Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G Jones"/1) | (@(roleclean,performerclean) "G Jones")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
1724 results for: Keyword - G. Jones
We found 1076 matches on Performance Comments, 357 matches on Event Comments, 251 matches on Performance Title, 176 matches on Author, and 0 matches on Roles/Actors.

1676
03 September 1771 @ Grotto Gardens, St. George's Fields

Performances

Mainpiece Title: The Gamester

Entertainment: Overture-; Favourite Hunting Song-Barnshaw; A favourite Scot's air-Miss Dowson; An Overture-Abel; O What a Charming Thing's a Battle-Barnshaw; Sweet Echo-Mas. Lyon; Act II: Soldier Tir'd-Miss Dowson; New Song-Barnshaw; Overture in Otho-; Water Parted from the Sea-Mas. Lyon; Trumpet Concerto-Mas. Green (pupil of Jones); British Wives-A. Smith; Concerto on Violin-Smart. After which will be displayed a grand Transparent Painting 40 feet wide and 30 feet high

Performance Comment: Lyon; Act II: Soldier Tir'd-Miss Dowson; New Song-Barnshaw; Overture in Otho-; Water Parted from the Sea-Mas. Lyon; Trumpet Concerto-Mas. Green (pupil of Jones); British Wives-A. Smith; Concerto on Violin-Smart. After which will be displayed a grand Transparent Painting 40 feet wide and 30 feet high.

1677
09 September 1771 @ Grotto Gardens, St. George's Fields

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Linco's Travels-Barnshaw

Entertainment: I: Overture in Artaxerxes-; Favourite Cantata from Anacreon (set by Sterling Goodwin)-A. Smith; Favourite Scots air-Miss Dowson (words and Music by A. Smith); Overture-Abel; New Hunting Song (set by Brewster)-Barnshaw; II: Soldier Tir'd-Miss Dowson; Songs-the Italian Young Gentleman; Trumpet Concerto-Mas. Green (pupil to Jones); What a Charming Thing's a Battle (from the Recruiting Sergeant)-Barnshaw

Performance Comment: Smith; Favourite Scots air-Miss Dowson (words and Music by A. Smith); Overture-Abel; New Hunting Song (set by Brewster)-Barnshaw; II: Soldier Tir'd-Miss Dowson; Songs-the Italian Young Gentleman; Trumpet Concerto-Mas. Green (pupil to Jones); What a Charming Thing's a Battle (from the Recruiting Sergeant)-Barnshaw.

1678
06 January 1772 @ Drury Lane Theatre

Event Comment: Paid Mr Bibb (sword cutler) #27 3s.; Mr Hatsell (mercer) #50 17s. 6d.; Mr Stafford (glassman) #3 17s. 6d.; Mr Jones (worsted laceman) #19 14s. 6d.; Mr Branson (painter) #3 17s. 6d.; Mr Cropley (linendraper) #25 8s. 6d.; Mr Chettell (timber merchant) #116 5s. 6d.; Barrow & Co (oil merchants) #76 10s.; Mrs Vaughan (haberdasher) #21 5s.; Mrs Babel for papier machee #10 5s.; Mr R. Johnston, for carving &c. #82 13s.; Mr Palmer for spermecetti candles #126 2s. Receipts: #162 8s. 6d. (Treasruer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches

