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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "G and W Nicol"/1) | (@(roleclean,performerclean) "G and W Nicol")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2148 results for: Keyword - G. and W. Nicol
We found 1459 matches on Performance Comments, 466 matches on Event Comments, 70 matches on Performance Title, 56 matches on Author, and 0 matches on Roles/Actors.

326
02 May 1795 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based partly on The Fashionable Lover, by Richard Cumberland. Authors of Prologue and Epilogue unknown]. The Doors to be opened at 5:30. To begin at 6:30, for the remainder of the Season. Morning Chronicle, 13 May 1795: This Day is published The Deserted Daughter (2s.). Receipts: #210 2s. (205.12.6; 4.9.6)

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: Principal Characters by Lewis, Quick, Pope, Munden, Harley, Bernard, Middleton, Miss Wallis, Mrs Mattocks, Mrs Cornelys, Mrs Pope. [Cast from text (G. G. and J. Robinson, 1795): Cheveril-Lewis; Item-Quick; Mr Mordent-Pope; Donald-Munden; Lennox-Harley; Grime-Bernard; Clement-Middleton; Joanna-Miss Wallis; Mrs Sarsnet-Mrs Mattocks; Mrs Enfield-Mrs Cornelys; Lady Ann-Mrs Pope; Prologue-Harley; Epilogue-Miss Wallis, Mrs Mattocks, Mrs Pope. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Irish Mimick

Cast
Role: Landlady Actor: Mrs Platt
Role: representing the Marriage of Peleus and Thetis Actor:
Role: Proteus Actor: Holland
Role: Terpsichore Actor: Mlle St.Amand
Role: he is her intended Husband Actor: Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: which she respectfully accepts Actor: the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-
Role: and Amphitrite Actor:
Role: and Proserpine Actor:
Role: and Eacus Actor:
Role: Nymphs and Swains Actor:
Role: enraged at not being invited to the sacred Festiva Actor: She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: For the Fairest" Actor: Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: who adjudge it to Thetis Actor: Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded
Role: Festoons of Flowers descend Actor: Cupids ascend supporting a Medallion and the Letters G. C.
Role: ] Actor: the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a
Role: Grand Chorus Actor:

327
06 May 1795 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by James Hook Jun. Larpent MS 1065; not published; synopsis of plot in Pocket Magazine, May 1795, p. 334]: The Musick composed by Hook? Sen. The Scenes, Dresses, Decorations and Machinery are entirely new. The Scenery of the Opera designed and painted by Greenwood and Capon. The Masque and Decorations by Marinari. The Machinery by Cabanel and Jacobs.The Dresses by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. [Afterpiece in place of The Adopted Child, advertised on playbill of 5 May.] Receipts: #269 8s. (213.0.6; 53.16.0; 2.11.6)

Performances

Mainpiece Title: Jack Of Newbury

Performance Comment: Characters by Palmer, Kelly, Dignum, Suett, R. Palmer, Bannister Jun., Master Welsh, Phillimore, Mrs Crouch, Sga Storace, Miss Leak, Mrs Bland. [Cast from Songs (C. Lowndes, 1795), and Larpent MS: Jack of Newbury-Palmer; Sir Murdock O'Connel-Kelly; Edgar-Dignum; Flaw-Suett; Crafts-R. Palmer; Knap-Bannister Jun.; Page-Master Welsh; Rowland-Phillimore; Dame Eleanor-Mrs Crouch; Emma-Sga Storace; Blanche-Miss Leak; Kathlane-Mrs Bland. [To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .
Cast
Role: Rowland Actor: Phillimore
Role: Kathlane Actor: Mrs Bland.

Afterpiece Title: The Triumph of Hymen

Afterpiece Title: Tit for Tat

328
20 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for J. D'Egville. Ballet: As composed by Dauberval, and performed at the king's Theatre in the Hay-Market. To conclude with a Grand Display of the Manual Exercise. Morning Chronicle, 8 May: Tickets to be had of J. D'Egville, No. 29, Litchfield-street, Soho. Receipts: #376 9s. (151.16; 45.10; 6.14; tickets: 172.9) (charge: #247 12s. 9d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Alexander the Great

Cast
Role: Alexander Actor: J. D'Egville
Role: Eumenes Actor: Bland
Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel

Ballet: Preceding: The Deserter. Alexis-J. D'Egville; Jean Louis-G. D'Egville; Bertrand-Aumer; Mountauciel-Fialon; Gaoler-Fairbrother; Court@Chemin-Boimaison; The King-Phillimore; Louisa-Mrs Fialon; Margaretta-Miss Heard; Janetta-Miss Menage; Duchess-Miss Collins; Officers, Attendants-

