SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Garden of Eden"/1) | (@(roleclean,performerclean) "Garden of Eden")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 989 matches on Event Comments, 54 matches on Performance Comments, 45 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMarybone Gardens are now opened, and will be continued every evening during the summer season: There will be a musical performance in the orchestra, and after that an English burletta called La Serva Padrona. The music composed by Pergolesi, wherein Sga Seratina, who is now pretty well recovered of her late illness, and who has met with such universal applause in these performances, will perform the principal part. The doors will be opened at Five, the Music begin at Six, and the Burletta at Eight o'clock. Admittance 1s. The Books of the Burletta to be had at the Bar of the Gardens. N.B. Mr Truster's daughter continues to make the rich seed and plumb cakes so much admired by the Nobility and Gentry, and will be sent to any part of the town at 2s. 6d. each. She likewise makes almond cheesecakes that excels anything of that kind and are hot at One o'clock, and are sold at 21s. per dozen. [This notice repeated in subsequent bills.

Performances

Mainpiece Title: La Serva Padrona

Event Comment: Mainpiece: By Beaumont and Fletcher, reviv'd. Afterpiece: Not acted these three years. [See 8 Aug. 1761.] Mr Powell made his first appearance this Night in Philaster. His Reception was very great, he play'd the part amazingly well, & Seems to have Requisites to make a very Capital Performer. N.B. Covent Garden Theater begun to play every Night (Hopkins). Philaster by Mr Powell. Prodigious applause (Cross Diary). This play [Philaster] was wrote by Beaumont and Fletcher, and is now altered by Mr Colman. Mr Powell, a young gentleman clerk to Sir Robert Ladbrook, made his first appearance in the character of Philaster.--A greater reception was never shown to anybody,--he was so very much frightened, he could not speak for some time, and, when he did, the tears ran fast down his cheeks,--but he soon recovered himself, and went through the part with a great deal of nature and feeling,--Continued claps and huzza of bravo! &c. &c. Upon the whole I think him possessed of every requisite necessary to make him an ornament to the stage.--N.B. Mr D. Garrick instructed him in this part--when I see him in another shall be able to judge better of his capabilities.--Miss Pope appeared this Night in the character of Maria in the Citizen,--by endeavoring to be very fine she overdid it,--and it was plain to see she wanted her master. N.B.--Covent Garden began to play of our nights--the first time they ever begin first since Mr Garrick was manager (Hopkins Diary--MacMillan). Receipts: #258 11s. 6d. (MacMillan)

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Citizen

Event Comment: Oratorio by Dr Morell. Set by Mr Smith to the Music of some old genuine performances of Handel (Biographia Dramatica). Music of the Songs and Chorusses entirely from works of Mr Handel. This day publish'd Nabal an Oratorio, as performed at Covent Garden. Price 1s. This day Publish'd Midas: an English Burletta. 2nd Edition. Price 1s. As it is acted with great applause at Covent Garden

Performances

Mainpiece Title: Nabal

Music: As17640309

Event Comment: Benefit for Lee and Miss Slack. Comedy never performed, Alteration of Wycherley's play into two acts by Lee (Genest, V, 69). Tickets and places to be had of Lee at LaGrange's Medicinal Warehouse, in New St., Covent Garden; of Miss Slack, at Mr Bates', Charles St., Covent Garden; and at Stage door

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Country Wife

Dance: End: New Tambourine, as17640929

Event Comment: By Command of their Majesties. With the latest improvement by Mr Handel. Pit and boxes to be put together. Tickets will be deliver'd that day, at the Office in the theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at Half an Hour past Four. Pit and Boxes at Five. To Begin at Half an Hour after Six (Public Advertiser, 4 March). [N.B. This is an Advance notice. No notice occurs on this day, but the following: This Day publish'd Esther: An Oratorio, with the last improvements by Mr Handel. To be performed, by Their Majesties Command at the Theatre Royal in Covent Garden. Price 1s.] Went into the First Gallery at Covent Garden to hear the Oraortio, Esther, composed by Handel. The Stage was formed into an orchestra, like one side of an amphitheatre divided by an organ, atop of which was a head of Handel in a radiated frame. In the front sat the vocal performers, Champney, Vernon, Mrs Arne, Mrs Pinto, Miss Young, and Mrs Frasi. Stanley played on the Organ but retired after the 1st or 2nd act. The house was not much crowded, tho the King and Queen, those idols of fools, were there (Neville MS Diary). Charges: #35 (Account Book)