1679
29 May 1772 @ Covent Garden

Event Comment: Benefit for Mrs Hartle, Francis, Walters, Mas. Blurton, Symonds. Tickets deliver'd for the Inconstant will be taken. Tickets deliver'd by Longley, Mas. Jones, Singleton, Shuter, Norbury, Roberts, Frenzdorf, Miller, Stephenson, Read, Robson, Walker, Clarridge, Perry Sr; and Bassan will be taken. [Hours received half value of tickets plus the ready receipt money.] @Tickets Box Pit Gallery Value Half Value@Mrs Hartle 5 31 43 #10 4s. #5 2s.@Francis 2 26 25 #6 18s. #3 9s.@Patterson 5 79 71 #20 4s. #10 2s.@Blurton - 15 28 #5 1s. #2 10s. 6d.@Symonds 19 45 42 #15 14s. #7 17s.@Longley 18 112 53 #26 12s. #13 6s.@Jones - 2 11 #1 8s. 14s.@Singleton - 8 14 #2 12s. #1 6s.@Shuter - 52 8 #8 12s. #5 14s. 6d.@Norbury 9 26 53 #11 9s. #5 14s. 6d.@Roberts 9 125 59 #26 18s. #13 9s.@Frensdorf - 42 31 #9 8s. #4 14s.@Miller 5 62 56 #16 3s. #8 1s. 6d.@Stephenson 16 61 52 #18 7s. #9 3s. 6d.@Read - 15 45 #6 15s. #3 7s. 6d.@Robson 3 101 32 #19 2s. #9 11s.@Walker - 17 68 #9 7s. #4 13s. 6d.@Claridge 5 36 35 #10 3s. #5 1s. 6d.@Perry 3 30 81 #13 7s. #6 13s. 6d.@Bassan 1 12 21 #4 3s. #2 1s. 6d.@Total 100 897 828 #242 7s. #121 3s. 6d.@ Paid Lee for a quantity of velvet #21 (Account Book). Receipts: #12 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser; or, Wagner and Abericock Author(s): Richard Jones

Afterpiece Title: The Devil to Pay

Dance: III: Hornpipe-Mas. Blurton; End: The Provenzale-Mas. Blurton, Miss Besford [see17700928]

1680
02 December 1773 @ Drury Lane Theatre

Event Comment: Mainpiece: By Desire. Paid Mr Lawrence (paper hanger) #19 6s.; Messrs Barrow andCo. (oil merchants) 3 bills, #128 10s.; Mr Jones (worsted laseman) #18 17s. 6d.; Chorus 2 nights (this incl.) #3 16s. Receipts: #241 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Deserter

1681
14 January 1774 @ Covent Garden

Event Comment: Gave King's Footmen by Heron #2 2s., and Chairmen by Jupp, #2 2s.; Queen's Footmen by Burton 2s., and chairmen by Jones #2 2s.; Duke of Gloucester's footmen by Scalkavy #2 2s., and Duke of Cumberland's by Malme 2s. (Account Book). Receipts: #135 18s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Englishman in Paris

Dance: End: A Dance, as17731014

1682
22 February 1774 @ Drury Lane Theatre

Event Comment: Benefit 1st night for Author [Alexander Dow]; Rec'd Mr Condell's 2nd payment for Fruit Office #20; Paid Mr Dorman for Coals #43 15s.; Mr Jones (worsted laceman) #15 12s. 6d.; Messrs Barrow & Co., for Oil #50 12s.; Mr Gardner (shoemaker) #30 17s. 6d.; Mr Powney (stationer) #10; Mr Bib (sword cutler) #11 7s.; Mr Hatsell (mercer) #45 11s.; Mr Dobson (pipe-maker) #5 13s.; Mr Blakes, (hatter) #8 4s. 6d.; Mr J. French on acct #5 5s. (Treasurer's Book). Receipts: #187 18s. 6d. Charges #73 10s. Profit to author #114 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: High Life below Stairs

1683
25 March 1774 @ Haymarket Theatre

Performances

Mainpiece Title: Omnipotence

Song: As17740225

Music: After the Song: New Concerto (Barthelemon) for two Trumpets-Serjeant Jr, Mas. Green (Scholars of Jones); After Part II: Concerto for Two Violins, as17740323

Performance Comment: Green (Scholars of Jones); After Part II: Concerto for Two Violins, as17740323.

1684
16 May 1774 @ Haymarket Theatre

Performances

Mainpiece Title: The Bankrupt

Performance Comment: Parts-Foote, Kennedy Jun. (from Dublin, first time here), Fearon, Aickin, Davis, Jacobs, Bannister, Lloyd, Jones, Courtney, Everard, Johnson, Weston, Mrs Williams, Miss Ambrose, Miss Platt, Mrs Jewell; Prologue-Foote.