Performance Comment: Alexis-J. D'Egville; Jean Louis-G. D'Egville; Bertrand-Aumer; Mountauciel-Fialon; Gaoler-Fairbrother; Court@Chemin-Boimaison; The King-Phillimore; Louisa-Mrs Fialon; Margaretta-Miss Heard; Janetta-Miss Menage; Duchess-Miss Collins; Officers, Attendants-.
Cast
Role: Bertrand Actor: Aumer

329
01 June 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: First Love

Cast
Role: Sir Bertrand Actor: Trueman
Role: Spruce Actor: Bland
Role: Nell Actor: Mrs Bland.
Related Works
Related Work: First Love Author(s): Richard Cumberland

Afterpiece Title: The Prize

Dance: End 2nd piece: New Dance-; in which The Princess of Wales's New Minuet and Gavot-J. and Miss D'Egville; and to conclude with a New Reel-Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville

Performance Comment: and Miss D'Egville; and to conclude with a New Reel-Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville.
Cast
Role: and to conclude with a New Reel Actor: Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville.

330
24 October 1795 @ Covent Garden

Event Comment: Paid Messrs Robson and Hale, paper hangers, #124 14s. 6d. Receipts: #222 5s. (218.16; 3.9)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Crotchet Lodge

Performance Comment: Timothy Truncheon-Quick; Nimble-Fawcett; Squire Shinken-Bernard; Darnley-Macready; Chronic-Powel; Waiter-Farley; Paddy-Rees; Bootcatcher-Thompson; Florella-Miss Chapman; Miss Crotchet-Mrs Davenport; Maid-Miss Stuart; Landlady-Mrs Platt; Thisbe-Mrs Martyr.
Cast
Role: Landlady Actor: Mrs Platt

Dance: In III: a Hornpipe-Byrn

331
23 January 1796 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft. Prologue and Epilogue by the author (Knapp, pp. 119, 309)]: With new Scenes and Dresses. Oracle, 30 Jan. 1796: On Tuesday next [2 Feb.] will be published The Man of Ten Thousand (2s.). Receipts: #540 7s. (538.19.6; 1.7.6)

Performances

Mainpiece Title: The Man Of Ten Thousand

Performance Comment: Principal Characters by Barrymore, Palmer, Kemble, Bannister Jun., Dodd, Suett, R. Palmer, Wewitzer, Aickin, Phillimore, Maddocks, Trueman, Banks, Webb, Fisher, Evans, Mrs Pope, Miss Farren, Mrs Gibbs, Miss Tidswell. Cast from text (G. G. J. and J. Robinson, 1796), and Oracle, 25 Jan.: Sir Pertinax Pitiful-Barrymore; Lord Laroon-Palmer; Dorington-Kemble; Hairbrain-Bannister Jun.; Curfew-Dodd; Consol-Suett; Major Rampart-R. Palmer; Herbert-Wewitzer; Hudson-Aickin; Clerk-Phillimore; Thomas-Maddocks; Robert-Trueman; John-Banks; Thomas[sic]-Webb; William-Fisher; Harry-Evans; Lady Taunton-Miss Pope; Olivia-Miss Farren; Annabel-Mrs Gibbs; Girl-Miss Tidswell; Prologue-Palmer; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Harlequin Captive

Cast
Role: Chorus of Knights and Ladies Actor: Sedgwick, Dignum, Trueman, Danby, Cooke, Welsh, Mrs Bland, Miss Leak, Miss Arne, Mrs Bramwell, Miss Granger, Miss Jackson, Miss Menage, Miss Stuart, Miss Wentworth
Role: Ormandine Actor: Caulfield
Role: Ormandine's Servant Actor: Boimaison
Role: Landlord Actor: Phillimore
Role: Cheesemonger Actor: Nicolini
Role: Landlady Actor: Mrs Booth

332
26 February 1796 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Come ever smiling-Miss Leak (Judas Maccabaeus); It must be so-Sale; Pour forth no more-Sale; No more to Ammon's God-Chorus (Jephtha); Now heaven-Miss Parke; Lord what is man-Miss Parke (Semele); Every day will I give-Kelly (Chandos? Anthems); Then round about-Chorus (Samson); O worse than death-Mme Mara; Angels ever bright-Mme Mara (Theodora); The Mighty power-Chorus [Athalia].Athalia].