Performances

Mainpiece Title: Esther

Music: CConcerto on Organ-Stanley

Event Comment: Benefit for Shuter. Tickets to be had of Shuter at Number 2, in Martlet Court, Bow St. Covent Garden; and of Mr Sarjant, Book-Keeper. Charges: #65 2s. [Profits to Shuter #150 6d., plus #70 11s. from tickets (Box 233; Pit 82).] Paid Miss Elliott the balance of her two nights Jan. 13 and Feb. 18, #90 13s. 6d. and gave her as a present from the managers by deducting the charge of the Farce for her 2nd night, Feb. 18th, #21 (Account Book). Receipts: #215 2s. 6d. (Account Book). About 5 with great difficulty got into the Pit at Covent Garden to see...the benefit for Mr Shuter. Stood all night at the bottom of the Pit in a most disagreeable situation, though I saw very well and heard too, unless when prevented by the noise on occasion of which Shuter very smartly applied the Passage, But if we all speak together, how shall we hear one another," and again when a great noise was made about someone in the Gallery, he cried 'Give him a knock o' the head and make him quiet,' and another bawling Silence," he cried Silence, Silence why don't you be quiet.'At the end of Act II, the Cries of London', with additions by Shuter. In going off he shook his head on hearing it encored, but was oblig'd to comply by repeating the greater part. End of Opera Shuter entertained us with his Serious, Comic Post-Haste Observations in his Journey to Paris, to hear which was a principal reason of my not dining at Holliss's. The Barber in the Upholsterer inimitably played by Woodward (Neville MS Diary)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Upholsterer

Dance: TThe Female Archer, as17661215

Event Comment: NNeville MS Diary: We lighted at Somerset Coffee-house and soon after took a boat from Somerset stairs to Spring Gardens, Vauxhall, open for the first time this season. These gardens are lighted by lamps disposed in different figures, with an orchestra from which the company are entertained from 7 to 10 with music...An artificial cascade from rocks which, continuing for 10 or 15 minutes only, has a fine effect. M. meeting with some acquaintance, we supped under the trees and after trying in vain to get a coach, returned and had some wine in one of the Boxes. I scarcely tasted any thing...all the wine at Vauxhall is vile. I proposed walking home, as it is very dangerous to go by water in the night. Half past 1 in the morning when I entered our house

Performances

Event Comment: NNeville MS Diary: At 6 went to Marybone Gardens, a place of the kind of Ranelagh-but not so elegant nor frequented by such good company--indeed much indifferent company resort to both. A transparent picture of a Patagonian man, woman and child was exhibited for the first time; went and returned on foot. Marybone fields are much pleasanter than the gardens. Got home about 11

Performances

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Afterpiece: By Particular Desire of several persons of Distinction, to be added for that night only. Neville MS Diary: Covent Garden Theatre after being shut up for the season was open'd tonight as a high favour to Shuter...Before [the farce] the Gods having call'd for the Music to play Roast Beef, would not suffer the play to begin till their request was complied with. They pelted Davies and Hull, who appeared first, with orange skins, crying Off, Off'...Glad Shuter had a good house. He is an excellent comedian and is said to have a good heart. [The income for this night not listed in the Account Books. On 10 June however, the treasurer received from Shuter #10 'for the renters for the night of his benefit," and #1 13s. 9d. for oyl that night. On 20 July the treasurer received from Shuter #43 15s. for tickets for his first benefit, and #1 4s. 1 1!2d. in money, along with #20 for his second benefit." On July 22, the treasurer paid "to sundry Creditors of Mr Shuter as per Receipt Books #245 4s. 1 1!2d., and to Mr Wilford by order of Shuter #60, and to Beard #26 16s." N.B. On Wednesday 1 July The sum of #60,000 was this day paid down for the purchase of the Theatre Royal in Covent Garden, pursuant to agreement. The patentees are Messieurs Colman, Harris, Rutherford and Powell"--Gentleman's Magazine, p. 379.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Love a-la-Mode

