scotch Song-Aitkin, first appearance on that stage