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction and Chorus-; Ye sons of Israel-byChorus (Joshua); Tears such as tender-Bartleman [Deborah]; O let eternal honors-Miss Parke; From mighty Kings-Miss Parke (Judas Maccabaeus); Softly rise-Nield; accompanied on the bassoon-Parkinson; Ye southern breezes-Chorus (Solomon, by Boyce); Mad Bess-Mme Mara (composed by Purcell); The horse and his rider-Double Chorus (Israel in Egypt).
Cast
Role: Introduction and Chorus Actor:
Role: The horse and his rider Actor: Double Chorus

Music: As17960219

333
04 March 1797 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Author of Prologue unknown]: With new Dresses, Scenery, &c. Morning Herald, 4 Apr. 1797: This Day is published Wives as they Were, and Maids as they Are (2s). "The Manager of Covent Garden Theatre gives Mrs Inchbald #500 for her new Comedy" (True Briton, 13 Mar.). Receipts: #302 13s. 6d. (295.9.0; 7.4.6)

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Performance Comment: Principal Characters by Lewis, Quick, Pope, Munden, Fawcett, Waddy, Thompson, Ledger, Wilde, Blurton, Hawtin, Abbot, Lee, Curties, Mrs Mattocks, Miss Chapman, Mrs Norton, Miss Wallis. Cast from text (G. G. and J. Robinson, 1797), and European Magazine, Mar. 1797, p. 192: Mr Bronzely-Lewis; Lord Priory-Quick; Sir George Evelyn-Pope; Sir William Dorrillon-Munden; Oliver-Fawcett; Mr Norberry-Waddy; Nabson-Thompson; Servants-Ledger, Wilde, Lee, Curties; Bailiffs-Hawtin, Abbot; Lady Mary Raffle-Mrs Mattocks; Lady Priory-Miss Chapman; Servant-Mrs Norton; Miss Dorrillon-Miss Wallis; unassigned-Blurton; Prologue-Waddy. This was spoken, as here assigned, at the 1st 15 performances only (see17970404). For Address in place of Epilogue, see17970306 .

Afterpiece Title: The Wicklow Mountains

Cast
Role: Irish Peasantry Defenders and White Boys Actor: _Spofforth.

334
10 March 1797 @ Covent Garden

Performances

Mainpiece Title: A Grand Sacred Selection 0 Messiah 0

Cast
Role: Who is in her Seventy Actor: Fifth Year, and will sing He was despised, which was originally composed for her by Handel, and which she sung when the Oratorios were first performed under his Direction, in the year 1741.

Afterpiece Title: A Grand Sacred Selection 1

Performance Comment: Part I. Overture- (Occasional Oratorio); Arm arm ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; Lord what is man?-Miss Poole [Semele]; Total eclipse-Braham; O first created beam-Chorus [Samson]; The mighty power-Chorus [Athalia]; O worse than death, Angels ever bright and fair-Mme Mara [Theodora]; Fixed in his everlasting seat-Chorus [Samson].Samson].
Cast
Role: Angels ever bright and fair Actor: Mme Mara

Afterpiece Title: A Grand Sacred Selection 2

Performance Comment: Part II. Ye Sons of Israel-Chorus; Shall I in Mamre's-Bartleman; For all these mercies-Chorus [Joshua]; My Faith and Truth-Miss Poole, Master Elliot; Return O God of Hosts-Sga Galli [Samson]; First concerto Op. 3 Geminiani-G. Ashley; Deeper and deeper still, Waft her angels-Braham [Jephtha]; Thy right hand O Lord-Chorus [Israel in Egypt]; Holy Holy Lord-Mme Mara [Redemption]; He gave them hailstones-Chorus [Israel in Egypt].Israel in Egypt].
Cast
Role: My Faith and Truth Actor: Miss Poole, Master Elliot
Role: Thy right hand O Lord Actor: Chorus

Afterpiece Title: A Grand Sacred Selection 3

Performance Comment: Part III. Overture and Dead March- (Saul); Great Jehovah's awful-Master Elliot [Israel in Egypt]; In sweetest Harmony-Mme Mara; O fatal Day-Chorus [Saul]; Gentle Airs-Braham; [accompanied on the violoncello-C. Ashley [Athalia]; Fallen is the Foe-Chorus [Judas Maccabaeus]; O magnify the Lord-Miss Poole [Chandos Anthems]; The Lord shall reign-Chorus; For the Horse of Pharoah, Sing ye to the Lord-Mme Mara; The Horse and his Rider-Double Chorus [Israel in Egypt].Israel in Egypt].
Cast
Role: Overture and Dead March Actor:
Role: The Horse and his Rider Actor: Double Chorus

Music: End I: concerto on pedal harp-Miss Dupree (1st appearance in public)

335
19 April 1797 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text; although Boaden, Jordan, I, 286 says the Epilogue was by Samuel Rogers, being the same as that spoken on 27 Apr. 1795)]: With new Scenes, Dresses, and Decorations. [Afterpiece in place of No Song No Supper, advertised on playbill of 18 Apr.] Morning Herald, 29 Apr. 1797: On Monday [1 May] will be published The Will (2s.). Account-Book: Reynolds to receive #33 6s. 8d. for every night of The Will. Receipts: #413 4s. (344.12.6; 63.16.6; 4.15.0)

