SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G Lee"/1) | (@(roleclean,performerclean) "G Lee")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1004 matches on Performance Comments, 662 matches on Author, 451 matches on Event Comments, 68 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Chrononhotonthologos

Dance: Salomon, Sga Padouana

Performances

Mainpiece Title: The Committee

Afterpiece Title: Phebe

Dance: The English Boy, English Girl

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Foundling

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Dance: Cooke, Anne Auretti

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Double Disappointment

Dance: III: Tambourine-Anne Auretti; V: Dutch Dance, as17471128

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Myrtle Actor: Lee

Afterpiece Title: Lethe

Event Comment: [P$Potter reprinted his letter of 18 Jan., and added the footnote: "The person who took the House was a man of genteel appearance, said his name was William Nicholls, and directed letters to be left for him at the Bedford Coffee House, Covent Garden."] [The Prologue and Epilogue spoken by the children of the Prince of Wales on their performing Cato at Leicester House, printed in the General Advertiser.] [This day published] A Letter to Mr G-k, relative to his treble Capacity of Manager, Actor, and Author; with some remarks upon Lethe. All Three! All three! Gay. Sold by W. Reeve in Fleet St.; and A. Dodd, at the Peacock opposite St. Clements Church in the Strand (General Advertiser). [This day published] Lethe, A Dramatick Satire, by David Garrick as it is perform'd at Drury Lane. Printed for P. Vaillant, facing Southampton Street in the Strand. Receipts: #140 (Cross); #144 17s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Virgin Unmask'd

Music: I: By Desire, a piece of Music-the Child

Dance: II: Savoyards, as17480920; V: New Scotch Dance, as17490118

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Paris Actor: Lee

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Chaplet

Dance: SSwedish Gardeners-Master Maltere, Miss Anne Foulcade; The Wooden Shoe Dance-Master Maltere, Miss Foulcade their 1st appearance any stage (General Advertiser)

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Afterpiece Title: The Anatomist

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Lying Valet

Dance: Devisse, Mad Auretti, Little Swiss

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Anatomist

Dance: I: Comic Dance, as17501231; III: Hornpipe-Master Shawford

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Don Quixote

Dance: I: A Hornpipe-the Little Swiss; II: A Comic Dance-Harvey, Miss Shawford; III: A Dance-Sg Piettro, Mad Janeton Auretti; IV: A Scotch Dance-Harvey, Miss Shawford; V: The Minuet, Louvre-Harvey, Mrs Addison

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Country Wife

Related Works
Related Work: The Country Wife Author(s): John Lee

Afterpiece Title: Bayes in Petticoats

Song: II: Beard

Dance: III: A Hornpipe-Morris, the Little Swiss; End of Farce: Scots Dance- (see17530501)

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Lethe

Performances

Mainpiece Title: The Fairies

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Old Maid

Dance: As17610702