Event Comment: At 5 went into the Pit at Covent Garden to see Mrs Yates do Lady Townly. Yates is an excellent Sir Francis, but Powell does not shine in Lord Townly....The Entertainment was the new comedy in two acts called the Oxonian in Town, with a prologue by Woodward in the character of a student....It being suspected that a number of sharpers whose characters and practices are laid open in this piece, would attempt to damn it tonight (the 3rd of its being Performed) under pretence of its casting odium on the Irish, bills were dispersed in the House during the play vindicating it from any such intention. Woodward was allowed to speak the prologue, but as soon as the curtain drew up catcalls began. When the performers retired, Powell spoke several times, but was not heard. I was told that the author (Mr Colman) desires to know whom he has offended. The Pros were a very great majority, and at last after a contest of better than 1!2 an hour, the victory was over and the piece was performed. I think it contains many good sentiments, and excellent instruction to young men and is not unworthy of Mr Colman. If vice must not be exposed to hatred and contempt, the usefulness of our theatres is at an end. Only I think the Covent Garden pleasures are represented in too favourable a light. When all was over Powell came on the stage and thanked the audience for their generous protection (Neville MS Diary). Receipts: #212 12s. (Account Book)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: The Oxonian in Town

Dance: II: New Comic Dance, as17671106; End: The Merry Sailors, as17671009

Event Comment: [Benefit for Dibdin, but not acted,] Princess Louisa Anne, sister to His Majesty died in the morning. All Theatres and Gardens closed for 8 days. Rec'd of Mrs Squibb for her deficiency the 10th Inst. #11 5s. Rec'd of Davis for his deficiency the 4th inst. #4 12s. Received of Perry for his deficiency the 4th inst. #4 12s. (Account Book).*c1768 05 13 cg [Benefit for Dibdin, but not acted,] Princess Louisa Anne, sister to His Majesty died in the morning. All Theatres and Gardens closed for 8 days. Rec'd of Mrs Squibb for her deficiency the 10th Inst. #11 5s. Rec'd of Davis for his deficiency the 4th inst. #4 12s. Received of Perry for his deficiency the 4th inst. #4 12s. (Account Book)

Performances

Mainpiece Title: None

Afterpiece Title: None

Dance: II: Hornpipe-Miss Pitt

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: As17730403 but Goodall-Dunstall from Covent Garden.

Entertainment: After: (For that Night only) An Apology for Apologies-King

Dance: The Sailors Revels, as17720919

Event Comment: This Benefit was given to Mr Kennedy of a dreadful Fire that happened at Mr Youngers in King Street Covent Garden where Mr Kennedy was burnt out (Hopkins Diary). N.B. This night's salary given by part of the Company to the other sufferers #52 6s. 6d. Given by the Managers #6 18s. plus #3 12s. undercharged or 10 guineas. The Music gave this night's pay #7 17s. 6d. to Mr Kennedy, not having subscribed to him before (Treasurer's Book). [See 6 May.] Paid 1 yrs Poor's rate for Covt. Garden to Lady Day Last #2 16s. 8d.; Housekeeper's bills (4 weeks) #15 5s. 7d. (Treasurer's Book). Receipts:#128 14s. 6d. Charges: #84. Profits to Kennedy: #44 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: A Trip to Scotland

Entertainment: End: (By Particular Desire) Bannister's Imitations-Bannister

Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Polly Honeycombe

Event Comment: Benefit for Reddish [and his last appearance on the stage]. Tickets sold at the Doors will not be admitted. Public Advertiser, 1 May: Tickets to be had of Reddish, No. 14, near the Turnpike, Tottenham Court Road. "Poor Reddish, on the 5th of May, had a benefit, and it was resolved to try whether he could not go through the character of Posthumus. He was now infirm; in common occurrences imbecile, but to be exited by his former profession, or nothing. The late John Ireland gave an affecting detail of this attempt. He met his friend an hour before the performance began. Reddish entered the room with the step of an idiot, his eye wandering, and his whole countenance vacant. Mr Ireland congratulated him, that he was sufficiently recovered to perform his favourite Posthumus. 'Yes', said he, 'and in the garden scene I shall astonish you.' 'The garden scene! I thought you were to play Posthumus?' 'No, Sir, I play Romeo.' His friend assured him that Posthumus was the part he was to act--and he walked to the theatre, reciting Romeo all the way. When dressed for Posthumus, and in the green-room, it was still hard to undeceive him--at length he was pushed upon the stage....The instant he came in sight of the audience his recollection seemed to return; his countenance resumed meaning, his eye became lighted up, he made the modest bow of respect, and played the scene as well as he had ever done. But Romeo again met him in the green-room, and it was only the stage cue that had the power to unsettle this delusion; and that never failed to do it through the whole play. Mr Ireland thought him, on this occasion, less assuming and more natural than he had seemed in the full enjoyment of his reason" (Boaden, Kemble, I, XVI-XVII; Ireland, 58-60)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Three Weeks after Marriage