Performances

Mainpiece Title: The Will

Performance Comment: Characters by King, Wroughton, Bannister Jun., R. Palmer, Suett, Russell, Packer, Webb, Evans, Mrs Jordan, Miss Tidswell, Mrs Booth, Miss Mellon. Cast from text (G. G. and J. Robinson, 1797): Sir Solomon Cynic-King; Mandeville-Wroughton; Howard-Bannister Jun.; Veritas-R. Palmer; Realize-Suett; Robert-Russell; Old Copsley-Packer; Servants-Webb, Evans; Albina Mandeville-Mrs Jordan; Deborah-Miss Tidswell; Mrs Rigid-Mrs Booth; Cicely Copsley-Miss Mellon; Prologue-R. Palmer; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at the 1st 9 performances only (see17970502).]These were spoken, as here assigned, at the 1st 9 performances only (see17970502).]
Cast
Role: Mandeville Actor: Wroughton
Role: Albina Mandeville Actor: Mrs Jordan

Afterpiece Title: The Purse

Cast
Role: Sir Rowland Actor: Barrymore

Ballet: The Scotch Ghost. As17961221

336
27 April 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Dance: As17961220

337
15 August 1797 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; MD 3, by James Boaden]: With new Musick, Scenery, Dresses, and Decorations. The Overture and Musick by Dr Arnold. The Scenery by Marinari, Rooker, &c. Morning Herald, 26 Aug. 1797: This Day is published The Italian Monk (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Italian Monk

Performance Comment: Characters by Palmer, C. Kemble, Aickin, Suett, R. Palmer, Trueman, Abbot, Caulfield, Waldron Jun., Usher, Ledger, Chippendale, Mrs Harlowe, Miss Heard, Miss DeCamp, Mrs Hale, Mrs Edward, Mrs Booth, Mrs Bland. [Cast from text (G. G. J. and J. Robinson, 1797), and playbill of 30 June 1798: Schedoni-Palmer; Vivaldi-C. Kemble; Ansaldo-Aickin; Paullo-Suett; Spalatro-R. Palmer; Carlo-Trueman; Familiar-Abbot; Stiletto-Caulfield; Corvino-Waldron Jun.; Priest-Usher; Guards-Ledger, Chippendale; Marchioness-Mrs Harlowe; Olivia-Miss Heard; Ellen de Rosalba-Miss DeCamp; Abbess-Mrs Hale; Margaritone-Mrs Edward [in text: unassigned]; Gradisca-Mrs Booth; Fioresca-Mrs Bland.
Cast
Role: Fioresca Actor: Mrs Bland.

Song: 2nd piece: General Chorus [of Assassins and Nuns (text)]-Linton, Brown, Lyons, Aylmer, Little, Willoughby, Dibble, Kenrick, Caulfield Jun., Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve

Performance Comment: , Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve.

338
21 October 1797 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue and Epilogue by John Taylor (see text)]: With new Scenes, Dresses, and Decorations. Morning Herald, 3 Nov. 1797: This Day is published Cheap Living (2s.). Receipts: #348 14s. 6d. (283.4.0; 62.18.6; 2.12.0)

Performances

Mainpiece Title: Cheap Living

Performance Comment: Characters by Mrs Jordan, Suett, C. Kemble, Palmer, Bannister Jun., Dowton, Trueman, Evans, Fisher, Webb, Maddocks, Miss Pope, Miss DeCamp, Miss Stuart. [Cast from Text (G. G. and J. Robinson, 1797): Sir Edward Bloomly-Mrs Jordan; Old Woodland-Suett; Young Woodland-C. Kemble; Scatter-Palmer; Spunge-Bannister Jun.; Farmer Cole-Dowton; William-Trueman; Mrs Scatter-Miss Pope; Elinor Bloomly-Miss DeCamp; Stella-Miss Stuart; unassigned-Evans, Fisher, Webb, Maddocks; Prologue-C. Kemble; Epilogue-Miss DeCamp. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Old Woodland Actor: Suett
Role: Young Woodland Actor: C. Kemble

Afterpiece Title: The Irish Widow

Cast
Role: Nephew Actor: Holland

Entertainment: Entertainment.As17971019

Cast
Role: A Representation of the English and Dutch Fleet Actor:
Role: and a Full Chorus of Rule Britannia Actor:

339
09 December 1797 @ King's Theatre

Event Comment: "Opera, for first time. Dance of 'Bacchus and Ariadne.' We have advanced to the point of seeing people dance naked" (Windham Diary (9 Dec. 1797), p. 383)

