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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "G Jones"/1) | (@(roleclean,performerclean) "G Jones")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1724 results for: Keyword - G. Jones
We found 1076 matches on Performance Comments, 357 matches on Event Comments, 251 matches on Performance Title, 176 matches on Author, and 0 matches on Roles/Actors.

1601
12 February 1796 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

1602
17 February 1796 @ Covent Garden

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso; Grand Selection 0

Afterpiece Title: L'Allegro ed Il Pensieroso 3; Alexander's Feast 3

Music: End Part II: concerto on the harp-Mme Delaval

1603
10 December 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Shipwreck

1604
03 March 1797 @ Covent Garden

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

1605
08 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Last Of The Family

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Children in the Wood

Song: In I: The Song [Blest were the hours], Song incidental to the Epilogue-Mrs Jordan

1606
09 May 1797 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: British Fortitude; or, An Escape from France

Afterpiece Title: The Honest Thieves; or, The Faithful Irishman

Song: In course 2nd piece: I was call'd knowing Joey-Munden; At dawn of Life our Vows were plighted-Mrs Mountain; The Storm-Incledon; The turban'd Turk who scorns the World-; Hospitality; or, The Land of Potatoes-Johnstone; End 2nd piece: Old Towler-Incledon

1607
16 September 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Peeping Tom

Cast
Role: Bianca Actor: Mrs Jones

Song: End II: The Nightingale-Mrs Atkins; End: The Flowing can-Mrs Harlowe; End 2nd piece: Sweet Echo, as17970904

1608
23 March 1798 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: Bach's Bach's favourite concertante for flute oboe violin and violoncello-Monzani, W. Parke, G. and C. Ashley

1609
21 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Escape

Afterpiece Title: The Shipwreck

1610
23 May 1798 @ Covent Garden

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Reformed in Time

Afterpiece Title: The Honest Thieves

Song: In course: Old Towler, Black Ey'd Susan-Incledon

Monologue: Monologue. End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student

1611
30 April 1799 @ Covent Garden

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

1612
07 October 1799 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Naval Pillar

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

1613
02 December 1674 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: K: & Q:. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406. BM Add. Mss. 27, 962v, f. 312 (a transcript of a newsletter by Salvetti), 14 Dec. 1674 (translation): On last Wednesday all the royal family were present at the theatre to hear the tragedy of Hamlet, which, for their greater entertainment, was adorned and embellished with very curious dances between the acts. [I am indebted to Professor George Hilton Jones, Kansas State University, for this item.

Performances

Mainpiece Title: Hamlet

1614
14 December 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. Lord Ashburnham's Diary: I waited on my Mother home and afterwards I went into the play (the Maiden Queen) There was a great deale of company, I came home before 8 at night, I am now not charm'd with Playes &c. (Ashburnham MS 932, East Sussex County Record Office, County Hall, Lewes, Sussex; I owe this entry and the subsequent ones from this MS to the kindness of Professor George Hilton Jones, Kansas State University). This is an unusual example of the revival of a play at the public theatre the day before its presentation at court

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

1615
30 May 1717 @ Drury Lane Theatre

Event Comment: Benefit Jones and Diggs

Performances

Mainpiece Title: The Rover

Song: As17170102; particularly Genius of England-Turner

Dance: As17161204

1616
29 May 1718 @ Drury Lane Theatre

Event Comment: Benefit Jones

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Hob

Dance: Shaw, Topham, Mrs Younger, Miss Lindar

1617
27 May 1719 @ Drury Lane Theatre

Event Comment: Benefit Jones, Numberer

Performances

Mainpiece Title: Love For Love

Dance: Dancing, as17190521, but Mrs _Santlow, Mrs Bicknell

1618
19 May 1720 @ Drury Lane Theatre

Event Comment: Benefit Cross and Jones. Tickets for The Rehearsal taken

Performances

Mainpiece Title: King Richard The Third

Dance: Shaw, Thurmond Jr, Boval, Mrs Bicknell, Miss Tenoe, Miss Smith

1619
06 June 1721 @ Lincoln's Inn Fields

Event Comment: Benefit Shaftoe, Jones, and Maine, Gallery Keepers. Receipts: money #5 6s. 6d.; tickets #102 13s

Performances

Mainpiece Title: The Busie Body

Dance: As17201214

1620
28 May 1722 @ Lincoln's Inn Fields

Event Comment: Benefit Jones, Maine, Tillman. Gallery Keepers. Written by Shakespear. Receipts: money #6 16s; tickets #76 5s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Dance:

1621
06 June 1723 @ Lincoln's Inn Fields

Event Comment: Benefit Jones, Tillman, Tyefer. Receipts: money #9 13s. 6d.; tickets #72 18s

Performances

Mainpiece Title: The Island Princess

Dance:

1622
12 August 1723 @ Drury Lane Theatre

Event Comment: Mainpiece: [By Mrs Eliza Haywood.] By Reason of the Indisposition of an Actress, the Part of the Wife is to be perform'd by Mrs Haywood, the Author. Afterpiece (Daily Post, 10 Aug.): A new Dramatic Entertainment...design'd by Mr Theo. Cibber, with new Music compos'd and adapt'd by Mr Jones, which proper Judges allow to be the best of the kind now extant

Performances

Mainpiece Title: A Wife To Be Let

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): Richard Jones

1623
26 May 1724 @ Lincoln's Inn Fields

Event Comment: Benefit Jones, Tillman, and Teyfer, Gallery Doorkeepers. Receipts: money #21 17s. 6d.; tickets #84 19s

Performances

Mainpiece Title: The London Cuckolds

Dance: Louvre-Mrs Wall; Entry-Glover; Peasant-Lanyon, Mrs Ogden

1624
12 May 1725 @ Drury Lane Theatre

Event Comment: Benefit Wilks, Office Keeper, and Jones

Performances

Mainpiece Title: Love Makes A Man

Music: Select Pieces-

Song: As17250508

Dance: new Passacaile-Miss Robinson; A new Comic Dance-Miss Robinson, Young Rainton

1625
25 May 1725 @ Lincoln's Inn Fields

Event Comment: Benefit Jones, Tillman, Teyfey (Gallery Doorkeepers). Written by Shakespear. Receipts: money #13 3s. 6d.; tickets #101 2s

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Dance: CChacone-Mrs Bullock; Dutch Burgomaster-Newhouse, Mrs Ogden