Event Comment: Benefit for Cushing, Desse and Stede

Event Comment: Benefit for Wignell and Mrs Lee. No building on Stage. Receipts: #38 10s. plus #134 17s. from tickets: Wignell #90 14s. (Box 52; Pit 324; Gallery 291); Mrs Lee #44 3s. (Box 94; Pit 107; Gallery 46) (Account Book). Charges: #63 10s. (Account Book)

Event Comment: Benefit for Poitier. On Account of the Dancing No Building on the Stage. Tickets and places to be had of Mr Poitier, at Mr Piddington's, Coach-Maker, in Great Queen Street, Lincoln's Inn Fields, where Mr Poitier hopes his Friends will favour him with their Commands, as this is the last Benefit he proposes taking

Event Comment: The Fifth Day. Neville MS Diary: Going into the first Gallery to hear the Prologue...was obliged to stay and see the Play. When the Epilogue was called for, Barry appeared and said, Mrs Dancer is so ill, she hopes you will excuse her." The gods were so brutish as to continue hissing and crying Off Off" All the while little Froment danced, who stood it very well. At last Mrs Dancer came on the stage and said I have been very ill all night. Otherwise I would not have requested this indulgence. The "Nos" and Clappers prevailing, at last she got off without speaking the Epilogue. The Farce was...purged of a little of its obscenity

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by Shield. MS not in Larpent; not published. Prologue by George Colman, the younger (European Magazine, May 1786, p. 370)]. "An old and established rule among the youth of Westminster [School will] not permit any exhibition on the stage reflecting upon their body ... In the second act Mrs Wells made her appearance in the dress of a Westminster scholar, when a general uproar [instigated by the scholars] took place, and the [rest of the] piece was prevented from being heard" (Town and Country Magazine, May 1786, p. 235). Public Advertiser, 8 May: Tickets to be had of Mrs Wells, No. 188, Oxford-street. Receipts: #282 17s. (166/0/6; 21/19/6; tickets: 94/17/0) (charge: #105)

Event Comment: Benefit for the London Hospital. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken at the Stage Door of the Theatre; the Doors of which will be opened at 5:30, and the Performance to begin precisely at 6:30. No Money to be returned after the Curtain is drawn up, nor will any Person be admitted behind the Scenes. [Master Braham is identified in Grove. Address by Arthur Murphy (Town and Country Magazine, July 1787, p. 324).] This was the opening night of this theatre, which had been built by and was under the management of John Palmer. Following the afterpiece he explained to the audience the objections of the proprietors of dl, cg and hay to his opening the theatre. He said that he had from the Lieutenant of the Tower of London what he considered to be sufficient permission, but that he would nevertheless close the theatre temporarily. Palmer's difficulty was that he had no really legal permission from anybody for the performance of actual plays. See 3 July, and for further details the head-note to this season. World, 18 July, prints an official accoudting for this night from the theatre's treasurer: Receipts were #273 12s.; paid for music, advertisements, servants, &c. #37 10s.; lost in bad silver #1 19s.; paid the London Hospital #234 4s.; the players acted without salary

Event Comment: Afterpiece [1st time; MF 2, by John Cartwright Cross. MSS: Larpent MS 1139 (as licensed for the hay in Aug. 1796, but, although advertised for performance on 31 successive nights, not acted there), and Larpent MS 1142 (as licensed for dl); not published; synopsis of plot in Morning Herald. 7 Nov.]: The Overture and Musick by Reeve. Books of the Songs to be had in the Theatre. Receipts: #320 4s. (213.14.6; 104.10.0; 1.19.6)

Event Comment: Benefit for King. 1st piece: In one act; not acted these 20 years [not acted since 12 Nov. 1772]. 2nd piece [1st time; D 3, author unknown. Larpent MS 1250; not published]. Morning Chronicle, 10 Apr.: Tickets to be had of King at his house, Store-street, Bedford-square. Receipts: #437 14s. (241.3.0; 57.7.6; odd and after-money: tickets: 137.0.6) (charge:#231 7s.)

Event Comment: This play is not certainly indicated as the one given on this day in A Calendar of Inner Temple Records, ed. Inderwick, III, 73; but the sequence of performances listed there suggests that this may have been the play offered on Candlemas Day. The actors received the customary fee of #20

Event Comment: The Duke's Company. The date of the first performance is not known, but Downes (Roscius Anglicanus, p. 32) states: The first new Play Acted there, was King Charles the VIII. of France; it was all new Cloath'd, yet lasted but 6 Days together, but 'twas Acted now and then afterwards. Two songs for this play, Too justly alas, set by James Hart, and O love if e'er thou'lt ease a heart, set by Pelham Humphrey, are in Choice Songs and Ayres, First Book, 1673

Event Comment: By command of several of the Nobility and Gentry. No Person to go into the Box or Pit, but the Subscribers. The first gallery 3s., the upper gallery 1s. 6d. At 6 p.m

Event Comment: At the Request of several Persons of Quality. In the Great Room at the Wells. At 8 p.m. Tickets 5s. Note, The Tide of Flood begins at One of Clock in the Afternoon, and flows till Five, and Ebbs till Twelve, for the Convenience of returning

Event Comment: Benefit Mrs Hodgson and Mrs Bignall. At the Desire of several Persons of Quality. Afterpiece: Music set by Eccles