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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "French Laurence"/1) | (@(roleclean,performerclean) "French Laurence")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1310 results for: Keyword - French Laurence
We found 575 matches on Performance Title, 453 matches on Event Comments, 343 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

576
26 February 1773 @ Covent Garden

Performances

Mainpiece Title: Judith

Music: I: Solo on Violin-Barthelemon; II: Concerto on French Horn-Sg Spandau

577
03 March 1773 @ Covent Garden

Performances

Mainpiece Title: The Messiah Judith

Music: I: Concerto on French Horn-Spandau; II: Concerto on Organ-Arne

578
05 March 1773 @ Covent Garden

Performances

Mainpiece Title: The Messiah Judith

Music: I: Concerto on French Horn-Spandau; II: Violin solo-Barthelemon

579
18 March 1773 @ King's Theatre

Performances

Mainpiece Title: Artaxerxes

Song: In the Above Opera, four new airs-Sga Girelli; one of which, at the end of Act II, will be accompanied on the French Horn-the celebrated M Spandau

Dance: I: Grand Serious Ballet-; in which the favourite Entree of last season-Mlle Heinel; II: A Grand Ballet, with a new Pas de Cinq-Slingsby, Mlle Grenier, Sga Crispi, Leppy, Mlle Lafond; End Opera: A Grand Ballet, New Grand Chacone-Mlle Heinel, Fierville

580
26 March 1773 @ Covent Garden

Performances

Mainpiece Title: The Death Of Abel Judith

Music: I: Concerto on French Horn-Spandau; II: Violin Concerto-Barthelemon

581
29 July 1773 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Il Dilletante

Music: Musical imitations of the French, Italian, and German Style of singing will be introduc'd-Reinhold

582
28 February 1776 @ Covent Garden

Performances

Mainpiece Title: Omnipotence Judas Maccabaeus

Music: End Part First: A New Concerto on 3 Chromatic French Horns-(being their first performance); After Part Second: a Concerto on the Violin-Lamotte

583
01 March 1776 @ Covent Garden

Performances

Mainpiece Title: The Messiah Judas Maccabaeus

Music: First Violin, as17760223; End Part I: Concerto on 3 Chromatic French Horns, as17760223; End Part II: Violin Concerto-Lamotte

584
08 March 1776 @ Covent Garden

Performances

Mainpiece Title: Samson Judas Maccabaeus

Music: End I: Concerto on 3 Chromatic French Horns, as17760228; End II: Concerto on Violin-Lamotte

585
27 April 1778 @ Covent Garden

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Little French Lawyer

Dance: End monologue: The Poney Races, as17780421

Entertainment: Monologue. End: Cunning Isaac will relate his Escape from the Duenna [with a new song]-Quick

586
08 May 1783 @ King's Theatre

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

587
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

588
27 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Eliza

Music: End of Act I a new concerto obligato for two French Horns (composed by Barthelemon) by the two young Leanders, and a concerto on the piano forte by Miss Barthelemon, accompanied on the viola d'amore by Barthelemon; After the singing a concerto on the violin, as17840303athi

Song: End of Act II a favourite Italian duetto (composed by Gazzaniga) by Mrs and Miss Bathelemon

589
30 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

590
18 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Drydens Ode

Music: End of Part I of oratorio concerto on the French harp by Cardon, late Musician to the Queen of France

591
14 April 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

592
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

593
07 March 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Prodigal Son Redemption 0

Music: End II: concerto on French Horn-Ponto

594
02 October 1793 @ Covent Garden

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Harlequins Chaplet

Entertainment: Afterpiece: [To conclude with Three Entire New Scenes, representing the Town and Harbour of Toulon; with a View of the Manoeuvring of the British, Spanish, and French Fleets, after the Surrender of the Town and Fortifications to the English] on the Twenty-ninth of August [1793]. In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips

595
16 June 1795 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Afterpiece Title: Semiramide Act II only

Dance: End 1st piece: L'Amant Retrouve, as17950124; End 2nd piece: L'Odio vinto dall' Eroismo, as17950613

Music: End I 2nd piece: Preserving the favourite trio-; and with an additional new song here for the occasion by Bianchi-Mme Banti; accompanied by the English horn-Ferlendis; violoncello-Lindley; French Horns-the Leanders; bassoon obligato-Holmes

596
09 May 1798 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Forecastle Fun

Afterpiece Title: The Honest Thieves

Cast
Role: French and English Officers and Choristers Actor: Linton, Street, Gray

Song: In I 1st piece: Duet, as17980418; In course Evening: Black Ey'd Susan, Admiral Benbow, Old Towler-Incledon; Four and Twenty Fidlers-Munden; a new Song, Yard Arm & Yard Arm (Being a description of the memorable Engagement between the French Ship L'Hercule and the British Ship the Mars [off the Bec du Raz, 21 Apr. 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus

597
20 August 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .
Cast
Role: Earl of Bedford Actor: Laurence
Role: Algernon Sidney Actor: another Laurence

598
August 1676 @ Dorset Garden Theatre

Performances

Mainpiece Title: Tom Essence Or The Modish Wife

Performance Comment: Edition of 1677: Prologue-; Old Monylove-Percival; Courtly-Crosby; Loveall-Norris; Stanly-Gillow; Tom Essence-Lee; Laurence-Richards; Mrs Monylove-Mrs Hughes; Theodocia-Mrs Barry; Luce-Mrs Osburn; Mrs Essence-Mrs Gibbs; Betty-Mrs Napper; Epilogue-Mrs Gibbs.
Cast
Role: Laurence Actor: Richards

599
08 March 1708 @ Drury Lane Theatre

Performances

Mainpiece Title: The Marriage Hater Matchd

Performance Comment: Solon-Dogget; Sir Philip-Wilks; Sir Laurence-Johnson; Captain Darewell-Mills; Bias-Bullock; Lord Brainless-Pack; Callow-Bowen; Van Grin-Penkethman; Lady Subtle-Mrs Knight; Lady Bumfiddle-Mrs Powell; Berenice-Mrs Bradshaw; Mrs La Pupsey-Mrs Moor; Lovewell-Mrs Rogers.
Cast
Role: Sir Laurence Actor: Johnson

600
30 April 1709 @ Drury Lane Theatre

Performances

Mainpiece Title: The Marriage Hater Matchd

Performance Comment: Sir Philip-Wilks; Sir Laurence-Johnson; Captain Darewell-Mills; Van Gripe-Pinkethman; Bias-Bullock; Solon-Norris; Brainless-Pack; Callow-Bowen; Lady Subtle-Mrs Knight; Lady Bumfiddle-Mrs Powell; Lovewell-Mrs Rogers; Berenice-Mrs Bradshaw; La Pupsey-Mrs Moor.
Cast
Role: Sir Laurence Actor: Johnson