Dance: As17781024

Song: As17781024

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Holmes; Glenalvon-Cooke; Lord Randolph-Sparks; Officers-Garden, Swords; Old Norval-Mitchell; Anna-Miss Randall; Lady Randolph-Mrs Jones (from the Theatre-Royal in Dublin).
Cast
Role: Officers Actor: Garden, Swords

Afterpiece Title: Wit's Last Stake

Afterpiece Title: The Brave Irishman

Dance: End Monologue: Hornpipe-Lapper

Song: End III: He's aye kissing me-Miss Harris; End: Hunting Song-Miss Harris

Music: Between the Acts: The original Scotch Music-

Entertainment: Monologue.End 2nd piece: Hippisley's Drunken Man-Lewis (1st appearance on that stage these 3 years)

Event Comment: Benefit for Mrs Colles, Miss Abrams & Miss Kirby. Public Advertiser, 4 May: Tickets to be had of Mrs Colles at Smith's No. 10, Bow-street, the corner of Martlet Court, Covent Garden; of Miss Abrams, Little Bridges Street, Covent Garden; of Miss Kirby at Andrews's, No. 70, Long Acre. Receipts: #203 7s. (28.1; 14.16; 1.11; tickets: 158.19) (charge: #90 2s. 6d.)

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Sir William-Aberdein; Patie-M'Donald; Roger-Cockburn; Symon-Middlemist; Glaud-Risk; Bauldy-Garden; Madge-Mr Murray; Mause-Mr Raeburn; Jenny-Mrs Watson; Peggy (with Lochaher no more)-Mrs Raeburn (7th appearance in that character). A new Occasional Prologue spoken by Risk .
Cast
Role: Bauldy Actor: Garden

Afterpiece Title: Wit's Last Stake

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Peachum-Popplewell; Lockit-Connell; Filch-Decastro; Mat o' the Mint-Ingall; Capt. Macheath (for that night only)-Dighton; Mrs Peachum and Diana Trapes-Mrs Jones; Lucy-Mrs Henley; Jenny Diver-Mrs Barnard; Polly-Mrs Woodman (late of the Theatre Royal, Covent-garden). hathi.
Cast
Role: Covent Actor: garden. hathi.

Afterpiece Title: The Irish Widow

Dance: In Act III of mainpiece Hornpipe by Fairbrother. vaudeville. End of mainpiece a Scene in a Sporting Club, in which a Variety of Imitations, Vocal and Rhetorical [performers not listed]

Event Comment: Benefit for Waldron. 1st piece: Originally written by the celebrated Monsieur de Beaumarchais, and perform'd innumerably, often at Paris; translated and adapted to the English Stage by the very ingenious Mr Holcroft, Author of several admired Dramatic and other Works; and perform'd with unbounded Applause during Half the Season last Winter at the Theatre Royal in Covent Garden. 2nd piece: Never acted here; written by Mr O'Keeffe, set to music by Mr Shield, and performed with unceasing Applause at the Theatre Royal, Covent Garden. 3rd piece: To conclude with the Representation of the Siege of Gibraltar, Elliot's Red Hot Balls, &c. Tickets to be had of Waldron, at the Cock and Magpie

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Performance Comment: Figaro-Benson; Count Almaviva-Thome (2nd appearance on this stage); Don Bartolo-Wright; Don Guzman (the stuttering Counsellor)-Wellman; Basil-Payne; Bounce-Banister; Doublefee-Kerridge; Courier-Meadow; Oyer-Stuart; Servant-Mast. Payne; Anthonio (the drunken Gardener)-Waldron; Page (with the elegant and favorite song, Ah well-a-day, my poor heart)-Miss Cranford; Countess-Miss Bird; Marcelina-Mrs Monk; Agnes-Mrs Benson; Susan-Mrs Wellman .