Performances

Mainpiece Title: Nina

Dance: As17971202

Ballet: Ariadne et Bacchus. As17971202

340
25 January 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on La Serva Amorosa and on Il Padre di Famiglia, both by Carlo Goldoni. Author of Prologue unknown. Epilogue by Matthew Gregory Lewis (see text)]. Times, 7 Feb. 1798: This Day is published Knave or Not (2s.). Receipts: #358 2s. (283.11.6; 71.2.0; 3.8.6)

Performances

Mainpiece Title: Knave Or Not

Performance Comment: Characters by Palmer, Wroughton, Suett, Wewitzer, Barrymore, Bannister Jun., Hollingsworth, Trueman, Evans, Miss DeCamp, Mrs Jordan, Miss Pope, Mrs Walcot, Mrs Sparks. [Cast from text (G. G. and J. Robinson, 1798): Monrose-Palmer; Sir Guy Taunton-Wroughton; Sir Job Ferment-Suett; Mr Taunton-Wewitzer; Oliver-Barrymore; Jonas-Bannister Jun.; Mr Quake-Hollingsworth; Mr Scribe-Trueman; Footman-Evans [part listed in text, but unassigned]; Aurelia-Miss DeCamp; Susan-Mrs Jordan; Lady Ferment-Miss Pope; Mrs Clack-Mrs Walcot; Poor Woman-Mrs Sparks; Prologue-Barrymore; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Blue Beard

Cast
Role: Male Slaves Actor: _Nicolini.
Role: Beda Actor: Mrs Bland

341
13 February 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, adapted from Le Complaisant, by Antoine de Feriol comte de Pont-de-Veyle, and from Clavigo, by Johann Wolfgang von Goethe. It has been attributed to John Fenwick (Genest, VII, 360-61; London Chronicle, 14 Feb. 1798). But for Holcroft's acknowledgment of authorship see his Life, ed. Elbridge Colby, 1925, II, 170. Author of Prologue unknown. Epilogue by the author (Knapp, p. 88)]. Times, 12 Apr. 1798: This Day will be published He's Much to Blame (2s.). "Mrs Mattocks has of late habituated herself to a constant titter, which destroys the effect of her best scenes" (Times, 14 Feb.). Receipts: #249 1s. (240.5; 8.16)

Performances

Mainpiece Title: Hes Much To Blame

Performance Comment: Principal Characters by Lewis, Quick, Pope, Murray, Davenport, Clarke, Thompson, Rees, Blurton, Wilde, Abbot, Curties, Mrs Pope, Miss Betterton, Mrs Gibbs, Mrs Mattocks. [Cast from text (G. G. and J. Robinson. 1798): Sir George Versatile-Lewis; Lord Vibrate-Quick; Mr Delaval-Pope; Doctor Gosterman-Murray; Thompson-Davenport; Williams-Clarke; Master of the Hotel-Thompson; Jenkins-Rees; Waiter-Blurton; Harry-Abbot; Footman-Curties; Maria-Mrs Pope; Lady Jane-Miss Betterton; Lucy-Mrs Gibbs; Lady Jane's Woman-Mrs Norton; Lady Vibrate-Mrs Mattocks; unassigned-Wilde; Prologue-Whitfield; [This was spoken, as here assigned, at the 1st 9 performances only (see17980226).] Epilogue-Quick, Mrs Mattocks. [This was spoken, as here assigned (except on 5 and 7 June), at all subsequent performances.]This was spoken, as here assigned (except on 5 and 7 June), at all subsequent performances.]

Afterpiece Title: Joan of Arc

Cast
Role: Nobles and Officers Actor: Dyke, Lee, Curties
Role: French and English Officers and Choristers Actor: Linton, Street, Gray
Role: Grand Historical Pageant Actor: .

342
28 February 1798 @ Covent Garden

Event Comment: Oratorio: The Words by Milton, and Music by Handel

Performances

Mainpiece Title: Lallegro ed Il Pensieroso 0 Messiah

Performance Comment: As17980223, but In which Sweet Bird-Mme Mara; accompanied on the violin-G. Ashley; Mirth admit me-Reinhold; accompanied-Leander; But O sad virgin-Miss Poole; accompanied-C. Ashley.
Cast
Role: accompanied Actor: Leander
Role: Leader of the Band Actor: G. Ashley.

Afterpiece Title: LAllegro Il Pensieroso 3

Performance Comment: [i.e. oratorio in 2 parts]. Fourth Oboe Concerto-; Oh had I Jubal's Lyre-Miss Poole (Joshua); The Thanksgiving Anthem-I will give thanks unto thee (London Chronicle, 20 Dec. 1797)][, performed by Command of His Majesty, at St. Paul's, on the 19th of December [1797], in Honour of the Victory obtained by Lord Duncan [at Camperdown, 11 Oct. 1797] over the Dutch Fleet; Bravura Agitata-Mme Mara; Genius of England-; Come if you dare-; To arms-; Britons strike home-; Chorus-(Purcell).
Cast
Role: Genius of England Actor:

343
16 March 1798 @ Covent Garden

Performances

Mainpiece Title: Judas Maccabaeus Messiah

Cast
Role: Leader of the Band Actor: G. Ashley.

