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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "GS C y"/1) | (@(roleclean,performerclean) "GS C y")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2172 results for: Keyword - G.S. C y
We found 1360 matches on Event Comments, 814 matches on Performance Comments, 114 matches on Performance Title, 32 matches on Author, and 0 matches on Roles/Actors.

251
14 November 1692 @ no theater listed

Performances

Mainpiece Title: Henry The Second

252
12 May 1747 @ Covent Garden

Performances

Mainpiece Title: The Committee

Afterpiece Title: Phebe

Dance: The English Boy, English Girl

253
24 November 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Miller of Mansfield

254
19 June 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Foundling

Afterpiece Title: LODOISKA

255
17 November 1794 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Cast
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

256
06 June 1723 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Song: Singing in Italian-Miss Lindar, being the 2d Time of her Singing upon any Stage; Dear Pretty Youth-

Music: Solo on Little Pipe-Baston

Dance: Dancing after the Turkish Manner, as it was perform'd by the Kister Aga and the Eunuchs of the Seraglio, for the Diversion of the Grand Signior at the last Bairam Feast-

257
21 February 1728 @ Haymarket Theatre

Performances

Mainpiece Title: The Rivals; Or, The Happy Despair

258
04 August 1732 @ Tottenham Court

Performances

Mainpiece Title: The Mock Doctor

Afterpiece Title: The Metamorphoses of Harlequin

259
22 March 1742 @ Goodman's Fields

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Anatomist

Dance: David and Winifred apShenkin

260
07 November 1749 @ Haymarket Theatre

Performances

Mainpiece Title: None

261
08 May 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Siege Of Belgrade

Dance: End I: an entire New Ballet (composed by J. D'Egville), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-

Cast
Role: Les Vendangeurs Actor: by the Dancers from the king's Theatre

Ballet: End Opera: Telemaque. Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House

262
23 October 1771 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Elopement

Dance: I: The Sailors Revels, as17711008

263
03 February 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Wedding Ring

264
04 February 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Wedding Ring

265
06 February 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Pigmy Revels

266
01 April 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Catharine and Petruchio

Dance: V: A New Dance call'd The Surprize-Master Holland, Miss Ross, Miss Armstrong, others, scholars of Daigville

267
03 April 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: Merope

Afterpiece Title: The Intriguing Chambermaid

Dance: V: A New Dance-Tassoni's Scholar; End Farce: (By Particular Desire) a Hornpipe-Tassoni's Scholar

268
February 1679 @ Drury Lane Theatre

Performances

269
29 October 1684 @ Whitehall or St. James's

Performances

270
11 March 1700 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Way Of The World

271
04 January 1742 @ Goodman's Fields

Performances

Mainpiece Title: The Wife's Relief; Or, The Husband's Cure

Afterpiece Title: The Devil to Pay

Dance: Dancing, as17411228, but Master and Miss Granier

272
18 January 1742 @ Goodman's Fields

Performances

Mainpiece Title: The Anatomist; Or, The Sham-doctor

Afterpiece Title: Lethe

Dance: As17420115

273
29 January 1742 @ Goodman's Fields

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: Lethe

Dance: Three Graniers

274
22 December 1742 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The School Boy

Dance: As17421213

275
13 September 1748 @ Drury Lane Theatre

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Afterpiece Title: The Lying Valet