Afterpiece Title: The Mock Doctor

Dance: End: Giorgi's scholars

1685
30 May 1774 @ Haymarket Theatre

Performances

Mainpiece Title: The Nabob

Performance Comment: Parts-Foote, Weston, Wilson, first time (from Edinburgh), Kennedy, Follett, Griffith, Owenson, Fearon, Davis, Jacobs, Jones, Castle, Lloyd, Courtney, Mrs Williams, Miss Ambrose, Mrs Palmer, Mrs Gardner.

Afterpiece Title: The Padlock

Dance: As17740516

1686
04 May 1775 @ Covent Garden

Event Comment: Tickets deliver'd by Mrs Lampe, Mrs Jones, Mrs Morris, Miss Cranfield and Mr Hollingsworth will be admitted. Doors opened at half past 5. To begin at half past 6

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Apprentice

Dance: I: A Hornpipe-Miss Cranfield; II: The Pilgrim, as17750503

1687
17 July 1775 @ Haymarket Theatre

Performances

Mainpiece Title: The Nabob

Performance Comment: As17750522, but Parts-Jones, _Egan.
Cast
Role: Parts Actor: Jones, _Egan.

Afterpiece Title: The Waterman

Dance: The Merry Lasses-

1688
31 July 1775 @ Haymarket Theatre

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; Aickin, Whitefiled, Fearon, Lane, Brett, L'Estrange, Wilson, Jacobs, Jones, Lloyd, Everard, Castevens, Walters, Pierce, Chaplin, Francis, Weston, Miss Ambrose, Miss Platt, Mrs Weston, Miss Francis; with a Reinforcement of Bayes's new-Raised troops-.

Afterpiece Title: Thomasand Sally

Dance: The Medley-

1689
26 January 1776 @ Drury Lane Theatre

Event Comment: Rec'd Stopages #11 16s. Paid Bibb (sword cutler) #6 19s. 6d.; Marshall and Co (plumbers) #69 11s.; Waller and Co. (hosiers) #18 14s. 6d.; Scott (copperlaceman) #66 14s.; Barrow and Co. Oil Bill #46 16s. 6d.; Chettle (timber) #16 17s. 6d.; Hatsell (mercer) #79 8s.; Stacey (colorman) #33 3s.; Powney (stationer) #3 9s. 6d.; Jones (worsted lace) #8 12s. 6d.; Pryer (turner) #4 18s. Receipts: #243 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Discovery

Afterpiece Title: The Author

Dance: Martini, Sga Paccini. [Title unspecified on playbill.

1690
15 March 1776 @ Covent Garden

Event Comment: [Identical program except a Solo on the Pedal Harp in place of Concerto on German Flute. Mr Jones was the harpist.] This program By Particular Desire

Performances

Mainpiece Title: Concerto Spirituale

1691
29 April 1776 @ Covent Garden

Event Comment: Mainpiece: Acted but once this season. Tickets deliver'd by Branson, Cushing, Thompson, Wewitzer, Jones, will be taken this night. Books of the Masque to be had at the theatre. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Syrens

1692
09 May 1777 @ Covent Garden

Event Comment: Tickets delivered by Rudd, Ledger, Stevens, Mountford, Mrs Heard, Mrs Morris and Miss Bassan [Account-Book adds: Thompson, Jones, Bates] will be taken this Evening. Miss Brown being ill, Lionel and Clarissa [announced on playbill of 8 May] is obliged to be set aside. Receipts: #158 1s. (40.4; 1.9; tickets: -116.8)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Cross Purposes

Dance: End II: Minuet de la Cour and Allemande-Rudd, Miss Ross; End: Double Hornpipe-Rudd, Miss Bassan