Music: End I: 1st concerto of Geminiani; Geminiani, Op. 3,-G. Ashley; End II: concerto on the Piano Forte-Dussek

344
28 March 1798 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel Messiah

Cast
Role: Leader of the Band Actor: G. Ashley.

Afterpiece Title: Grand Selection 1

Performance Comment: Occasional Overture-; Wave from Wave-Sale (Israel in Egypt); From Harmony-Chorus (Dryden's Ode); Every day will I give-Incledon (Chandos Anthems); O filial piety-Dorion (Saul).

Afterpiece Title: Grand Selection 2

Performance Comment: Overture-; O the pleasures of the plains-Chorus; Shepherd what-Master Elliot; I rage I melt I burn, O ruddier than the cherry-Reinhold; The flocks shall leave-Miss Poole, Incledon, Reinhold (Acis and Galatea); Grateful Hearts-Miss Dufour (Nabal); Hear Jacob's God-Chorus; O mirror of our fickle state-Miss Celson (Samson); Sweet Bird-Mme Mara; accompanied on the violin-G. Ashley (L'Allegro); My arms against, Sound an alarm-Incledon; We hear-Chorus (Judas Maccabaeus); No cruel father-Incledon (Saul); O had I Jubal's lyre-Miss Poole (Joshua); The many rend the skies-Chorus (Alexander's Feast); Pious orgies-Mme Mara (Judas Maccabaeus); No more to Ammon's God-Chorus (Jephtha).

Afterpiece Title: Grand Selection 3

Performance Comment: Select parts of the Water Music-; Softly sweet-Miss Poole; [accompanied on the violoncello-C. Ashley (Alexander's Feast); I feel I feel, Arm arm ye brave-Reinhold; We come we come-Chorus (Judas Maccabaeus); The Soldier tir'd-Mme Mara (Dr Arne); What's sweeter than the new blown rose-Miss Poole, Master Elliot (Joseph); Oh come, let us worship-Incledon ([Chandos] Anthems); But bright Cecilia-Mme Mara; As from the power-Mme Mara, Chorus; The dead shall live-Chorus (Dryden's Ode); . .

Music: As17980309

345
09 April 1798 @ Covent Garden

Event Comment: 3rd piece [1st time; P 2 (?), by John Cartwright Cross. MS of Songs only: Larpent MS 1203]: Partly New and Partly Selected. The Overture and Music by Reeve. The Scenery partly new & the rest completely repaired by Phillips, Lupino, Hollogan, Blackmore, &c. The Machinery by Cresswell, Sloper, Goostree, Goostree Jun., &c. Receipts: #195 9s. (193.2; 2.7)

Performances

Mainpiece Title: The Raft

Performance Comment: As17980331Principal Characters-Johnstone, Townsend, Waddy, Farley, Simmons, Mrs Gilbert, Mrs Henley, Mrs Martyr. And see17980331 .
Cast
Role: As17980331Principal Characters Actor: Johnstone, Townsend, Waddy, Farley, Simmons, Mrs Gilbert, Mrs Henley, Mrs Martyr. And see17980331 .
Role: Mrs Candour Actor: Mrs Mattocks

Afterpiece Title: The Orphan

Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Grandee Actor: Hawtin
Role: Savoyard Girls Actor: Mlle St.Amand, Mrs Watts
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

Afterpiece Title: Harlequins Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.
Cast
Role: Columbine Actor: Mlle St.Amand
Role: Lapland Witch Actor: Mrs Iliff
Role: The Pantomime commences with a Sea View Actor: the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor
Role: whom they conceive lost at Sea Actor: a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor
Role: for his wishing to re Actor: visit England, had struck him dumb
Role: Laugh or Sleep those living objects it is employed Actor: Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: he has to contend with her Power Actor: the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: The wind blew fresh and fair Actor: Townsend
Role: Rustic rejoicings Actor: Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley
Role: Milk pail change to Milk Actor: maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees
Role: Harlequin and Columbine in jeopardy Actor: make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining
Role: Hither haste the young and gay Actor: Mrs Martyr changes the Scene to The Bower of Constancy
Role: and the Piece concludes with an appropriate Finale Actor: .

346
23 June 1798 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; D 5, by Thomas Holcroft, based on Diego und Leonore, by Johann Christoph Unzer. Prologue and Epilogue by Francis Godolphin Waldron (Thomas Holcroft, Life, ed. Elbridge Colby, 1925, II, 125)]: With new Scenes, Dresses, and Decorations. The Scenery by Marinari. [Johnston was from cg.] Times, 12 July 1798: This Day is published The Inquisitor (2s.)

