SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "G F Theatricus"/1) | (@(roleclean,performerclean) "G F Theatricus")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 459 matches on Author, 376 matches on Event Comments, 304 matches on Performance Comments, 64 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Music: III: Concerto on the French Horn by Charles

Dance: II: La Follette s'est Ravisee by F. Tench and Mrs Woodward. V: Scot's Dance by Mrs Bullock

Song: I and IV: By Miss Jones

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Dance: La Folette c'est Ravisez by F. Tench and Mrs Woodward. Scot's Dance by Mrs Bullock

Song: In Italian and English by Mrs Chambers, who never appeared on this stage before

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: The Lottery

Dance: As17341202 IV: La Follette S'cest Ravisee by F. Tench and Mrs Woodward

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: The Lottery

Dance: IV: La Folette s'cest Ravizee by F. Tench and Mrs Woodward. New Scot's Dance, as17341202

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Lottery

Dance: La Follette s'cest Ravisee by F. Tench and Mrs Woodward. Pastoral by Vallois and Mrs Bullock. Scots Dance, as17341202

Performances

Mainpiece Title: Solimano

Dance: Signora Forti, Signora Bonomi, Grimaldi, Signora Lescot

Performances

Mainpiece Title: Love The Leveller Or The Pretty Purchase

Performances

Mainpiece Title: Clotilda

Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Jack Of Newbury

Afterpiece Title: The Triumph of Hymen

Afterpiece Title: Tit for Tat

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Rival Knights

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Cross Purposes

Dance: End of Act I of mainpiece The Belle of tbe Village by Harris and Miss Matthews

Performances

Mainpiece Title: Transformation Or The Manager An Actor In Spite Of Himself

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Invisible Mistress

Entertainment: Monologue. End 2nd piece: A Touch of the Times; or, A Ramble through London-Bannister Jun

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Key to the Lock

Performances

Mainpiece Title: At Kings The Haunted Tower

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: British Fortitude or An Escape from France

Afterpiece Title: The Honest Thieves or The Faithful Irishman

Song: In course 2nd piece: I was call'd knowing Joey-Munden; At dawn of Life our Vows were plighted-Mrs Mountain; The Storm-Incledon; The turban'd Turk who scorns the World-; Hospitality; or, The Land of Potatoes-Johnstone; End 2nd piece: Old Towler-Incledon

Performances

Mainpiece Title: Il Cid

Dance: End of Opera: A Grand Serious Ballet, with a Pas de deux, and a+Grand Chaconne-Mlle Heinel, Fierville, etc

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: Othello

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as 18 Sept

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: May Day

Performances

Mainpiece Title: Artaserse

Dance: End I: new Ballet, Les Oiseleurs-Sg Zuchelli, Sga Zuchelli, Mlle Vidini, LeDet; End II: Les Moissonneurs, as17781229; End: Les Nymphes de Diane, as17781124