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

Event Comment: Benefit for Phillimore, Spencer & Danby. Morning Chronicle, 22 May: Tickets to be had of Phillimore, Little Russel-street, Covent Garden; of Spencer, The Garrick's Head, Bow-street, Covent Garden; of Danby, Wardourstreet, Soho. Receipts: #251 15s. (26/9/0; 13/0/6; 0/17/6; tickets: 211/8/0) (charge: #107 8s. 11d.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Deserter

Dance: As17860522

Song: End of Act in of mainpiece a Hunting Duett (composed by J. Danby) by Dignum and [C] Danby

Event Comment: Benefit for Alfred, Brigg, Bourk & Walker. Tickets delivered for the 30th of May will be admitted. Morning Chronicle, 6 June: Tickets to be had of Alfred, No. 2, Middle-Temple-Lane; of Brigg, No. 6, Little Russel-street, Covent Garden; of Bourk, No. 13, Little Russel-street, Covent Garden; of Walker, No. 8, Bedford-street, Bedford-Row. Receipts: #209 15s. (33/9; 18/0; 2/8; tickets: 155/18) (charge: #105 13s. 6d.)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Humourist

Dance: End of Act III of mainpiece Hornpipe by Bourk; End of mainpiece a new Minuet and Quadrille by Hamoir, Brigg, Mrs Sutton, Miss Stageldoir, &c

Performances

Mainpiece Title: Marian

Afterpiece Title: Werter

Afterpiece Title: Poluscenicon

Performance Comment: Harlequin-Boyce; Pierrot-Cranfield; Pantaloon-Thompson; Lover-Farley; Colombine-Mrs Watts; A Pantomimical Selection, consisting (among several others) of the following Scenes and Songs: The Birth of Harlequin--from the Magic Egg; View of Guildhallv--which changes to a Warehouse; Bedlam Wall--changing to a Ballad Stall; Teague's Ramble to London-Ryder; Ball Room--The Long Minuet-; taken from Bunbury's Print; Landscape-Horses, Dogs and Stag; Hunting Song-Bannister; View of a Poundv--changes to a Butcher's shop; A Prospect at Sea; Poor Jack! ; or, the Cherub (music by Dibdin)-Darley ; A Garden--changes to a Melon Ground; The Temple of Marsv. A Garden--changes to a Melon Ground; The Temple of Marsv.

Dance: In 3rd piece: Byrne, Ratchford, Cranfield, Jackson, Mrs Ratchford, Miss Rowson, Miss Francis, Mrs Goodwin

Song: End 1st piece: Four and Twenty Fidlers-Edwin; In III 2nd piece: Epithalamium-; Vocal Parts-Cubitt, Darley, Mrs Mountain, Mrs Martyr

Event Comment: From the late unfortunate calamity at the King's Theatre [see 16 June], the Subscribers are respectfully acquainted that as many Operas will be represented at this Theatre as can from this Evening to the 11th of July, the day on which most of the Performers' Contracts expire. Mr Gallini humbly requests it may be observed that on account of there not being Boxes enough to accomodate the Subscribers, as at the late Opera House, in order to avoid partiality, no particular Places or Boxes can be allotted to the respective Subscribers. The Entrance into the Theatre will be from Covent-Garden and Hart-street only, the doors from Bow-street will, from necessity, be shut up. Pit and Boxes 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "Covent--Garden, on Saturday night, had the honour of entertaining this noble Foreigner--but by some accident they did not agree...The Gallery, only, was filled" (World, 29 June)

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: New Divertissement, as17890310End Opera: L'Embarquement pour Cythere, as17890110, but Mlle _Normand

Event Comment: 1st piece: 1st Time [at this theatre; see dl, 7 Nov.]. "Mr Hayley's Marcella, which was anticipated on Saturday evening at Drury Lane, and was received with considerable marks of disapprobation...was brought forward [at Covent Garden] under the auspices of the Author" (Public Advertiser, 11 Nov.). "[The performers all acted well at Covent Garden; and Kemble was the only one at Drury Lane who even knew his part" (Prompter, 11 Nov.). Receipts: #201 17s. (197.13.6; 4.3.6)

Performances

Mainpiece Title: Marcella

Afterpiece Title: Rosina

Afterpiece Title: The Death of Captain Cook