Performances

Mainpiece Title: The Inquisitor

Performance Comment: Characters by Johnston (1st appearance on this stage), Barrymore, Aickin, C. Kemble, R. Palmer, Trueman, Caulfield, Abbot, Miss Heard, Mrs Harlowe, Miss DeCamp. Cast from text (G. G. and J. Robinson, 1798): Alberto-Johnston; Francisco-Barrymore; The Patriarch-Aickin; Fernando-C. Kemble; Lelio-R. Palmer; Don Manuel-Trueman; Alguazil-Caulfield; Servant-Abbot; Violante-Miss Heard; Licia-Mrs Harlowe; Leonora-Miss DeCamp; Prologue-C. Kemble; Epilogue-Mrs Harlowe.
Cast
Role: Fernando Actor: C. Kemble
Related Works
Related Work: Lupone; or, The Inquisitor Author(s): Alexander Gordon

Afterpiece Title: The Flitch of Bacon

347
21 July 1798 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; MD 3, by James Boaden; some of the songs written by George Colman, ynger]: With new Musick, Scenes, Dresses, and Decorations. The new Musick by Dr Arnold. With an appropriate Overture, accompanied by two Pedal Harps and the Union Pipes, by Weippert, C. Jones, and Murphy. The Scenery by Marinari. The Dresses and Decorations designed by A. Johnston, and executed by him and Mrs Egan. Books of the Songs to be had at the Theatre. "Any exertion of impartial criticism to check the prevalent taste for the marvellous and the horrific which so wantonly conjures up the spirit (it was once thought had been for ever laid) of gross superstition and Gothic barbarism must, we fear, prove at present unavailing" (Times, 23 July). Morning Chronicle, 30 July 1798: This Day is published Cambro-Britons (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Cambro Britons

Performance Comment: Characters by Barrymore, Munden, R. Palmer, Suett, Johnstone, Johnston, Davies, C. Kemble, Trueman, Palmer Jun., Caulfield, Davenport, Wathen, Abbot, Waldron Jun., Lyons, Miss DeCamp, Mrs Gibbs, Mrs Bland. Cast from text (G. G. and J. Robinson, 1798): Llewellyn-Barrymore; Shenkin-Munden; Cadwall-R. Palmer; Gwyn-Suett; O'Turloch-Johnstone; Bard-Johnston; King Edward-Davies; Prince David-C. Kemble; Dynevor-Trueman; Meredith-Palmer Jr; Mortimer-Caulfield; Hereford-Davenport; Door@Keeper-Wathen; Edwin-Abbot; Soldier-Waldron Jr; Latimer-Lyons; Elinor-Miss DeCamp; Lady Griffith's Shade-Mrs Gibbs; Winifred-Mrs Bland; Chorusses of Bards and Peasants-D'Arcy, Linton, Brown, Aylmer, Little, Walker, Willoughby, Dibble, Kenrick, Caulfield Jun., Ms Edward, Ms Menage, Ms Butler, Ms Benson, Ms Hale, Ms Gawdry, Ms Masters, Ms Norton, Ms Leserve.
Cast
Role: Winifred Actor: Mrs Bland
Role: Chorusses of Bards and Peasants Actor: D'Arcy, Linton, Brown, Aylmer, Little, Walker, Willoughby, Dibble, Kenrick, Caulfield Jun., Ms Edward, Ms Menage, Ms Butler, Ms Benson, Ms Hale, Ms Gawdry, Ms Masters, Ms Norton, Ms Leserve.

348
11 October 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Performances

Mainpiece Title: Lovers Vows

Performance Comment: Principal Characters by Pope, Munden, H. Johnston, Knight, Murray, Powel, Thompson, Rees, Curties, Mrs Johnson, Mrs Davenport, Miss Leserve, Mrs H. Johnston. [Cast from text (G. G. and J. Robinson, 1798): Frederick-Pope; Verdun the Butler-Munden; Anhalt-H. Johnston; Count Cassel-Knight; Baron Wildenhaim-Murray; Cottager-Powel [in text: Davenport (see17981022)]; Landlord-Thompson; Farmer-Rees; Countryman-Curties [in text: Dyke]; Agatha Friburg-Mrs Johnson; Cottager's Wife-Mrs Davenport; Country Girl-Miss Leserve; Amelia Wildenhaim-Mrs H. Johnston; Prologue-Murray; [This was spoken, as here assigned, at the 1st 9 performances only (see17981029).] Epilogue-Munden. [This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]
Cast
Role: Landlord Actor: Thompson
Related Works
Related Work: Das King der Liebe Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: A Day at Rome