1693
14 May 1778 @ Covent Garden

Event Comment: [Afterpiece in place of The Dutiful Deception, announced on playbill of 13 May.] Tickets delivered by Thompson, Cushing, Jones, Bates, Miss Green, Mrs Sharp and the Widow Emery [Account-Book adds Whittington] will be admitted this Evening. Receipts: #184 19s. (127.7; 1.13; tickets: 55.19)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece: As17771229; In: Hornpipe, as17771017

1694
23 April 1779 @ Covent Garden

Event Comment: Tickets delivered by Delpini, Fox, Jones, Bates, Stevens will be received

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Medley

Dance: End IV: Hornpipe-Delpini

1695
18 October 1779 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Davis. 1st piece: Altered from [The Soldier's Fortune, by] Otway, by John Brownsmith. [not in Larpent MS; not published.] 2nd piece: A Poetical Interlude altered from Prior's Nut-brown Maid. 3rd piece: Altered to 3 acts. [Prologue by Shatford Jones. Author of Epilogue unknown. For authorship of 1st piece and prologue see Morning Chronicle, 25 Oct.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for Davis and Wright will be admitted

Performances

Mainpiece Title: The Touchstone Of Invention; Or, The Soldier's Fortune

Afterpiece Title: Henry And Emma

Afterpiece Title: The Busy Body

Dance: 2nd piece: With a Hornpipe-Lonsdale

Song: End I: two part song, Damon and Clora-Leach, Miss Mitchell (1st appearance); End III: My sweet pretty Mogg-Wright

1696
21 December 1779 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth, With The Humours Of Sir John Falstaff

Performance Comment: As17791124, but Prince of Wales-Bannister Jun. (of dl); Carriers-_Wewitzer, Jones.
Cast
Role: Carriers Actor: _Wewitzer, Jones.

Afterpiece Title: The Invasion

Dance: End II: The Dockyard, as17791204

1697
03 February 1780 @ Covent Garden

Performances

Mainpiece Title: The Widow Of Delphi

Afterpiece Title: The Deaf Lover

Performance Comment: As17800202, but Jones.

1698
17 May 1780 @ Covent Garden

Event Comment: Tickets delivered by Messink, Cushing, Wewitzer, Jones, Brunsdon, Smith, Ledger, Guard and Miss Green will be admitted. Receipts: #191 9s. 6d. (30.4.0; 2.7.6; tickets: 158.18.0)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Norwood Gypsies

Dance: Dancing, as17800510

1699
18 May 1780 @ Covent Garden

Event Comment: Tickets delivered by Dagueville, Simpkinson, the widow of the late Jones, and the Performers in the Orchestra will be admitted. Receipts: #182 15s. (34.15; 1.3; tickets: 146.17)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deaf Lover

Dance: End II: The Embarkment for Cythera- (see17791022); with a new Minuet-Master and Miss Dagueville, Master Holland, Miss Armstrong; End IV: Cupid Recruiting- (see17800417); in which The Prince of Wales's New Minuet (composed by Dagueville)-Master Dagueville, Miss Simonet (of the Opera-House);

Ballet: End: The Humours of New-Market. As17800508, but Jockies-Master Holland, _Holloway, _Holland

1700
03 May 1781 @ Covent Garden

Event Comment: Tickets delivered (for Thursday April 26) by Messink, Cubitt, Jones, Ledger, Newton, Painter, Mrs Davenett, Mrs Sharpe will be admitted this evening. Receipts: #213 (72.16; 3.9; tickets: 136.15)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequin Free-Mason

Accessibility Report a Concern Careers Privacy Policy About Find People
© University of Oregon. All Rights Reserved.

UO prohibits discrimination on the basis of race, color, sex, national or ethnic origin, age, religion, marital status, disability, veteran status, sexual orientation, gender identity, and gender expression in all programs, activities and employment practices as required by Title IX, other applicable laws, and policies. Retaliation is prohibited by UO policy. Questions may be referred to the Title IX Coordinator, Office of Affirmative Action and Equal Opportunity, or to the Office for Civil Rights. Contact information, related policies, and complaint procedures are listed on the statement of non-discrimination.