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, Townsend, Rees, Linton, Gray, Street, Abbot, Blurton, Platt, Dyke, Whitmore, Lee, Mrs Davenport, Miss Wheatley, Miss Leserve, Mrs Follett, Mrs Blurton, Mrs Watts, Mrs Martyr. Cast from text (H. D. Symonds and G. Cawthorn, 1798): Rivers-Incledon; Sir Timothy Hopkins-Munden; Pisani-Fawcett; MacRusty-Townsend; Gioachino-Abbot; Lady Hopkins-Mrs Davenport; Juliana-Miss Wheatley; Mrs Blarney-Mrs Martyr; unAssigned-Rees, Linton, Gray, Street, Blurton, Platt, Dyke, Whitmore, Lee, Miss Leserve, Mrs Follett, Mrs Blurton, Mrs Watts.

349
01 March 1799 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Music From The Works Of handel boyce arne And purcell

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Samson)-; Come, come, all noble souls-Incledon, Page, Sale (Rogers); Tune your harps-Mrs Atkins; Every day will I give thanks-Incledon (Chandos Anthems); The Mighty power-Chorus; Rejoice O Judah-Sale (Athalia); Let the bright Seraphim-Mme Mara; Let their celestial concerts-Chorus (Samson).

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Concerto, opera quarto (Avison)-; Come ever smiling liberty-Miss Capper; The Lord worketh wonders-Bartleman (Judas Maccabaeus); The many rend the skies-Chorus (Alexander's Feast); Return, O God of hosts-Miss Waters (Samson); Sweet bird-Mme Mara; accompanied on the violin-G. Ashley (L'Allegro); May no rash intruder-Chorus (Solomon); Scene from Joshua: The Falling of the Walls of Jericho-; 'Tis well, six times-Incledon; Glory to God-Incledon; Grand March-; The strong cemented walls-Chorus.
Cast
Role: Grand March Actor:

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

350
16 March 1799 @ Covent Garden

Event Comment: Benefit for Lewis. 1st piece [1st time; C 3, by Thomas John Dibdin. Prologue and Epilogue by the author (London Chronicle, 18 Mar.)]. Morning Chronicle, 12 Apr. 1799: This Day is published Five Thousand a Year (price not listed). Ibid, 8 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #542 0s. 6d. (383.9.0; 2.19.0; tickets: 155.12.6)

Performances

Mainpiece Title: Five Thousand A Year

Performance Comment: [Principal Characters by Lewis, Pope, Munden, H. Johnston, Murray, Farley, Waddy, Simmons, Rees, Abbot, Miss Betterton, Mrs Pope, Miss Murray (1st appearance this season]), Mrs Mattocks. [Cast from text (G. G. and J. Robinson [1799]: George Fervid-Lewis; Frederick Fervid-Pope; Sir Matthew Maxim-Munden; Henry Hastings-H. Johnston; Mr Goulding-Murray; Paragraph-Farley; Truepenny-Waddy; Dick-Simmons; Officer-Rees; Servants to Sir Matthew-Abbot, Wilde; Servant to Frederick-Curties; Boy-Master Webb; Maria-Miss Betterton; Lady Julia-Mrs Pope; Aurelia-Miss Murray [in text: Mrs H. Johnston (see17990325; Lady Maxim-Mrs Mattocks; Prologue (partly Musical)-Munden; Epilogue-Mrs Mattocks.

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Townsend, Emery, Simmons, Gray, Rees, Mrs Martyr, Mrs Mills; [Cast adjusted from playbill of 2 Oct. 1797: Capt. Frederick-Johnstone; Thicket-Incledon; Clueline-Townsend; Sir Fidget Fearful-Emery; Gregory-Simmons; Flambeau-Gray; Whim-Rees; Peggy-Mrs Martyr; Sophia-Mrs Mills.] With Dialogue to introduce the following favorite Songs: The Lamplighter, I'm jolly Dick the Lamplighter-Gray; [Peggy Perkins, Let Bards elate-Simmons; [Irish Drinking Song, Of the ancients its speaking-Johnstone; [Song, I went to Sea-Townsend; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; The moment Aurora-Incledon; Dear Mary adieu-Incledon; The Midnight Watch-Incledon; [To conclude with a Rural Masquerade-; [in which a new song, by Mazzinghi; Poor Orra come from distant shore-Miss Waters; [Sea Song, A sailor's life's a life of woe-Mrs Mills; [The Masquerade, Sure an't the World a Masquerade-Johnstone, Chorus.

Afterpiece Title: Catherine and Petruchio

Dance: In 2nd piece: Ballet-Blurton, Mrs Watts

Song: End 1st piece: Black Ey'd Susan-Incledon